Portfolio 2020 by Caroline Errico

CAROLINE ERRICO Portfolio of Architecture

CAROLINE ERRICO errico.carolines@gmail.com 908.656.3908

https://issuu.com/carolineerrico

EXPERIENCE

SKILLS

UNIVERSITY OF CINCINNATI

DIGITAL

Cincinnati, OH Graduate Assistant — August 2019 - May 2020 › Instructed first year Students in Manual & Digital Representation Skills.

INC

New York, NY Design Intern — May 2019 - August 2019 › Assisted on Design Documentation of Luxury Multi-Family Building. › Detailed Construction Drawings for Spa and Hospitality Project.

JAM

Brooklyn, NY Design Intern — August 2018 - December 2018 › Designed and Documented Private Residential Projects. › Prepared Drawings for NYC DOB and LPC review.

STUDIOS

San Francisco, CA Design Intern — January 2018 - April 2018 › Schematic and Design Development of Interior Cafe Spaces. › Worked on Construction Documentation of Workplace Campus.

Adobe Illustrator Adobe InDesign Adobe Photoshop Rhino3D Revit Enscape VRay ArchiCAD AutoCAD

MANUAL

Hand Drafting Model Making Sketching Crochet

LANGUAGES English Spanish

DPMT7

Cincinnati, OH Design and Fabrication Assistant — May 2017 - July 2017 › Fabricated sculptural pieces for Architectural Gallery Installation. › Participated in design charrettes.

ORGANIZATIONS

MERIDIAN DESIGN ASSOCIATES

UNIVERSITY OF CINCINNATI

New York, NY Furniture & Finishes Coordinator — January 2015 - June 2016 › Worked on Design and Construction Documentation of Workplace, Media & Broadcast, & Residential Interiors Projects. › Specified Furniture Systems and Finish Materials. Intern — January 2014 - January 2015 › Drafted Schematic & Design Material. › Curated Marketing material and Social Media platform. › Managed the Architectural Resource Library.

Graduate Student Association August 2017 - May 2020 › Held an Executive Board position within the Graduate Student Government (2019-2020) › Organized bi-weekly fundraisers for the student body (2019-2020)

EDUCATION UNIVERSITY OF CINCINNATI

Master of Architecture, Class of 2020 GPA 3.8

AWARDS

COLUMBIA UNIVERSITY

ULI HINES

Introduction to Architecture, July 2013

NEW YORK UNIVERSITY (NYU)

Bachelor of the Arts, Class of 2013 Cum Laude Majors: Urban Design and Architecture Studies; Spanish 3

Top 4 National Finalist 2020 Urban Design Student Competition

UNIVERSITY OF CINCINNATI Outstanding Architecture Student 2020

CONTENTS

PROFESSIONAL › STUDIOS Architecture › DPMT7

6 8

› INC Architecture & Design

› JAM Architecture

› Freelance Design Work

ACADEMIC

› DENSE-city

› the LIFELINE, ULI Hines Student Competition

› Pixel Park Food Project

› Section 001, ICFF Student Booth

› Manual Representation

PERSONAL

› Grotesques

STUDIOS Architecture

Corporate Campus Cafe Design & Drafting 2018

orking with STUDIOS Architecture on a large corporate campus project, I was part

of a small team tasked with the design of the private cafes. Designing within the clients branding guidelines, we worked to create a dramatic entry partition. Using a rustic material palette and biophillic

design, the screen of planter boxes provides privacy while creating visual interest and filtering the light entering from the outside.

reclaimed barn wood

OPEN TO BEYOND, TYP. EQ

0'-9"

10 EQ

2'-0" TYP.

29'-8"

2" x 2" HSS

SCHEDULED HDWD. SEE ELEVATION PENNINGTON BLACK PLASTIC LINER BOX SCHEDULED HDWD. SEE ELEVATION EXPOSED NAILHEAD

2" STEEL ANGLE BRACKET RECESSED 1/2" FROM EDGE OF WOOD

7 1/2"

ALIGN

SCHEDULED HDWD. SEE ELEVATION 2" x 2" HSS

PENNINGTON BLACK PLASTIC LINER BOX SCHEDULED HDWD. SEE ELEVATION

SEE ELEVATIONS

EXPOSED NAILHEAD

photoshop, revit

DPMT7

Un Teatro del Nuovo Gallery Installation Summer 2017

orking with DPMT7, a fine arts based

architecture studio, I contributed to their

large-scale gallery exhibition. Working with twine, I developed a pattern for this extensive netted fabric. I taught my partner how to crochet and we created a 80 sf netted piece which I sewed together by hand. A contrasting color was chosen to celebrate the joint where the halves met. Depicted right is an 8’ x 2’ x 2’ monumental stela. I cut the metal cylinders and wrapped them in several hundred feet of twine.

crochet hook, twine

sander, circular saw

TYPICAL TYPICALRIBBED RIBBEDWOOD WOODASSEMBLY, ASSEMBLY, A-524 SEE SEES2S2/ /A-524

1 1/2" 1 1/2" 1 1/2" 1 1/2" TYP. TYP. TYP. TYP.

