curriculum vitae
contact information
education
2219 E. 32nd street, oakland, ca 94602
University of California, Berkeley
caroljyyang@gmail.coM | 626 409 8423
College of Environmental Design
Bachelor of Arts in Architecture
May 2015 | Berkeley, CA
Minor in Sustainable Design
software experience
Pasadena City College
autocad 2013+ | rhinoceros 5 | mAxwell 2.7+
May 2013 | Pasadena, CA
Associate Degree of Arts in Architecture
V-Ray | Grasshopper | T-splines | ecotect Climate Consultant skills adobe
Fluent in English | Mandarin | Cantonese
illustrator | photoshop | indesign | Premiere Pro
Hand sketching | watercolor | Chinese Calligraphy
Table of Contents
GOOD FOOD & HEALTHY PLANTS San Francisco
OBJECTIVE GOOD FOOD, a building is conjunction of multiple and varied programs centered around a common set of interests, which could generally be described as food awareness and education, challenging the norms of mass food production, advancing food research, slow food, promoting and supporting urban farming and food production, and the more general celebration of good, healthy, local food.
DESCRIPTION All of the programs that comprise GOOD FOOD exist within the Bay Area, but don’t currently coexist on one site, or within one institutional construct. The programmatic premise of the project is intentionally open-ended, and embodies the belief that urban life provides a continually shifting set of needs, and continually evolving infrastructures which support those needs. The ground floor of GOOD FOOD is comprised of a set of elements that need access to the city: a large food hall, a loading service area, and entry to four primary programs above. The second and third floor is for shared public space comprised of a small auditorium and a gallery/ exhibition/reception area. The largest group is a food research institute, whose work focuses on the intersection of technology and food production. In addition to general laboratory, office and production space, the institute has a dedicated green house and hydroponics lab that need particular environmental considerations. As part of their educational mission, the coalition hosts local student field trips and other activities that require access to both the classrooms and garden. Another focus for this final project is designing the roof garden to integrate of plants into GOOD FOOD to add layers of complexity and design resolution.
c
c
UP
Restroom Kitchen
UP
B
Freight Elevator
Restroom
Loading Dock
B’
B
B’
A
A’
Food Hall
A’
A
Main Entry
Bike Parking Open To Below UP UP
Food Trucks
Howard Street C’
C’
N
FIRST FLOOR PLAN
SECOND FLOOR PLAN
c
c
UP
Open To Below
Open To Below
UP
B’
B
B’
B
Meeting Room
Auditorium
Classroom
Office
Open To Below
A
A’
A’
Open To Below
A
Gallery UP
UP
C’
C’
N
THIRD FLOOR PLAN
N
FOURTH FLOOR PLAN
A PLANT LIST (Source: Learn2Grow.com) PLANT
B’
A
A’
UP
B
N
ROOF FLOOR PLAN
San Francisco, Western end of South of Market USDA ZONE 10B: 35 to 40 (F) Sunset Zone 17 Orientation: Southeast Dimension: 115 feet by 85 feet The site is open on 3 sides only, with a party wall on one side. Along the party wall, each site is assumed to have a future unrelated building that wills 55’ tall. Shifting Grid Design Concept There are two purposes for these six planting area. Four beds along the edge of the building are for aesthetic and viewing purposes while the two central beds are for educational purpose. For aesthetic purpose, I mainly chose flowers and evergreen plants that will create a good color combination. The central beds can be used to plant vegetables. It is a space open to the public used as an opportunity to enhance children’s awareness on urban gardening and local farming as well as to appreciate more of the efforts of the farmers. In addition, in order to fulfill the sun exposure requirement for each plant, I located plants which require more sunlight toward the southwest corner, while plants that can grow under partial shade on the north side.
