Portfolio carolinamico by carolinamico

P O R T FO L I O Carolina Mic贸 Navarro

Product Designer

carolinamico@hotmail.com

20 1

HUMOR

knowlegde

PRO

abbraccio TAIWAN

PASSION

art

P R OJ E C T

magic

f a n t a s y

HO TOC polvos

spain

BICYCLE UTILITY FOLDING

creativity

live love water

love

persistence

Design

star-pack biography

Cuelgame

work

WHITE BLACK

colour

FLY

atnion innovclea

GU AU! SHAPE

NEW

go-on The big city transport usually is very crowdet, so thats way people star using more and more the bicycle as a fast, autonomic, economic and ecologic way of transport. The biggest problem arrives when you stop using it. We don´tknow what to do with our bicycle when we go in a shop, at the undergound, when we want to carry it with us, or park it (afraid of it being stolen). Thats why this project raises the design of a fold bicycle for the EASD School. This bicycle can be fold easily by the pedal shaft (with only one movement)and in a confortable way (without haveing to make streght or weighing it). It’s very practicle at use and no use, due to the fact that you can transport it as a suitcase, thanks to the hang of the saddle. It is a design foccused for EASD students and teachers, so its conceptualization takes on account its public. Thats why it has the

concept of: Young (vitality), student (illusion), design (improvement), EASD (motivation), Valencia (immediate, fast), They are recapted in the concept “GO-ON“ because that’s what the schoool looks for, looking foward, innovating and improving. The EASD brand is appli in important aspects of the bycicle with the folding system and the concept “GO-ON”. The form of the brand it’s also applicated at the bycicle (easy and depured) and the use of the object (insctinctive, folding, easy and confortable) To end up, its sizes let us introduce it at the locker of EASD, giving more security to the user.

PROJECT PLANS “FORWARD” folding bike for the EASD.

PROJECT PLANS “FORWARD” folding system.

0,9 5

60°

25 R4 0

° 90

R 15,49

O 20

100

R 50

R 10

R 15,49

0 R2

SECTION BB

A B

A 137°

PIEZA LATERAL DERECHA DEL SISTEMA ESCALA 1:5

SECTION AA

1 R8

SECTION DD 8,5

SISTEMA DE PLEGADO (BICICLETA EN MARCHA)

C D

R 2, 5 R 10

R 10

R 50

111

PIEZA CENTRAL DEL SISTEMA ESCALA 1:5

137°

SECTION CC

80 R 10

90 °

19,99

0 R2

R 40

100

90 °

E F

R 50 O

E R 30 ,0

SECTION EE 0 R3

SECTION FF

Nº

SISTEMA DE PLEGADO (BICICLETA PLEGADA)

137°

PIEZA LATERAL IZQUIERDA DEL SISTEMA ESCALA 1:5

R 30 ,0

DIMENSIONES

CANTIDAD

Eje del sistema (pedalier)

DENOMINACIÓN

Acero

MATERIAL

20 x 193 x 20

...

Disco izquierdo

Aluminio

100 x 100 x 25

...

Disco central

Aluminio

100 x 100 x 111

...

Disco derecho

Aluminio

100 x 100 x 25

...

(alto x ancho x profundo)

Diseño de Producto

Josep Soria Delgado Carolina Micó Navarro Escala:

2º A Mañanas

1er Semastre

Bicicleta plegable

Proyectos de oficina técnica

Corrección:

... Sustituye a:

Sustituido por:

REF:

Nombre de plano:

1:2

REF. COMERCIAL NORM

Sistema de plegado

Plano Nº:

sta r - pac k Th e c o m p a n y “L a n te r o e mb a l a j e ” o f th e g r o up “S I CE ”, is a manuf ac t urer o f re cycl e d ca rd b o a r d c o mp a n y , th a t n e e d ed t o innov at e t he des ign of a p re m i u m p a cka gi n g fo r th e s a l e o f v a l e nc ian oranges at t he unit ed kin d o o m su p e rm a r k e ts . Sta r-P a ck i s t h e pe r fe c t p a c k a g i n g fo r th e bes t oranges , t he v alenc ian o ra n ge s h o rch a d . T h i s r e c y c l e d c a r d b oard f olding it ’ s eas y t o m a n u f a ct u re (a si me tr i c te mp l a te v e r y s i mplif ied) and an eas y doing (in o n l y 3 m o ve m e n ts ) , It’ s v e r y a tr a c ti v e in w hat t he s ale is ref ered

on an es t andard superm arket due to its nice looking. P ermit s a s af e t ransport because it m anteins each orange in a indiv idual plac e. Also its transport since the superm arket to hom e is v ery c onf ort able, because the weight destribuites itself in the stucture. When it ´s empt ied you can give it a second use, it’s the perfect organiz er f or home elem ents (like pencils, socks, etc.) extending its us ef ul lif e.

g uau ! Pets are a nice company for many families nowadays, but if they aren’t well cared they can bring many infections for the pet and also to the family. By this is very important its worming, because if it is itchy, you scratch. But there are problems with the worming because they are very harmful for the human skin, and they need useing gloves for its application, or some of them frighten pets (like sprays). That’s why we want to create a new container.

