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July 1, Saturday
June 21 - 28, 2017
2:00 PM Onwards
10:00 AM - 6:00 PM
venue
contact
156 Jupiter corner
772-0414
Comet Street,
info@casadememoria.com
Brgy Bel-air, Makati City
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visit 156 Jupiter corner Comet Street, Brgy Bel-air, Makati City contact 772-0414 info@casadememoria.com online CasaDeMemoria.Com @CasaDeMemoria Printed in the Philippines. Š Casa de Memoria. All rights reserved. All material in this catalog may not be reproduced, transmitted or distributed in any form without the written permissions of Casa de Memoria Casa de Memoria reserves the right to accept or reject any article or material, and to edit this material prior to publication.
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Contents Auction Lots Terms and Conditions Contributors
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8 - 113 114-120 129
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056
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Furniture 8
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001
Italian Center Table with Motherof-Pearl Inlays 79 x 140 x 90 cm
An exquisitely crafted piece from its very media up to the woodwork employed. This center table came from Italy and dated 19th century. The item is impressively made from walnut and ebonized wood, and prides itself with intricate carvings, metal and mother-of-pearl inlays, and thornbush marquetry. It has stylized leaves and flowers as predominant motifs. A biblical scene is featured on the tabletop’s central section which depicts Prophet Elijah when he was taken up to heaven. The legs are fashioned in cabriole style with foliate, floral, and mask reliefs, and ends with claw feet. The latter are reinforced by a box-like stretcher and additional rear-feet supports. With signs of use.
PHP 115,000.00
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002
Antique Side Table in Palo Santo Wood 83 x 100 x 55 cm
This 19th century Portuguese side table is crafted out of palo-santo wood and other exotic timbers. Distinguishable features of its Portuguese provenance are the turned legs and stretchers, swirling ribbings along the edges, and the chinoiserie brass mounts. The table section has two (2) real drawers, as the other sections of the frieze consist of faux drawers. Generally stable, but with signs of use.
PHP 50,000.00
003
King John V Style Table 85.5 x 107 x 62 cm
A Portuguese console table fashioned in the style of John V. The furniture, dated between the 18th and 19th century, has notable scrolls and acanthus leaf reliefs embellishing the front and side aprons. Its legs are cabriole-styled with distinct leaf carved knees, and connected by an X-stretcher. Such very Portuguese configuration ends with claw-and-ball feet. Generally stable.
PHP 65,000.00
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004
Chinoiserie Sewing Table 73 x 47 x 33 cm
Chinoiserie sewing table in serpentine fashion, this furniture piece has a French origin from the latter half of the 19th century. The wooden body is lacquered black, while it is all well-embellished with Oriental motifs and mother-of-pearl inlays throughout. It has one drawer on top of its interlinked four-legged scroll stand. Its top can be opened to reveal its interior with mirror and compartment for sewing materials. With defects.
PHP 40,000.00
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005
Sillónes de Fraileros 106 x 54 x 64 cm Pair Dated between 17th and 18th centuries, this pair of side chairs known as sillón de fraileros traced their provenance from Portugal. The tooled leather on backrests and seats carry albarrada motif, with Portuguese coat of arts on the side chairs’ backrests. These tooled leather back and seat are held by bronze ornamental nails – an implement introduced by the Moors. The walnut wood served as the furniture frame, yet the simple turned carving of legs and stretchers make the set unique versus most of surviving Portuguese pieces of the same genre. With defects.
PHP 50,000.00
006
Pair of Iberian Side Chairs 97.5 x 48.5 x 38.5 cm Pair
This pair of Iberian seats dates back to the 18th century. Dominated by restrictive lines on the mahogany frame, the back and seat are covered with leather held by bronze ornamental nails – which implement speaks of the Moorish influence to the peninsula. With signs of use.
PHP 30,000.00
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007
Pair of Chinese Armchairs with Mother of Pearl Inlays and Marble Backs and Seats 98 x 66 x 52 cm Pair
A pair of 19th century Chinese armchairs with mother-of-pearl inlays and marble seats and backs. The furniture is abundantly-filled with elaborate inlaid work, representing motifs of flowers, foliages, fruits (i.e. pear, peach), shou (alludes to longevity), birds and other animal figures. Scroll motif is also prominent which can be seen on the chairs’ entirety, especially the armrests, legs and feet. Adding to the uniqueness of such pieces is their pierced framework as well as the marble seats and medallion-shaped backs. A box-shaped stretcher reinforces the legs. With minor defects.
PHP 160,000.00 auction .0007 2017
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008
Pair of Traditional Teak Chairs with Inlaid Ivory Work 102.5 x 34.5 x 41 cm Pair
Of Syrian origin, dated between the 19th and 20th century. This pair of traditional chairs is made from teak, a type of tropical hardwood birch which is known for its durability and longevity. The pieces are notable for its crossshaped backrest and intricate ivory inlaid work from its top rail up to the base. Such inlaid details impressively illustrate flower-like motif, a distinct trait of traditional furniture from Damascus. The aforementioned place is noteworthy for its essential role as a place of inter-cultural contacts among various ethno-linguistic and religious groups in West Asia, specifically Syria. With signs of use and previous restoration.
PHP 50,000.00
009
Set of Henry II Style Chairs 113 x 43 x 45 cm Set of 6
A set of 6 walnut chairs in the style of Henry II, dated 19th century. The chair set projects a Renaissance revival appeal as illustrated by the following elements: acanthus leaves, cherub’s face, scrolls, and columns. Such reliefs mainly highlight the chairs’ upper half. It also has an upholstered dark velvet seat and back which are held in place by brass tacks. Reinforced by an H-shaped stretcher, the legs are turned in ringand-block style. Generally stable, but with defects.
PHP 140,000.00
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010
Set of six chairs in King Jose I Style 107.5 cm Set of 6
Well-carved set of six (6) side chairs in the style of King Jose I of Portugal dated between late 19th and early 20th centuries. The set mixes vegetal and shell elements, carved on its palo santo wood. The pierced back splat gracefully carved with curvaceous features, which as combined with the curved cabriole legs, exudes an aura of exquisite elegance. The seat cushions are furnished with linear designs in warm rouge, ecru, and verte tones. Generally stable.
PHP 395,000.00
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011
Set of Three Dutch Rocaille Seats 103 x 50 x 51 cm Set of 3
Of Dutch origin, dated 19th century. This set of three (3) rocaille-styled chairs was crafted from walnut and carries noteworthy marquetry which illustrates motifs of birds, flowers, and shells. Also, such decorations are accentuated through the use of light-colored woods such as pau santo and box wood. The shaped backrests have curvaceous form and vase-shaped splat, while the seats are upholstered in later velvet. Its legs follow the cabriole style and terminate in hoof-styled feet. Generally stable, but with minor defects.
PHP 180,000.00
012
Eclectic Styled Side Chair 98 x 44 x 40 cm
Simple with restrictive curvatures, this piece is in an eclectic style of the late 19th and early 20th century Portugal. Notice the combined linearity of the side rails, seat, crossed stretchers and hind legs vis-à-vis the bent carving of the top rail and cabriole legs. The splat presents a beautifully carved floral bone inlay on its vase figure. Even eclectic in overall style, this wooden furniture’s splat reflects an influence of Arte Nova – that is, the Portuguese rendition of Art Nouveau. Generally stable, but with signs of previous restoration.
PHP 15,000.00
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013
Neoclassical styled Serpentine Settee 216 x 87 x 67 cm
This 19th century European settee is carved of wood and lacquered in dark tone. Its serpentine curve figure from top rail, arms, down to legs and scroll feet – all of which draw an inspiration from the Neoclassical taste. Beautiful pale ecru upholstery with brass buttons along the edges perfectly gives this piece a timeless appeal. With signs of use.
PHP 60,000.00
014
French Japanned Bureau de Dame 90 x 60 x 43 cm
This japanned bureau de dame (lady’s bureau) from France bears the 18th century style. The black lacquer, done through “japanning” technique, is perfectly blended by the gilt and polychrome details furnishing the images of landscape scenery on the surface. Notable features are its cabriole legs which were prominent in the early 18th century, as well as its brass mounts and hinges with bear chinoiserie details. The fall-front fascinatingly illustrates a scene of a Japanese man playing a top while a lady on a bridge watches him over. When opened, the noir-lacquered exterior highlights the exquisiteness of its blanc intérieur – a rightfully rewarding bureau for a true lady. Generally stable.
PHP 190,000.00 auction .0007 2017
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015
Chinoiserie Secrétaire À Abattant in Louis XV Style 150 x 94 x 47 cm
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This mid-18th century style French secrétaire à abattant (or Fall-front Desk) is a beautiful mix of chinoiserie taste and Rococo style of Louis XV. The furniture piece celebrates Chinese lacquer in warm, sultry tones; and is filled with Oriental themes that feature Chinese figures on landscape of rivers, hills, trees, and soaring cranes. Fascinatingly, the frieze is handpainted with well-bloomed flowers and butterflies, which glorifies the marble top. While gilt foliate elements embellish the edges, and give stylized character to the keyholes.
The interior would reveal the use of bois de rose (or rosewood) – a highly sought after material for furniture at the time. Behind its fall-front is an interior in rouge: with two (2) fabricwrapped shelves in rose tone, and; its desk in deep scarlet velvet. The bottom section has two-doored compartment, which is suitable to contain important documents and objects for writings. Generally stable, but with minor defects.
PHP 100,000.00
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016
Anglo-Indian Davenport 84 x 57 x 59 cm
This late 19th to early 20th century davenport prides its Anglo-Indian origin. Profusely carved with intricate foliate ornamentations throughout, this furniture piece has a leather-covered sloping desk. Inside this desk is a compartment with two small drawers. Attracting gaze are its front legs carved as flamingos, which terminate with crouching dog figures. Of special interest are the hidden drawers concealed by a panel door at the right-hand side, which were used to keep important documents. A slimmer drawer is placed above these
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side drawers as a especial container for recently finished letters. Its modern locking mechanism is indicative of its crafting circa fin de siècle. 18th century cabinet-maker Gillow of Lancaster recorded in 1790s, “Captain Davenport, a desk,” alluding to the first small writing cabinet of this style ever crafted – which now called by the Captain’s name. No wonder about this furniture’s secretive character – hence. With defects.
PHP 70,000.00
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017
King Jose I Style Cabinet-on-Stand 132 x 83 x 52 cm
This 18th century cabinet-on-stand is in the style of King Jose I of Portugal. It carries the distinct Portuguese Baroque elements carved on its walnut material, namely: the ribbings along the edges, the turned columns and stretchers, and the brass mounts in chinoiserie form. Very symmetrically balanced in its architectonic composition, the cabinet has two-doored compartment, followed by a long drawer with tripartite panels. Generally stable
PHP 75,000.00
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018
Small Chestof-Drawers in Rosewood Veneer 41 x 58 x 34 cm
A Portuguese small Chest-of-Drawers dated between the 17th and 18th century. This vintage furniture is mainly built of rosewood veneers, and has four drawers which simulate six. The borders as well as the drawers are fashioned with elaborate ripple-molded friezes. Such design is accentuated by the gilt metal mounts that illustrate two figures each. As for the feet, these are shaped as bun. With minor defect and signs of previous restoration.
PHP 50,000.00
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019
King Jose I Style Chest 93 x 145.5 x 72 cm
An 18th century Portuguese chest fashioned in King Jose I style. This antique mahogany piece has notable brass mounts resembling a rosette. Such application lines the chest’s edges specifically the cover, front, and the sides. It also has solid backplates and chinoiserie-styled handles. Moreover, the chest was crafted with dovetail joints which can be observed on the back portion. Such traditional technique is complemented by its modern hinges which seems to be a later implement. With minor defect, but generally stable.
PHP 120,000.00
020
Pair of Dutch Commodes in Neoclassical Style 87 x 99 x 55 cm Pair
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Dated 18th century, this pair of commodes traces its origin from the Netherlands. These magnificent furniture pieces were beautifully done in Neoclassical style, and illustrate exemplary inlaid work. The latter shows motifs of foliages, flowers, and rectilinear/geometric shapes which highlight the top, the front and the sides. Sturdily built, these Dutch commodes were made from several
wood types mainly mahogany/burrmahogany and satinwood. Both have three drawers that are adorned by oval metal mounts and drop-handles. Its feet show two styles: square tapered and fluted (front) and shaped bracket (rear). Previously restored, but generally stable.
PHP 445,000.00
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021
Rosewood Cabinet with Tortuga Shells 56 x 74 x 28 cm
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Of Italian provenance, this exceptional furniture dates back to the 19th century. Such piece displays excellent craftsmanship which can be clearly seen from its rosewood veneers, tortuga shelled-drawers, and inlaid ivory borders. It is built with eight drawers that simulates ten, and has a central niche. The latter, which is concealed, is configured with mini columns, mirrors, and inlaid ivory decoration.
Each side is adorned by a drop handle with solid backplate, made of iron, with turned feet. With signs of use.
PHP 225,000.00
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022
Boulle Style Pier Cabinet from Napoleon III Period 105.5 x 138.5 x 39 cm
This 19th century Boulle style pier cabinet from France is from the period of Napoleon III. Its two-door front section hides an interior with two-tiered shelving. The exterior, on the other hand, elegantly prides the interlaced marquetry of brass inlaid into tortuga shells throughout its surface. Ebonized wood heightens the exhibited sultry appeal of the intricate boullework. The mounted gilt bronze (or ormolu) elements in Neoclassical taste add a sensuous, elegant details to this antique piece. The rose-toned marble top gives the furniture its finishing touch. With minor defects, but generally stable.
PHP 275,000.00
023
English Chinoiserie Corner Cabinet 92 x 59 x 39 cm
Elegantly crafted antique English corner cabinet in lacquered wood and carries chinoiserie motif dates back to the 19th century. The door panels serves as a diptych illustrating scenery of a castle and ships over the great sea on top. Layers of flora and fauna decorate the lower sections, where Orientalized figures of workers can be seen as well. With minor defects.
