Fujikura: Flute Concerto

Dai Fujikura Flute Concerto (2015 - Orchestra Version)

Partitur

SY 4365/01



Co-commissioned by Nagoya Philharmonic Orchestra and The Saint Paul Chamber Orchestra World premièred of the Chamber Orchestra version by The Saint Paul Chamber Orchestra, Claire Chase (Flute), November 2015 at Ordway Concert Hall, Saint Paul. World premièred of the Orchestra version by Nagoya Philharmonic Orchestra, Claire Chase (Flute) and conducted by Martyn Brabbins on 11th December 2015 at Aichi Prefecture Art Theater Concert Hall, Nagoya. Instrumentation: Orchestra 1 Piccolo 1 Oboe 2 Clarinets in B-flat 1 Bassoon 1 Contra Bassoon 2 Horns (F) 1 Trumpets (B-flat) - Needs Harmon Mute and Straight Mute 1 Trombone - Needs Harmon Mute and Straight Mute 3 Percussion players 1 Timpani player STRINGS

+

Solo (Flute, Piccolo, Bass Flute, Contrabass Flute) (Contrabass flute part can also be played on Bass Flute). --------------------------------------------------------------------------------------------------! Percussion 1 (needs a bow) 1 Sea-shells wind-chimes 1 Rainstick (medium size) Crotales (I) (to be played arco) sound 2 octaves higher

Percussion 2:

Percussion 3 (needs a bow)

1 Bass Drum

1 small suspended Cymbal

1 Vibraphone

1 Syzzle Cymbal 1 Pod Rattle Crotales (II) (to be played arco) sound 2 octaves higher

STRINGS: S.P.= sul pont. P.O.= position ordinary General:

!

Accidentals (including grace notes) only a"ect the pitch to which they directly refer, not other octaves, for the duration of the bar in which the accidental is written.

Quarter Three quarter Quarter sharp sharp flat

Three quarter flat

To Claire Chase

"Accidentals (including grace notes) only affect the pitch to which they directly refer, not other octaves, for the duration of the bar in which the accidental is written."

&$&$

to Claire Chase

Flute Concerto

= means "open", "close" by hand (on harmon mute) very fast until the end of the bracket unless stated otherwise.

STRINGS: Do NOT vibrato on gliss. or port. S.P.= sul pont. P.O.= position ordinary Long note/tremolo: change bows as many times as you need.

" "

! Oboe #

Dai Fujikura

q = 100 same note tremolo

,

+

,

,

3

pp

same note tremolo

,

+

3

p

%

-

%

#

+

, .,

3

pp

same note tremolo Clarinet I in Bb

.,

-

+

/,

,

3

pp

/,

,

+

3

p

same note tremolo

,

+ -

3

p

+

.,

,

3

pp

-

,

,

p

%

+

3

%

same note tremolo Bassoon

sea-shells wind-chimes

rainstick

syzzle cymbal

Pod Rattle

Vibraphone

"

&

%

%

%

+

.,

, , ,

3

3

pp

!

,)

'

+

p

"'

,)

"gently rattle (do not shake)"

+

%

* 0*

very soft sticks

+

-

,)

,

pp

+

0 1

p

* 2*

!'

-

%

"'

%

##

very soft sticks

0)

0)

/0

ppp (do not cresc.)

!

0

0

$

0

.0

.0

* 0*

very soft sticks

+

0

$

0

$

$

0 0) +/,0 /0 ) 0 0 30 ) 0 0) $

-

,

p

* 2*

%

+

p

0 /0

"gently rattle (do not shake)"

ppp (do not cresc.)

, '''''''''''''''''''''''''' , ''''''''''''''''''''''''''' +

.0 . 0

%

%

"gently rattle" pp

+

-

-

%

p

ppp (do not cresc.)

-

p

+

$

0

0

0

$

0)

%

0)

$

0

,

/0

$

, ''''''''''''''''''''''' 0''''''

"gently rattle"

+

,

$

0 $

.0

pp

p

. 0 ).0 ) 0 0 0 .0 /0 ) 0) 0 0 +/,0 0 $

$

$

$

q = 100

SOLO Flute

" "

! "#

Freely use the available syllables throughout this section. Rhythms are precise and the segments in the box can be played in any order. However you may not repeat each individual segment more than twice until all the cycles have been played. Use the widest variation of dynamics and articulation. Interact with orchestra. ONLY play the NOTATED pitches. Very occasionally you may cover the embouchure hole completely or gradually and continue rhythmic syllabic patterns. ALWAYS play in a steady tempo. Feel the groove. Syllables: ts, k, p, sh, tsh, tsh, thh, ks, ch, ksh for tremolo = tktk... /rrr..../tsktsktsk.../shkshkshk.... 1

2

4 ( ( )( )(

3

4

( ( ( ( ( )( )( ( (

5

-)( (

-)( (

* 4 - -* () ( )( ( sub. p

mp

! Violin I #

** , ,

** , ,

pizz. trem. non-div.

pp

+

*

Viola

+

pizz. trem. non-div.

..,, **

Violoncello

p

pp

3

* 0*) 0)

3

3

*5 0* 0

((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((

3

* ,* ,

p

*5 0* 1 0

* 1 /00*))

00 **

00 4 1 **

+

-

pp

1)

.)0 +

** .,,

(pizz. trem. non-div.)

pp

pizz. trem.

.0 **

+

pp

+

4

)0)

**

**

gliss.

p

-

**

4

30 ** .)0 )

0 **

+

1)

+

) 1 .0

*5 0* 0

(pizz. trem. non-div.)

pp

%

p

SOLO pizz.

%

1

% mf

-----------)( )( )( )( )( )( )( )( )( )( )( )(

,, **

pp

00 **

pp

&

..,, **

%

#

+

7

pp

pizz. trem. non-div.