VEGETABLE
PLAN
Mixed Use High-Rise Century City, Los angeles
SITE analysis dATUM
CONTACT POINTS
Vehicule
CONTACT POINTS IN RELATIONSHIP TO VEHICULAR
CONTACT POINTS IN RELATIONSHIP TO PEDESTRIAN
Pedestrian
43 57
189 Zone 2
Zone 2
Zone 1
Number of Vehicule 60 Zone 1
Enter
Exit
12
10
1:45 pm 2:00 pm
Zone 2
Enter
Exit
70
61
2:15 pm 2:30 pm
45 30
Zone 1
Zone 1
East
1:05 pm
2
South North 4
4
West
Zone 2
East South
17
2:15 pm
1
0
West 1
1:10 pm
2
0
1
22
2:20 pm
2
0
2
1:15 pm
4
4
3
35
2:25 pm
0
4
3
1:20 pm
5
0
0
42
2:30 pm
3
1
4
45 30 15
15 0
Number of People 60
0
Objective Redesign the existing thirteen storeys Wells Fargo Building into a high-rise mixed use building that contains retail, office, hotel and vertical automated parking on the upper floors of the building. Develop the vertical atrium voids that connect the various function of the building together.
OFFICES
Description
OFFICES
The project site is located in Century City, Los Angeles which is surrounded by three ma jor neighborhoods including Downtown Los Angeles, Beverly Hill, and Santa Monica. Century City is a prominent business community comprised of many industry sectors.
OFFICES OFFICES OFFICES
The existing site was originally used as an office building. The new high-rise between Santa Monica Blvd and The Ave. of Stars will provide a better connection between the Century City Westfield Mall and the surrounding Office buildings. The new automated parking system has been the big discussion and the starting point of the whole project. Clear circulation and contact points for automobiles and pedestrians were developed after having explored the retail environment of the city.
CAFETERIA PARKING PARKING PARKING
Santa Monica Blvd is mainly for retail shoppers entering or exiting the building while The Ave of Stars is for hotel drop-offs and office users accessing the building. The three shifts of the outer envelope shows a big organization of programs in relationship to (base on the research/ site analysis) the existing vertical and horizontal datum or constraints of the site. The atrium space of the building is a beautiful environment for its visitors because of its one continuing surface skin design, natural light from the Sun, the form of the space, and the observable skygarden.
PARKING
HOTEL SUITE CONFERENCE ROOM
BALLROOM
BAR
BAR
RECEPTION LOBBY
RESTAURANT
RETAIL
HOTEL DROP OFF AVENUE OF THE STARS
SECTION C-C’
HOTEL ENTRANCE
MAIN ENTRANCE VEHICLE LIFT
AUTOMATED PARKING SCENARIO - U1 FLOOR PLAN
RETAIL ATRIUM SCENARIO - FIRST FLOOR PLAN
A
A SANTA MONICA BOULEVARD
SANTA MONICA BOULEVARD
STORAGE
CAR PICK UP
AVENUE OF THE STARS
AVENUE OF THE STARS
STORE
STORE RESTROOM
STORE ELEVATOR
LOBBY C
C
SITTING SPACE
C
HOTEL DROP OFF
C
CAR DROP OFF HOTEL ENTRANCE
VEHICLE LIFT
ATRIUM MALL MAIN ENTRANCE
STORE
STORE
B
B
B
B
VEHICLE LIFT
PARKING ENTRANCE
AD
VE
RT
IS
EM
EN
T
ELEVATOR
MALL PLAZA PARKING EXIT
A
A
site datum AIG SUNAMERICA
1900 AVE. OF THE STARS BUILDING 10100 SMB
OFFICE ( 8 storeys)
1901 AVE. OF THE STARS BUILDING SKYGARDEN
TOPA BUILDING WESTFIELD BUILDING (PROJECT EXSITING SITE)
AUTOMATED PARKING (5 storeys)
HOTEL (10 storeys)
SKYGARDEN
SHOPPING CENTER PEDESTRIAN BRIDGE AND RETAIL DECK PARKING
AUTOMATED PARKING (2 storeys) RETAIL(2 storeys) AUTOMATED PARKING (4 storeys)