PHP 55,000.00
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024
Italian Glass Case with Alla Certosina Decoration 192 x 102 x 45 cm
A 19th century Italian glass case with alla certosina (bone inlay) decorations on walnut. The bone decoration in floral and geometric patterns remind the blending of Renaissance Revivalism and Moorish influences in the crafting of this piece. Fascinating are the lion figures as columns in front, as well as the ivory on frieze which depict putti as musicians. The interior has a series of bulbs across the shelves for lighting. With signs of use.
PHP 175,000.00
025
Cabinet-on-Stand with Tortuga Shells and Gilt Metals 137 x 110 x 39.5 cm
A 19th century cabinet-on-stand from Italy. The furniture prides itself with an imposing craftsmanship of exotic hardwood, Tortuga shells veneers, and ormolu mounts. As opposed to the top and side portions of this Italian piece, the front exhibits a striking appeal. Such grandeur is attributed to the fine configuration of the medium aforesaid. The item is built with three drawers which are adorned by gilt bronze applications and oval-shaped tortoiseshells. The latter’s naturalistic red color patterns add more exquisiteness to the piece’s entirety. As for its stand, two more drawers are built which provide additional storage. The turned and tapered legs end with bun-styled feet. Generally stable.
PHP 315,000.00
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026
Spanish Cabinet with Tortuga Shells 61.5 x 122 x 35 cm
A finely crafted cabinet as shown by its very media: scots pine, burr-walnut, ebony, and Tortuga shells. The furniture has Spanish provenance and dated 19th century. It has stepped, flat top, drawer friezes made of Tortuga shells and decorated with circular patterns, bronze mounts and bas relief, and built-
in columns. Its central door conceals additional drawers with ivory inlays, of which illustrate foliate motif. The feet are bun-styled.
adornment of the interior. The internal is configured with 11 small drawers and 2 compartments with door-type covers. Marquetry and parquetry works can also be observed side by side the ivory inlays, which demonstrates the high level of craftsmanship done in this
piece. The Milanese cabinet rests on bun-shaped feet.
With minor defect.
PHP 295,000.00
027
Milanese Cabinet with Ivory Inlaid Work 66.5 x 72 x 32 cm
Milanese furniture piece that dates back to the latter half of the 19th century Italy .This antique cabinet is primarily made of ebony and other wood types, and features a notable ivory inlaid work. The latter is not only present on the exterior but also serve as an
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With defects.
PHP 60,000.00
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028
Chinoiserie-Styled Portuguese Cabinet 171 x 113 x 60.5 cm
A 20th century chinoiserie-styled cabinet from Portugal. Lacquered mainly in scarlet, partly in black, and with gold applications, the furniture depicts exemplary motifs of pheasants, a peafowl, and peonies. Such gilt illustrations serve as adornment of the cabinet’s double-leaf doors and its sides. Each illustration is framed by a thick stylized border in black, with floral element. The cabinet’s very form is rectangular. Its interior is divided into two sections— upper and lower. As for its base, Rococo details are observable particularly on the legs and feet. With signs of previous restoration.
PHP 90,000.00
029
Dutch Oak Cabinet 212 x 157 x 74 cm
A majestic and solid Dutch cabinet in oak, dated between the late 17th and early 18th century. The furniture is uniquely-built as it can be disassembled in three different parts. Aside from oak, Tortuga shells adorn the cornice, frieze, door and side panels of the furniture. The entire piece is intricately configured with flat top, three Corinthian columns, pilasters, excellent carvings of rosette, masks, foliages, and metal door mounts. The body is built with two main doors, while the base has a pair of drawers. Its interior is divided into two sections wherein the upper half is configured with double-leaf doors. Its three front feet are in the style of bun; the rears on the other hand are block-styled. With minimal defects.
PHP 210,000.00 auction .0007 2017
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Porcelain and Ceramics 28
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030
Set of Five Blue-andWhite Porcelain Pieces from Chinese Imperial Periods Approx.: 10 x 40 x 34 cm Set of 5
A rare collection of blue-and-white porcelain from different Chinese Imperial period styles. This set comprises: [a] a bowl with depicted scenes of everyday life bearing Guangxu Period style (1875-1908); [b] an octagonal plate painted with landscape of peonies and insects in Qianlong period style (1736-1795); [c] another Qianlong style serpentine plate with landscape of pagoda, rivers, and trees; [d] Qianlong period style large octagonal platter with intricate pagoda and hills on landscape ornamentations, and; [e] a large charger from Wan Li period style (1573-1620) of Ming dynasty bearing decorations of landscape, flowers, and scrolls. With minor defects as signs of use.
PHP 135,000.00
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031
A Set of Three Quianlong Bowls and Chargers 4.5cm x 14 cm Set of 6
Beautiful porcelain set of three bowls and three chargers presenting the Qianlong period style (1736-1795). The chargers illustrate a scenery consisting of roosters and flowery trees; while the bowls present minimalist floral motifs. With defects
PHP 30,000.00
032
Pair of Chinese Imari Style Porcelain Plates Diam.: 23 cm Pair
A pair of 18th century style Chinese Imari export porcelain plates which are illustrated with polychrome floral decorations in blue, black, yellow, green, pale turquoise, rose, and vermillion. The bottom section of the rim is also painted with floral elements. With minimal defects.
PHP 20,000.00
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033
Pair of Famille Rose Soup Plate Dia: 23 cm Pair
Tracing its provenance from the Qing Dynasty, specifically Qianlong period style (1736 - 1795). This pair of famille rose soup plates is typified as Chinese export porcelain with distinct employment of multiple palettes. The pieces have prevailing motifs of foliages, flowers, and pair of “kǒngquè” (peacocks). The latter is viewed in Chinese culture as a symbol of beauty and dignity. With signs of previous restoration.
PHP 40,000.00
034
Famille Rose Charger Dia.: 39.5 cm
Famille rose charger dated early to late 18th century. This Chinese ware from the Qianlong period is a beautiful example of famille rose which was introduced circa 1720s. In this piece, different figures which carry distinct symbolism can be seen. These figures include a “gōngjī” (rooster) to avert evil or bad things and mǔdān (peonies) signifying distinction and wealth. Other flowers and seemly valuable items serve also as motifs of the porcelain piece. With sign of previous restoraion.
PHP 90,000.00
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035
Chinese Platter with Landscape and Figures 17 x 29 cm
An 18th century platter from the Qing Dynasty, specifically Qianlong period. This blue-and-white porcelain with shaped corners has borders abundantlyfilled with varied foliate and floral motifs (i.e. peonies, chrysanthemums) as well as butterflies. The latter is viewed in Chinese culture as a symbol of “joy and conjugal felicity.� The central illustration depicts a river landscape with notable figures of a male Chinese in traditional clothing, a tree, pair of deer and swallows which signify longevity, success, and happiness. Also, an islet with a small village serves as a complementary background. This Chinese porcelain has no marking. With minor defects.
PHP 20,000.00
036
Chinese Platter with Landscape and Pagodas 21 x 25.3 cm
This 18th century Chinese blue-and-white porcelain platter dates back to the Qianlong period (1736-1795) carrying illustrations of river landscape with pagodas, ships, trees, and cranes. Cranes are considered symbols of longevity, good fortune, and trust. The pagoda also has spiritual meaning as a house of worship, especially in Taoism and Buddhism. The edge of the illustration is surrounded by a series of Oriental spines; while the rim is likewise well-decorated with floral elements. With minor defects.
PHP 25,000.00
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037
Qianlong Period Style Porcelain Jar in “Chocolate” Tone 47 x 20 cm
Captivating with its dominantly “chocolate” and minute rose tones, this Chinese porcelain jar is dated back to the Qianlong period style (ca. 1736-1795). The surface presents colorfully decorated floral and bird illustrations inside cartouches of white and blue spaces. The dominant “chocolate” aura is symbolic of being industrious and grounded, according to the Chinese traditions. It also has a later wooden cover with intricately carved and pierced embellishments throughout. Stable.
PHP 105,000.00
038
Pair of Qianlong Period Famille Rose Dishes Diam.: 36 cm; 42 X 34 cm Pair
Pair of Famille rose Chinese export porcelain dated 18th century style. Typified as famille rose, both the plate and the serving tray serve as decorative pieces which can either be wall mounts or furniture displays. The octagonally-shaped plate shows a “fenghuang” (phoenix) in a garden. The mythological bird, in Chinese culture, is believed to have positive connotations. Such figure symbolizes “high virtue and grace” and “femininity.” Aside from the phoenix, gilded and polychrome figures of duck, birds, foliates, peonies and other floral motifs embellish these oriental dishes. The aforesaid carry no marks. With minor defects but generally stable.
PHP 135,000.00 auction .0007 2017
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039
Pair of Qianlong Period Famille Rose Jars 17.5 x 5 cm Pair
Of Chinese provenance, this pair of Chinese export porcelain jars is dated 18th century. Specifically attributed to the Qianlong period, the jars distinctly have square-shaped rims and bases. Such form is contrasted by their curvy bodies which broaden at the mid portion. Typified as famille rose, the jars present varied scenes with Chinese figures on bianco-sopra-bianco (white-on-white) background. The illustrations, to add, are complemented by gold linings which serve as borders. With sign of previous restoration. With minimal defect.
PHP 20,000.00
040
Oriental Spice Jar 60 x 45 cm
Simplistic in form, yet commands sophistication. This brown glazed stoneware piece is glazed and formed with a rounded rim, high and tapered body, four lugs around the shoulder, and a flat base. This item from the Qing Dynasty served useful in storing culinary herbs and/or spices as Asia is highly-sought for such food preservatives and flavoring since the ancient times. From China, it is dated between the 18th and 19th century. Generally stable.
PHP 20,000.00
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041
Oriental Figure 22.5 x 7 cm
A late 18th to early 19th century Chinese porcelain statuette with polychrome decoration. This Jiaqing period famille rose piece represents a figure of a “luohan� dressed in full and loose aquamarinecolored robe, and holding a vase of flowers. Such background is complemented by rosy-toned floral motifs of chrysanthemum and peach blossom. The aforementioned elements allude to luck and long life, hence, making it an interesting collection or home decorative piece. It has no marks. With minimal defect.
PHP 40,000.00
042
Laughing Boys 17 x 9 cm Pair
A pair of laughing boys in famille-rose Chinese porcelain dated in the first half of the 19th century. The laughing faces signify an aura of success, prosperity, and goodness – which are all parents would ask to be endowed unto their children. Being in pair, this lot reflects the belief of the Chinese on the deities He-He, who are the Heavenly Twins of Conjugal Felicity. Generally stable.
PHP 30,000.00
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043
Celadonized Chinese Charger Diam: 38 cm
This celadonized Chinese charger in china dates back to the 19th century. It is embellished with rich blue cobalt illustrations of various Oriental articles. Generally Stable.
PHP 5,000.00
044
Small Oriental Flower Pot 6.5 x 11.6 x 8.5 cm
This small Oriental flower pot is an export porcelain piece from China and dates back to the 19th century. Notable in this piece is its smooth, prestine white appeal beautifully ornated with polychrome embellishments – mostly in rose and green tones – depicting perfumers, vases with flowers, and various fruits. The lip of the small pot is finely detailed with scrolls in vermillion. With minimal defect but generally stable.
PHP 15,000.00
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045
Pair of Chinese Porcelain Jars
Height: 18.5 cm; Diam.: 19 cm Pair Of Chinese provenance, dated early to mid 20th century. The pair of polychrome and gilt porcelain pots with lids is a post-imperial China artefact. Despite being a product of the aforesaid period, the pieces interestingly depict scenes which allude to the dynastic period. Several Chinese figures in what seems to be a garden or an outside environment serve as ornamentation. Both pieces have four lugs each around the shoulder and gilded finials. They also carry a mark which can be attributed to Jiangxi province in southeast China. Stable.
PHP 20,000.00
046
Pair of “RoseMedallion� Jars 35 x 20 cm
Classified under the famille-rose of Chinese export porcelain, this pair of jars from China is dated back to Guangxu period (1875-1908). Dominated by radiating rose tones over its celadon-green foliate ornations, the surface also bears depictions of life in the Royal Court where important gentlemen were being served by court ladies. Illustrations here also include floral and butterfly elements. Relief figures in Mandarin gold grace the necks of the vessels. Generally stable.
PHP 40,000.00
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047
Qing Dynasty Porcelain Pot 28.5 x 22 cm
Of Chinese provenance, dated 19th century. This polychrome jar with incised and overglaze enamel decoration is attributed to the Qing Dynasty. The piece’s shoulder distinctly carries a series of heart-shaped design in the shades of red, blue, and yellow. As for the central illustration, it interestingly shows several Chinese figures in colorful traditional clothes. The main figure is depicted riding a “qilin,” one of the four prominent mythological creatures along with the dragon, phoenix, and tortoise. Also known as “kirin,” it is represented with dragonlike characteristics especially the head, antlers, a body resembling the deer, ox, or horse (partially or fully scaled), cloven hooves, and tail of a lion. Such figure is viewed by Chinese as a good omen and a symbol of one’s rank as the highest among military officials. Stable.
PHP 10,000.00
048
Rouge-de-fer Porcelain Jar
55 x 27 cm
Porcelain jar from the Guangxu period (1875-1908) classified as “rouge-de-fer.” The dominantly red surface of this porcelain piece is filled with minute white scrolls which heighten the Oriental feel. Blooming flowers are also painted across the vessel, to which foliate scrolls swirl and interlink to one another. Rectilinear square scrolls in red ornate the edge of the base; while diagonal hatchings making triangular series gracefully decorates the lip of the jar. Bottom and lip’s inner sections are painted in celadon green, giving a relaxing contrast to the provocative rouge color. Generally stable, with minor defect.
PHP 45,000.00
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049
Qing Dynasty “RoseMedallion” Porcelain Set Approx.: 11 x 19 cm Set of 5
A 19th century set of Qing dynasty export porcelain typified as “rose-medallion.” This set is composed of a cup with saucer, pair of cut out dishes, and a drinking vessel. Each piece is profusely decorated with Chinese figures, birds, fruits, foliages, and flowers. With minor defects.