2 1/2" 2 1/2"

BLOCKING OCKING

1/2" HARDWOOD CAP 1/2" HARDWOOD CAP

CL CL

2 1/2" 2 1/2"

1/4" DOUBLE GLAZING 1/4" DOUBLE GLAZING

2 21/2" 1/2"

MULLION BELOW MULLION BELOW

3"3"= =1'-0" 1'-0"

VARIES

3"3"= =1'-0" 1'-0" 1 1/2" 1 1/2"

1 1/2" 1 1/2"

TYP.

VARIES

TYP.

PLAN DETAIL -RIBBED TYPICAL RIBBED WOOD ASSEMBLY PLAN1DETAIL - TYPICAL WOOD ASSEMBLY

1 uring the construction documentation of a

N11 N11 PLAN PLANDETAIL DETAIL--RIBBED RIBBEDWOOD WOODSTOREFRONT STOREFRONTDOOR DOORJAMB JAMB 1"

Drafting Detailing N7 N7 PLAN PLAN&DETAIL DETAIL --RIBBED RIBBEDWOOD WOODSTOREFRONT STOREFRONTCORNER CORNER 2019

1/8"

1/8" 1/8" 1/2"

GENERAL GENERALCOMMENT: COMMENT:MAX MAX2",2",MIN MIN1 1/2" 1 1/2"GAP GAP

TYT SES

HD600 HD600DOOR DOORLEVER LEVER

VARIES

Luxury Spa & Wellness Center

RAJACK RAJACKOFFSET OFFSETPIVOT PIVOTHINGE HINGE

1/8" 1/2"

CLCL

3" = 1'-0"

2 3" = 1'-0"

boutique spa and wellness center, I helped

work out the design and drafted the details of

AXON LONG PARTITION AXON2- PDR LONG- PDR PARTITION

3 5 a series of specialty4 storefronts and operable W

partitions. This sliding partition with a ribbed R

TYPICAL TYPICALRIBBED RIBBEDWOOD WOODASSEMBLY, ASSEMBLY,

2" 2"

SEE SEE1 1/ / Page Page8 8 board and batten wood treatment was used to GLAZING GLAZING

STRUCTURAL SUPPORT AS REQUIRED

SEE PARTITION TYPESSEE PARTITION TYPES

VARIES

1/8"

1 1/2" 1 1/2"

TYP.

1/4" 1/4" CL

2" 2" 2" 2"

GLAZING TYPICAL RIBBED WOOD ASSEMBLY, SEE S2 / A-524

2 1/2"

3" = 1'-0" 3" = 1'-0"

3" = 1'-0"

S N

GLAZING SHOE

TYP.

VENEER WOOD

PLAN DETAIL -RIBBED TYPICAL RIBBEDSTOREFRONT WOOD ASSEMBLY 1DETAILPLAN DETAILWOOD JAMB @ PARTITION CAP N2 PLANN2 WOOD JAMB @ PARTITION CAP PLAN PLANDETAIL DETAIL -STOREFRONT -INTERLOCKING INTERLOCKING SLIDING SLIDING DOORS DOORS 77 RIBBED

VARIES

1" 1 1/2" 1 1/2"

2" 2"

1" 1"

SECTIONDETAIL DETAIL--SLIDING SLIDINGDOOR DOORCHANNEL CHANNELTRACK TRACK 66 SECTION 3"3"= =1'-0" 1'-0"

SOFT SOFTCLOSE CLOSEBUMPER BUMPER

BLOCKING CL 1" 1"

1/4" RVL

2 1/2" GWB CEILING

MULLION BELOW

3 3/4"

2 1/2"

1/4" DOUBLE GLAZING

2 1/2"

P REQUIRED P STRUCTURAL SUPPORT AS

C 1/8" 1/2" L 1/8"

2 1/2"

13/16" 13/16"

STRUCTURAL STRUCTURALSLAB SLABU 1/2" HARDWOOD CAP

CLCL

BOX BEAM

MULLION BELOW

BLOCKING

CL CL

1/4" DOUBLE GLAZING

TERRAZZO TERRAZZOFLOORING FLOORING

2 1/2"

3/4" VENEER WOOD

CL 2 1/2" CL

TYPICAL RIBBED WOOD ASSEMBLY, TYPICAL RIBBED WOOD ASSEMBLY, SEE S2 / A-524 SEE S2 / A-524

TYPICAL TYPICALRIBBED RIBBED WOOD WOODASSEMBLY, ASSEMBLY, SEE SEE1 /1 /Page Page8 8

2" 2"

LOWER LOWERGUIDE GUIDECHANNEL CHANNELCAST CAST INTO INTOTERRAZZO TERRAZZO

3/4" VENEER WOOD

3"3"= =1'-0" 1'-0"

PLAN DETAIL - TYPICAL RIBBED WOOD ASSEMBLY

1/2" HARDWOOD CAP

VARIES

LOWER LOWERGUIDE GUIDEPLATE PLATE

7/16" 7/16"3 5/8" 3 5/8"

4" 4"

GLAZING GLAZINGSHOE SHOE

2" 2"

and meeting rooms.