HOTEL ATRIUM SCENARIO - FIFTH FLOOR PLAN
A
OFFICES
OFFICES
SKYGARDEN
RESTROOM RECEPTION
ELEVATOR
RECEPTION LOBBY SERVICE AND KITCHEN
C
C
OFFICE ( 8 storeys)
VEHICLE LIFT
RESTAURANT
BAR RESTAURANT B
SKYGARDEN
B
VEHICLE LIFT ELEVATOR
RESTAURANT
AUTOMATED PARKING (5 storeys)
A
HOTEL (10 storeys)
section b-b’ RESTAURANT
RECEPTION LOBBY
RESTAURANT
SKYGARDEN AUTOMATED PARKING (2 storeys)
RETAIL(2 storeys) MALL PLAZA
MAIN ENTRANCE
HOTEL ENTRANCE
AVENUE OF THE STARS
AUTOMATED PARKING (4 storeys)
shopping center
AXON OF ATRIUM
AXON OF TOWER SHOW COLOR COAT THE MULTIPLE PROGRAMS
axon of atrium in relationship to programs axon of atrium
AXON OF ATRIUM
VERTICAL CIRCULATION
SECTION PERSPECTIVE CONTRAST DRAWING axon of atrium
AXON OF TOWER SHOW COLOR COAT THE MULTIPLE PROGRAMS
- vertical circulation
VERTICAL CIRCULATION
skygarden
organization of outer envelope
PEDESTRIAN CIRCULATION FLOW
RETAIL
CONNECT WITH TWO MAIN CONTACT POINTS
AUTOMATED PARKING
CREATE CANTILEVER AND SKYGARDEN
HOTEL
OFFICE
2020 olympic village masterplan exposition park, los angeles one day Charrette Group project
logo and torch
site analysis Site Analysis
ATONOMOUS COMMUNITIES Beverly Hills
Population = 33,829 Income = $96,312 Crime = 54 Violent, 116
crime
ethicity
Atonomous Communities
Ethnicity
Crime
West Hollywood
Population = 35,716 Income = $52,855 Crime = 151 Violent, 837
7.0% 16.1% 25.5% 47.7%
BURGLARY - 19.8% 1.0% 1.2% 10.1% 87.2%
5.2% 5.6% 24.8% 62.2%
Culver City
Population = 38,816 Income = $70,774 Crime = 143 Violent, 148
THEFT - 32% GTA - 21.5% VEHICLE - 26.7%
Ladera Heights
Population = 6,509 Income = $117,925 Crime = 16 Violent, 98
1.6% 2.2% 38.1% 56.1%
Concept Stattement: Alternating Globalization
Logo: Los Angeles 2020
Humanity has always adapted, Whether it
This 2020 Los Angeles Olympics Logo strongly influences the organization and planning of the Master-Plan proposal.
is related to living, socializing, or interacing, people have always dont what’s necessary to comfort themselves.
The Concept for the 2020 Los Angeles Olympics is “Alternating Globalization.” --It is directly related to the respect of athleticism and Global diversity between Countries.
This 2020 LA Olympics Master-Plan proposes to celebrate humanities mutual respect for putting differences aside and cherishing competition.
The Red, Green, and Blue represent the three regions of the world and the Countries within them. The Yellow represents all the people of the world. The center represents all the people of the world from all three regions coming together and mutually celebrating competition in the most diverse place on the planet; Los Angeles, California.
Veterans Administration Population = 622 Income = $60,561 Crime = 2 Violent, 24
Marina Del Rey Santa Monica
Population = 84,084 Income = $69,013 Crime = 107 Violent, 124
Population = 8,302 Income = $92,763 Crime = 14 Violent, 131 Property
Exposition Park Adams University Park Historic South Central
1.1% 1.4% 38.2% 56.5%
HOMOCIDE - 0%
Latino Black White Asian Other
RAPE - 1% ASSAULT - 43.5% ROBBERY-55.6%
Green vs. pavement Green vs. Pavement
Objective Establish and declare the identity of Los Angeles at a global scale through the design of an Olympic Village for he returning 2020 games at the historical Exposition Park.