PHP 5,000.00
050
Qianlong era FamilleRose Porcelain Set Approx.Diam: 15 cm; Pot: 18 x 22 cm Set of 6
This set of porcelain pieces in famille-rose enamels originated from China and dates back to the Qianlong era (1736-1795) of Qing dynasty. The set comprises: a tea pot; a cup and a saucer; one serpentine-cut, and two round bowls. Decorations vary from floral motifs to imperial court scenes. Historically, the link between Europe and imperial China led to the introduction of rose-tone enamels in Chinese porcelain making; which production was bent to befit the growing demand in the Western world. With signs of use.
PHP 20,000.00 auction .0007 2017
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051
Porcelain Jars in Kangxi Style 33.5 x 20 cm Pair
This pair of white and cobalt blue porcelain jars with covers dates back to the late 19th century. Beautifully designed with floral elements and vignette medallions, the jars are inspired by the style of Kangxi period, as suggested by its marks 康熙年製 [Kangxi Nian Zhi] underneath. Stable.
PHP 35,000.00
052
“Rose-Medallion” Porcelain Basket with Dish Basket: 9.5 x 27.5 x 24.5 cm; Dish: 4 x 28 x 24 cm Pair
This set of reticulated Chinese export porcelain has an oval basket with dish, which traced its origin from the Guangxu period (1875-1908). The surface of both objects illustrate the life in Royal Court, which feature interactions between court ladies and gents. Belonging to “rosemedallion,” this piece exhibits an exuding warm appeal even the colors are placed in contrast with a celadon-green tone. Generally stable.
PHP 30,000.00
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053
Guangxu Period Mandarin Toiletry Set Approx.: 11.5 x 20 cm Set of 3
054
Guangxu and Minguo Period Pots with Lid 30 x 19 cm
auction .0007 2017
A toiletry set in Chinese porcelain dated late 19th to early 20th century. These Mandarin wares from Guangxu period are richly detailed with gilt and polychrome motifs of peach, persimmon, peonies and other flowers, butterflies, birds, and foliages. These elements, as viewed in Chinese culture, symbolize longevity, happiness, and conjugal felicity. Moreover, central scenes of Chinese figures in colorful
traditional clothes also highlight the pieces. Such illustrations are bordered with rococo-style arabesques. The set is composed of a soap dish, a circular container, and a brush box.
A set of three Chinese porcelain pots with lids, dated between the late 19th and mid 20th century. Two of the three blue-and-white wares were crafted during the Guangxu period (18751908), while the other one came from a later period—Minguo. One of the three pots has a strong cobalt shade, with dominant motifs of peonies as well as illustrations of auspicious figures in scalloped cartouches. The
remaining two, on the other hand, have notable foliate motif on their bodies and rectilinear design on the shoulders. Also, both pieces have same prominent Chinese character “囍” which means “happiness.”
With minimal defect but generally stable.
PHP 30,000.00
Stable.
PHP 75,000.00
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055
Chinese Porcelain Vase 43 x 30 cm
An early 20th century blue-and-white porcelain vase, from China. It has a blue underglaze decoration that depicts a landscape and varied Chinese elements and stylized patterns. The piece is noteworthy for its tall, broad, and tapered body which is richly-filled with cobalt blue ornamentation from top to bottom. It is attributed to the Qing Dynasty, specifically Guangxu to Xuantong period. With production defect.
PHP 25,000.00
056
Pair of Stools in Chinese Porcelain Height: 48 cm; Diam.: 35 cm Pair
In Chinese porcelain, dated early 20th century. The pair of famille rose drumshaped garden stools pride itself with exquisite craftsmanship and enamel decoration. Both items specifically depict Chinese figures performing varied activities such as playing a flute and group conversations. Aside from the illustrations, noteworthy also are the geometric motif, pierced decoration, and raised balls which artistically embellish the bodies. This pair of garden seats carries no mark. Generally stable.
PHP 65,000.00
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057
Edo-Period Large Porcelain Charger Diam.: 54.7 cm
Large porcelain charger from Japan dated back to the Edo period (16031863). Notable for its deep underglazed blue and rich gold details, that are further livened by the tones of rose, vermillion, and ochre. A six-petal flower frames the scenes of creatures on ethereal landscapes. The intricacy of details on its handpaint suggests an advanced technique was employed, which was developed on the later Edo period, most likely of the 18th century. With minor defects.
PHP 95,000.00
058
Imari-Styled Censer 46 x 40 cm
A 19th century porcelain censer in the style of Imari. The item prides itself with opulent and densely-crafted designs which show brocade patterns, chrysanthemums, peonies, Japanese maple trees, and faunas like birds and deer. Aside from the piece’s striking elements and palette of cobalt blue, iron-red, and gilt, it also has a distinct form as exemplified by the shishi finial, pierced lid, large body, and kabuki mask-inspired feet. From Japan, the piece was produced during the Meiji era (1868 to 1912). Stable.
PHP 50,000.00
auction .0007 2017
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059
Pair of Meiji Period Vases Height: 25 cm Pair
From Japan, dated between the 19th to early 20th century. This pair of polychrome vases was crafted during the Meiji era—a turning point on Japan’s thrust to modernization. The pieces are notable for their gildings and vibrant polychrome design, with orange, blue, and green as the dominant colors. Motifs of chrysanthemum, bird, mythological creature, foliages, scrolls, cross, and pineapple-like pattern are densely illustrated here. Such delightful presentation implies its purpose to provoke and capture the European interest. In good condition.
PHP 20,000.00
060
Imari Style Cropped Bowl 15 x 32 cm
An Imari-styled cropped bowl from the Meiji period (1868 – 1912). This Japanese porcelain has scalloped rim and deep body. The piece is sumptuously decorated with brocade pattern and varied elements that include chrysanthemum, peonies, and foliages. Its rich and visually-enticing colors revolve primarily around cobalt blue, reddish-orange, brown, gold, and white. Imari style typically features motifs of birds, Japanese figures in traditional clothing, landscapes, among others. The very term “Imari” was derived from the Japanese port located in the island of Kyushu, Japan, though these items were actually being made in Arita. With minimal defect.
PHP 15,000.00
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061
Japanese and Chinese Porcelain Plates Diam: 30 cm Pair
Representing the beauty of Asian cultures, specifically of the east region. These pieces trace their provenance from 18th to 19th century Japan and China. One is an Imari-styled platter with motifs of jardinière, birds, fishes, peonies, foliates, and other linear patterns. It has an underglaze blue that is intensely colored, as well as palettes of iron red, yellow, manganese brown, turquoise, and gold. On its reverse, an undeciphered inscription in katakana can be found. The other
piece is a famille verte charger from the Qing dynasty. It depicts a scene of two warring clans with notable figures of guardian lions (Foo dogs) and a mountain as backdrop. With defects and signs of restoration.
PHP 10,000.00
062
Set of French Chinoiserie Cups and Saucers By Nicolas IV of Larmessin Height: 4 cm; Diam.: 12 cm Set of 8
A set of four cups and four saucers in chinoiserie porcelain dated back to the 18th century France. Illustrating Oriental figures and landscape, which were inspired by Nicholas Lancret’s painting “Spring” and illustrations were engraved by French artist Nicholas IV of Larmessin. With signs of use.
PHP 110,000.00
auction .0007 2017
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063
Napoleon III Style Garniture in Bronze, Antimony, and Delft Faience
72 x 35 cm (candelabra); 63 x 28 cm (clock) Set of 3 Dated 19th century, this gracefully-crafted garniture traces its provenance from France. The set is fashioned in Napoleon III style and composed of a clock and a pair of five-light candelabra. The pieces were crafted from three different media which are ormolu, delft faience (for the body), and antimony. Its overall adornment illustrates motifs of dragon, masks, cartouches, foliates, flowers, beads, and fluting. For the clock’s winding mechanism, it carries a maker’s mark that states: “S. Martí et Ci.” The latter alludes to the French clock/watch factory established in 1832 by the prolific clockmaker, Samuel Marti. The clock’s mechanism needs recalibration. Mechanism needs recalibration. Generally stable.
PHP 175,000.00
064
Pair of Beaker Vases 32 x 18 cm Pair
A pair of beaker vases in porcelain dates back to the 20th century France. They are embellished in great detail with cobalt blue floral and vegetal motifs. Generally stable.
PHP 20,000.00
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065
Portuguese Azulejo Tilework in Baroque Style 57 x 100 cm
auction .0007 2017
A late 18th century Baroque style tilework, of Portuguese origin. This antique piece is comprised of 28 blueand-white tiles typified as “azulejos pombalinos.� It shows a landscape scene with two Portuguese male figures and pair of dogs occupying the fore, and two fishermen on a boat crossing a river. Contrasting the fore, the background which depicts a community is presented
in a lighter shade. The illustration, moreover, is framed by exuberant details of acanthus leaves. With defects, but generally stable.
PHP 150,000.00
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066
Vista Alegre Polychrome Pot with Lid by Vista Alegre Factory 27 x 18 cm Of Portuguese origin, dated late 20th century. This pot with lid in Vista Alegre porcelain is notable for its polychrome and gilt decoration known as “samurai.” Such piece is well-detailed with varied motifs of flowers, leaves, stylized patterns, and komainu (lion dogs). These elements are further emphasized by the monochromatic white background of the Japanese-inspired item. It carries two marks: one is a gold crown over the texts “Manufactura Est. 1824”; the other is Vista Alegre mark no. 36 indicating that it was already in production by 1980. Generally stable.
PHP 20,000.00
067
Pair of Fábrica Sant’Anna Platters by Fábrica Sant’Anna 21 x 19 cm Pair
A pair of platters in blue-and-white ceramic from Portugal dated in the 20th century. The hand-painted platters depict floral motifs on the one piece, and a scene of lovers on the other. These precious pieces trace their origin from the historic Fábrica Sant’Anna that was established in 1741. Continuously perfecting the craft since their inception, Fábrica Sant’Anna pieces undoubtedly deserve a special place in home, as a dining and conversation piece. With signs of use.
PHP 8,000.00
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068
Ottoman Jug in Vista Alegre Porcelain by Vista Alegre Factory 31 x 28 cm From Portugal, dated between the 20th and 21st century. This Vista Alegre piece, typified as “Ottoman jug” as exemplified by its Islamic form, is a fine representation of Chinese, Turkish, and Portuguese cultures as one. The blue decoration which dominates the piece illustrates floral and foliate motifs. Silver applications adorn the spout, neck, and handle, bearing the Porto assay mark Aguia 925. On its base, a Vista Alegre mark can be seen and an inscription that reads: “Jarro Otomano Reprodução de uma peça da Dinastia Ming, Século XV. Edição especial limitada A 250 exemplares No 112 / 250 2006.” Stable.
PHP 75,000.00
069
Vista Alegre Porcelain Moon Flask by Vista Alegre Factory 23 x 18 cm
Of Portuguese provenance, dated 20th century. This polychrome and gilt moon flask is made of Vista Alegre porcelain and has a silver lid (with Porto assay mark Aguia 925). The piece is beautifully adorned with illustrations of oak leaves and nuts, a caravel, and the coat of arms of King John II. The latter was the king of Portugal from 1481 to 1495 and regarded as “one of the greatest European monarchs” in the 15th century. On its base, two Vista Alegre marks are found, no. 36 (in blue color) and 38 (in gold), indicating that the piece was already in force between 1980 and 1997. An inscription too is written that reads, “V Centenário da morte de D. João II Série especial.” Stable.
PHP 50,000.00 auction .0007 2017
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070
Vista Alegre Plates with Coats of Arms in Chén Lung Period Diam: 23.5 cm Set of 4
This set of four (4) Vista Alegre porcelain plates carries illustrations of Coats of Arts. The markings at the bottom signifies the date of production between 1980 and 1992. Each plate bears the inscription “Reproduction of a Chinese Export porcelain plate with…, Chén Lung Period (1736 1796), Serie Limitada a 250 Coleccoes.” The coats of arms on the plates are identified as follows: Beauple impaling Bellesworth; Continental coat of arms; Kitson impaling Gregory; Pitt impaling Grenville. Stable.
PHP 15,000.00
071
Vista Alegre Porcelain Moon Flask 25 x 18 cm
Carrying the impression of porcelain style of the Ming dynasty, this blue-and-white porcelain flask is produced by the celebrated Royal Factory of Portugal: Vista Alegre. The piece dates back to the late 20th century as indicated by its Vista Alegre mark (gold logo, no. 40, dated 1999). This is corroborated by the silver assay mark (Aguia, 925), which indicates its origin from Porto, and has a 925 silver content. Notable in this piece is the accuracy of the European artisans in achieving its Orientalist objective. The chinoiserie taste is well-reflected on the fine strokes of the cobalt enamel, giving an animated appeal to the floral ornations. Interestingly, on the one side is an armillary; on the other is a pelican feeding her young. The armillary was a well-established symbol of the Portuguese discoveries, while the pelican feeding her young was the mystic symbol of the Christ (cf. Dante’s notion of “nostro Pelicano,” Canto XXV, lines 112-114, in Paradiso, p. 224) Stable.
PHP 25,000.00
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072
Vista Alegre-Mottahedeh Oriental Jar 16 cm
This blue-and-white porcelain jar with cover ornated with Oriental figures dates back to the late 20th century. The vessel has a mythical dog finial, while its surface presents feminine figures performing various artistic acts. It is a commemorative piece for the fifth anniversary of collaboration between Vista Alegre (the Portuguese Royal Factory for porcelain and crystals) and Mottahedeh (the world’s leading producer of antique reproductions and historic designs). The bottom section carries both Mottahedeh brand and Vista Alegre mark (no. 36). Generally stable.
