portfoliocarolinaboaventura
|index 1.Curriculum Carolina Boaventura 2. Building design 2.1. dwelling and commercial building at Butantã neighborhood team: Ana Carolina de Lima, Carolina Boaventura, Denise Kaminaga, Gulherme Arruda | orientador: Prof. Dr. Álvaro Puntoni
2.2. cultural complex and navigation engineering school at the billings dam team: Ana Carolina de Lima, Carolina Boaventura, Denise Kaminaga, Gulherme Arruda | tutor Prof. Dr. Francisco Spadoni
2.3. social dwelling at 14bis square team: Ana Carolina de Lima, Carolina Boaventura, Denise Kaminaga, Gulherme Arruda | tutor: Prof. Dr. Álvaro Puntoni
2.4. single-family house in goiânia 3. Urban design 3.1 dom pedro II park requalification project team: Ana Carolina de Lima, Carolina Boaventura, Denise Kaminaga, Diogo Pereira, Gulherme Arruda | tutor: Prof. Dr.João Whitaker
4. Graphic design 4.1 graphic design for the “Anatomy of Soul Bass” exhibition tutor: Prof. Dr. Francisco Homem de Melo
5. Research projects 5.1 vitruvio´s models: didactic material elaboration
LABTRI team :Augusto Correa, Carolina Boaventura, Lucas French, Rodolfo Macedo | tutor: PHD professor Mário Henrique Simão d´Agostino www.usp.br/fau/dephistoria/labtri
6. Industrial design 6.1 compact equipment of kitchen and service area team: Ana Carolina Lima, Carolina Boaventura, Leandro Leão
6.2 cooking and eating pavillion team: Ana Carolina Lima, Carolina Boaventura, Leandro Leão
1.curriculum carolinaboaventura Personal Information:
Name: Carolina Rodrigues Boaventura Telephone: +31 6 41023065 Nationality: Brazilian Home Faculty: Faculty of Architecture and Urbanism - University of São Paulo E-mail: carolrboaventura@gmail.com
Academic Education:
Research academic projects: Internships Experiences:
2008- Admission at the Architecture and Urbanism Faculty at the University of São Paulo – FAU-USP
2008-2009: Academic internship at the research Lab of Tridimensional Models in the University of São Paulo – FAU-USP LABTRI (http://www.usp.br/fau/dephisto-
Languages:
ria/labtri/index.html )
Portuguese| mother tongue English | fluent, spoke and read. Spanish : fluent, spoke and read
2009-2010: Research Academic Project “Vitruvian Models: Temples Typologies: In Antis, Prostyle, Amphiprostyle, Peripteral, Dipteral and Pseudodipteral”. Academic supervisor: Researcher Prof. PhD. Mário Henrique Simão D´Agostino
2011: Internship at MLD Office- Architecture and Restoration as a member of the Butantan Institute urban planner under coordination of Maria Luiza Dutra and Carlos Faggin
Extracurricular activities: 2011: Workshop “Contemporary Urban Problematic Red-PUC” in Universidad Nacional del Litoral (UNL) at the city of Santa Fé, Argentina; 2011: Workshop in IUAV and USP - Università IUAV di Venezia and Universidade
2012: Internship in MLD Office- Architecture and Restoration as a member of the de São Paulo; database group of the historical protected buildings and areas of Republica and 2012: Academic Exchange Program at TU Sé district in the city of São Paulo upon Delft – Track of Public Building, Boder request from the São Paulo City Hall. Conditions Studio.
Software:
Microsoft Office AutoCAD Skecth Up Corel Draw Revit Architecture Adobe Illustrator Adobe InDesign Adobe Photoshop V-ray
2.1.dwelling and commercial
building at butantã neighborhood
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The dwelling and commercial building project located at Butantã neighborhood took as main point the team perception of the lack of free public space in the area. Therefore the building design strategy was conceived to create more permeability at the location by raising it from the ground floor. Then it could be used as a free use area and could become a square, a meeting place or just a different passageway for pedestrians. There are also two commercial areas, one situated at the underground level, which is connected to the ground floor by a geometrical ramp, and the second one is the raised irregular block. The shape of the vertical housing tower was designed to bring to the dwellers unexpected meeting spaces. Then, the central structure system allows the free rotation of the “L”, “U” and “O”
level 715 | garage
level 718 | commercial
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type floors. The obtained result was a tower with plenty of semi public areas that also create different spaces for city contemplation.