CL CL

VENEER VENEER WOOD WOOD divide lounge spaces into smaller private dining

1/8" 1/2"

S7 -SECTION DETAIL - RIBBED WOOD STOREFRONT HEAD AXON PDR LONG PARTITION

3" = 1'-0"

3" = 1'-0" R M

2 7/8"

AXON - PDR LONG PARTITION SEE SEEPARTITION PARTITIONTYPES TYPES

PDR - LONG PARTITION 2 3/8" 2 7/8"2 7/8" 2 3/8"

2 7/8"

PROVIDE HEADER B PROVIDE HEADER BEAM, AS REQ'D. SUPPORTAS REQ'D. SUPPORT ENGINEERING BY GCENGINEERING BY GC

SEE SEEPARTITION PARTITIONTYPES TYPES

BOX BEAM

Q L

TYPICAL RIBBED WOOD ASSEMBLY, SEE S2 / A-524 4 41/2" 1/2"

PLYWOOD TO MATC PLYWOOD TO MATCH ADJ. SURFACE, TYP.ADJ. SURFACE, TYP.

2 1/2"

1/4" 1/4" 3 3/4" 1/4"

CL CL

BLOCKING

GWB CEILING

2 1/2"

2 1/2" 2 1/2"

SEE PARTITION TYPES

1"1" CL

TYPICAL TYPICALRIBBED RIBBEDWOOD WOODASSEMBLY, ASSEMBLY, J J 1 1/ /Page Page8 8 SEE SEE

DOOR DOORPULL PULL 2" 2"

VENEER WOOD

GLAZING SHOE

GLAZING

SEE 1 / Page 8 1" 2"

2" 1"

1" 2"

1/4" 1/4"

1/4" FLUTED FLUTEDCONCRET CONCRET PANELS 2 1/2" PANELS 2 1/2"5 1/4"

TYPICAL RIBBE SEE S2 / A-524

2" 1"

SEE 1 / Page 8

N2 PLAN DETAIL- RIBBED WOOD STOREFRONT JAMB @ PARTITION CAP 5 44 PLAN PLANDETAILDETAIL-LEVEL LEVEL04 04LOUNGE LOUNGESLIDING SLIDINGDOOR DOORJAMB JAMBWEST WEST

3" = 1'-0"

3" = 1'-0" M H

5 1/4"

GENERAL COMMENT: MAX 2", MIN 1 1/2" GAP

3"3"= =1'-0" 1'-0"

1/4"

5 1/4"5 1/4"

3" = 1'-0"

BLOCKING

N2 PLAN DETAIL- RIBBED WOOD STOREFRONT JAMB @ PARTITION CAP

DOOR DOORPULL PULL

BLOCKING

TYPICAL RIBBED TYPICAL RIBBED WOOD ASSEMBLY, WOOD ASSEMBLY,

TYPICAL TYPICALRIBBED RIBBEDWOOD WOODASSEMBLY, ASSEMBLY, SEE SEE 2 2/ /Page Page8 8

2 1/2"

1/2" 1/2"

1/4" 1/4"

5" 2 1/2"

2" 2"

3 3/4" 1/4"

TYPICAL RIBBED WOOD ASSEMBLY, SEE S2 / A-524

2 1/2" 2 1/2"

SEE PARTITION TYPES

4 41/2" 1/2"

BOX BEAM

SLIDING-DOOR HARD SLIDING DOOR HARDWARE AS SPECIFIED AS SPECIFIED

2 1/2"

E- -

3/4" VENEER WOOD3/4" VENEER WOOD

INC Architecture & Design

2 21/2" 1/2"

STRUCTURAL SUPPORT AS REQUIRED STRUCTURAL SUPPORT AS REQUIRED

N7 PLAN DETAIL - RIBBED WOOD STOREFRONT CORNER 5 DETAIL 66 PLAN SECTION DETAIL - DOUBLE SLIDING DOOR W/ FIXED HEAD SECTION -PLAN DOUBLE SLIDING DOOR W/ FIXED HEAD DETAIL DETAIL --LEVEL LEVEL 04 04LOUNGE LOUNGE SLIDING SLIDING DOOR DOOR JAMB JAMBEAST EAST 3" = 1'-0"

3" = 1'-0"

3"3"= =1'-0" 1'-0"

2 7/8"

2 3/8"

2 7/8"

PROVIDE HEADER B

TYPICAL TYPICAL RIBBED WOOD ASSEMBLY, TYPICAL RIBBED RIBBED WOOD WOOD ASSEMBLY, ASSEMBLY, Page / Page 8 8 SEE 2 / SEE SEE82 /2 Page GLAZINGGLAZING GLAZING