Violin II

*5 0* 0

(pizz. trem. non-div.)

** 0 0

p

** -

6

** ,,

%

-

%

Double Bass

"

&

%

1

)0

pizz.

mf

+

1

)0

+

+

Double Bass: all pitches sound an octave lower than written (including the harmonics)

Copyright Š 2015 by G. Ricordi & Co. Bßhnen- und Musikverlag GmbH Berlin Alle Rechte vorbehalten - All rights reserved - Tutti i diritti riservati

SY. 4365

4

.)0 )

+

p

p

+ pp

.)0 +

-

1

.)0 .)0

+

mf SOLO

* 0*) 0)

+

-

.)0 )

)0

+

-

+

2

molto accel. ., )

same note tremolo

! Ob. # 6

%

-

.,

+

,

molto rit. )60. 0 ) 0 ) 0 0 89

same note tremolo

,)

3

pp

.0 ) 0 ) 0 0 )6 .0 89

same note tremolo

%

#

Cl. I

%

same note tremolo

#

Cl. II

,

+

,

,

3

pp

Bsn.

"

p

&

,

+

3

%

p

pod rattle

Vib.

-

& $ &$ 0 0 1 :

+

pp

+

%

"'

0

!

-

0

+

1

3, )

.0 0

,)

, mf

%

%

%

%

%

$ ,)

/0

0) $

+

pp

% $ ,)

same note tremolo

0)

mp

pp

,

1

$ ,)

;

same note tremolo $ $ 3 0 ) 0$ ) 0$ 0$ 0$ 0

$ /,)

$ ,)

$ /,

pp

0

pp

pp

+

%

+

-

% ,)

%

* ,*)

+

* ,*)

+

ppp (do not cresc.)

, '''''''''''''''''', '''''''''''''''''''''''''''

"gently rattle"

0)

0 0 0 ) 0) /0 $ $

0

pp

. 0 .0 0 .0

0

$

%

p

.0

+., 0 0 +.,0 ) 0+.,0 $

$

$

. 0 ) 3 0 +/, 0 0 )/ 0 ).0. 0 0 0 0 0 0 ) . 0 ) $

$

$

1

pp

(pizz. trem. non-div.)

..,, # **

-

Db.

&

+

.0 **

,)

/ )60 0)0) 0 0 89

0 0

1)

% mp

-

pp

4 30 )

1

30 +

* 0* 0

.0

**

gliss.

p

.0

-

-

+

**

pp

0

+

1

.0 ** :

pizz. trem.

pp

* ,* ,

+

p

., )

-

/, 3, **

pp

0)

#4

0

0)

**

**

+

p

%

%

* ,*

+

-

+

.0 . 0 $

.,

,)

.0 0 ** ** **

**

gliss.

p

arco

<,7

-

0 $

. 0 ., $

+

%

0 ''''''''''''' 0 , ''''''''''''''''''''''''' +

"gently rattle" pp

p

+., ,

., . ,

0 0 . 0 ) 0)

,

0

0

$

, )) , **

+

.,

<0

<0 ;4 +

% mp

pp

7 1 <0

+

% mp

+

(((((((((((((((((((((((((

7 3<,

-

<,

<0 ; 4 1

-

+

*

7 0<

pp

pp

<0 ))

pizz. trem. non-div.

/ 00 **

% mp

pp

arco

p

pp

pizz. trem. non-div.

<0 ; 4 +

#

% mp

/0 1 0 ** pp

%

%

%

%

%

%

%

%

SY. 4365

0 /0 $

no gap Start playing the segment , where you last stopped.

arco

<0 <0 ; 4 +

pp (pizz. trem. non-div.)

** .,

4

* 0* 0

,)

,

mf

0< ; 4 1 +

(pizz. trem. non-div.)

**

pizz. trem.

#

,<

pp

p

-

&

+

,, **

pp

Vc.

-

%

q = 100

molto rit.

arco

75 1 /0<

1 +

pp

0 1

p

%

%

$ 0$ 0

,$

mp

,

p

-

0 30 $

* ! 0*) Vln. I # +/,0 )

"

,

%

%

$ ,)

p

*

1 +

%

,) ! (((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((( # "

Vla.

00

%

same note tremolo molto espress.

Vln. II

,

%

molto accel.

SOLO Fl.

3

mf

"gently rattle (do not shake)"

ppp (do not cresc.)

0

0

+

* ,*

+ 0 " ' '''''''''''''

##

.,

+

same note tremolo

'

'

-

%

harmon mute

syzzle Cym.

1 +

%

%

rainstick

same note tremolo

%

%

!

00

%

#

sea-shells wind-chimes

,

%

%

"#

,

,)

%

%

Tpt.

,)

., )

.0 0

%

! Hn. I #

Hn. II

/,)

same note tremolo

q = 100

3

! Ob. # 12

., , p

same note tremolo

+

3

-

+

,

,

,

3

pp

%

#

Cl. I

%

+

3

p

%

same note tremolo

,

%

-

-

+

same note tremolo

,

,

3

pp

%

#

Cl. II

-

,

+

, ,

3

pp

same note tremolo

Bsn.

Hn. I

"

&

%

+

$ # ,

$ ,

rainstick

syzzle Cym.

mp

pod rattle

"'

Vib.

##

+

%

%

%

%

,) p

* 0*

+

%

%

%

,

,

pp

* 0*

+

, ''''''''''''''' ,''''''''''''''''''''''''''' +

0)

0 0) +/,0 0 ) 0 0 ) 3 0 ) 0 0) $ $ $

0 0 /0 0 $

0 $

0

0

0)

$

0) $

"gently rattle (do not shake)"

+

0

** /,,

** ,,

pizz. trem. non-div.

pp

p

+

0 ) 0) 0) 0 0 00 0 0 0 $ $ $

0

00 0 $

$

0

0 $

0

0

$

# -

* ,* ,

pp

0 )) 0 **

** 1 * /,,

.0 ) 4

0

&

(pizz. trem. non-div.)

pp

1

+

* ,* ,

2

3

+

75 1 /0<

5

4

,<

* ,* ,

-

+

sub. p

Db.

