Sy. 9229 - Bernhard Lang - GAME 17-4-7 for Names (2023)

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Bernhard Lang GAME 17-4-7

CopyrightbyG.Ricordi&Co./Forperusalonly

master processed on 28.04.2024

Sy. 9229/01

ISMN 979-0-2042-9229-5

Copyright © 2024 by G. Ricordi & Co. Bühnen- und Musikverlag GmbH, Berlin

Alle Rechte vorbehalten

rights reserved / Tutti i diritti riservati

CopyrightbyG.Ricordi&Co./Forperusalonly

Commissioned by nAmes – new Art And musiC ensemble sAlzburg world Premiere: 28.05.2024, sAlzburg, nAmes; AnnA lindenbAum, e-Violine

E-Violine (6-saitige Elektrische Violine, gestimmt E-A-D-G-C-F) mit Fuzz-Pedal and Wah-wah-Pedal

Flöte (auch Bassflöte) + mic

Klarinette in B (auch Es-Klarinette und Bassklarinette in B) + mic

Synthesizer 1 Synthesizer 2 + Sampler

Drum Set/Percussion + mic

Violoncello + mic

E-Violin (6-string Electric Violin tuned E-A-D-G-C-F) with Fuzz Pedal and Wah-wah Pedal

CopyrightbyG.Ricordi&Co./Forperusalonly

Flute (doubling Bassflute) + mic

Clarinet in Bb (doubling Clarinet in Eb and Bass clarinet in Bb) + mic

Synthesizer 1 Synthesizer 2 + Sampler

Drum Set/Percussion + mic

Violoncello + mic

All instruments are amplified. Synthesizer 1 and 2 are software-based Synthesizers: Native Instruments FM8 + Masterkeyboard. The Sampler can be any software Sampler + Masterkeyboard.

CopyrightbyG.Ricordi&Co./Forperusalonly

The following samples are required:

Part 1 C 1 G17 Pt1 A-F#.wav

Db 2 G17 Pt1 A-F# 02.wav

D 3 G17 Pt1 A-F# 03.wav

Part 2 Eb 4 G17 Pt2 R7-8a.wav

E 5 G17 Pt2 R7-8b.wav

F 6 G17 Pt2 R7-8c.wav F# 7 G17 Pt2 R7-8d.wav

Part 3 G 3 G17 Pt2 R7-8.wav G# 12 G17 schoengran01.wav A 10 G17 schoengran02.wav

Part

The following patches are required:

Part 1 Live Synth 1 Live Synth 2

G17 Fender FM 01.nfm8 G17 Fender FM 02.nfm8

Part 2 Live Synth 1 Live Synth 2 G17 F#-Pizz G17 Synth 2 Percussion 01.nfm8

Part 3 Live Synth 1 Live Synth 2 G17 Synth 1 Dreamachine 1.nfm8 G17 Synth 2 Dreamachine 1.nfm8

Part 4 Live Synth 1 Live Synth 2

G17 F#-Bass 01.nfm8 G17 F#-Bass 02.nfm8

G17 Soloist Synth.nfm8

Part 5 Live Synth 1 Live Synth 2

G17 Synth 1 Dreamachine 2 F#.nfm8 G17 Synth 2 Dreamachine 2 F#.nfm8

G17 Synth 1 Dreamachine 2 H.nfm8 G17 Synth 2 Dreamachine 2 H.nfm8

G17 Synth 1 Dreamachine 2 C#.nfm8 G17 Synth 2 Dreamachine 2 C#.nfm8

G17 Synth 1 Dreamachine 2 Bb.nfm8 G17 Synth 2 Dreamachine 2 Bb.nfm8

G17 Synth 1 Dreamachine 2 D.nfm8 G17 Synth 2 Dreamachine 2 D.nfm8

G17 Synth 1 Dreamachine 2 Eb.nfm8 G17 Synth 2 Dreamachine 2 Eb.nfm8

G17 Synth 1 Dreamachine 2 A.nfm8 G17 Synth 2 Dreamachine 2 A.nfm8

G17 Synth 1 Dreamachine 2 Ab.nfm8 G17 Synth 2 Dreamachine 2 Ab.nfm8

G17 Synth 1 Dreamachine 2 E.nfm8 G17 Synth 2 Dreamachine 2 E.nfm8

Part 3 and Part 5 use a PD-Patch called Dreammachine; it is fed by 6 inputs of the audio interface and rooted to 4 spatialized delays, projected to 4 speakers in the corners of the hall:

E-Violin

Flute

Clarinet

Synth 1

Synth 2

Sampler

Violoncello

Percussion

The inputs are being compressed at the mixing desk ~7:1.

Vorzeichen gelten, den traditionellen Gepflogenheiten entsprechend, jeweils für den ganzen Takt in der jeweiligen Oktave. Diese Regel gilt auch für Mikrotöne. Warnvorzeichen werden durchweg gegeben und bedeuten keine Aufhebung dieser Regel. Following common practice, accidentals apply for the whole measure in that particular octave.

Generally non vibrato, unless otherwise indicated.

ON Fuzz OFF with Fuzz effect, without Fuzz effect

ord. ord. pression gradual transition from normal pressure to overpressure and backwards

Fuzz

between slap and staccato: very short and dry, almost pitchless

Both Masterkeyboards should have a Modulation Wheel (MW) – and a Pitch Bend Wheel (p.b.).

Transition from neutral (0) MW to maximum (127) MW

DRUM SET / PERCUSSION

Drum Set: Bass Drum / Snare Drum / Floor Tom + 4 Tom-Toms / Ride Cymbal

+ Crash Cymbal

+ large Tamtam (60 cm)

+ Große Trommel (Orchestral Bass Drum) – if G. T. is not available, it might be replaced by something similar.

+ 5 Gongs: pitch A, g#, d#1, e1, f1 (A2 , G#3 , D#4 , E4 ,F4 .)

with drum sticks, hard felt mallets, soft felt mallets

Asynchronie

Synth. 2 + Sampler

Sampler into Delay IV only

Synth. 2 into Delay

Violoncello

Asynchronie

Entrance

Flöte + Klarinette in B = Synchronie

Asynchronie

Entrance delay 5 bars 5/4

= 124

* select one of the pitches in chord, vary with each loop

Flöte + Klarinette in B = Synchronie

select one of the pitches in chord, vary with each loop

gliss. gliss. gliss. gliss.

D.
D.
D.

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