PHP 15,000.00
073
Oriental Blue-and-White Porcelain Bulb-Form Vase 32 x 15 cm
A blue-and-white porcelain bulb-form vase dates back to the 20th century China. It carries intricate ornamentation throughout its surface, which includes geometriclinear as well as floral and other stylized natural motifs. Protruding fins decorate the neck and body of this fascinating Oriental piece. Generally stable
PHP 15,000.00
auction .0007 2017
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Miscellaneous
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auction .0007 2017
074
1560 Ortelius Map of the Kingdom of Portugal 42 x 54.5 cm
auction .0007 2017
A collector’s item -- this map of the Kingdom of Portugal by Abraham Ortelius was published in Rome in 1560, with well-detailed illustration on the segments consisting the naval Superpower of the 16th century. It carries embellished calligraphy and two coloured cartouches, with one describes: Portugalliae que olim Lusitania, nouissima et exactissima descriptio, Auctore Vernando Aluaro Secco [Portugal, which was once called Lusitania, the last and most exact description, by Vernando Aluaro
Secco]. Surrounding the Kingdom of Portugal are images of naval galleons and sea monster across the Atlantic, emphasizing their lead on the European maritime explorations. Adjacent to the Portuguese motherland were the kingdoms of Leon, Castille, Andalusia, amongst others, which constitute the present-day Spain that at the time were divided (see Abraham Ortelius, Theatrum Orbis Terrarum, 1570: 8). With minimal defect due to age.
PHP 25,000.00
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075
Anglo-Indian Arch-Shaped Table Mirror 72 x 54 cm
Resembling an arch, this mirror framed with silver is dated 19th century. The very frame is generously detailed with foliate and floral cut decoration/reliefs as well as bead pattern. Its reverse is built with a wooden cover and an adjustable stand, enabling it to function as a table decorative item. This mirror is of Anglo-Indian origin. Generally stable.
PHP 60,000.00
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076
Mother-of-pearl-inlaid Chinese Table Mirror in Tamarind Wood 60 x 41.5 x 16 cm
Fascinating Chinese table mirror, made of tamarind wood with inlaid mother of pearls, is dated back to the Minguo period (1912-1949). Combined with the deep color and heavy texture of the tamarind’s heartwood, the mother of pearl inlay in floral and foliate forms gives this piece its distinct Oriental aura. Generally stable.
PHP 30,000.00
077
Burmese Buddha 52 x 17 x 18 cm
Contemplating in modesty, this figure of Buddha in marble with remnants of black and gold paint from Burma (present Myanmar) is dated between the late 19th and early 20th century. Unlike the thicker figure of the Chinese enlightened one, this Burmese figure is the believed form of Gautama Buddha in Theravada Buddhism. The gold paint on Buddha’s clothing symbolizes life and fire, which are interconnected with his being the Enlightened One. His drooping earlobes stand for his wisdom and abandonment of his former wealthy life. Notice also his left hand gesture which points to the ground, representing his call for the earth to witness the truth in his words. This hand gesture is termed “Bhumispara mudra.” With minor defects.
PHP 50,000.00
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078
Wooden Luohan in Meditation 89 x 37.5 x 30.5 cm
This wooden sculpture from China representing a sitting luohan monk in meditation dates back to the 19th century. Luohan is a term in Mahayana Buddhism which is synonymous to arhat, the first stage in attaining the Nirvana or Enlightenment. A luohan aims to achieve enlightenment on the personal level, and will only become a bodhisattva when he channels his direction unto helping others. Generally stable, but with minimal defect.
PHP 15,000.00
079
Pair of Guardian Foo Dogs in Cloisonné 87 x 80 cm Pair
A 19th century enduring cloisonné of the guardian Foo dogs from China. These pieces of art are made of bronze, fashioned with etches that give them texture with ethereal appeal. Inlays of vitreous enamel in the colours of gold, silver, teal, and ultramarine can be found on various sections of these art-pieces, especially the neck and tail. Especially attractive is the quartz orb mounted on the foo dog’s heart. With minor defects.
PHP 20,000.00
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080
Magu, Goddess of Longevity
192 x 95 cm (without frame); 200 x 102 cm (with frame)
Tracing its provenance from China, dated between the late 19th and early 20th century. This Oriental craft from the Guangxu period is typified as silk embroidery on panel. Dominated by red background, such piece impressively displays Magu, the goddess of longevity. In Chinese mythology, Magu (or Ma Gu) is interestingly viewed as a “symbolic protector of women.” She is illustrated here in traditional clothing, with notable birdlike fingernails. Furthermore, she holds a pole with a basket of peach flowers on its end. Two animals are also shown surrounding the deity—a deer and a red-crowned crane. Similar to Magu’s symbolism, these animals also represent long life, which makes this silk embroidery a bringer of good health. Generally stable
PHP 30,000.00
081
Chinese Wooden Gueridon and Italian Marble Cherubs Base: 106.5 x 50 cm; Pair
This 19th century Italian marble cherubs on Chinese wooden gueridon. The tamarind wood-made gueridon prides its profuse foliate carvings and pierced sections, which swirls emulate the ethereal curves of clouds. This Oriental craftsmanship perfectly meets the Western artistry as it serves as the stand for the pair of playful cherubs in pristine white marble. With minor defect
PHP 125,000.00
auction .0007 2017
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082
Pair of Empire-Styled Candelabra on Green Marble Bases 45 cm x 18 x 14 cm Pair
A pair of three-light bronze candelabras fashioned in Empire style. The very medium illustrates beauty as it is both gilded and patinated in black. The upper half of the columns depict a female figure in black bronze while the rest are fashioned with series of beads, foliates, scrolls, and rosettes. The pair of candelabras stands on green marble bases and has feet resembling a lion’s paws. Stable.
PHP 60,000.00
083
French Chinoiserie Desktop Set Approx.: 21 x 11.5 cm Set of 5
Fascinating chinoiserie desktop set in bronze and cloisonné dated back to the early 20th century and originated from France. The set consists of paper rack, 2 note holders, and a lamp. Cloisonné is a centuries-old technique that was developed by the Chinese, which knowledge they got from West Asian traders via Silk Road. During the height of European exploration, the Western world became highly fascinated with Oriental pieces. Often they acquired Oriental-made pieces, which eventually shifted to crafting Orientalinspired objets d‘art by themselves. Generally stable.
PHP 20,000.00
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084
Pair of Brass Elephant Candleholders 20 x 9 cm Pair
This pair of brass candleholder with base in elephant figure from India dates back to the late 19th century. The candleholder’s receptacle is beautifully shaped in vegetal form; followed by its wide, round bobeche and twisted shaft. Notice how well-detailed is the ornaments put on the elephant, as it stands over a round, graded base. Due to their strength, elephants became symbol of physical strength. Stable.
PHP 15,000.00
085
Wall Vitrine with Lamp 81 x 94.5 x 19 cm
Of Iberian provenance, dated 20th century. The item is typified as “wall vitrine” with glass and notable motifs of Rococo style on its wooden frame. The latter, furthermore, is gilded which added to the overall pleasing appearance of the piece. In contrast with the exterior’s heavy details, the interior is covered by a yellow fabric. A fluorescent tube is already installed with cable and electric plug. With signs of use. No available shelves.
PHP 35,000.00
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086
Wall Vitrine with Lamp 1051 x 79.5 x 24 cm
A wall vitrine with fabric case and gilt wooden frame has an Iberian origin and dates back to the 20th century. Restrictive stylization of the Neoclassical taste resonates on the gilt gessoed frame. While the yellow fabric covering its case is filled with repetitive pattern of diamond-shaped rosettes in gold thread, which centers are dotted in turquoise and rose tones. Brackets are also places along the interior walls. This glassed frame is perfect for wall display of commemorative items and other precious collections. With signs of use. No available shelves.
PHP 40,000.00
087
Anglo-Indian Vizagapatam Sewing Box 15 x 29 x 21 cm
A mid 19th century Vizagapatam sewing box, of Anglo-Indian origin. The item is impressively made of buffalo horn veneer on the outside, while its interior is sandalwood. It has a raised lobed top in sunburst style, while the sides’ horn veneers are fashioned in a “ripple” manner. For the interior, a lift-out tray configured with compartments, buffalo horn covers, and ivory borders are emplaced. The cover’s reverse also has a concealed slot which is accentuated by inlaid ivory. This AngloIndian piece rests on turned horn feet and comes with a key. With minor defects.
PHP 60,000.00 auction .0007 2017
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088
Antique Japanese Mah-jong Box with Pieces 32 x 20 x 15 cm
This portable black lacquered wood Mah-jong box, with pieces in bamboo and bone, dates back to the late 19th century Japan. Lavishly exquisite are its brass and jadeite ornamentations depicting vegetal and geometric elements. The gaming set includes: bone-and-bamboo-made tiles of sticks, dots, cracks, and honours; and betting sticks in bone. These mah-jong pieces were safely kept in the box’s well-crafted drawers; where the suits and honour
tiles are placed inside the minute cabinet on top, while the betting sticks are on the drawer singularly gracing the lower portion of this portable piece. With minor defect.
PHP 40,000.00
089
Victorian Vanity Box 19 x 31 x 22.5 cm
A Victorian vanity box from the 19th century. The item functions as a personal travel kit which typically contains perfume bottles, brushes or combs, mirrors, shaving, beautification and manicure tools, jewellery, and writing materials. Also, it speaks of one’s wealth and social status in Europe during the aforementioned period. As for the piece, it has 10 glass vessels of varying shapes and sizes, a tray, a built-in mirror, and a concealed side compartment. One of the vessels with
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a silver lid has engraved texts which read, “PARKINS & GOTTO 24 & 25 OXFORD ST,” possibly its maker or retailer. Generally stable, but has minimal defect.
PHP 35,000.00 auction .0007 2017
046
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Paintings and Prints
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090
Painting of Oriental Courtyard 47 x 35 cm
Capturing the beauty of the Far East, this Oriental painting on silk dates back to the 19th century. The piece represent the quotidian life in Chinese society. Figures of gentlemen and ladies seemly enjoy the company of one another on a courtyard. Traditional Chinese inscription can be found on the upper right corner of the framed painting. Generally stable.
PHP 10,000.00
auction .0007 2017
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091
Chinese Ancestor Portrait 155 x 87 cm (without frame); 180 x 115 cm (with frame)
Dated 19th century, from Qing dynasty China. This large ancestral portrait interestingly features several generations of an unidentified Chinese family. Such painting gives us a glimpse on how ancestors/lineage is meticulously traced, honored, and represented in visual form by the Chinese. The piece illustrates the use of various palettes and gold leaf. The figures are presented in a seated manner with rounded backs and bearing serious looks. Done in gouache on rice paper, ancestor portraits like this can serve as striking interior displays for homes, be it traditional or modern in style. With minor defects, but generally stable.
PHP 85,000.00
092
Figures with Banners 19.5 x 29cm Pair
Pair of Chinese gouache paintings on rice paper depict various figures with banners. From Guangzhou in mid-19th century China, such pieces are commemorative of a celebratory moment, as banners were used during Chinese feasts. The paintings illustrate men wearing their traditional Chinese commoner’s attire while carrying the dominantly cobalt colored banners. Such banners were intricately ornated with various elements typical of Chinese art, especially those alluding to nature such as floral and leaf motifs. The vivid colors of these artworks liven the totality of their composition. With minimal defect
PHP 25,000.00
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093
Mary, Queen of Heaven
130 x 63 cm Pair
The Blessed Virgin Mary as the Queen of Heaven is magnificently represented in this oil painting on canvas which dates back to the 17th century Spain. This religious painting captures a number of interesting iconographic details on Mary, as she was described in the Book of Revelations (12: 1), “a woman clothed with the sun, and the moon under her feet, and upon her head a crown of twelve stars.� The presence of the three cherubs at her feet suggests the presence of the Trinity; as believed it is through her intercession that the Trinity of One God is communicated by the Catholic faithful. Her dark robe with reticella reflects the European fashion of the 15th to early 17th century; thus, together with the age of material, the analysis of form corroborates the date of this art-piece. Generally stable.
PHP 115,000.00
094
Sacred Heart of Jesus Hoisting the Eucharist 7.7. x 6.4 cm
Sacred Heart of Jesus painted in enamel on ivory dates back to the Spanish school of the first quarter of the 19th century. Very rare depiction of the Sacred Heart of Jesus with the Christ himself hoisting the Eucharist. A known work, so far, with such representation of the Lord is the mural painting at the Cathedral of Fano, Italy. Generally stable.
PHP 30,000.00
auction .0007 2017
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095
Capriccio of Roman Monuments – after Panini 93 x 121 cm
This work of art is after the work of Giovanni Paolo Panini’s 1743 oil on canvas painting “Capriccio of Roman Monuments with the Colosseum and Arch of Constantine.” This means the work at hand follows the school of Panini by a later artist who was training his painterly hand, emulating Panini’s perfected masterpiece. This practice is common amongst artists themselves since the Renaissance, which has been viewed as also a manner of giving honor to the masters. In good condition.
PHP 130,000.00
096
Pair of Francesco Guardi-Inspired Italian Landscapes
23 cm x 33 cm (top); 29 cm x 23 cm (bottom) Pair Painted by the end of the 19th century, of Italian provenance. The pair of oil on canvas artwork is inspired by Francesco Guardi’s two impressive mid-to-late 18th century works—“La punta della dogana verso la chiesa della salute” and “Il rio dei mendicanti al convento dei Domenicani.” The former gives us a view of Punta della Dogana and Basilica of Santa Maria della Salute of Venice while the latter shows a riverine landscape with several figures in front a Dominican convent. Both pieces were signed on the front and back which states “ERIZZO” and “VENEZIA.” With defects, but generally stable..
PHP 50,000.00
70
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auction .0007 2017
097
Portrait of a Gypsy 48 X 27 cm
auction .0007 2017
A beautiful portraiture of a gypsy done through oil painting on wood by Austrian artist M. Hifter (18801920). With the alluring mix of linear subject over a painterly burr-textured background in ochre tone, it shows how its artist playfully mastered his art. The candid yet inviting gaze of the portrayed lady with her right hand stretched toward the invited viewer reflects the known character of gypsies as fortunetellers, entertainers, and healers. These
beneficial character of the gypsies were the same reasons why they were exoticized as Orientals in European society and history. Interestingly, Hifter managed to combine this exoticizing view vis-Ă -vis an eroticized one. In good condition, but minor defect on frame.
PHP 40,000.00
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approach he employed on his early 20th century painting entitled “The Exotic Dancer.”