"

1

.0

+

0

+

-

0 $

0 0

0 , $

$

,

% mp -

#0

+

**

1*0 **

**

<0 ))

<07

arco

+

gliss.

p

**

0 0 ** ** **

** 00 ))

p

1 pp

** , ,

** , ,

pizz. trem. non-div.

+

% mp

pp

0 0

gliss.

+

p

%

pp arco

+

** 00 ))

<0 ; 4 +

mp

%

SY. 4365

**5 00

pp

0

gliss.

%

% mf

1 .0**) . 0)

pp

arco S.P.

no gap

(((((((((((((((((((((((((((((((((((((((((((((((((((

pizz. trem. non-div.

-

pp

pp

& -

**

6

p

TUTTI pizz. trem.

%

0 0) 0 0) $

0 0 0 ) 0) 0 0 $ $

-( -4 ( - 1 ** )( )( ( ) )(

0< ; 4 1 +

* ,* ,

p

30

-

p

Freely use the available syllables throughout this section. Rhythms are precise and the segments in the box can be played in any order. However you may not repeat each individual segment more than twice until all the cycles have been played. Use the widest variation of dynamics and articulation. Interact with orchestra. ONLY play the NOTATED pitches. Very occasionally you may cover the embouchure hole completely or gradually and continue rhythmic syllabic patterns. ALWAYS play in a steady tempo. Feel the groove. Syllables: ts, k, p, sh, tsh, tsh, thh, ks, ch, ksh gap for tremolo = tktk... /rrr..../tsktsktsk.../shkshkshk....

pp

-

(SOLO) (pizz.) Vc.

+ (pizz. trem. non-div.)

p

0)

ppp (do not cresc.)

+ , ''''''''''''''''' 0 ''''''''''''''''''' 0

pp

0 0)

* ,*

-

"gently rattle"

+

%

,

%

%

arco

p

,, )) **

p

+

pp

0 1 +

,

* 2*

p

0 0)

-

%

ppp (do not cresc.)

"gently rattle"

pp

-

-

% -

+

0

p

mp

Vla.

p

%

-

-

0 0 **:

3

%

%

%

+/, 0 )) # *0 *

3

%

! - 1 - 4- 1 ( - - ;( 3 - -3)( 3- "# (((((((((((((((((((((((((((((((((((((((((((((((((((((((((((( ( ( ( ( ( )( ( ( )( ( )( )(

Vln. II

, , ,

%

ppp (do not cresc.)

+/, 00 # **

,

pp

"gently rattle (do not shake)"

! # -

+

%

1

Vln. I

%

pp

no

SOLO Fl.

%

%

%

* 2*

3

p

%

%

'

%

%

!'

!

-

-

%

%

"'

+

+

%

%

+

-

, ,

p

, 3

%

&

"

+

3

,

same note tremolo

, 3

p

$ ,

$ ,

pp

sea-shells wind-chimes

3

% same note tremolo

Tbn.

, ,

pp

! #

Hn. II

.,

p

,

,

3

pp

%

same note tremolo

,

+

&

+

<,7

<0 <0

;4

% mp

pp

%

%

%

4

! Ob. #

same note tremolo

18

%

-

+

.,

,

.,

3

pp

same note tremolo

,

+

3

p

%

#

%

/,

pp same note tremolo

# -

Cl. II

+

+

/,

pp

,

/,

3

,

+

3

p

.,

+

,

,

3

pp

same note tremolo Cl. I

-

,

,

3

,

-

+

3

p

p

&

%

%

%

%

%

,

+

,

3

pp

Cbsn.

"

&

%

! Hn. I #

%

%

,

+

3

%

$ ,

-

, p

%

same note tremolo

%

+

3

%

same note tremolo

Bsn.

,

$ ,

$ ,

pp

$ ,

mp

+

+

pp

same note tremolo

# 1

Tpt.

Tbn.

sea-shells wind-chimes

rainstick

syzzle Cym.

%

#

Hn. II

"

& $ &$ .0 )

,

pp

mp

&

!

+ 0 :

%

##

+

%

%

-

%

%

%

%

%

%

%

3

,

,

p

,)

,

.0 ) $

0 $

0

* ,*)

+

%

pp

0

.0

.0

%

p

.0 . 0

0 30

$

$

0 $

* ,*

+

-

+

+

ppp (do not cresc.)

, '''''''''''''''''''''' , ''''''''''''''''''''''''''''''

0

p

%

"gently rattle"

0)

,

pp

%

p

+ %

&

"gently rattle (do not shake)"

+

! ' ,*)

Vib.

+

+

p

"'

"'

1

pp

,

%

' ,)

pod rattle

3

, & pp

0

.0 ) $

) 0) 30 0 0) 0 0 0 0 $

0

$

0

0

.0 )

.0 )

.0

$

$

.0

0 $

30 , $

0''''''''

"gently rattle" pp

,

sim.

! ."# ( ( 1

SOLO Fl.

)(

) 4 -(

2

.-( .-(

)( )( ..-( .( 3-3( ( 3

4

)( ) .-( .-( . 4 .-( ( -3( ( ** )( . )( 5

sub. p

mp

! ** Vln. I # , .,

** , ,

pizz. trem. non-div.

pp

** 0 0

p

#

+

#

Vla.

&

Vc.

)0

1

SOLO pizz.

1)

% mf

(((((((((((((((((((((((((((((((((((((((((((((

3

3

** 0) 0)

**5 0 0

3

** 0 1 0

** , ,

p

,, ** +

1

+

(pizz. trem. non-div.)