BOX BEAM BOX BOX BEAM BEAM

VENEER VENEER WOOD VENEER WOOD WOOD

GLAZINGGLAZING SHOE GLAZING SHOE SHOE

4" 34"5/8"

GLAZINGGLAZING SHOE GLAZING SHOE SHOE GLAZINGGLAZING GLAZING

3 5/8" 3 5/8"

VENEER VENEER WOOD VENEER WOOD WOOD

1/4" 1/4" RVL 3 3/4" RVL 3 3/4"

GWB CEILING GWB GWB CEILING CEILING

BLOCKING BLOCKING BLOCKING

3 3/4"

1/4" RVL

TERRAZZO FLOORING TERRAZZO TERRAZZO FLOORING FLOORING

2 1/2"

2 1/2" 2 1/2" 2 1/2"

2 1/2" 2 1/2"

5" 5"

CL CL

STRUCTURAL SLAB SLAB STRUCTURAL STRUCTURAL SLAB

7/16" 7/16" RVL RVL

7/16" RVL

TYPICAL TYPICAL RIBBED WOOD ASSEMBLY, TYPICAL RIBBED RIBBED WOOD WOOD ASSEMBLY, ASSEMBLY, / A-524 A-524 SEE S2 /SEE SEES2 S2/ A-524

H2 A-524

SF250 S7 S7S7 SECTION DETAIL - RIBBED WOOD STOREFRONT HEADSF250 SECTION SECTION DETAIL DETAIL --RIBBED RIBBED WOOD WOOD STOREFRONT STOREFRONT HEAD HEAD

SF250

3" = 1'-0" 3" 3" = 1'-0" = 1'-0"

CL CL

SF250 SF250 3 3SECTION 3 SECTION DETAIL - RIBBED WOOD STOREFRONT BASE SECTION DETAIL DETAIL --RIBBED RIBBED WOOD WOOD STOREFRONT STOREFRONT BASE BASE 3" = 1'-0" 3" 3" = 1'-0" = 1'-0"

-PDR LONG PARTITION --LONG LONG PARTITION PARTITION 3 3PDR 3 PDR

H11

A-524

A-525

9' - 6"

SF250

Q5 A-525

TYPICAL RIBBED WOOD ASSEM SEE 2 / Page 8

GL515

GLAZING

BOX BEAM

VENEER WOOD

TYPICAL TYPICAL RIBBED WOOD ASSEMBLY, TYPICAL RIBBED RIBBED WOOD WOOD ASSEMBLY, ASSEMBLY, / BLOCKING A-524 A-524 SEE S2 /SEE SEES2 S2/ A-524

3 5/8"

GLAZING

SF250

TERRAZZO FLOORING

2 1/2"

2 1/2" 2 1/2" 2 1/2" CL

2 1/2" 2 1/2"

3' - 6"

R14 PDR - LONG PARTITION

A-524

GENERALGENERAL COMMENT: MAX 2", MIN 1 2", 1/2" GAP GENERAL COMMENT: COMMENT: MAX MAX 2", MIN MIN 1 1/2" 1 1/2" GAP GAP

RAJACK RAJACK OFFSET PIVOT HINGE RAJACK OFFSET OFFSET PIVOT PIVOT HINGE HINGE CL

A-524

3" = 1'-0"

N11 N11 PLANPLAN DETAIL - RIBBED STOREFRONT JAMB N11 PLAN DETAIL DETAIL --RIBBED RIBBED WOOD WOOD STOREFRONT STOREFRONT DOOR DOOR JAMB JAMBSTOREFRONT BA 3WOOD SECTION DETAIL -DOOR RIBBED WOOD

3" = 1'-0" 3" 3" = 1'-0" = 1'-0"

3" = 1'-0"

PDR - LONG PARTITION

TYPICAL TYPICAL RIBBED WOOD TYPICAL RIBBED RIBB / A-52 SEE S2 /SEE SEES2 S2/ A-524 A-524

HD600 DOOR LEVER HD600 HD600 DOOR DOOR LEVER LEVER

1/2" = 1'-0"

B2 N7 N7N7 PLANPLAN DETAIL - RIBBED WOOD STOREFRONT CORNER PLAN DETAIL DETAIL --S7 RIBBED RIBBED WOOD WOOD STOREFRONT STOREFRONT CORNER CORNER SECTION DETAIL - RIBBED WOOD STOREFRONT HEAD

3" = 1'-0" 3" 3" = 1'-0" = 1'-0"

4' - 7 9/16"

2 1/2" 5"

CL CL

STRUCTURAL SLAB

7/16" RVL

7' - 0"

2 1/2"

TYPICAL RIBBED WOOD ASSEMBLY, SEE S2 / A-524

3' - 6"

2 1/2" 2 1/2"

SF250

TYP. TYP. TYP. TYP. TYP. 2 1/2"

1/4" RVL

GLAZING SHOE

TYP.