098
Portrait of an African Warrior by Emile Bernard 86.3 x 70 cm
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An oil on canvas Orientalist painting dated between the late 19th and early 20th century. This signed artwork was painted by the celebrated French artist, Émile Henri Bernard. Known for his post-impressionist works, this particular painting of Bernard deviates from the said artistic style. The subject depicted is an African warrior with pistol and knife in his belt. The figure interestingly depicts an astonished facial expression and gesture. This specific work of Bernard closely matches the style/
Émile Bernard was born in Lille, France in 1868. He was a close friend of the two influential figures in PostImpressionism, Paul Gauguin and Vincent van Gogh. Bernard, along with fellow artist Louis Anquetin, pioneered Cloisonnism, a post-impressionist art style which is characterized by “areas of flat, bright color separated by strong outlines of black or other defining contours.” Emile Bernard’s works is widely spread in various private collections as well as international and French museums such as “The Yellow Tree” (1888, in Musée des Beaux-Arts de Rennes), “Breton Women with Parasols” (1892, in Musée d’Orsay), “Portrait of Andries Bonger, His Wife and Emile Bernard” (1908, in Van Gogh Museum – Amsterdam), and “Still Life, Fruit in a Vase” (1894, in Davis Museum and Cultural Center – Wellesley, Massachusetts). Generally stable.
PHP 90,000.00 auction .0007 2017
099
“Torre de Belém” and “Terreiro do Paço” 12 x 16 cm and 48 x 59 cm Set of 3
A 20th century set of lithographs, from Portugal. It is comprised of three prints that specifically illustrate Terreiro do Paço (also known as Praça do Comércio) and Belém Tower. The former is historically known as the site where the Paços da Ribeira (Royal Ribeira Palace) stood before it was unfortunately ruined by the Great Lisbon earthquake. The Belém Tower, on the other hand, is a UNESCO World Heritage site and typified as a small fort situated at the mouth of Tagus River. This historic place was an essential fortification of Portugal during the Age of Exploration. Inscriptions can be seen positioned at the bottom of these prints which state the following: “Vué du Palaís que le Roi de Portugal a achetér.” (View of the Palace of the King of Portugal has bought.); “Vué de la Tour de Bellem.” (View of the Tower of Bellem); “A View of the Palace of the King of Portugal at Lisbone | Vue de Palais Roi de Portugale á Lisbon”; “Published according to Act of Parliament”; and, “Printed for & Sold by Rob Tayer at the Golden Buck opposite Fetterlane Fleet Street.” Stable.
PHP 15,000.00 auction .0007 2017
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Silver 74
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auction .0007 2017
100
Vase in Silver Filigree 31 x 21 cm 1,297.5 grams
Intricately fashioned silver vase in filigree originated from the Middle East and dates back to the early 20th century. It carries inscriptions at the base: “AROIAN� in both Roman and Arabic texts, and; S92 mark. These markings indicate the maker of the silver-piece as well as its 92% silver content, which speaks of its glimmering beauty that matches its sterling counterparts. Stable.
PHP 160,000.00 auction .0007 2017
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101
Portuguese Salver in Neo-Manueline Style Diam.: 46 cm 1,100 grams
Dated between the 19th and 20th century, from Portugal. The silver salver is fashioned in neo-Manueline, an art style which emerged between mid-1800s and early 1900s in the aforesaid country. Neo-Manueline is a revival of the Portuguese late gothic tradition which flourished during the 16th century. The piece is intricatelydetailed with the following embossed reliefs: cross of Christ and Portuguese shields, arches, cables, armillary spheres, windings, foliages, and pinecones. It bears a Braga assay mark (Boar II .833) indicating that the item was in force from 1886 until 1911. The approximate weight is 1100 grams. With signs of use.
PHP 190,000.00
102
103
11 x 8 cm Approx.: 172 grams
17.2 x 7 x 7 cm 342 grams
Portuguese Silver Cup
A Portuguese silver cup dated 20th century. The piece is crafted with a wide brim while its body is profusely engraved with floral and foliate motifs. Two specific marks are visible: one is a Porto assay mark (Aguia 833) indicating its use from 1938 to 1985, while the other is a maker’s mark. It approximately weighs 172 grams. Stable.
PHP 35,000.00
Cupid as Silver Toothpick Holder
An antique toothpick holder from the mid-19th century made of Portuguese silver. It is graced with the figure of Cupid, resting with his bow and stands on an urn. Surrounded with leaves and flowers, its composition evokes a Neoclassical taste. It carries Porto assay mark (P-35 or its variant), which indicates its date of use between 1853 and 1863. It also bears a goldsmith mark, but is undecipherable. Toothpicks in the 17th century Europe were elegantly crafted and were exclusive only to the affluent until the mass production of its wooden counterpart in the mid-19th century. Such objects of luxury demanded luxurious kind of vessel as well; hence, the toothpick holder. Generally stable.
PHP 95,000.00
76
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103
104
auction .0007 2017
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104
Heron as Portuguese Silver Toothpick Holder 13 x 10.5 cm 154.5 grams
A Portuguese silver sculpture, dated between mid to late 18th century. This work depicts a long-legged and long-beaked bird, probably a heron, on the ground. It has intricate details from top to base as illustrated by the engravings and reliefs to resemble feathers, branches, flowers, and leaves. Noteworthy too on this piece is the hole pattern which can be found at the bird’s back. The piece carries an unidentified maker’s mark and a Lisbon assay mark, signifying that it was produced in the 1800s. Stable.
PHP 30,000.00
78
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105
Mother Bird with Eggs Silver Toothpick Holder 10.5 x 12.8 cm 269.5 grams
This toothpick holder crafted out of Portuguese silver is dated in the late 20th century. It is shaped as a mother bird with her young as eggs in the nest, where holes can be found at the mother’s back. It is where the toothpicks can be placed. The bird figure can be an ibis, or any other long-beaked and long-legged bird species. Right at the base is a Lisbon assay mark of an eagle (Aguia 835), which signifies its use from 1986 to present. It also bears a maker’s mark, albeit undecipherable. Stable.
PHP 40,000.00
106
Pair of Portuguese Candlesticks
20.3 x 10 cm Approx.: 580 grams
From Portugal, this pair of silver candlesticks is notable for its baluster-shaped stem, square base, and claw feet. Aside from that, both items are decorated with floral and foliate reliefs especially the bases. Such ornamentation is complemented by the bead pattern which hints on the pieces’ date of production—that is between the 19th and 20th century. The pair’s approximate weight is 580 grams. With minor defect, but generally stable.
PHP 110,000.00
auction .0007 2017
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Ivory 80
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107
Ivory Vessel with Putti and Coquille Motif 20 x 5 cm
A French ivory cylindrical vessel with cover carved with a series of putti and coquille (shell) motif. The piece, which dates back to the 19th century Renaissance revivalist taste, also carries silver finial and lip. The art work at hand could have its inspiration from Balthasar Griessman’s celebrated covered goblet with mythical scenes, which is now wellcurated in Getty Museum. Stable.
PHP 30,000.00
auction .0007 2017
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108
109
23 x 23.5 cm (Christ); 100.5 x 42 cm (cross)
21.5 x 7 cm
Indo-Portuguese Ivory Sculpture of Christ
An Indo-Portuguese ivory sculpture of Jesus Christ on wooden crucifix. This religious piece is dated 19th century, with the ivory minimally painted by red to depict blood flows. Such representation reinforces the figure of Christ in an agonized state. Interestingly, the cord and the cendal draped around his waist do not have a pointy border (i.e. with a “series of fang” appearance) which is a typical attribute of Sino-Portuguese crucified Christ sculptures. Made of exotic wood, the crucifix has gilt cantoneros and rayos, and a silver mount with INRI relief. The base is styled in an architectonic form. With defects but generally stable.
PHP 60,000.00
82
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Nuestra Señora de la Peña de Francia An Indo-Portuguese ivory sculpture of Nuestra Señora de la Peña de Francia (Our Lady of Peña de Francia), dated late 18th century. The item has portions that are gilded and painted. Such finely-crafted ivory work depicts the Virgin Mary carrying the child Jesus on her left arm. The Christchild portrays a benediction gesture while holding an orb (an image of Him as “Saviour of the World”). The mother of Christ, on the other hand, is presented as veiled, in robe, and wears mantle with gilt laces. She stands on a pedestal with reliefs of cherubs adorning the upper section. The lower part interestingly bears a relief of San Roque (Saint Roch) with a dog, one of the figures/symbolisms associated to him. With minimal defect.
PHP 195,000.00 auction .0007 2017
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Ivory Crucified Christ on Ebonized Cross with Tortuga shells 101 x 35; Christ: 32 x 21.5 cm
This 18th century Italian ivory Crucified Christ on an ebonized wooden cross with highly-prized tortuga shell will definitely touch the hearts of the faithful. Seeing the realistic details of the body of the dying Christ on the cross (also called Cristo Expirante), from the tensions of veins and flesh along his stretched arms down to his nailed feet crippling in pain; as well as the aesthetic given to his torso despite the agony of Passion notable in the Lord’s face. Christ’s mouth left open while gazes to the heavens reminds of his last words: Consummatum est – It is done!
111
Ivory Bust of an African Man 15 x 8 x 11 cm
This ivory bust sculpture of an African man dates back to the early 20th century. Notable for his beard and drooping pierced earlobes, the piece can be a representation of an indigenous, mature male figure from the Maasai group in Kenya. Both Maasai women and men practised ear piercing for thousands of years, but it becomes rarer to find men of this generation following such practice. They commonly used sharp knife or thorn in piercing the earlobes, then materials like animal bone, stone, wood, or even ivory will serve as earrings. Stable.
PHP 25,000.00
In good condition.
PHP 255,000.00 auction .0007 2017
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Bust of an African Woman Height: 15.5 x 8 x 10 cm Approx.: 924 grams
An African ivory bust of a woman dated early 20th century. The figure represents an indigenous descent as seen from her facial features such as coiled, kinky hair, broad nose, thick lips, and wide eyes. Noteworthy also is her pierced earlobes, a cultural practice that is being done by different ethnolinguistic groups since the ancient times. A traditional necklace that seems to be handmade serves as her adornment. This unsigned ivory sculpture has an approximate weight of 924 grams. Stable.
PHP 20,000.00
113
Elephant Tusk with Narrative Carvings 121 x 11 cm
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A late 19th to early 20th century African ivory tusk with bas-relief of hunting scene and animals in series. Captivatingly the carvings shows two series on its sides: on the one side, it narrate a story of a leopard chasing hares, while the hares seemly follow a wise lemur; on the other side, a giant
alligator following the tail of leopard, while this leopard pussyfoots behind African men heading to their home carrying an antelope on stick as their dinner. Stable.
PHP 75,000.00 auction .0007 2017
114
Ivory Tusk with Relief of Seven Gods of Fortune 93 x 9 x 7.6 cm
115
Anglo-Indian Sadeli Box 5.5 x 27.8 x 10.4 cm
auction .0007 2017
An ivory sculpture on wooden stand dated 19th century, from Northeast Asia. This ivory work represents the “Shichifukujin” or The Seven Gods of Fortune, “an eclectic group of deities from Japan, India, and China.” From left to right, these deities are identified as Hotei (god happiness and prosperity), Jurōjin (god of longevity and wisdom),
This 19th century sadeli box has an Anglo-Indian origin, made of sandalwood with marquetry work in ivory, green horns, black ebony, redwood, and tin or silver throughout. The marquetry of ivory, colored horns and woods appear in geometric
Bishamonten (god of treasure, bringer of wealth, and defender of the nation), Ebisu (god of the ocean, fishing folk, and business), Daikokuten (god of agriculture and wealth), Fukurokuju (god of happiness, wealth, and longevity), and Benzaiten (goddess of music, beauty, eloquence, and art). In addition to the aforesaid characters, the work also depicts children and mythological creatures such as the Oriental dragon. The ivory sculpture has an inscription situated at the end that states “玉老.” With craquelures, but generally stable.
PHP 100,000.00
patterns, which influence can be traced back to Shiraz in Persia from the 17th century. Such intricate work of art is a highly celebrated material culture in India; that various doors of the old Nuber palace were made in this style (see G. Watt, Indian Art at Delhi, 1903). With signs of previous restoration.
PHP 45,000.00 www.casadememoria.com
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116
Anglo-Indian Sadeli Workbox 10 x 33.5 x 22.5 cm
Typified as Sadeli workbox with claw feet in pewter, dated back to the 19th century. The Anglo-Indian piece is primarily crafted from sandalwood, ivory, pewter, and other medium. Such item beautifully illustrates a micro-mosaic of geometric patterns which ornate both its interior and exterior. This decorative technique of Sadeli has its root from 16th century India and Middle East. By the turn of the 19th century, such Asian craft gained popularity among Westerners, particularly British, as made evident by the influx of imported items from India and the emergence of Bombay as its production center. As for the piece, its interior has several compartments with covers and some sewing materials still intact. Two side handles are mounted to make the item portable. It has claw feet. With defects
PHP 60,000.00
88
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Vizagapatam Box 8 x 30.5 x 21 cm
Dated between the late 18th and early 19th century, this elegant ivory-covered box filled with painstakingly drawn penwork, known as “Vizagapatam box,” has an Anglo-Indian origin. Unlike Sadeli boxes which pride their intricate geometric motifs, Vizagapatam boxes carry more illustrative features over its ivory-inlaid wooden material. As to this piece, it is filled with penwork depicting “palace and floral elements.” Vizagapatam was a district in the Madras Presidency of imperial British India, which was a crucial port connecting the trade of the empire to Southeast Asia. This district on the northeast of the Sub-continent significantly became the point of export for these magnificent works of art, leading their way toward the British motherland. Thus, ivory boxes under this name speak of high demand for more intricate detailing and grandeur illustrations through penwork. With minor defects, but generally stable.
PHP 75,000.00
auction .0007 2017
118
119
39 x 12 cm
40 x 13 cm
Ivory Sculpture of a Hunter A Japanese ivory sculpture dated between the late 19th to early 20th century. This ivory work shows a traditional hunter after a successful hunt. The figure carries a rifle on his right shoulder, and seems uneasy as he is surrounded by a pack of wild dogs. The latter can be observed gazing towards the large bird of prey on his back, attached to the rifle. Moreover, a rabbit is suspended on the hunter’s waist which draws attraction too from the canines. The base’s reverse has an inscription that states “廣正” [Hiromasa]. Stable.