., , **

, , **

TUTTI pizz. trem.

** ,

pp

)0

+

+

#

4

.)0 )

+

+

*

p

** .,

pp

.)0 +

+

4

)0)

-

*

4

-

pp

%

mf

%

)( ) ) ) 3 .)( .-( )( 3-( .-( .. . -3 - ( . - ( 3() )( )( ) )( ) 7

p

SOLO pizz.

*

1

pp

pp

%

+

pp

..,, **

%

** 0 0

(pizz. trem. non-div.)

(pizz. trem. non-div.)

Vln. II

**

6

)0 )

+

1)

p

&

)0

+

-

+

-

mf

Db.

"

&

%

%

%

SY. 4365

1

.)0

5

molto accel.

molto rit.

)6 . 0 ) 0) 0 0 ) 0 0 8

0)

same note tremolo

! Ob. # + 22

same note tremolo

.,

,

,

3

pp

,

+

+

mp

3

p

mf

%

#

+

) . 60 0 ) 0 ) 0 0 / 0 ) 8

+

) ) / )06 / 0 0 0 0 8 1 +

mp

0)

. 0 0 0 0 60 : .0 0 .0

same note tremolo

mp

0)

same note tremolo

Cl. I

.0 )

mf

q = 100 0

+

+

same note tremolo

.,

mf

30 )

0)

,

3

pp

.,

,

+

-

3

p

same note tremolo

. 0 0 0 0 .60 / 0 0 / 0 :

mp

0

mf

+

-

%

%

%

same note tremolo

%

#

Cl. II

& .,

Bsn.

p

Cbsn.

"

&

0)

0 :

0

%f

p

! Hn. I #

%

mf

+

-

%

-

pp

5 0 0) %f

,

mp

0

,

0

p

+

0

/,

-

%

-

pp

p same note tremolo

%

%

-

$ $ 0 0

+

$ 0

$ 0 +

0

,

0

,

%f %f

-

+ +

%

mp

5 0 0) %f

& ,

Hn. II

p

-

%

-

p

%

+

& $ &$ /0 0 : :

1

p

Tbn.

&

harmon mute

5 0 0) %f

" ., & p

sea-shells wind-chimes

rainstick

syzzle Cym.

pod rattle

Vib.

!

+

' 0

-

'

0

p

,

$

.0

$

$

.0

0) 0 0 0 0

* 0*

$

0 $

$

30

-

, '''''''''''''''''''' , '''''''''''''''''' +

"gently rattle" pp

0 0) 0 0 0 0 . 0 ) 0) 30 0) $ $ $

0 $

0

molto accel. same note tremolo

mp

! .,** Vln. I # ,

* ,,*

(pizz. trem. non-div.)

pp

* 00*

p

%

#

1

pp

(pizz. trem. non-div.)

Vln. II

0)

,, **

-

pizz.

pp

*

%

$

** 0) 0)

**5 ** 0 0) 0 0)

$

** 0 0

p

+

+

4

, .0 )

$

+

% ,)

"gently rattle (do not shake)"

+

p

* 0*

* 2*

ppp (do not cresc.)

+

%

,)

,

., )

$

+.,0 $

* .00*

+

pp

* 00*

p

** . ,, +

+

+

+

0) 0) **

(pizz. trem. non-div.)

+

1

pp

.0 0 **:

pp

** ,,

pp

0 0 **:

&

)0)

Vc.

%

-

+

4

-

*

4

)0 )

p

-

+

p

0) 4 30 ) 4

** . 00

(pizz. trem. non-div.)

pp

1)

0

%

&

.0

0

.0

%

mf

Db.

"

TUTTI arco

& , p

0 :

%

0) f

0

+

-

%

pp

-

., p

SY. 4365

$

, , **

mf (SOLO)

.0

no gap

(pizz. trem. non-div.)

+

0

0 Start playing the segment where you last stopped. ((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((

(pizz. trem. non-div.)

.)0 )

+

q = 100

% )0

.0 0 30 )

mf

p

1

.0 ) . 0 )

60 . 0 0 . 0 .0 0 0 0 :

SOLO Vla.

0 0

same note tremolo

0)

mp

pp

..,, **

.0 )

mf

(pizz. trem. non-div.)

+

p

molto rit.

)6 0) 0) 0 0 . 0 ) + = , .0 ! SOLO ((((((((((((((((((((((((((((((((((((((((((((((((( 8 Fl. "# no gap

+

-

0 : 1 pp

5 0 0) %f

%

+

-

%

.0 . 0

mp

+

p

%

ppp (do not cresc.)

0)

.,

+

0

,

pp

,)

,

pp

1 +

* 2*

p

.0

-

0

0 , ''''''''''''''''''''''''''' + " ' ''''''''''''

0) 0)

-

& $ &$ /0)

p

"gently rattle (do not shake)"

%

## 0

1

mp

%

%

+

-

pp

-

"' !

+

0

1 +

5 0 0) %f

.,

pp

%

#

Tpt.

+

0

0

0

%f

,

+

6

molto accel. ! Ob. # 27

same note tremolo

.,

#

#

0)

0) .0 3 0 8

,)

same note tremolo

0

,)

.0

0

.0 0 mf

,

0)

,

0)

p same note tremolo

Cl. II

,

p

same note tremolo

Cl. I

q = 100

molto rit.

,

0)

,

0)

p

same note tremolo

4 +

/,)

same note tremolo

0 8

/0

0

0

+ ,)

0

0 0 mf

30

0

1

+

-

%

%

+

-

%

%

p

1

p

2

2

same note tremolo

%

mf

&

%

%

+

-

*

,

+

,

3

pp

pp

, p

, 3

+

-

% same note tremolo

Cbsn.