VENEER WOOD

3 3/4"

GWB CEILING SF250

GLAZING SHOE 1 1/2" 111/2" 1/2" 1 1/2" 1 1/2" 1 1/2"

2 1/2" 2 1/2"

GL515

SF250

B7 A-524

CL CL

2" 2"

TYPICALTYPICAL RIBBED TYPICAL RIBBED RIBBED WOOD ASSEMBLY, WOOD WOOD ASSEMBLY, ASSEMBLY, SEE 1 / Page SEE SEE 81 / 1 /Page Page 8 8 2" 2" CL CL

SOFT CLOSE BUMPER SOFT SOFT CLOSE CLOSE BUMPER BUMPER

CL CL

N11 PLAN DETAIL - RIBBED WOOD STOREFRONT DOOR 3" = 1'-0"

4' - 4 1/2"

H7 A-524

DETAIL - SLIDING DOOR CHANNEL TRACK SECTION DETAIL DETAIL -L3 -SLIDING SLIDING DOOR DOOR CHANNEL CHANNEL TRACK TRACKPARTITION 6 6SECTION 6 SECTION LOUNGE - OPERABLE

3" = 1'-0" 3" 3" = 1'-0" = 1'-0"

1/2" = 1'-0"

CL CL

SF250

2" 2"

HD600 DOO

RAJACK OFFSET PIVOT HINGE

N7 PLAN DETAIL - RIBBED WOOD STOREFRONT CORNER 3" = 1'-0"

1/4" 1/4"

1" 1"

FL955

SF250

1" 1"

GENERAL COMMENT: MAX 2", MIN 1 1/2" GAP

TION CAP

2" 1" 2"

STRUCTURAL SLAB SLAB STRUCTURAL STRUCTURAL SLAB

2 1/2"

1/4"

13/16" 13/16"

TERRAZZO FLOORING TERRAZZO TERRAZZO FLOORING FLOORING 2 1/2"

13/16"

LOWER LOWER GUIDE CHANNEL CAST CAST LOWER GUIDE GUIDE CHANNEL CHANNEL CAST INTO TERRAZZO INTO INTO TERRAZZO TERRAZZO

2 1/2"

7/16" 7/16"3 5/8" 3 5/8"

7/16" 4" 34"5/8"

LOWER LOWER GUIDE PLATE GUIDE PLATE LOWER GUIDE PLATE

2" 2"

2 1/2"

GLAZINGGLAZING SHOE SHOE GLAZING SHOE

VENEERVENEER WOOD VENEER WOOD WOOD

B11 A-524

2" 2"

BLOCKING

TYPICAL RIBBED WOOD ASSEMBLY, SEE S2 / A-524

FN521

TYPES

GLAZINGGLAZING GLAZING

11' - 0"

TYPICALTYPICAL RIBBED WOOD ASSEMBLY, TYPICAL RIBBED RIBBED WOOD WOOD ASSEMBLY, ASSEMBLY, 18 /1 /Page SEE 1 / SEE SEE Page Page 8 8

DETAIL - INTERLOCKING SLIDING DOORS PLAN DETAIL DETAIL --INTERLOCKING INTERLOCKING SLIDING SLIDING DOORS DOORS 7 77PLANPLAN 3" = 1'-0" 3" 3" = 1'-0" = 1'-0"

revit

ATION

ION ND

JAM Architecture

Upper East Side Residence

BAR

Design & Drafting 2018

PANTRY

SM. APPL.

DISHWASHER DRAWERS

orking closely with a project manager and a principal, I was tasked with this renovation

of a three bedroom pre-war apartment on the Upper East Side. I conducted the initial survey,

NORTH ELEVATION

drafted every drawing of the plans and elevations

4 KITCHEN

SCALE: 1/2"=1’!0"

through the Schematic Design, and participated in the design conversations. As part of the renovation the client intended to

HOOD

replace all of the original windows in this historically landmarked building. Based on the guidelines of the NYC Landmarks Preservation Commission, I OVEN FREEZER

documented the existing conditions of the facade

REFRIGERATOR

COOKTOP

of the apartment and adjacent floors in order to OVEN

prove an authentic replacement. WINE COOLER MICROWAVE

SOUTH ELEVATION

2 KITCHEN

SCALE: 1/2"=1’!0"

SOUTH ELEVATION

WEST ELEVATION

6 KITCHEN ISLAND

7 KITCHEN ISLAND

SCALE: 1/2"=1’!0"

NORTH ELEVATION

8 KITCHEN ISLAND SCALE: 1/2"=1’!0"

BAR

PANTRY

SM. APPL.

DISHWASHER DRAWERS

NORTH ELEVATION

4 KITCHEN

SCALE: 1/2"=1’!0"

REVISIONS DATE

PANTRY

10.04.2018 10.10.2018 10.23.2018 11.15.2018

NO.

REMARKS

00 01 02 03

Existing Conditions BAR Demo Plan SD Meeting DD Meeting

SM. APPL.