PHP 25,000.00
Old Man and Grandchild Very welcoming warmth can be felt with this ivory sculpture of an elderly man with his grandchild, which dates back to the late 19th century Japan. Carrying a lot of symbolisms, his left hand has a stick the right hand holds on a band. This reflects that even the right hand is busy with his laborious duties, a grandfather should always be a guide to the young. The rooster and hen at his feet are symbolic of courage in Japanese tradition of Shintoism. Beneath its base are the characters 峰竜, which can be translated into modern Japanese as “minoru” [one who bears fruit]. Stable.
PHP 35,000.00
auction .0007 2017
120
Japanese Basket Vendor in Ivory and Penwork 41 x 21 cm
This late 19th to early 20th century Japanese decorative object, known as okimono, is made of ivory and penwork depicting a basket vendor. The nearly pristine whiteness of ivory magnificently livens the the intricacy of laid penwork further defines the portrayed figure. Notice the demand for painstaking carving of the piece, with each element of the carving – from the Japanese man’s figure, to the drapes of his clothing, up to the carried baskets and other articles. It bears inscriptions at the base: 武夫子. With minor defect, but generally stable.
PHP 175,000.00
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33.5 x 7 x 6.5 cm
Japanese Basketseller
Ivory Sculpture of an Old Man with a Young Boy
22 x 11 x 13 cm
40 x 9.5 cm
An ivory sculpture of a basket-seller from Japan dated early 20th century. It is typified as “okimono,” a Japanese word for works of art. Such pieces were essential in Japanese homes, and typically placed on “tokonoma” (raised alcove) and “butsudan” (Buddhist altar). The figure depicts a middle-aged man who blissfully carries and sells baskets in varied sizes and forms. Careful attention to details as well as penwork illustrates the item’s impressive appeal. A carved inscription is situated at the base’s reverse which states: “山ホ寸.”
A Japanese ivory sculpture dated between the late 19th and early 20th century. This finely-carved “okimono” fascinatingly shows an old Japanese man which appears to be a fruit vendor as he has branches and basket filled with fruits. Standing beside and nearly behind the old man is a mischievous male kid portrayed in the act of picking out a fruit. Noteworthy also is the penwork done on the headgear suspended on the merchant’s waist. This ivory sculpture rests on a wooden base with pierced decoration.
An ivory sculpture of Buddha on wooden base, from 19th century China. On this work, Buddha is portrayed in upright position, with both of his hands raised (palm forward). Such gesture explicitly shows the historical figure in the act of stopping something or someone. Known as “Repelling the Ocean,” “Stopping the Ocean,” or “Causing the Waters to Subside,” this representation of Buddha is only one of the several images of him in Asian culture. Moreover, other iconographies/ symbolisms are also noteworthy here like the protruding head (signifies separation of the mind from the body), the ushnisha (or the crown of hair), closed eyes, and the elongated earlobes (alludes to his hearing power as well as the wealthy life he had).
Generally stable.
Stable.
Stable.
PHP 165,000.00
PHP 55,000.00
PHP 35,000.00
90
122
Buddha in “Repelling the Ocean” Posture
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124
Chinese Ivory Village Plaque 22 x 10 cm
Intricate and pierced ivory carving of a village plaque dates back to the late Qing dynasty period, specifically between the mid-19th and early 20th century. Remarkably, the artpiece highlights the mastery of the Chinese craftsmen on the complicated and exquisite practice of ivory carving. Highly skilled artistry is indicative of roots from Guangzhou. The village life depicts the industrious character of the Chinese. Generally stable.
PHP 25,000.00
125
Chinese Pleasure Boat 36 x 22 cm
Meticulously crafted Chinese pleasure barge (flat-bottomed boat) in bone with polychromed figures dated between the late 19th and early 20th centuries. Fascinatingly detailed are each ivory panel used to build this model of a water vessel – from walls up to rooves. Minute figures of Chinese gentlemen seemly enjoy the ride, while the vessel is also embellished with colored plant pots. At the fore of the barge are three figures seated before a round table as they take the pleasure of drinking tea. With minor defects.
PHP 55,000.00 auction .0007 2017
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126
Sage Fisherman in Ivory 40 x 10 cm
This late 19th century ivory carved figure of a Chinese fisherman over a wooden base alludes to one of China’s greatest sages, Jiang Taigong. Before he was hailed as Jiang Taigongwang (Hope of the Duke of Zhou), this sage was first met by King Wen of Zhou who discovered his great political and military strategic mind. Zhou state was one of the rival states that opposed the oppressively dominating Shang dynasty. The sage was well-known for guiding King Wen’s successor, King Wu, on defeating the Shang forces; not through aggressive assault, but through patience. He even utilized the metaphor of fishing, that is: the wisdom is to wait for the fish to catch the bait; not the bait to chase the fish. In good condition.
PHP 55,000.00
127
Guanyin 75 x 19 cm
Carved out of Asian ivory as hinted by its pure white color. This sculpture depicts a Guanyin (also called Guanshiyin), an East Asian deity of mercy and compassion. As can be seen, she is clothed with a robe; her right hand holds a willow branch while the other carries a basket of flowers. Noticeable too is the Amitābha relief which serve as a head adornment. The aforesaid is typified as a “celestial Buddha” and a savior figure in Mahayana Buddhism. Of Chinese provenance, dated between the late 19th and early 20th century, this work beautifully follows the ivory’s natural curve and rests on a wooden base. Stable.
PHP 120,000.00
92
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128
Orientalist Chess with Chinese Ivory Pieces 12 x 56 x 56 cm
Styled with strong Orientalist taste, this wooden chess board with Chinese court figures in ivory is dated back to the 19th century China. The set has 16 characters in both white (uncoated) and darkened (coated) ivory pieces. Both sides are composed of: a King with spear (largest), a Queen, 2 Ministers, 2 Horsemen, 2 elephants with flags (as rooks), and 8 pawns. An interesting detail is the Chinese puzzle ball as stem for each chess piece. These Chinese puzzle balls are considered as the Rubrik’s cube of the ancient world. Crafted out of a single ivory piece, such intricately crafted puzzle ball can be traced back to Guangzhou, China. With signs of use.
PHP 65,000.00
129
Indo-Portuguese Ivory Sculpture of Pieta 12 cm
An Indo-Portuguese ivory sculpture of the Pieta, dated between the 18th and 19th century. The piece notably depicts one of the most recognized subjects in Christian art as exemplified by the various works produced about it. The sculpture portrays the Virgin Mary embracing the lifeless body of Jesus Christ. The latter is shown being held/supported through his right arm and head, while the left side of Christ’s contorted body rests on Mary’s lap. Such representation deviates from Michaelangelo’s marble work. A top view of this ivory piece shows its triangular structure just like its ebony base. Rosette motif in ivory serves as the base’s decoration. Stable.
PHP 45,000.00
auction .0007 2017
www.casadememoria.com
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130
Chinese Deities in Malachite and Ivory 17 x 20 cm
Of Chinese provenance, this fascinating sculpture is dated 20th century. The item prides itself with carved malachite and ivory as the very medium which typify luxury and durability. Its exquisite carving illustrates three Chinese female deities who all hold and adorned with flowers (i.e. lotus, peonies, and chrysanthemums). Except for one, the two figures with basket of flowers seem to resemble He Xian’gu (left), one of the Eight Immortals, and Guanyin (center), the goddess of mercy. Adding to the intricacy of craftsmanship is the mythological figures’ background. Triangular in shape with curvy borders, the malachite piece rests on impressively-carved ivory base. Stable.
PHP 300,000.00
131
Ivory Calling Card Case 11 x 7 x 1 cm
Made of ivory, from mid to late 19th century China. This ivory calling card case is densely embellished with elaborate carvings of several Chinese figures in a courtyard performing various social activities. Other motifs such as pagodas, weeping willow, flowers, and foliages add life and exquisiteness to this ivory work. It is rectangular in form and has a sliding cover. Stable.
PHP 30,000.00
94
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132
Ivory Card Case 10.5 x 7.5 x 1.5 cm
Typified as a calling card case, from 19th century Europe. The item is specifically made of ivory and features a notable decoration on its surface—piqué work. The technique is an ornamental work done through inlaying tiny points of silver, gold or other precious metals to form creative patterns or images on ivory and tortoiseshell. As for the piece itself, motifs of flowers, foliages, butterflies, and dotted borders can be seen, making it an attractive case or decorative item. The interior is covered with fabric while the lid’s exterior has an inlaid metal strip bearing the initials “ECN.” With defect.
PHP 35,000.00
133
Serpentine Lacquered Box in Chinoiserie Style 10.5 x 32 x 16 cm
This serpentine black lacquered wood box with gold decoration has its origin from the 19th century France. Notably in chinoiserie style, the surface illustrates landscape and figures inspired by East Asian culture. The detailed penwork depicting floral and vegetal elements, infused with other quotidian articles, beautifully inscribe on the piece a classic Oriental spirit. With signs of use.
PHP 30,000.00
auction .0007 2017
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135
35.7 x 8.5 cm
19 x 7.7 cm
Dual Puzzle Balls in Ivory Beautifully carved dual puzzle balls in ivory from the 19th century China, with which are intricate carvings that illustrate ethereal swirls of foliages and dragon figures. Crafted out of a single ivory piece, this puzzle orb a la ancient Rubrik’s cube can be traced back to Guangzhou, a main trade center in East Asia at the time. The main puzzle orb on top is gracefully crowned with a vertical ring, which renders the puzzle a radiating appeal. While its stem consists of another set of carvings – from cylindrical to globule to another cylindrical – before they approach the round-shaped base. Interestingly, the globule at the stem is designed as another puzzle in itself. With defect.
Ivory Puzzle Ball in Stand In its intricate swirls of foliages and dragon figures, this 19th century ivory puzzle ball on stand traces its origin from Guangzhuo, China – a main trade center in East Asia at the time. Fascinating is how the orb puzzle was carved out of a single piece of a rounded ivory, painstakingly carved from the surface deep down into its interior. Notably, its stem is carved to depict village life, where a house and figures of people are in minute details. While the round base gracefully carved with swirling figures of dragon and foliages render the piece a very Oriental feel. With signs of use.
PHP 55,000.00
PHP 95,000.00
96
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136
Tortuga Shell Cigar Case 13 x 8 cm
Of European origin, cigar case made of tortuga shells dates back to the early 20th century. The overlapping of vermillion, burnt amber, and warm yellow tones of the tortuga shell renders the piece its sultry, serious appeal – especially when viewed against light. Its frame bears an unknown monogram. Vintage-to-antique items as this cigar case speak of the remaining glory of aristocratic taste. With signs of use.
PHP 10,000.00 auction .0007 2017
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97
137
Platinum Ring with Three Old Cut Diamonds Diam.: 2 cm
A platinum ring with three diamonds in old brilliant cut, approximately 2.34 carats in total weight traces its origin from mid-20th century Portugal. The central diamond has a color degree of M and clarity grade of I1; while the other two has color degree of J and SI1 for its clarity grade. Both diamonds and platinum are a known symbol of prestige. This jewelry weighs 10.4 grams. Generally stable.
PHP 245,000.00
138
Pendant Watch in 18 Karat Gold
By Leitão & Irmão Necklace: 62 cm; Watch: 2.5 cm diameter. Divinely appealing 20th century pendant watch by the house of Leitão & Irmão, honoured as the “Jewelers of the Crown” by the Royal House of Portugal. It is made of 18k gold, complemented with silver and seed pearls. This piece has a total weight of 32.2 grams. Exquisite in this piece is its blue enamel in wavy design exhibiting it’s strong adherence to neo-rocaille aesthetics. Generally stable.
PHP 95,000.00
98
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139
Cartier Travel Watch 4.5 x 3.8 cm
This Santos model oval travel watch by Cartier dated in the 21st century France. Captivating are its frame in gold-plate on the outside, and quartz mechanism offering time accuracy on the inside. The piece is numbered 001200UM 2752. Generally stable.
PHP 35,000.00
140
Costume Jewelry Brooch 3 x 4 cm
A 20th century Portuguese costume jewelry brooch decorated with silver and gold, studded with zirconia and blue fancy stones. The gold and silver are designed in an orbital pattern, to which the stones are enshrined. Generally stable.
PHP 20,000.00
auction .0007 2017
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141
Rose Cut Diamonds Set on Silver-and-Gold Ring Diam.: 2.3 cm
A ring made out of silver and gold enshrined with a set rose cut diamonds, which dates back to the 19th century Portugal. Specific details of the rose cut diamonds are as follows: 1 rose cut has 1.40 carats with clarity grade of I1; another rose cut has 0.25 carat and I3 clarity, and; 11 other rose cut diamonds with 1.08 carats. Generally stable.
PHP 195,000.00
142
18 karat Lady Ring with Diamond and Green Gemstones Diam.: 2.3 cm By Mario Silva Joalheiros
This jewelry is a lady ring with 18 karat yellow gold, weighing 5.5 grams. Its 0.45 carat diamond gem in old cut has a SI clarity and M grade color. Also studded are two (2) green gemstones. The jewelry piece is from Portugal as crafted by Mario Silva Joalheiros, dated 20th century. Generally stable.
PHP 45,000.00
100
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143
Pair of Venetian Blackamoor Candleholders 170 x 49 cm
Pair of Venetian blackamoors of polychromed wood holding gilt metal candleholders, dated back to the early 20th century. These Italian pieces mix neo-rocaille in their gilt holders, with the Baroque influences as seen in their base. With signs of use.
PHP 165,000.00
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101
144
Vista Alegre Porcelain Dinner Service Set Platter: 41 cm; Tureen: 20 cm Set of 126 By Vista Alegre
This 20th century Vista Alegre dinner service set illustrates various “grisaille” (gray monochrome) landscapes as central motifs and “rouge de fer” (orange-red enamel with ferric oxide base) design. Gilt borders accentuate these motifs.The set is comprised of 14 soup plates, 14 dessert dishes, 14 sweet dishes, 14 cups of coffee with saucers, 14 cups of tea with saucers, 26 shallow dishes, and a tureen with platter. It bears a Vista Alegre mark no. 32, indicative of production date between 1947 and 1968. Generally stable.