"

&

% same note tremolo

sea-shells wind-chimes

rainstick

syzzle Cym.

pod rattle

Vib.

!

$ ,)

$ ,)

$ /,

+ %

0$ )

,$

$ 0)

$ /0

same note tremolo

4

0$

/ 2$

$ / 0$ 0

2$

pp

mp

,

%

"'

%

!

%

'

,

pp

* ,*

+ , ''''''''''''''''''''''''' 0 ''''''''''''''''''' 0

+

pp

same note tremolo

! /, SOLO Fl. "#

! +.,0 Vln. I # 0 ** : # 0** +., 0

*

&

.0 0 0 0 .0 0 $

$

%

+

-

%

+

-

%

-

+

.0 ) . 0 ) .0 .0 , $

/,)

same note tremolo

,

0)

&

p

$

0

-

$

30

,)

0 0 .0 )

0

0)

.0 ) $

1

%

1

p

%

%

0)

0 $

0

0

0

.0 . 0

.0 . 0

0

$

$

30

0

$

0

.0 ) $

0) 30 0 $

0)

no gap

0)

((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((( Start playing the segment where you last stopped.

p

<0 )) ** mf

/ <0 )) **

<0 )) ** <0 )) **

trem. arco

%

ppp (do not cresc.)

p

1

** , /,

** , ,

pizz. trem. non-div.

pp

%

* ,*)

+

q = 100

%

+

%

,''''''''''''''''''''''' , '''''''''''''''''''''''

pp

2

32

pp

** ,,

pp

+

%

%

,

1

0

mp

,

"gently rattle"

trem. arco

+

,

+

mf

1

0

#

,

pp

"gently rattle (do not shake)"

molto rit. )6 / 0 0) / 0 8

+

3

p

& $ &$ ) . 1 0

-

p

0

,

%

%

%

#

#

1

1

mf

TUTTI P.O. trem. arco

%

-

1

1

mf

< )) **0

<0)) **

<0)) **

1

TUTTI trem. arco

., **

pp

SY. 4365

** 0 0

p

+

+

pp

-

*

,, **

pp

SOLO pizz.

4 30 )

+

1

1

pp

..,, **

%

p

0

+

)0

1

+

mf

-

&

SOLO pizz.

.0

.0

+

0

4

30 )

1)

mf

, ** p

+

+

** 0 0

(pizz. trem. non-div.)

(pizz. trem. non-div.)

..*<0 )) *

pizz. trem.

"

3

,

%

p

mf

Db.

,

%

* ,*)

p

Vc.

.,

%

ppp (do not cresc.)

molto accel.

Vla.

+

%

-

% -

1

0

p

"gently rattle"

# # 0) 0) . 0 0 0 $ $

Vln. II

%

mp

%

'

"'

0$

p

&

"#

$ 0

+

same note tremolo

Tpt.

%

pp

! Hn. I # -

Hn. II

%

,

3

p same note tremolo

Bsn.

-

/,

%

.)0 +

7

Meno mosso q = 86 ! Ob. # -

same note tremolo

32

,

3

pp

.,

,

+ -

3

p

.0.0

%

mp

%

#

Cl. I

.,

+

%

mp

#

Cl. II

/,

,

+

3

p

-

/,

+

, ,

3

pp

,

+

3

p

*

Bsn.

%

-

mp

,

+

,

3

pp

, p

,

+

3

-

same note tremolo

Cbsn.

"

&

%

%

+

.,

,

,

3

pp

! Hn. I #

%

%

+

p

$ ,

$ ,

$ ,

same note tremolo

3

pp

3

3

3

3

p

3

3

,

3

, 3

$ ,

&

%

)6 0 .0 0 0 +3,0( 4

%

mf

,

3

3

4

mf

3

3

3

)6 0 .0 0 0 30( 3

.0 0/ 0 3 0 30 +3,0 0) /0.0/0 30 0+.,0 0 30

%

same note tremolo

3

,

0 0 3 0 / 0 30 0) .0 0 / 0 30 0 0 /0 0 0

%

same note tremolo

3

.0 3 0 0 )

0 0 0. 0 +.,0 /0 30 1

3

3

.06 .0 0 0 )

0( 4

%

mf

. 0 . 0 0)

,

3

4

( .0 0 0 .0 3

4

%

mf

+

%

%

%

+

%

%

%

%

%

%

%

%

%

%

%

%

%

%

%

%

%

%

%

%

%

%

%

3

same note tremolo

# +

Hn. II

3

,

,

pp

+.,0 1 Tpt. # : "

+

+

3

,

,

p

-

% -

% & $ &$ .0 0 1 :

+

pp

pp

sea-shells wind-chimes

rainstick

!

' ,)

+

p

"'

+

pod rattle

"' -

+

Vib.

# # 0)

!

$

mp

,) p

+

1

%

"gently rattle (do not shake)"

+

0 1 +

-

* 2*

%

ppp (do not cresc.)

0 ''''''''''''''''''' 0 , '''''''''''''''''''' +

"gently rattle"

pp

0) 0 0 0 0 0 0

0 :

%

%

** ' ,

syzzle Cym.

,

.0 )

.0 )

%

p

$

2

32 $

.0 ) $

0)

0 $

0

0

0

.0 . 0 $

+

+

-

0 .0/ 0 3 0 ! .0 /0 30 SOLO 0 / 0 #(((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((( .0 Fl. " mf

** ! ) Vln. I # 0 0)

**5 0 0

p

** 0 1 0

** , ,

* .0* 0

(pizz. trem. non-div.)

+

pp

pp

(pizz. trem. non-div.)

%

#

Vln. II

* 1

Vla.

& 1)

Vc.