DISHWASHER PULL OUT TRASH

PROJECT

Pimenta Residence

WEST ELEVATION

3 KITCHEN

1100 Park Avenue, Apt.5D 20 JAYNew ST, SUITE 934, BROOKLYN, NY 11201 York, NY 10128 HELLO@JAMBK.COM

SCALE: 1/2"=1’!0"

BATH BREAKFAST

11 10 12 9 A!3.9

DRAWING TITLE

PANTRY 2

3 1

Elevations ! kitchen

HOOD

4 A!3.8

18" SINK SEAL & SIGNATURE

DW DRWRS

KITCHEN WINE COOLER

OVEN COOKTOP

36" REF

OVEN

DW MW

30" SINK

24" FRZ

WINE Not for Construction

INDUCTION COOKTOP

COOLER

TRASH

MICROWAVE

EAST ELEVATION

DOUBLE KITCHEN 1 OVEN SCALE: 1/2"=1’!0"

SERVICE ENTRANCE UNIT 5D

SHEET NUMBER

A!3.8

9 KITCHEN PLAN SCALE: 1/4"=1’!0"

EAST ELEVATION 5 KITCHEN ISLAND SCALE: 1/2"=1’!0"

SOUTH ELEVATION 6 KITCHEN ISLAND

WEST ELEVATION

7 KITCHEN ISLAND

SCALE: 1/2"=1’!0"

REVISIONS DATE

10.04.2018 10.10.2018 10.23.2018 11.15.2018 PANTRY

NO.

00 01 02 03

REMARKS

Existing Conditions BAR Demo Plan SD Meeting DD Meeting

SM. APPL.

ISHWASHER PULL OUT TRASH

PROJECT

WEST ELEVATION 3 KITCHEN SCALE: 1/2"=1’!0"

BATH BREAKFAST

11 10 12 9 A!3.9

Pimenta Residence 1100 Park Avenue, Apt.5D New York, NY 10128

autoCAD

Freelance Project

15th Street Residence Design & Drafting & Construction Admin 2016

SHALLOW BUILT I CABINET

orking independently, I took on the

ADDITIONAL STORAGE SPACE ABOVE CLOSET

redesign of an apartment for a young

couple. Even though the footprint was limited, it

COUNTER WITH 10" OVERHANG

was very important to the client to retain a second DW

bedroom/office. Careful planning was taken to incorporate the

CABINET DRAWERS

design around the coupleâ&#x20AC;&#x2122;s existing furniture. Since both future residents love to cook and

STACKED WASHER DRYER

entertain, the kitchen and storage space were maximized while keeping the circulation as open

DISHWASHER

CABINET OVER FRIDGE

ELECTRICAL PANEL

as possible.

WALL MOUNTED TANKLESS TOLIET

kitchen finish palette

IN TS

BUILT IN SHELVING CUSTOM CORNER CABINET

MAGIC CORNER CABINET

HIDDEN OE KICK STEP STOOL

ABOVE RANGE MICROWAVE EXHAUST UNIT

BED CENTERED UNDERNEATH SKYLIGHT

bathroom finish palette

archiCAD

CONTENTS

PROFESSIONAL › STUDIOS Architecture › DPMT7

6 8

› INC Architecture & Design

› JAM Architecture

› Freelance Design Work

ACADEMIC

› DENSE-city

› the LIFELINE, ULI Hines Student Competition

› Pixel Park Food Project

› Section 001, ICFF Student Booth

› Manual Representation

PERSONAL

› Grotesques

DENSE-city

An Intensification of Manhattan's 14th Street Master of Architecture Thesis Elizabeth Riorden, Vincent Sansalone Duration: 9 Months

ew York City, like so many great metropolises across

north and south, the street frontage of 14th Street is

the world, faces a great dilemma: as the demand

a riot of color, context and uses. Walking down the

for living there increases, it becomes all but impossible

street, one could run the gamut of everything from

to afford that dream. Storefronts in Manhattan sit vacant

pawn shops and bargain electronics to boutique

as the population has begun to abandon the city for

eateries and specialized fitness gyms. Despite all of

smaller and more reasonably priced markets. Much

the options however, the nature of the space is very

of the quirky eclecticism that the city is known for is

transitional: a place people move through rather than

being priced out, moved to far reaching corners of the

a destination. The street is a stage without a theater

outer boroughs, and replaced with large franchises and

to observe it from.

multi-million dollar apartments for the 1%. Manhattan is becoming generic and overly homogenized. The city

For over a century, visionaries have speculated about

stands at the brink of losing its identity and needs to

future models of Manhattan. Many of these proposals

adapt to survive.

explore a dynamic urban landscape through hyperdensity and revolutionary architecture. These models

Manhattanâ&#x20AC;&#x2122;s 14

Street is a major east west axis

remain in the abstract because they are designed

and transit oriented corridor. The five block stretch

in a vacuum without context and cannot be later

between 9

Avenue and Union Square West serves

applied to a specific site. Using West 14th Street as

as the transition between the luxurious and affluent

a case study, this thesis aims to address the potential

Meatpacking/Chelsea neighborhood and the slightly

densification of New York City through directly

gritty but trendy East Village. In stark contrast to the

engaging with and redesigning one of its major

tranquil tree lined residential cross streets directly

street corridors.