Area chart: Commercial total area 1922 m² Ground Level commercial | 468 m² Total area of 45m² flats | 360 m² Total area of 60m² flats | 2040 m² Total area of 75m² flats | 1800m² Total flats| 92 Total area | 11.472 m²
quota 728| commercial
level 738| semi-public space
level 742| residencial
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2.2.cultural complex and
navigation engineering school at the Billings Dam
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For a research theme that proposes mobility and multiple uses in a single area, the team had designed a cultural and educational complex that takes advantage of the site`s topography and its relation with the water. The location is at the border of Billings Dam, a São Paulo destitute suburb region, where the lack of public interaction space is almost an urban issue. Combining the geography characteristics of the area, the horizontal landscape and the multiple uses offered by the complex - a navigation engineering school, library, engineering labs, restaurant and auditorium - the team developed a “platform structure” for the fragmented building which considered all pedestrian flow possibilities. Therefore all rooftop of the each building turned into different kinds of public spaces to host concerts, meetings and collective activities. At the higher site level a ramp sets way connecting all the fragmented build-
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ings. The sports area and the refectory are connected by a large opened reception square. Compared to the refectory level, the access to the auditorium is lower, so that way it can also open its backside and become an open auditorium to the free area. All the uses that need to be in contact with the water, as the model atelier and labs, are close to the dam border to favor the experimentations. The class rooms are in the “lifted block” above the created topography, contrasting with the fragmented pieces.
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2.3.social dwelling at 14bis square
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Ground floor plan
The Project around 14bis Square, located in the Nove de Julho Avenue, in the city of São Paulo had as main purpose to keep the free and permeable ground level areas. Therefore the main strategy was to elevate the building from the street level to keep the original topography and also create an open space for public meeting. To give uniformity to the urban preexisting surrounding landscape, the concrete was elected as central material, as an urban continuity of texture. In the principal facade was designed a vertical circulation as highlighted element and it also allow the visual urban interaction. In that same surface it was used on it “cobogós” (perforated concrete brinks, typical in Brazilian build) as a ventilation and insulation strategy and also for aesthetic composition. Each pavement has two flats with a
Flat plan
collective laundry and a large corridor for social interaction and common events. The housing unit was designed for the maximum use of 60 square meters. The “wet rooms” as kitchen and bathroom were separated from the intimate use with a large living room organized without walls, only the furniture layout define the space, and these, are the dweller`s choices. Bathroom, lavatory and kitchen share the same hydraulic column system. The intimate area is composed by two bedrooms. The corridor is also used as a little library with large shelves along its length.
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facade 14 bis
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2.4.single-family house in goiânia
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The small single-family house located in the city of Goiânia, Brazil was developed with minimum habitable space, but one that could allow great interaction between the different spaces such as office, living room and kitchen. The entire project was design as 1,8m x 1,8m grid, in whic=h was defined at first the structural elements, and then it were added walls that works as free surfaces – one never cross each other. The windows frame had also followed the grid modulation. In the first floor the concrete is entirely covered by a huge book shelf that comes until the second level which is the office and the studio. The stair is the central element and it´s also the element
that separates the social and the service use. The intimate use is located in the separated volume and it also has different materials. The access is through a large catwalk witch connects the two bedrooms with the studio area, but this connection can also be a green area and a balcony.
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3.1.dom pedro II park requalification project
Despite the huge number of urban intervention in the area, the Dom Pedro II Park on its nowadays situation doesn´t work as a proper urban space for interaction, open events or leisure. The main reason are five viaducts that cross over the park, blocking the pedestrians flow and creating “dead spaces” underneath them, and also the Estado Avenue, that has a highway characteristic cross in the middle of the park impeding any kind of flow into the park. Therefore, the Project has the following ideas of dwelling and the commercial uses: - Water treatment in the river and border that allows an integration of the river with the city - Diário Popular, Mercúrio e Antônio Nakashima viaducts demolition - Relocation of the bus terminal to three strategic points: close to Municipal
market, 25 de Março Street and close to the subway station. And also appropriate the structure to crate a space for the temporary fairs, which are really popular in Brazil. -Relocation of the Estado Avenue to the outside of the park and changing its highway characteristics to a normal avenue. -Relocation of the public school for the old and historical military building and design an outbuilding as a small library. -Research for nowadays use is to turn them into a commercial and dwelling area. - Tamanduateí river enlargement and improve its water treatment system -25 de Março Viaduct enlargement allowing two way cars crossing, pedestrian path and bicycle path -Create a different level for pedestrian paths that could also work as a free public space.
park paths path at the rivel level green area bus terminal existing buildings for restoration process criated equipment preexisting equipment dweling area subway line
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4.1.graphic design for the “Anatomy of Saul Bass” exhibition
This work was an elaborate version of an advertisement material for a fictitious exhibition that would show the graphic, cinematographic and artistic work of Soul Bass. The most remarkable cinematographic production of the artist was between 1954 and 1960, in the time that the movie advertisement was not associated with the actors’ image but it was constructed by a group of symbols and hand drawings. Bass, therefore was not only highlighted for just being associated in movies with great circulation but also created a system of cinematographic signs that are truly a work of art as an animation. The start point for the study of the visual identity was to elaborate it
using the most important work of the artist – The Golden Arm – not just for the aesthetics quality, but because it was the language that defined his style. Such as movies animations that play with the idea of irregular bars crossing each other and transforming themselves into other drawings the designed visual pattern for the exhibition was an appropriation of that irregular geometry The color palettes were decided after a study about Bass main works and the choice was based in repeated colors of his work. After the visual patterns development was designing the following material: logo, poster, brochure, signaling plates and urban intervention.