..,, **

)0

.)0

+

+

1

+

+

4

+

)0)

-

p

4

.)0 )

%

3

+

3

.0 1 00

0.0

3

0 30 . 0 +.,0 3

3

pp

+.,0( 4 1

4

+ )0 )

%

1

.0. 0

mp

TUTTI arco

0

pp

%

.60 +

+

pp

3

-

+

*

/0

pp

Db.

"

&

%

%

%

SY. 4365

%

0

non-trem. TUTTI arco

+

%

TUTTI arco (non-trem.)

SOLO non-trem. arco

%

) . 06 / 0 0 f

TUTTI

3

3

mp

+

,

arco 030 /0 0 ( 0 . 0 +., 0 0 4 1

mp

%

p

.0 30 30 .0 0 )

SOLO arco

SOLO arco

,, **

pp

)0

* 0* 0

3

3

3

Meno mosso q = 86

%

,

/flz. 0 ** :

3

. 0(

4 1 1

f

,

mf

3 0(

(The interval of this harmonic is held as a 5th!) trem.

4 1 1

f

,

%f

** < 30 mf

0(

4 1 1

f

,

** 3 0<

trem.

** . < .0

trem.

mf

. 0(

* 4 1 1 & 3 <* .0

trem.

mf

%

0)

, **

** ,< ** < ,

non-flz.

SOLO non-trem.

.0 )

.0 :

f

.0 )

SOLO non-trem.

f

.0 :

SOLO non-trem.

0)

** ,< ** ,<

30 :

0 :

f non-trem. SOLO

*

.0 ) f

%

.0 :

8

! Ob. # + 38

1

0( 3 0 ) .0 0( .0 0( 0 .0( 3

# +

3 ( .0 +.,0( +.,0( 0 0) 0( /0( 30( .0 30

# +

"

& +

0

/0 ) /0( . 0 0 .0 0 /0( 0 30( 0( ( (

0

( ( .0 ) . 0( .0( 0( 0 . 0 . 0 3 0 0( 3 0

0

sub. mp

%

%

+

-

%

) /)0 /*0 *0 * * flz.

+

-

%

+

+

3

+

-

%

+

)0

+

mf

.0 ) 0 ** * * flz.

mf

%

%

%

+

+

con sord. flz.

.)0 0 ) 0 ** * *

%

#

%

%

%

#

%

** ,

** .0 )

/0 * *:

0 * *

** .0

** 0)

**5 .0

** 0

0 **: **) /0

** ,

** /0)

**5 /0

** ** 0 /0

** 0)

**5 /0

** 0

%

%

+

+

) /0 /0) 0 * * * *

straight mute flz.

&

%

%

0 ** 1

%

+

.0 ) ;* *

+

+

%

mp

0 **

%

., ) ** p

** /, ) p

%

%

-

%

mp

0 ** :

/0 ) **

** ,

, **

%

mp

"

%

* 1 .0*)

% flz. straight mute

Tbn.

" "

%

mf

mp

Tpt.

%

flz.

%

mf

! Hn. I #

Hn. II

%

mf

3

sub. mp

Bsn.

-

mf

sub. mp

Cl. II

+

? "

mf

sub. mp

Cl. I

0

> "

%

** 0

%

+

-

**5 .0

** 0

** 0)

**5 /0

** 2

** 0)

1

+

con sord. flz.

1

p

0 **: 1

+

0 ** 1 :

+

*5 /0*

/0 ) * * flz.

%

p

p

%

%

** ,

+

** 0

flz.

p

** ., )

%

!'

%

%

%

%

%

%

%

%

%

"'

%

%

%

%

%

%

%

%

%

!

'

%

%

%

%

%

%

%

%

%

pod rattle

"'

%

%

%

%

%

%

%

%

%

Vib.

##

%

%

%

%

%

%

%

%

%

sea-shells wind-chimes

rainstick

syzzle Cym.

SOLO Fl.

( ( 30 ) 0 .0 .0( .0 / 0 3 0 ! 0 0 ( ( /0 .0( 30 "# sub. mf

3

#

Vln. II

*

Vla.

+.,0

0

Vc.

Db.

"

0 // <0 **

mf

<0 **:

//<0 )) **

0 /< 0 /0 **

<0 **:

//<0 )) **

TUTTI (non-trem.)

0

+

p TUTTI non-div. (non-trem.)

.0 .0 4 1 (

0 /0

+

p

TUTTI (non-trem.)

.0 0( 4 1

+

#

0

TUTTI (non-trem.)

.0 +

+

.0 p

&

/0) **

%

30 **

> "

30 ) **

.0 ) **

, **

..0< )) **

..<0 )) **

<, **

//<0 )) **

** //0< ))

** <,

(f)

p

* +.,0

0 * *:

0

f

! +., 0 0 30 4 1 Vln. I # (

flz.

trem.

trem.

mf

trem.

0 ..<0 **

mf

trem.

0 .. <0 * *

mf

<0 **:

//<0 )) **

<0 ** :

3 <0 )) **

%

** . < . 0 )) < )) **0

<0)) **

<, **

<) & .0 ) **

<, **

*

%

non flz. flz.

.)0 .0 ) 0 ** **

+

? "

0 ** :

.0 ) **

.0 **

pp

0) **

** .0

** 0)

trem.

+

trem.

+

+

pp

+

%

+

pp

.0 **

0) **

pp

%

1

mf

mf

.0 **:

%

0 **

-

pp

1

mf

00)) **

trem.

+

mf

.00 **

trem. non-div.

+

0) * *

, **

" "

%

-

pp

%

0 ** :

0 **

., ) **

0 ** :

+

-

mp

0 **

** .0 )

**5 .0

** 0

+

-

.0 ) **

.0 ** :

0 **

+

-

.0 ) **

.0 ** :

0 **

+

-

.0 **:

0 **

+

-

** .0 )

trem.

trem.

pp

%

-

pp

1

** 0)

pp

pp

1

** .0

trem.

pp

%

-

trem.

pp

%

-

arco trem.