Description Alter-Globalization is the concept of the project and it represents the respect of athleticism and Global diversity between Countries. This 2020 Olympics Master-Plan proposes to celebrate humanities mutual respect for putting differences aside and cherishing competition
Trees Green Space
Circulation Circulation Main circulation
secondary circulat
ceremonial entran
Programs
housing circulation
Athlete housing, sports training facilities, Village dining, individual dining, , common place for worship, medical clinic, private drug testing facilities, laundry center, security services, press operations, information booths, concessions, bus drop off
Task Given Help design a ceremonial entrance, public gathering spaces, information booths, shops, safe zones, and public dining areas
Detailed programs and circulation on coliseum detailed programs and circulation on Coliseum ceremonial seating Dining area
souvenir shop info booth
security offices
central gatheri space Safe zone entrance Safe zone exit circulation
PARKING village medical 2 person unit
PARKING
PARKING
section B-B’
4 person circulation
section B
HOUSING section
section C-C’
THIRST Castillo Guardamar Del Segura, spain
THESIS MOVABLE vs. FIXED Staring at walls walking the halls I never see a castle That is gaunt, grey and grim Climbing the broken stairway touching the smooth and fine stone I see a castle That is built upon another’s foundation The wind rustles with deep breaths I see a castle I am safe behind castle walls Like many people who visit old and ruined castles I see beyond the dead grey stones to times When they were vibrant and full of life The texture of wall and the view of the city fight for my attention. They pull me in; they distract like shifting layers. Seagulls are flying over the sky and touching the horizon line in the background. The moving sand dunes merge with the profile of city village in the middle. In the highest level of the walled enclosure, I wonder what is fixed and what is in motion? As I concentrate on a moment in the castle’s walls, the juxtaposition between the walls and the city it guards becomes clear to me. The wall is fixed yet the city is constantly in motion. It is as if the castle was left behind in time while only the city moved forward. The castle stands to speak of the ages and the iron footsteps of time.
SITE MAPPING
DIAGRAM 3 SHIFTING LAYERS
PROGRAM Urban Culinary Fruit Farm + Beverage Shop One of the main pleasures of traveling is discovering new food and drink. Not only are these delicious treats enjoyable in themselves, but they are such an important part of any culture that getting to know them is one of the very best ways to get the feel for a place and really sink in to the life there. Spain is a great place to do this. The Spanish take food and drink seriously as a great social pleasure to be enjoyed, and they have great respect for the quality of what they consume for the hard work and artistry which goes into its preparation. Develop a programmatic solution for “Thirst Drink (Wine)”, a group of urban farmers, green technologists, restaurateurs and the non-profit group “thirst” who want to generate public awareness of the potential of reclaimed urban clean water and green wall gardening through the cultivation of culinary natural fruits and herbs, providing best beverages for local residents and tourists. They want to create a sustainable thirst quenching system with various forms of urban gardenS processing (growing, collecting, distributing) and a beverage service using only resources captured and produced on the site. It is an opportunity to create so many different drinks of cocktails and mixtures.
1. Urban Gardens + Water System Traditional in-ground gardens (ground plane), vertical gardens and green walls (wall plane), enclosed gardens (hydroponics), roof gardens (overhead plane) ---- A water source, growing location, area for drying and storage. 2. Fruit market, Tea space, Wine bar Space for the preparation and imbibing of winemaking tradition. ---- Kitchen, restaurateur, bar, dining tables, seating benches, look out terrace 3. Administration Hub and offices, meeting rooms, private bathrooms
• Small - daily event Regular drinking service bar, restaurant Open terrace and garden for gathering 15-20 people • Medium – weekly/monthly Fruit picking, sangria/winemaking class, Nightclub Party • Large – seasonally/annually Creative beverage competition/ Spain wine festival (2 days event) accommodation 200 to 250 people each day
Site Strategy and Analysis When the Old Meets New
Plan Pattern
Opening
Volume
View Point
A
B’
B
A’
Short Section BB’
SUMMER SUNRISE
WINTER - CONCEALING
In the winter, the umbrella shaped structures move down, It is covering the holes and becoming abstracted ground topography. The combination of the umbrellas embedded in the ground plane and bare columns create a fragmented sensation, much like the feeling of experiencing a ruin. As the town become barren in the winter season, the site transitions into a secondary storyline.