PHP 200,000.00
102
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145
“Chinese Imari” Sugar Bowl 11 cm x 9 cm
A sugar bowl with cover in “Chinese Imari” porcelain dates back to the Qianlong period style (1736-1795). Painted with cobalt blue, vermillion, and gold floral and foliate details. Unmarked.
Generally stable, but with signs of use.
PHP 15,000.00
146
Pair of Qing Dynasty Porcelain Plates Diam.: 21 cm Pair
The pair of 18th century Chinese export porcelain plates bears cobalt blue, gold, and brown tones, representing Chinese figures at the center and borders. Outlined in gold, the scenes interestingly portray Qing period’s familial life. Also, cloverleaf-like pattern and foliate motif adorned these pieces. Stable.
PHP 45,000.00
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103
147
Set of Four “Chinese Imari” Approx. 23.5 cm Set of 4 A set of four (4) “Chinese Imari” porcelain dishes dated back to the Qianlong period style (1736-1795). Inspired by the Imariware of Japan, these dishes are dominated by three characteristic colors, namely: blue, vermillion, and gold. The pieces differently present floral and vegetal motifs. Generally stable.
PHP 70,000.00
148
Pair of Blue-andWhite Serpenine Plates Diam.: 27.5 cm Pair
Pair of blue-and-white serpentine plates in Chinese export porcelain dated in the mid 17th to early 18th century style. The plates depict landscape with two Chinese male figures admiring the view. Ten petal-shaped panels and flowering plants decorate the central medallion. Trellis-and-scale pattern fills the rim, while three spray of flowers are shown rim’s underside. Mandarin marks of honor in a double circle at the base allude to their origin from the Kangxi period. Stable.
PHP 165,000.00
104
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149
Pair of Imari Jars 57 x 28 cm Pair
Pair of Imari jars with cover from Japan dates back to the Meiji period (1868-1912). A foo dog finial topped the cover, while floral and bird ornaments are painted in cobalt blue, vermillion, and gold tones. Generally stable.
PHP 55,000.00
150
Pair of Famille Rose Large Dishes 34.5 cm Pair
Pair of large famille-rose serpentine porcelain plates dated in the 18th century. These plates are embellished with motifs of peonies, trusses of corals, and foliages. Gold decoration outlining these details strongly complement the overall rose tone. On the reverse, each plate has four marks of sacred “Lingzhi”—a symbol of longevity and immortality. Stable.
PHP 100,000.00
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105
151
Guangxu Period Styled Porcelain Vases 22 x 11 cm
Pair of Chinese export porcelain in blue-and-white, carrying Oriental figures and foliages, dates back to Guangxu period style (1875-1908). Relief figures of dragons decorate the neck of the vases. Unmarked. With minor defects.
PHP 55,000.00
152
Qing Dynasty Famille Rose Plate Diam.: 23 cm
Qing dynasty famille-rose Chinese export porcelain plate dates back to the 18th century style. Various floral motifs decorate this serpentine plate, such as: hibiscus, chrysanthemum, crab apple blossom, and jasmine, generously spread along with trusses of corals. Interestingly, the item’s back portion features two tags. The first tag illustrates a six-character mark with written texts that state: “Ch’ien Lung 1736-95.” The second tag points to Konst & Antikviteter, an antique store located in Stockholm, Sweden, which shows the piece’s history of ownership. Stable.
PHP 30,000.00
106
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153
Rose-Canton Serpentine Plate Diam.: 23 cm
This Rose-Canton serpentine plate is a Chinese export porcelain which dates back to the Qianlong period style (17361795). The plate depicts flowers and landscape in warm tones of vermillion, gold, and touch of green. Unmarked. With minor defect.
PHP 20,000.00
154
Set of Six Chinese Famille Rose Plates Diam.: 22.5 cm Set of 6
A set of six plates in Chinese export porcelain, from the 18th century. The set, typified as famille rose, has a peony central motif. As for each plate’s lip, it is profusely detailed with flowers, foliages, corals, precious items, and gilded scrolls. The outer edge is notably gilded too. Stable.
PHP 60,000.00
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107
155
Famille-Rose Charger 6 X 38.5 cm
A famille-rose Chinese export porcelain charger exhibits a Kangxi period style (16621722). Deep carmine tone outlines the floral medallion, where tones of blue, yellow, and green add detail to this piece. Unmarked. Generally stable.
PHP 45,000.00
156
Set of Octagonal Plates in Chinese Porcelain Diam.: 22.5 cm
Octagonally-shaped Qing dynasty polychrome plates, from 18th century China. The Chinese porcelain set is composed of four pieces which illustrate a river landscape with a palace on the background. In addition, a Chinese female figure onboard a traditional boat, fowls, and peonies fill the plate’s well. As for the border, it is embellished with motifs of flowers, foliages, corals, and other objects in cobalt blue. An outer frame in rouge de fer (orange-red enamel with a ferric oxide base) beautifully contrasts and complements at the same time the piece’s dominant color. With defects.
PHP 20,000.00
108
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157
Set of Five Canton style China Plates Diam.: 22 cm Set of 7
A set of five (5) Canton china plates in blue-andwhite dates back between late 18th and 19th century styles. While depicting landscape scenes, pagodas, rivers, and bridges; the absence of Oriental figures on a bridge suggests the plates were made in the style of the true Canton china. Unmarked. With minor defects.
PHP 45,000.00
158
Large Imari-Styled Porcelain Plate Diam.: 22 cm Set of 7
Of Japanese provenance, dated 19th century. This large porcelain plate beautifully features Imari palettes of blue underglaze, gold, rusty reddishorange, and green. Such mix of stunning colors contributes to the exquisiteness of this Japanese piece. It represents motifs of flowers, leaves, scrolls, petal-like figures, corals, and phoenix. Also, the plate’s back portion has three stylized sprays. Stable.
PHP 30,000.00
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109
159
Imari Style Charger Diam.: 36 cm
A porcelain charger from Japan dated back to the Meiji period style (1868-1912). Cobalt blue foliate scrolls are painted along the rim and medallion, while vermillion, yellow, green, gold, and black tones are used to illustrate dragons, clouds, and sakura flowers on the lip and center section. Unmarked. With minor defects, but generally stable.
PHP 40,000.00
160
Chinese Porcelain Vase with Cover 42 x 18 cm
An 18th to 19th century Chinese blue-and-white ceramic depicts an outdoor scene with birds, trees, plants, chrysanthemums, and willow leaves. Aside from the blue underglaze decoration on terra cotta paste, the octagonal-shaped body is fashioned with foliate reliefs which form a heart-shaped frame, enclosing the illustrated scene. The lid has a finial of a bird pecking a round figure. Marked. With defects.
PHP 30,000.00
110
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161
Oriental Bronze Vase 32 x 19 cm
A 19th century patinated bronze vase from China. It features Oriental reliefs across the surface of the vessel and its handles represent the Kun Peng –a giant mythological beast that appears like a hybrid of bird and fish. Stable.
PHP 15,000.00
162
Albarello Medicinal Vessel By Doccia 21 x 12 cm
This ceramic medicinal vessel, dated between late 18th and early 19th century. It is typified as an “albarello,” a type of maiolica which was specifically used as storage for dried medicines. The piece in monochrome blue decoration has a Portuguese decoration as exemplified by the Order of Aviz cross, a shield, a knight’s helmet, and an inscription that states: “PATRIA MINHA” (My Homeland). Its Doccia star mark stamped on the base, however, indicates that the vessel has Italian origin. Stable.
PHP 5,000.00
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111
163
Ebonized Cabinet with Ivory Inlay Panels of Hunting Scenes 55 x 90 x 35 cm
A 19th century Italian cabinet of drawers with ivory inlaid panels on ebonized wood. The ivory panels illustrate huntings scenes detailed with penwork. The furniture piece has bronze drop handles for each drawer, central door, and claw-and-ball feet. With minor defect.
PHP 100,000.00
112
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164
Pair of Empire style Chairs in Mahogany By Fundação Ricardo Espírito Santo 96 x 82 x 56 cm
A pair of Empire style seats in mahogany dated back to the late 20th century Portugal. Notable for their “S” form complemented with gilt knobs and relief ornamentations in Don Jose I taste. The continuous, smooth flow of warm toned stripes from back rest down to the seat gracefully ends with tassels along the apron. While cerulean embroidery beautifies the cushion edge. The pieces are marked “Fundação R.E.S.S., 1992-12329,” as crafted by Fundação Ricardo Espírito Santo – a Portuguese foundation dedicated to the preservation of the country’s cultural heritage in the decorative arts. Generally stable.
PHP 135,000.00
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113
156 Jupiter cor. Comet Street, Brgy. Bel-Air, Makati City, Metro Manila, Philippines
Terms and Conditions Casa de Memoria (hereinafter, “CDM”) will conduct its business activity in accordance with these Terms and Conditions of Sale and any other terms and conditions that are individually specified. CDM will act as an agent for the sellers of the Lots sold at auction. The seller shall be solely responsible to the buyer for any breach of the contract of sale. However, in instances where CDM owns a Lot, it shall act as seller and the contract of sale will be between CDM and the buyer.
Article 1: Objects The present Terms and Conditions of Sale regulate the business activity of the company, CDM, and govern and contractual relations established with it.
Article II: Definitions In these Terms and Conditions of Sale, the following definitions apply: a. Catalog- All and any of CDM’s advertising, brochures, price lists or any other publications, regardless of their nature. b. Buyer’s Premium- The commission charged on a purchase, calculated as a percentage of the Hammer Price and paid by the Buyer at the Applicable rate. c. Sales Commission- The commission charged on a sale, to be deducted from the Hammer Price and borne by the Seller at the applicable rate. d. Buyer- The person who has presented the highest bid at the time of the Hammer Price, represented directly or via a third party, in accordance with these Terms and Conditions of Sale.
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e. Expenses- The costs incurred by CDM, according to price list, in relation to the sale of any lot, associated with catalog fee, illustrations, publications, advertising, restoration, insurance, packaging, storage and transport, of the lots plus VAT applicable to such Expenses. f. Total Amount Due- The Hammer Price of a sold lot, plus the Buyer’s Premium and any eventual additional charges and expenses due from the Buyer in the event of non-compliance, in accordance with the provisions established in Articles 10 & 11. g. Original Works of Art- Corresponds, under the terms of the Berne Convention & International laws, and The World Intellectual Property Organization Copyright Treaty (“WIPO Copyright Treaty,”) to works of graphic or plastic art, such as pictures, collages, paintings, drawings, engravings, prints, lithographs, sculptures, tapestries, ceramics, glassware, and photographs, provided they are made by the artist himself or are copies considered to be original works of art, and should be numbered, signed or in any other manner authorized by him. h. Hammer Price- The price for which a lot has been adjudicated by the auctioneer to the corresponding buyer. i. Amount Due- The net amount owed to the seller,
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i.e the Hammer Price of the sold lot minus the Sales Commission at the Applicable Rate and the Expenses and any other amounts that the seller owes to CDM on any basis, always subject to the addition of VAT at the applicable rate. j. Applicable Rate- The rates that apply to the Sales Commission and Buyer’s Commission, which are practiced and duly publicized or specified by CDM. k. Seller- the person or entity that signs an auction sales contract with CDM.
Article III: Pre-Auction Viewing and Inspection a. CDM does not perform a full and complete due diligence audit on each Lot. Representations made by CDM about the Lots are based on information provided by the sellers. As such, CDM does not guarantee the accuracy of such information. CDM shall not be liable for any misrepresentation or wrong information provided by the sellers with respect to the Lots. Prospective buyers acknowledge these facts and accept their responsibility to carry out such investigations and inspections as may be necessary to satisfy themselves with respect to the Lots in which they may be interested in prior to the sale. b. The properties to be sold may be inspected by prospective buyers at pre-auction viewings. Prospective buyers are strongly encouraged to personally examine the Lots prior to the sale. c. In accepting bids for Lots, CDM assumes that prospective buyers have undertaken a full inspection of the Lots prior to bidding and that they have verified the condition of the Lots as well as the descriptions. d. CDM and the sellers do not provide any guarantee with respect to the Lots sold at auction. Said Lots are sold on an “as is” basis. All sales are final.
Article IV: Descriptions of Property a. Statements made by CDM in the catalogue or website, in condition reports, or made orally or in writing elsewhere, are statements of opinion. Therefore, these statements cannot be construed or relied on as
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factual representations, implied or express warranties or assumptions of liability. CDM and the sellers shall not be liable in any way for errors or omissions in the catalogues or any supplemental material. Buyers have the duty to satisfy themselves about the condition of the Lots sold at auction and the matters referred to in the catalogue entries. b. References in the catalogue entry or the condition report to damage or restoration are for guidance only. These references should be evaluated by personal inspection by the bidder or a knowledgeable representative. c. The absence of any reference to the condition of a Lot does not imply that the Lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Similarly, a reference to particular defects does not imply the absence of others. d. CDM and the sellers do not make any express or implied warranty or representation of any kind or nature with respect to the merchantability, quality or fitness for certain purposes, the accuracy of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any Lot sold. e. In making express statements in its catalogue descriptions or condition reports, CDM shall exercise such reasonable care as is consistent with: (1) its role as auctioneer; (2) the information provided by the sellers; (3) scholarship and technical knowledge; and (4) expert opinions as of the date these expert opinions are made.
Article V: Estimates a. Each Lot in the catalogue is given a low starting bid. This estimate represents the range which, in the opinion of CDM, represents a fair and probable auction value. This estimate does not include the Buyer’s Premium referred to in Section 10 hereunder. b. Pre-sale estimates are intended only as a guide for prospective buyers and are subject to revision. The actual prices realized for items can also fall below or above the range of these estimates. Thus, an estimate of the selling price should not be relied on as a statement that this is
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the price at which the item will sell or its value for any other purpose.