0) ** pp

SY. 4365

mp

mp

mp

mp

pp

pp

pp

pp

pp

9

Pi첫 mosso q = 100 ! Ob. # +

same note tremolo

47

.,

,

,

3

pp

,

+

3

p

%

Cl. I

,

+

,

,

3

pp

,

+

3

p

-

%

#

-

,

+

,

3

pp

Bsn.

"

&

same note tremolo

.,

,

3

%

., p

, 3

+

-

% non-flz. same note tremolo

Cl. II

+

pp

non-flz. same note tremolo

# -

-

,

,

+

%

-

%

3

p

non-flz. same note tremolo

%

%

+

.,

,

3

pp

%

%

%

Hn. II

#

%

%

%

%

Tpt.

#

%

%

%

%

&

%

%

%

%

sea-shells wind-chimes

rainstick

syzzle Cym.

pod rattle

Vib.

"

!'

,

,

pp

p

"' !

* 0*

+

-

ppp (do not cresc.)

, ''''''''''''''''''''''''''''''''''''''' +

"'

!

0)

.0 .0 ) 30 0) $

"gently rattle (do not shake)"

0

,

p

0

* 2*

1

,

pp

+

% * 2*

%

ppp (do not cresc.)

30+.,0 .0 $

0

$

/0 $

30

, '''''''''''''''''''''''''''' +

+

%

+.,0

0 0 0 0 .0 $ $

-

%

+

+

p

# # .0 )

-

-

%

'

+

0

+

p

%

Tbn.

, 3

! #

Hn. I

,

0

0 +.,0 )

0)

$

%

p

. 0 ) .0 ) .0 $ $

30

0

0

0

0+.,0 )

.0 0 .0 . 0 ., $ $ $

0)

$

3,

$

Pi첫 mosso q = 100 Play the segments in any order, however you may not repeat each individual segment more than twice until all the cycles have been played. ALWAYS in steady tempo. Feel the groove, play this section as if you are the drummer in a rock, metal or jazz band. percussive breathy sound, less pitches.

! .- 1 "# ( . ( 1

SOLO Fl.

T

P

.)( B

2

.( .- .( ( 3

4 .)( Ts

T K

B

;.( . - 3 -.)( ( )( . (

3( 1 .( ). ( 5

4

B

P

T K Ts

P

T

P

( .- 1 .3 - . - . - 4 3))( ( )( ( )( B

P

Ts P

K

P

75 .0<

non-trem.

1

,<

0< ; 4 1

% mp

pp

** # ..,,

* ,* ,

pizz. trem. non-div.

Vln. II

+

-

1

3<07

+

& +

Vc.

1

*

**

.0 **

pp

Db.

"

&

%

%f

** 00 ))

#

.0

.0

**

**5 00

pizz. trem. non-div.

<0))

gliss.

p

**

30 ** **

0 ** %

.0

-

pp

* ,* /,

* ,* ,

pizz. trem. non-div.

+ .0

+

p

%

pp non-trem. arco

+

&

7 .. <,

<0 <0

% mp

pp

%

SY. 4365

1

pp

gliss.

+

** 00 ))

p

% mp

mp

gliss.

** 00 ))

<0 ; 4 +

pp

pp

pizz. trem.

(((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((

pp

norm. S.P.

* -

+

arco

p

pp

Vla.

tktk......rr.....

**

sub. p

mf

! Vln. I # +

.**

6

; 4

%

%

#

10

! Ob. # + 51

same note tremolo

.,

,

,

3

pp

same note tremolo

,

+

3

p

%

# -

3

,

pp

,

,

+

3

p

%

#

Cl. II

,

+

+

., , .,

,

3

3

pp

same note tremolo

Cl. I

-

-

-

+

p

same note tremolo

+

,

,

,

3

,

+

+

-

"

%

, p

%

%

%

%

%

%

+

.,

,

3

pp

,

,

+

3

p

%

%

%

%

%

Hn. II

#

%

%

%

%

%

Tpt.

#

%

%

%

%

%

&

%

%

%

%

%

%

%

Tbn.

sea-shells wind-chimes

rainstick

syzzle Cym.

pod rattle

Vib.

"

!

' ,)

+

p

"' ! ' 0*

+

0)

-

+

,

pp

,)

0 1

* ,*)

* ,*

+

-

+

"gently rattle (do not shake)"

p

, '''''''''''''''''''''''''''''''

%

p

30 ) .0 ) 0 0 +.,0 .0 ) . 0 .0 $ $ $

0

0 $

3, 0 +.,0+., 0 $ $

0

.,

0

%

-

* ,*

* ,*)

-

same note tremolo

+

-

ppp (do not cresc.)

+ 0''''''''''''''' 0

p

! ) Vln. I # 1

7 . . 0<

pp

; 1) 0< @

0<

% mp

* .0* 30

* 0* 0

(pizz. trem. non-div.)

Vln. II

# +

p

pp

pizz. trem. non-div.

** 4 .00 ))

+

pp

<0))

arco

1

<07

pp

** 00

** 00 ))

** 00 ))

p

** 0 /0

*5 0* 0

.0 .0 1

+

pizz. trem. non-div.

<0 @; 1

% mp

pp

arco

,

4 +

/,

,

,

3,

* 0* 0

Vla.

# +

1

gliss. gliss.

3,

.,

.,

-

,

.0 0 0 0 0 0.0 )

.,

.0 .0 0 0 0 0.0 )

mp

pp

) Vc. # 1 "

** 0

mp

**

pp

**

gliss. p

.0 0 * * **: * *

arco

1

&

7 1 ..<0

pp

<0 ))

/,

/,

mp

pp

pizz. trem.

P.O.