Winter Long Section AA’
SUMMER - REVEALING
In the summer, some of the umbrella structures will open up and allow light, wind, and air to seep into the underground storage spaces. The main storyline of the site occurs in the summer when outsiders start coming into the town and activate the castle.
Summer Long Section AA’
WINTER SUNSET
Mapping the Pacific Ocean Floor
OBJECTIVE As an approach to design, the design research project is structured around the relationship between visualization and intervention; how an ability to know or represent a process offers a way to act and develop solutions. To achieve the objective, the project will be composed of a series of explorations - Pacific Ocean, water surface, and water in motion.
MINIMAL SURFACE CONFIGURATION OF MULTIPLE TILES
STEP 1 A
A
A
E
B
A
E
B
E
B
F
A
D 1. Divide line AC in order to get their midpoint. Then, connect corner D with mid point B to produce line BD.
C D 2. Use points C,D,E to create surface ECD.
D
3. Use line BD as the axis to create cone I.
A
C D
E
H
4. Then use cone I to trim surface ECD. By duplicating the trimmed surface ECD, it creates arc GH.
F B
G
C I
F B
B G
C
E
G
I
C D
H
5. Create line IC and surface ACD.
I
C D
H II
6. Use line IC as the axis for cone II and create cone II.
Objective Research materials on the BATWING family, and determine the exact construction of the primitive models. The primitives are constructed within a cubic bounding box, and when accurately constructed. The surface should mirror along specific edges, creating a seamless tiling system among singles surfaces.
A A
A
J
N
Description
G
N
Minimal surfaces are the minimum amount of surface area that spans between a “close” set of edge curves located within a three dimensional grid. Constructing minimal surfaces can be thought of as a negotiation between a regulating “bounding box“ and the topological surfaces that span between them.
G
N
G
J
J H H
H
PROCESS STEP 1 - CONSTRUCT THE ORIGINAL TILE STEP 2 - CREATE CONFIGURATION OF MULTIPLE TILES STEP 3 - FINAL PATTERN IN LINE DRAWINGS AND RENDERING
step 2 A
E
F B
G
A
E
F
B III
C H
C D
A
H
7. Use surface ACD to intersect with cone II, 8. Create line BG in order to create surand it creates arc HJ. face BFG.
G
J
C
C
9. Divide line AF into two segments which gets a midpoint K. Use it to create line DK. Divide line DK into four segments and it creates points L and M. Use line LM to create cone III.
E P
B
G
H
O
A
L N
M D
F
E
L J
G
F
E
B J
I D
K
A
D
F L NR
L N R G
J
Q C
C
H
10. Arc GN is created by duplicating the edge of intersection of cone III and surface FBG.
Q
F
E P
J
G
O
A
D 11. Create line IO and CE in order to get points P and Q. Use them to create line PQ. Divide line PQ into three segments which creates point R. Use points J, N and R to create a circle. Trim the longer part of circle by using points N and J.
D
H
12. Then, arc JNR will be the last edge of the minimal surface.
LOTUS Material Systems Project
MATERIAL UNITE scale 24”x2”x1/16
18”x1”x1/32
MATERIAL UaNITE DIMENSION TAXONOMY OF SIZES
12”x1/2”x1/32”
2”
1”
1/2” 24”
18”
12”
Large
THE ORIGINAL 3 SIZES WERE CREATED FROM A 48”x12” SHEET OF BIRCH PLYWOOD. AS THE SYSTEM BEGAN TO EVOLVE NEW SIZES WERE CREATED AS NEEDED TO ACCOMODATE FOR THE AGGREGATION AS IT DEVELOPED.