Bidders who act as agents shall be jointly and severally liable with their principals.
Article VI: Admission to the Auction a. CDM has the right at their absolute discretion to refuse to allow prospective buyers admission to or participation in an auction. b. Prior to bidding, all bidders are required to complete and sign registration forms and provide a government issued identification card (e.g., a passport or driver’s license). c. Bidders present at the live auction shall express their interest to participate in the auction by providing CDM with their full credit card details and shall execute an undertaking allowing CDM to charge a ten percent (10%) penalty on the final bid on the aforementioned credit card in the event that the bidder is unable to pay the full purchase price in accordance with the terms and conditions of Section 10.
c. Live Online Bids- CDM shall use reasonable efforts to carry out live online bids that are placed or delivered in accordance with the terms and conditions set forth in the agreement between CDM and the third party provider of the online bidding platform. If live online bids for identical bids are received for a particular Lot and these turn out to be the highest bids at the auction, the Lot will be sold to the person whose bid was received and accepted first. The execution of online bids is a free service that is undertaken subject to other commitments of CDM during the auction. CDM shall not be liable for failure to execute an online bid or for errors or omissions committed in connection with said bid.
d. Upon completion of the above admission process, CDM shall issue bidding paddles to the bidders.
Article VII: Sale and Withdrawal from Sale a. Unless otherwise announced by the auctioneer, all bids are per Lot as numbered in the catalogue. b. CDM reserves the right to withdraw from any sale any of the Lots listed at any time prior to the commencement of bidding for such Lot and shall have no liability whatsoever for such withdrawal. c. Unless otherwise indicated, a Lot shall be offered subject to a minimum price (the “Reserve”). The Reserve shall not exceed the low pre-sale estimate at the time of the auction. As a general rule, the Reserve is agreed upon by CDM and the sellers. CDM has the right to set the Reserve in the absence of an agreement with the seller.
Article VIII: Bidding a. Bidders shall be personally liable for their bids unless they have secured CDM’s prior written consent to act as agents for identified third parties acceptable to CDM.
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b. Absentee Bids - CDM shall use reasonable efforts to carry out written absentee bids delivered prior to the sale. If written bids for identical amounts are received for a particular Lot and these turn out to be the highest bids at the auction, the Lot will be sold to the person whose bid was received and accepted first. The execution of absentee bids is a free service that is undertaken subject to other commitments of CDM during the auction. CDM shall not be liable for failure to execute a written bid or for errors or omissions committed in connection with said bid.
d. Telephone Bids- CDM shall use reasonable efforts to contact prospective buyers who have made prior arrangements to place telephone bids in order for these buyers to participate in the auction. CDM shall not be liable for its failure to contact said bidders or for any errors or omissions made in connection with telephone bids since telephone bids are offered as a free service that is undertaken subject to the other commitments of CDM during the sale.
Article IX: Conduct of Auction a. The auctioneer has the discretion to commence and advance the bidding at the levels and increments which he considers appropriate. The auctioneer also has the right to divide or to combine any Lots. As a general rule, CDM will follow ten percent (10%) increments, subject to the condition that said increment may change from time to time or at any time during the auction if the auctioneer sees the need.
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b. To implement the Reserve, the auctioneer may open bidding on any Lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the Reserve, by placing successive or consecutive bids for a Lot or by placing bids in response to other bidders. Unless otherwise indicated in the catalogue or by an announcement at the auction, CDM acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property. c. The auctioneer may refuse to acknowledge any bidder and to reject bids. If any dispute arises between two or more bidders or in case of error, the auctioneer may decide the same or may re-offer and resell a Lot. The auctioneer has the right to determine the successful bidder and take such other actions as he deems fit under the circumstances. If any dispute arises after the sale, CDM sales record shall be conclusive. d. The auctioneers bidding increments: RANGE
INCREMENT
1,000 to 10,000
1,000
10,000 to 20,000
2,000
20,000 to 100,000
5,000
100,000 to 300,000
10,000
300,000 to 1,000,000
20,000
1,000,000 to 2,000,000
50,000
2,000,000 +
100,000
Article XI: Payment a. In addition to the hammer price of the Lot, CDM shall collect from the buyer a premium (the “Buyer’s Premium”). The Buyer’s Premium shall be fifteen percent (15%) of the hammer price. No Value-Added Tax (VAT) will be charged on the hammer price, but twelve percent (12%) VAT will be added to the Buyer’s Premium. The buyer shall shoulder the payment of the VAT on the Buyer’s Premium. CDM reserves the right to revise these rates and/or announce special premiums at any time. A portion CDM’s buyer’s premium will be donated to CDM’s foundation of choice. b. The buyer shall pay the full amount due (i.e., hammer price, buyer’s premium and any applicable fees, taxes and charges) in cleared funds not later than five (5) business days after the date of the auction (the “Full Purchase Price”). Unless prior written arrangements have been made, the Full Purchase Price shall be paid in Philippine Pesos (or converted to Philippine Pesos based on the conversion rate at the time of payment). The buyer shall be solely responsible for any currency conversion charges and wire transfer fees.
The bidding increments, however, are subject to change at the discretion of the Auctioneer.
c. Unless prior written arrangements have been made, payment shall be made in Philippine Pesos. CDM shall accept payments in cash, bank transfer, or checks. Checks should be made payable to Casa de Memoria. d. Payments by wire transfer should be directed to:
Article X: Purchase of Lots a. Subject to the auctioneer’s discretion, the highest bidder accepted by the auctioneer will be the buyer. The striking of the auctioneer’s hammer shall mark the acceptance of the highest bid (the “Hammer Price”) and the conclusion of a contract of sale between the seller and the buyer.
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b. Upon the striking of the auctioneer’s hammer, the buyer shall become liable for the payment of the Full Purchase Price (as such term is defined under Article 11 below). The buyer shall likewise assume full risk and responsibility for the purchased Lot (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works) upon the striking of the auctioneer’s hammer.
Checking Account of Galeria Renascimento Commercial Enterprises Inc. doing business under the name and style of Casa de Memoria under CA# 27510003-43.
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Article XII: Transfer of Title and Release of Lots a. Title over a purchased Lot will not pass to the buyer until and unless CDM receives the Full Purchase Price in cleared funds. In the event that a buyer purchases several Lots, the title over these Lots shall not pass to the buyer until CDM the Full Purchase Prices for all Lots. b. The buyer shall arrange for the collection of the purchased Lots within three (3) business days from the date of the auction. CDM shall not be liable for any damage to the Lots that are left in its premises for more than three (3) business days following the sale. Fees and expenses for the collection and transportation of Lots sold at an auction shall be for the account of the buyer.
Article XIII: Packing and Handling of Lots a. The packing and handling of the purchased Lots shall be at the buyer’s risk. CDM shall in no way be liable for any acts or omissions of third party packers or shippers, regardless of whether these third party packers or shippers were recommended by CDM upon the buyer’s request. b. CDM may coordinate delivery of the purchased Lots to preferred location at the buyer’s expense and risk. The Lots will only be released after payment in full of all removal, storage, handling, insurance costs and any other expenses incurred, together with payment of all other amounts due to CDM. c. Buyers shall secure the necessary insurance policies for their purchased Lots and pay the applicable insurance premiums thereon. d. Buyers shall be solely responsible for obtaining any necessary export, import, national heritage, or other permits for their Lots, including but not limited to those issued by the National Museum. CDM and the sellers make no representations or warranties as to whether any Lot is subject to import/export restrictions or embargoes. Moreover, CDM and the sellers do not warrant that buyers will be able to secure the necessary permits for their Lots. The denial of any relevant permit or license shall not be a valid ground for the cancellation or rescission of the sale or any delay in payment.
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e. Any other taxes or fees that may arise in relation to the purchase of a Lot shall be for the sole account of the buyer.
Article XIV: Remedies Incase of Buyer’s Default a. Non-Payment or Non-Withdrawal of the Purchased lotsIf any lot has not been paid for in full and withdrawn under the deadlines and in accordance with the Terms and Conditions established in Article 11, Section b,CDM, in its capacity as the Seller’s representative, may, without prejudice to any other rights to which it is entitled, adopt one or more of the following courses of action: i. Initiate legal proceedings against the Buyer in order to be compensated for losses deriving from non-compliance with the contract, with interest, legal fees and costs to the fullest extent permitted under applicable laws;. ii. Charge late payment interest at the prevailing legal rate on the Total Amount Due until full receipt thereof. iii. Resell the lot in question or initiate proceedings for it to be resold, in an auction or via a privately negotiated sale, in which case the non-complying Buyer should pay CDM any outstanding amount in relation to the Total Amount Due (after deduction of any partial payment that has occurred and addition of any supplementary cost arising from the respective sale), wherein any remaining amount, if it exists, shall pertain to the non-complying Buyer. iv. Remove, store and insure the lot(s) at the noncomplying Buyer’s expense, wherein CDM shall decide whether or not the storage should occur in its own warehouses or in other warehouses chosen by it. v. Withhold the lot in question or another lot that has been sold to the non-complying Buyer in the auction in question or in another auction, and only release it after full payment of the Total Amount Due. vi. Reject or ignore any bid presented by the non-complying Buyer or by another
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person acting in his name in any subsequent auction or request and obtain a deposit by the non-complying Buyer before accepting or considering any bid presented in the future. vii. Take all and any steps that are deemed to be appropriate, at any time, in order to receive full payment of the Total Amount Due from the non-complying Buyer, and also achieve compensation for the existing debit from the sales price of any item owned by the noncomplying Buyer that at any time is held by CDM, on any basis. viii. to exercise a lien over any of the defaulting buyer’s property in the possession of CDM, provided that CDM may arrange for the sale of such property and apply the proceeds of the sale to the amounts owed to it within fourteen (14) days from its notice to the buyer regarding the exercise of its lien; ix. to release the name and address of the defaulting buyer to the seller to enable the latter to commence legal proceedings to recover the amounts due as well as legal costs, provided that CDM shall take reasonable efforts to inform the buyer prior to the release of this information; x. to effect any combination thereof.
Article XV: State and Authenticity of the Lots a. Considering that the items sold in an auction normally have significant age, all items are sold in the state in which they are found- with defects, imperfections and any descriptive errors or omissions. b. Any illustrations or representations in catalogues are solely intended for identification of the items put up for sale. c. Buyers accept and will be satisfied with the lots, in the state in which they were found prior to the auction, and will freely judge whether or not the lots correspond to the description that has been supplied. d. Neither CDM nor its representatives, workers or employees may be held responsible for any errors related to the description, genuineness or authenticity of any
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lot, given that no guarantee is provided by CDM or by its representatives, workers or employees in this regard.
Article XVI: Rights on Photographs and Publications a. The Seller grants to CDM the right to photograph and publish texts, photographs or illustrations of any kind, and in any form, in relation to any lot held by CDM for the purposes of sale, and also use these texts, photographs or illustrations of any kind, together with any others that are supplied by the Seller, at its own initiative, at any time, whether or not connected to organization of the auction.
Article XVII: Sale of Original Works of Art a. If the item sold in an auction is an Original Work of Art, it may be subject to either the Trade-Related Aspects of Intellectual Property Rights (TRIPS Agreement), the Berne Convention for the Protection of Literary and Artistic Works, and the WIPO Copyright Treaty.
Article XVIII: General Provisions a. All images, illustrations and written material produced by or for CDM for the auction are its exclusive property. CDM shall have the discretion to use these materials for its own purposes. b. CDM and the sellers do not warrant that the buyer will acquire any copyright or reproduction rights to any Lot sold. CDM expressly reserves the right to reproduce any image of the Lots sold in this catalogue. c. All measurements, weights and sizes stated in the catalogues of CDM are approximate. CDM is not responsible for damage to glass covering paintings, drawings, and other works or frames regardless of cause. d. CDM shall not be liable for errors that may occur in the operation of the video or digital screen and in the quality of the image. e. Employees of CDM may bid only if they do not know the Reserve. They must likewise fully comply with the internal rules of CDM on employee bidding. f. The relationship between prospective buyers, CDM and
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the sellers shall be governed by the following:
be instituted at the competent court in Makati City, to the exclusion of all other venues, the buyer hereby waiving all such other venues. This clause is for the benefit of CDM only and as a result, CDM shall not be prevented from instituting proceedings in any other courts having jurisdiction.
i. these Terms and Conditions; ii. any amendments to these Terms and Conditions that are made through posted notices or auctioneer’s announcements during the auction; iii. any additional notices and terms that may be incorporated into the catalogues or website of CDM or in showroom notices, or announced by the auctioneer during the course of the auction; and iv. any contracts, agreements or documents signed by the parties relevant to the auction sale. In case of conflict on the provisions of any of the foregoing sources of terms and conditions, the guidelines in a document of a later date shall prevail. g. No oral or written statements made by CDM in its advertisements, bills of sale, showroom notices or announcements or through the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability on the part of CDM. h. If any part of these Terms and Conditions is held invalid or unenforceable for any reason, the remaining provisions shall continue to be valid and enforceable to the fullest extent permitted by law. i. These Terms and Conditions are not assignable by any buyer without the prior written consent of CDM. However, these Terms and Conditions are binding on the buyer’s successors, assigns and representatives. j. No act, omission or delay by CDM shall be deemed a waiver of its rights and remedies under these Terms and Conditions.
Article XIX: Jurisdiction a. These Terms and Conditions and all related matters and transactions shall be governed by Philippine law. The parties agree that any legal action, suit or proceeding shall
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Documents All registration forms for absentee bidding, telephone bidding, online bidding, and bidding during the auction itself may be found at www.CasaDeMemoria.Com
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Contributors Angelique Marie L. Miranda
Serious Studio
Director
Branding & Design
Tiffany Pauline D. Mathay
Gregg Alfonso G. Abbang
Operations Manager
Gregorio R. Caliguia III Research Specialists
Paola Angelica Z. Mathay Finance Manager
Margie D. Heramia Ma. Jovita A. Del Rio
Camille Marina Viola D. Lhuillier
Rosemarie B. Rodriguez
Marketing Manager
Casa Team
Ferdinand Salvador
Miguel Rosales
Consultant
Creative Consultant
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