Guau! is a new packaging with roll-on dispenser, with a flea liquid by the well known brand Frontline. Roll-on is a innovative dispenser to the sector and it is in charge of deworm the pet which will be very confortable because is very easy to use. Its shape is very ergonomic and throws better the liquid, and with the correct quantity, and avoids the skin contact. The colors are accord with the company ones and advertise that its content is prohibited for

humans. About design we can see it in its shape that symbolize the form of a dog with an Isanelino´s necklace (wich is used to avoid that the dog scratches itself). Its name symbolize the onomatopeia that the dog does when it barks, “Guau!”, and also to the onomatopeia of surprise (like woow!).The union of design, ergonomity, and protection makes this product very interesting for the sector, because there aren’t a lot of design examples in it.

a b b r ac cio Do yo u n e e d a h u g ? Th is p ro j e ct ra i se s th e d e s i g n o f a c h a i r t hat f it s t o th e Val e n ci a n A n d r e u W o l r d fi l o s o p h y . T h at s why it s m a n u f a ct u re d i n b e e c h w o o d , th r o u g h th e w ood bent , wh ich A n d re u W o rl d i s a n e s p e c i a l i s t. Th e est e t i c a l so c o n ti n u e s w i th th e c ompany ’ s filo so ph y, w i t h i t s s o ft a n d e l e g a n t fo r ms , the us e of b e e ch w o o d w i t h g o o d q u a l i ti e s fi n i s h e s .

This des ign res t s on t he “emot ional design” to apport a s ummat ion of t he produc t ’ s v alue. I t ’ s s upport ed on t he hug’ s f eeling and from this idea the name of “A B B R A CC I O”. I t ’ s s hape seem s as if the two f ront legs hug y ou whe y ou s eat down”. Throught t he hug s y mbol it is tryed to express, c onf ort abilit y , prot ec t ion and qualit y that defines it, trying t o c reat e an af f ec t ion of t he us er with the chair.

c u e lga m e A re aso n a b l e q u a nti ty o f l i g h ti n g s o r r o u n d us on our day a day , but a ve ry in t e re sa n t f a c t i s th a t a l l o f th e m a r e hanged on t he c eeling, wall o r to a n e n e rg y so u r c e , a n d th e y d o n o t a pport f lex ibilit y in t heir us e. CUÉL GA M E (H A N G ME ) i s a v e r y u s e fu l i nalambric lamp t hat c an be h a n g e d w h e re ve r l i g h t i s n e e d e d , It’ s s i mply f orm ex pres s int uit iv ely it´s use , f ro m w h e r e i s h a n g e d a n d fr o m w here it ´s iluminat ed. D ue t o th e fa ct t h a t i t ’s s h a p e i s a s i mp l i fi e d u n ion bet ween t he s ilhouet t es o f a la m p a n d a h a n g e r .

This ic onic f orm searches for a easy understanding. Thanks to it’s light bat t ery t hat feeds the LED bulbs, it doesn’t weigh very m uch, and t he lamp c an be used and hanged wherever you want. In addition it s s hape permit s placing it in the inside of wardrobe to end up with t he problem of t he lack of light. Also you can use it to as a hanger t o emphas is e a piece of cloth.

to c h o p o lv o s “F o o tba l l i t ’s a l so th a t w a y ” i s a n e x p o s i tory projec t t hat inv es t igat es h o w f o o t b a l l i n sp i r e d th e d e s i g n , d i r e c te d by t he E n B lanc s t udio. Th ro u g h ra f f l e i s e s ta b l i s h e d th e s i tu a ti o n (s c enary and moment ) t o th e d e ve l o p m e n t o f a p r o j e c t, th a t c a n be s elec t ed (it is t he c as e) to b e e xp o se d i n th e e x p o s i ti o n o f th e M uV I M inaugurat ed on J une 2 0 1 1 . Th e sce n a r y i s “ T h e p u b w i th fr i e nds ”, and t he moment “The e n d o f t h e m a t ch , w e ’ v e l o s t” . T h e fa n s , o n f ront of a def eat c an s how a n g e r, d i sa p p o i ntme n t a n d s a d n e s s fe elings , bec aus e t heir t eam h a sn ’t a rri ve d t o th e i r o b j e c ti v e , w i n n i n g t he E uroc ope.

Tak ing int o ac c ount the scene, it appears the problem of how to show t heir f eelings and being able to not keeping them them selves. Look f or an ex c us e t o end up with the feelings and m ake sure that nobody w ill s ee him c ry ing for a gam e. The “TOCHOPOLVOS” sweets (That c oloquialy means som eone who is very”depressed”) are the perfect ex c us e s o t hat t he rest of the people do not know that you are crying bec aus e of t he defeat. Because they are so spicy that if you aren’t c ry ing t hey ’ ll mak e you cry.