Mid
Small
Length 24" 24" 22" 18" 18" 16" 13" 12" 12" 12" 9-1/2" 9" 8" 6-1/2"
Width 2" 2" 1" 1-1/2" 1" 1" 3/4" 5/8" 3/4" 1/2" 1/2" 1/2" 1/2" 1/2"
Height 1/16" 1/32" 1/32" 1/32" 1/32" 1/32" 1/32" 1/32" 1/32" 1/32" 1/32" 1/32" 1/32" 1/32"
regular unit
left
s-curve top
FRONT
unit
left
closed end top
FRONT
unit
left
top
FRONT
Objective A material system integrated with its site environment in the Shatford Library at the Pasadena City College.
Description The plywood material system was installed on one of the side of the upper courtyard’s bow window on the third floor of library. The size of the actual system is an approximately 12’ high and 20’ wide including more than 85 various sized modules.
Process Step one: After the studying the different types of materials such as Velcro, steel wire, and basswood, we selected the birch plywood as the final material because of its strength, flexibility, workability, and is economical. Step two: The unit shapes that were used to create the four modules using birch plywood are called Regular leaf, S-Curved leaf, and Closed End Leaf. THE ORIGINAL 3 SIZES WERE CREATED FROM A 48”x12” SHEET OF BIRCH PLYWOOD. AS THE SYSTEM BEGAN TO EVOLVE, NEW SIZES WERE CREATED AS NEEDED in order to ACCOMODATE FOR THE AGGREGATION AS IT DEVELOPED. Step three: We selected the upper courtyard’s bow window on the third floor of the Shatford Library as our final site option because the rectangular window frame structures works well in combination with the integration of the unit aggregation systems.. This area provide excellent light source for us to manipulate the diffusion of sunlight into the system created various lighting effects such as shapes, shades, and shadow differences. We were sensitive in the installment of the system due to the spaces it would occupy; therefore how we placed and assembled the different parts on the system was critical. This is because the site is located on the border between the third floor’s ma jor walking and quite study areas. Step four: Programming the Arduno components into the material system creates lighting and sounds that provides a unique micro environment for people to experience.
sITE INFORMATION This site is located on the 3rd floor. The area consists of a ma jor circulation and the curvature of the windows around the outside area a lot of light ecposure is available for those working on tables or book shelves. Main circulation into the 3rd floor runs parallel to the window and next to the study area. The whole floor is used as a study area which is generally quiet. Light exposure differs depending on the time of the day.
elevation
MATERIAL UNIT NETWORKING elevation
axon 1.5” BY 18” , 1/16” THICKNESS
TOP BRANCHING OUT STRUCTURE
CONNECT 1/3 POINT
BOTTOM STRUCTURE 2” BY 24” , 1/16” THICKNESS
5 POINTS ARRAY
5 UNITS STRUCTURE
STEP 5
STEP 4 STEP 3
STEP 2
STEP 1
UNIT TO AGGREATION 1” BY 18” , 1/32” THICKNESS
STEP 6
1” BY 16” , 1/32” THICKNESS
STEP 8
STEP 7
CONNECTION DETAIL
THE MODULES ARE CONNECTED USING A SYSTEM OF SCREWS, NUTS, AND WASHERS.
spatial sequence Resident Objective this project lets the student to understand the spatial relationship, ordering, and organizations by a case study and physically model it with chosen materials.