A N A T O M Y O F S A U L B A S S
Left: visual geometrical pattern and colours studies. Above: disclosure exhibition poster
A N AT O M Y O F S A U L B A S S Urban intervention of the disclosure exhibition in Paulista Avenue
Part of the brochure and it cover
5.1.vitruvian models:
development of teaching material MAQUETE 2:
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O modelo elucida os cinco gêneros de templos possíveis de se construirr na segunda maquete. A legenda dos círculos é a mesma da imagem da página anterior. Dessa vez, os intercolúnios variam enquanto o templo pseudodíptero é constante. As alturas dos templos também são fatores que se alteram ao longo desses gêneros. Da esquerda para a direita: picnostilo, sistilo, eustilo, diastilo e aerostilo
O modelo elucida os cinco gêneros de templos possíveis de se construirr na segunda maquete. A legenda dos círculos é a mesma da imagem da página anterior. Dessa vez, os intercolúnios variam enquanto o templo pseudodíptero é constante. As alturas dos templos também são fatores que se alteram ao longo desses gêneros. Da esquerda para a direita: picnostilo, sistilo, eustilo, diastilo e aerostilo
estudo de projeto e análise de edifícios antigos prescritos por Vitrúvio em seu De Architectura Representação feita da academic elevação das relações de altura e intercolúniothe apresentadas pela segunda The research project was developed metric-proportional of maquete. Da esquerda para a direta: Picnostilo, sistilo, eustilo, diatilo e aerostilo.
“Vitruvian Models” belong to LABTRI temple typologies (divided in In Antis, ProTridimensional Models Lab - aimed the style, Amphiprostyle, Peripteral, Dipteral interpretations of Vitruvius’s writings and Pseudodipteral) and also its inter in his treatise De Architectura for the columns (classified by picnostyle, systyle, elaboration of a didactic material kit for diastyle, aerostyle, eustyle, tetrastyle, architect schools. The material include hexastyle e octostyle). two wooden models, that allow the study From those previously researches and research about the different temples and proportional studies the team transRepresentação feita da elevação das relações de altura e intercolúnio apresentadas pela segunda typology,Daone DVD with the explanaferred it todiatilo a graphic system in CAD drawmaquete. esquerda para all a direta: Picnostilo, sistilo, eustilo, e aerostilo. tion about the classical architecture from ings, 3D models. My part of the research Vitruvius’s writings, and a book that teach was focus n the temple models, the 3D the geometrical process for the temples renderings and all the text that talks and theater designing. about the historical context, the author During the year of 2008 was and De Architectura book developed in LABTRI the necessary study for the didactic material elaboration that throw one meticulous Vitruvius’s treatise interpretation aiming the geometric and mathematic reconstruction used in the temple and public building conception at the Greek ancient time. On this period
Left side: technical drawings of the five temple types. From the left to right: picnostyle, systyle, eustyle, diastyle, aerostyle. Above: Book cover presented in the end of the reseach.
geometrical reconstruction of pseudodíptero temple of Ártemis Leukophryene
images of the electronic models for study research and image of the model developed for the “vitruivian models”
diastilo Ionic temple
5.1. compact equipment kitchen and service area B
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The whole structure is a self-lifting metallic piece. This frame involves the electric equipment and also the cabinets. It has a folding roof and covertures. The material choice is based in the structural possibility and by the good protection of the internal equipment. The most complex module is in the hydraulic and electric system that works across of an embedded tube in the center. By this same axis, through a system of articulation and fit, the module will flip 90 degrees, thereby creating a new ambience.
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5.2. cooking and eating pavillion
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The relationship between people, cooking, meal time and all the different social interactions around those two activities is the main point of this design. One of the most important spaces in Brazilian dwellings is the kitchen, not only because it’s functional but it’s also considered the best meeting place in any ordinary house. Versatility of space and adaptation to different topography types were technical start points. It was also considered the industrial element characteristics like the modulation, easy assemble and maintenance. The pavilion is structured in three porticos that are supported by an adjustable base for different topographies. For the removable floor, modulated in 60cm x 60 cm, was designed an iron grid for also has above it all the technical equipment. For light and temperature control were
used a glass layer that can be opened as a window and a wooden brise-soleil as a second layer. Attempting to achieve more flexibility, the kitchen equipment was designed according to the floor rail measurement. There are four module types and they are organized by their function such as: cooking, dish washing and refrigerating, which were also thought as layout elements. They can slide into the rails and can be organized on different types of spaces. One goal of this project was also to be designed with sustainable ideas as water reuse and solar photovoltaic panels.
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corte transversal esc. 1:15 percurso da H20 captação H20 suja H20 reutilizåvel
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images, draws, models and developing work schemes and workshop experiences
portfoliocarolinaboaventura Carolina Rodrigues Boaventura +31 6 41023065 carolrboaventura@gmail.com