Glasses levitating by quantum lock. Backlit box

Frame

Mirror wall

o pt ic s p O S di s p l ay No wa d a ys t h e P oi n t o f s a l e d i s p l a y , i s s omet hing not v ery dev eloped b y th e Op t i cs sh o p s , T h a t’ s w h y g l a s s e s were c hoos ed as a objec t to e m p h a si ze . I t w a s fo u n d th e n e e d o f c alling t he at ent ion of t he co n su m e r, t h a n ks to th e v i s u a l i mp a c t, mak ing t hem int erac t and h ig h lig h t i n g t h e p r o d u c t r e l e v a n c e . POS D I S P L A Y i s b a s e d o n a c ti o n , w h e n s omeone s ees a mirror t hey in stinct i ve l y w a t ch th e ms e l v e s i n i t. T h a t’ s w ay when a pers on walk s to a n o p t i c h e f i n d s a w a l l fu l l o f mi r r o r s t hat dis t ort t he s hape in wh ich i t sa ys “d on ’ t y o u l o o k a l r i g h t? “ , t his mak es y ou t hink about

y our v is ion’ s quality and propose yourself if you are in a need of glas s es . Going f orward, t his person finds fram ed m irrors, with a sticker of the s hape of one of t he type of glasses that you can find inside. When t his pers on see itself, he’s wearing the glasses and can try all of t hem look ing at the m irrors. This way we can m ake the frontier of hav ing t o ent er t he shop dissapear. In addition is very unconfortable mak ing t hem go to the next m irror, com ing back for the next m odel, et c .

Due to the fact that this m irrors are the re a l sto r e fr o n t, it cr e a te s certain m istery and invites to enter. Inside yo u ca n fin d th e tr u e g la ss of the sticker you saw before. inside the sho p e th e mir r o r b e co me s to be the wall and the fram e, fram es a backlit b o x, a n d th e in sid e th e glasses are levitating by quantum lock. That’s how we arrive to m aterialise the conc e p ts o f p r o d u ct e xa ltation and interactuation of the user, creatin g a ma g ic clima te o f m istery.

l i v e + lo v e + wat e r De sign e d i n co l l a b o r a ti o n w i th O l e h S a nt olaria K ardas h and J uan Ca n o . Th i s b a t h ro o m d e s i g n a s i n te g r a l unit of wat er management is a re sp o n se t o th e g r o w i n g n e e d fo r w at er c ons erv at ion. This new co n ce p t b a t h ro o m th a t th e u s e r c a n i n s t all perf ec t ly at home, or wh e re ve r, sa vi n g mo r e th a n 1 1 ,0 0 0 l i tp e r mont h, due t o a c omplex

and rec y c ling of natural water purification (by vegetation) and artificial (t hank s t o a c arbon filter and iodine). The toilet does not require w at er, as it us es a set of principles of fluid surface to disintegrate all was t e generat ed. This high technology is hum anized aesthetically adapt ed t o t he us erâ&#x20AC;&#x2122;s daily life.

C U R R I C U LU M N AME . C a r o l i n a

Mi c 贸 N a v a r r o

BORN . 2 1 /0 8 /1 9 9 2 AG E .

( V i l l e n a ,S p a i n )

adres s. c /C o n g r e g a c i 贸 n e -mai l.

5 . 3 潞C. V illena 03400

c a r o l i n a mi c o @ h o tma i l .c om

C U R R I C U LU M

academic educatio n

languages

2001 - 2009 - Annual courses of English. My English Club (Villena, Spain) -

Spanish

- native -

Catalan

- native -

English -

- level B1

2003 - Finished the Elementary School. Ruperto Chapí (Villena, Spain) 2004 - Achived English (KET) title by Cambridge University (Elche, Spain) 2007 - Finished High School ESO. Navarro Santafé institute (Villena, Spain) 2009 - Obtained an English title for attention to the public. Logos (Villena, Spain) 2010 - Graduated at Artistic Bachellorian. Hermanos Amorós institute (Villena, Spain) 2010 - Started studying Product Design. EASD (Valencia, Spain) 2013 - Currently studying 3rd Course of Product Design. EASD (Valencia, Spain) -

working life Collaboration whith a design company of footwear and applications of leather and confeccion. Pepe Micó, Handcrafted Fashion Industry. - (1 year) -

3d- 2d Know d ege 3D Studio Max

- medium -

Adobe Photoshop

- medium -

AutoCAD

- medium -

Adobe After Effects

- medium -

Solid Edge

- high -

Keyshot

- high -

Cinema 4D

- high -

Adobe Premiere

- high -

Adobe Illustratot

- high -

Children’s dance teacher - (4 years) -

Adobe InDesign

- high -

Caregiver

Microsoft Office

Organized Artistic Exhibition (in collaboration with teachers) in the Circulo Agrícola Mercantil , Casa de cultura and Hermita de San Antón (Villena, Spain) - (2 years) -

of a person with down sindrom- (1 year) -

- high -

I hope to meet you soon