Description The spatial sequence resident project, it is a case study to explore the anchoring role that negative space play along with the site to form the armature for a building organization. i discover how circulation plays a key role in developing the narrative of a building experience. i see how sequence works in a building to reveal spatial transitions such as compressed and released space, and reveal these interaction along the entry and circulation sequence of the building.
materials for physical model walnut: private spaces/ poche bass wood: circulation translucent acrylic: public space
House Information Kerchum Residence Frits de Vries Architect Vancouver, British Columbia, Canada 2009
Adjacent Space
Circulation
Interlocking Space
steps and describtion drawings
step
1
step
step
6
2
step
step
7
3
step
8
step
4
step
step
9
5
step
10
BENDING POTRERO HILL BRANCH LIBRARY SAN FRANCISCO
INFILL SITE (SITE PLAN)
CONCEPT Spatial bending
Bent Book Storage Viewing the Bent Non-Bending Programs
Objective redesign potreto hill branch library located at the
CONCEPTUAL PROJECT - MOVEMENT
south san francisco.
Objective Description
Double Negative, defined as at least two subtractive vol-
This project is about bent space. In spatial bending, a continuous linear tube is folded back on itself in two or three axes, generally using 70 degree angles. For a space to be bent, you have to be able to perceive the original continuous linear form.
umes/voids that intersect to produce a third condition.
My analytic spatial montage will be directed towards identifying an implied formal and/or spatial language which will be used to inform the Double Negative models.
Description
CONCEPT
The first step in the process was to produce an 8” x 36” analytic spatial montage. A synthetic construction—The processed photographs, constructed sequence, and linework form a cohesive drawing. As a series, the photographs should begin to construct an idea about movement in architecture, both in terms of the physical movement of the body and the architectural conditions that orchestrate such movement.
SPATIAL BENDING
linear Space
(Pointing at bending diagrams: white, black, and grey) The bent space in the library is a continuous translucent tube, which is circulation and book storage, distributed vertically. The spaces outside the bent tube are reading,, community meeting, children story/ young adult public programs. Program is organized according to sunlight exposure, sound, and privacy in relationship to program square footage.
In spatial bending, a continuous linear tube is folded back on itself in two or three axes, generally using 70 degree angles. For a space to be bent, you have to be able to perceive the original continuous linear form.
Bended Space
Material: The bent tube is translucent glass with an attached steel bookshelf structure on the inside. Light filters through the tube and the books into the un-bent space.
GARDEN
OK
LOBBY ENTRY
COMPUTER
BO Dark
ADMIN OFFICE
K
Medium
REFE RENC E
Sunny
ON EPTI
Tonal Analysis
VIEWING TABLES
REC
Overlapping Shadows
YOUNG ADULTS
COMMUNITY MEETING
BOO
K
BOO
BO OK
CHILDREN
Social Reading Shelving
9.21-9AM
9.21-1PM
9.21-3PM
3D - COMBO OVERLAPPING SHADOWS
9.21-5PM
12.21-9AM
12.21-12PM
12.21-1:30PM
12.21-3:30PM
OVERLAPPING ANALYSIS DRAWING II
TONAL ANALYSIS
OVERLAPPING ANALYSIS DRAWING I
SOLAR STUDY ON SITE
9.21-9AM
9.21-3PM
SUMMER OVERLAP
12.21-12PM
12.21-3PM
WINTER OVERLAP
Site Analysis and Constrains The site analysis examines overlapping shadows in three dimensional space. This analysis became a formal strategy for the project. The overlapping shadows are shown in a range of tones from darkest to lightest shadows. The analysis (point to 3D diagram with linework) used linework to track how the overlapping shadows BEND from a vertical surface to horizontal surface.
C
Sunlight Exposure
Strong
Sound
Loud
Privacy
Public
B
A
C
B
A
In Relationship to Program Square Footage
Lobby/ Reception Garden
Viewing
Social
Social
E
E
E
E
D
D
D
D
Community Meeting Room Young Adult Children
Reading
Reading
Reference
Storage
Computer Admin Office
Weak
Silent
Private
Restroom
C
B
A
C
B
A
1 G
G
1
C
B
A
C
B
C
A
B
A
E
E
E
E
E
E
D
D
D
D
D
D
C
B
A
C
B
C
A 3
2
2
3
B
A
R
R
THANK YOU