Conceptual Axon 19

rhino, illustrator

NYC GIS, rhino, illustrator

Between 6th & 8th Ave

West 14th Street

Lower Manhattan

DENSE-city Aerial View 21

rhino, vray, photoshop

Cultural Amenity

Affordable Housing

rhino, illustrator

Residential Amenity

Flex Office Units

Facade Extrapolation 25

photoshop, illustrator

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View from the Streetscape

the LIFELINE

Proposal for Miami's Wynwood/Edgewater ULI Hines Student Competition 2020 Finalists Team: Stacy Felchner, Todd Funkhouser, Robert Peebles, Christian Umbach Faculty Advisor: Conrad Kickert his entry was selected as a top four national

From the proposal:

finalist in the 2020 ULI Hines Student Urban

“The LIFELINE supports the vitality of Midtown

Design Competition. Our mixed disciplinary team was

Miami by connecting the cultural life of Wynwood,

composed of graduate students from the School of

to Edgewater, Miami Beach, downtown, and the

Architecture, the School of Planning, and the Lindner

Design District. By integrating a dense, mixed-use

School of Business (Real Estate).

district with a walkable arts corridor atop the new TriRail station and food distribution hub, the LIFELINE

This project was initially developed over 14 days to

will Elevate Mobility, Sustain Habitat and Celebrate

research and produce the concept, urban design and

Culture.

prospective real estate pro forma for the site chosen by ULI. Once selected into the finals, we further developed

Situated at the crossroads of a regional transit line,

the project and presented it virtually before a jury of 12

bike highway and pedestrian connections to arts and

National ULI Members.

recreation, the LIFELINE provides a central gathering space for everyone, from local residents to business commuters, artists, and visitors. The LIFELINE will lead Midtown Miami forward with a resilient design that manages water, food, power, and housing in light of a changing climate. The site will house Miami’s first urban micro-distribution center, which will ensure reliable food access in times of crisis. Along the way, the LIFELINE celebrates the arts and culture that make Miami full of life.”

the OASIS

A mobility centered development sustaining the heart of Miami with cultural connections for today and resilience for tomorrow.

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Celebrate Culture

Sustain Habitat

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Elevate Mobility

11 10

04 08

03 11

02 11

12 11 12

10 12

FEATURED SPACES

BUILDING TYPES

01 02 03 04 05 06

07 08 09 10 11 12 13

THE OASIS THE SPINE THE STAGE THE OVERLINE WOONERF THE STATION N

0’ 20’ 40’

80’

21c MUSEUM HOTEL NADER ART MUSEUM MICRO DISTRIBUTION CENTER MARKET RATE HOUSING MIXED USE MULTIFAMILY OFFICE RETAIL 160’

240’

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Site Plan

Nader Arts Museum of Latin America

The OVERLINE

THE STAGE & THE STATION A lively urban plaza atop the rail station: the STAGE. This vibrant 24hour space hosts a variety of events including farmers markets, food truck festivals, cultural events and more. Underneath connects the new Tri-Rail stop which connects the LIFELINE to regional destinations for commuters and visitors alike. Furthermore, it provides freight access to the distribution center adjacent to the rail. An elevated bike path connects to the nearest Metromover stop and by extension, all of downtown Miami.

THE SPINE The LIFELINE capitalizes on the local cultural program by creating a sinuous pathway which fosters engagement with local arts and culture. The SPINE is lined with retail spaces for artists and artisans to sell their work and engage with the community. Additionally, the SPINE functions as part of the greater site resiliency strategy. The slope is populated with on grade connected bioswales that collect water runoff. These bioswales are routed into a retention chamber where the naturally filtered is returned to the local aquifer.

Bioswale

Integrated Water Retention

THE OASIS A stormwater floodwater retention pond and water feature is created at the entry point of the LIFELINE. The OASIS provides excess water storage during flood events such as king tides from the bay and heavy rainfall events, and handles water filtration. The basin is planted with native species that thrive in environments with fluctuating water levels creating a sustainable habitat. These plants filter the water as it returns to the local aquifer and helps mediate the new developmentâ&#x20AC;&#x2122;s impact on the local environment.

Green Roof Water Filtration

NE 1ST AVENUE (THE WOONERF) Currently NE 1st Avenue terminates at the northern border of the site. This street is a pedestrian friendly corridor connecting the LIFELINE to the Design District through Midtown in the form of a WOONERF. This street connects the Northeast block of the site to the larger cultural programs through a shared public space. Curbless surfaces, ample vegetation and an emphasis on the pedestrian scale creates a safe and pleasant environment near many of the housing areas of the LIFELINE and fosters a walkable environment.

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the Ecosystem of the LIFELINE

Micro Distribution Center

Freight Platform

Tri Rail Platform

Food Hall & Market

Parking

Residential Courtyard

Farmers Market

The STAGE

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Day & Night on the SPINE

LIFELINE Residential Community

PIXEL PARK FOOD PROJECT Cold Storage Distribution & Urban Grange Building Design Research Studio Karolina Czeczek Duration: 12 weeks

ocated in Brooklyn's Sunset Park neighborhood,

The Pixel Park Food Project contains the full cycle

the Pixel Park Food Project is a new urban

of NYC food supply chain from cultivation to

distribution center and rooftop grange adjacent

consumption. Through the on site Incubator Kitchen

to the Brooklyn Army Terminal Campus. On its

program young entrepreneurs can rise up the

lower level, this cold-storage facility receives,

culinary ladder and benefit from the easy access to

processes,

distributes

supply and distribution. Food products can be sold

meat products throughout the greater NYC area.

at the on-site market and cafe, or easily brought to

temporarily

stores,

and

the many vendors at the nearby Industry City. The formal articulation of the roof serves to insulate the cold distribution center below while creating a diverse greenscape above. The roof parcels are used for the cultivation of crops, an urban apiary, wildflower gardens, park space, and a formal entryway into the Brooklyn Army Terminal Campus. In a neighborhood under-served by park space, the facility establishes a vast and accessible public realm for the community and those who work in the area.

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Situated in Sunset Park

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Incubator Kitchen

Produce Storage

Rooftop Farming

Climate Controlled Delivery

Urban Apiary

Site Section & Programming

Fresh Greenmarket

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Internal Distribution Chain

Level 1: Cold Storage

Cold Storage

Level 2: Farming & Kitchen

Cross Section 41

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SECTION 001

ICFF 2019 Student Booth Industrial Design & Architecture Collaborative Studio Stephen Slaughter, John Dixon Team: Julieta Toiberman, Jacob Schlater Duration: 12 weeks

ollaborating in a cross disciplinary studio

All four of the furniture pieces in this series hold

between Architecture and Industrial Design,

the same form language and were inspired by a

Section 001 showcases its final semester's long

single type of laser cut joint creating a cohesive

work at the International Contemporary Furniture

furniture family. By cutting a steel tube at equal

Fair at the Javitz Center in New York City. Our team

increments, that tube can be strategically bent

worked closely with the fabricators and designers

creating a distinctive shape, which was the driver

at Versteel, a leading furniture company based in

of the design. The pieces reflect the furniture that

Jasper, Indiana.

a consumer might choose to populate a living room or a common area: a stool, a table, a bench,

Our team wanted to push the limits of the tube laser

and a mirror.

cutter, a highly advanced piece of machinery used at Versteel. By researching different kinds of steel joinery techniques, we explored a new way to use this laser technology to create an innovative joint.

4-Piece Furniture Ensemble 43

laser cut steel tubing, plywood

Spec Sheet rhino, illustrator

Fabrication Process 45

tube laser cutter, powder coat

Process Sketches

Detail Shots

ICFF 2019 Booth

MANUAL REPRESENTATION

Academic Models

hysical modeling remains an important part of

1. Massing Model of Distribution Center

the design process. Working through sketch,

3D Printed Panels, laser cut Chipboard

concept, and precedent models, I can explore spatial conditions, abstract sensations, and illustrate the final design. This series of models were produced through different studios during my academic program. I was able to utilize a number of fabrication technologies such as CNC Milling, 3D printing and laser cutting as well as hone my craft working solely by hand.

2. Sketch Model of Fossil Park Pavilion Seating

Bristol 3. Sectional Model of Adaptive Church Reuse

Laser cut Chip, Basswood, Frosted Acrylic 4. Massing Model of Adaptive Church Reuse

Laser cut Chip, Chicken Wire, Vellum 5. Emblematic Model of White Temple by Takashi Yamaguchi & Associates

Basswood, Bristol 6. Sketch Model of Cabin in Site Model

Bristol, Basswood, CNC Millled Foam 7. Emblematic Model of Sayama Forest Chapel by Hiroshi Nakamura & NAP

Basswood, Acrylic 8. Sectional Model of Ruth Lily Visitor Pavilion by Marlon Blackwell Architects

Laser cut Basswood, Bainboard

CONTENTS

PROFESSIONAL › STUDIOS Architecture › DPMT7

6 8

› INC Architecture & Design

› JAM Architecture

› Freelance Design Work

ACADEMIC

› DENSE-city

› the LIFELINE, ULI Hines Student Competition

› Pixel Park Food Project

› Section 001, ICFF Student Booth

› Manual Representation

PERSONAL

› Grotesques

GROTESQUES

Ornamentation Study

ocated on the sleepy Irving Place in NYCâ&#x20AC;&#x2122;s East Village, this 20th century residence rests

guarded by her elaborate grotesques. To indulge my own personal fascination, this series of drawings takes a focused look at the intricate facade ornamentation of this building.

"Graves" 53

charcoal on paper

"Claudius"

"Bartleby"

CAROLINE ERRICO Thank You Sketch: Contouring the negative space created by a dancer in motion