<0 ; + @

% mp

+

SY. 4365

0)

0 0

0.0 0) 0 ) $

0 0 0 0.0 $ $

0

30 0 $

.,

,

30

0

0)

.0

,

/,

/0

/0

.,

.,

.0

.0

+

-

0

mf

p

+

+

.0 ) .0 )

.,

30 ) /0 0 /0 0 0 0

%

.0 ) .0 .0

mf

(S.P.)

.0.0

p

f

arco

1

0

%

., $

mp

pp

-

+

-

mf

arco

+

"gently rattle (do not shake)"

+

.0 ) 0) 0 0 0 ., 30 30 0 . 0 +.,0 .0 0 0 .0 ) .0 ) $ $ $ $ $ $

/, ! SOLO Fl. "# (((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((

,

p

ppp (do not cresc.)

"' -

##

%

+

+

%

! #

Hn. I

, 3

p same note tremolo

&

,

3

3

pp

Bsn.

.,

pp

%

same note tremolo

-

.,

,

.0 0

I

II

sim.

.0 3 0 0 0

.0 ) mf

%

.0 )

.0

.0 mp

%

$

11

! Ob. #

same note tremolo

56

%

-

+

.,

3

,

pp

., p

,

+

3

> "

-

+

same note tremolo

.,

,

0

3

pp

0

" "

#

Cl. I

%

%

+

,

+

,

3

pp

# -

Cl. II

+

same note tremolo

,

,

3

pp

,

,

p

+

-

%

Bsn.

"

+

.,

,

,

3

pp

-

, p

%

/,

0)

,

mp

1 0 0 , & mp 0)

1

,

mp

,

+

3

-

same note tremolo

.,

-

,

%

-

+

+

+

1

same note tremolo

0 0

+

0

30 0

2

mp

2

mf

mf

-

+

same note tremolo

0 0

,

.0

same note tremolo

+

3

p

non-flz. senza sord. same note tremolo

+

non-flz. senza sord. same note tremolo

%

#

Hn. II

%

%

1

mp

%

! Hn. I #

+

3

same note tremolo

&

-

0 0

p

same note tremolo

%

same note tremolo

.,

,

0 0 1

%

mf

& $ &$

harmon mute non-flz.

%

#

Tpt.

/0 )

,

mp non-flz. harmon mute

Tbn.

sea-shells wind-chimes

rainstick

syzzle Cym.

pod rattle

Vib.

SOLO Fl.

Vln. I

"

& $ &$

&

%

mp

!

'

-

%

"' ,

0

!' -

+

1

0

0

/0 $

30

0

0 0) $

. 0 ) .0 ) .0 $ $

30

0 0) $

0)

/0

2

/0

3,

0

/0

2

+

%

%

+

%

* ,*)

"gently rattle (do not shake)"

,

p

,'''''''''''''''''' +

3,

30 ) .0 ) .0 ) . 0 .0 $ $ $

0)

> "

0 1

+

-

* 0*

+

,'''''''''''''''''''''''''''

-

%

p

.0 0 .0 . 0 ., $ $ $

%

30+.,0 0 0 0 0 $ $

,

" "

$

p

.,

0 0 30 0 +.,0 /0 $ $

(((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((( mp

.0 +

* +.,,* . ,

& Vc. " -

,)

+

0

*

0 Start playing the segment where you last stopped.

+

#

0

0

0

mf

* 2*

pp

75 1 .30< pp

,<

0< ; 4 1

% mp

* ,* ,

pizz. trem. non-div.

pp

+

-

pp

arco

+

+

+

p

%

+

+

*

1 .*0 *

pp

**

3<,7

.0

.0

gliss.

**

** ** 0 0 0 0

<0 <0 ; 4 % mp

+

p

**

30 * * * *

0 **

7 .. <0

+

&

pp

SY. 4365

+

<0

+

* ,* ,

pp

p

+

+

pp

arco

+

* 0* /0

+

.0 .0

gliss.

*5 0* 1 0 pizz. trem. non-div.

mp

gliss.

* ,* ,

p

pp

pp

pizz. trem.

** 1 3.00 ))

pizz. trem. non-div.

S.P. Vla.

0

p

%

.,

mf

%

0)

0

.0

no gap

! /0 /0 + #

# .0

,

,

+

p

! "#

/0 :

pp

+ * 0*

" ' , ''''''''''''''''' +

# # .0

,

ppp (do not cresc.)

pp

Vln. II

/0 )

/,

/0 :

-

arco

/0

+

30

mp

,)

/, )

P.O.

mp

<0

<0 % mp

;4

+

-

1

.0 ) mp

.0 )

12

? "

molto rit. ! # 61 Ob.

2

2

#

32

2

mp

2

2

/2

2

.2

A

A

2

/2

2

Bsn.

.2

2

.2

A

2

.2

2

2

.2

2

"

&

! 2 Hn. I #

2

same note tremolo

# .2

2

#

Tbn.

syzzle Cym.

"

*

! "'

2

fff

2

2

/2

+/, 2

2

/2

2

2

+/, 2

f

* 2*

A * 2* / 22

32 Vib. # / 2 # $

2 /2

2

,

/, 3

2

2

2 /2

/2

2

A %

STOP on end of 2nd beat of this bar.

Vln. I

! #

#

Vln. II

#

Vla.

.2

arco

2

mp

2 A .2

2

-

.2

2

ff no dim.

2

/2

/2

A

2

/2

A

+3, 2

/2

2

Vc.

.2

.2

.2

2

/2

"

&

%

%

%

%

%

%

%

%

%

%

/ 22

%

%

/0 /0) 0 0) 0 0) 0 0)

? "

2

A .2

.2

.2

.2

,

., p

2

/2

/,

,

non-trem.

2

fff

(fff)

%

/,

,

% p

.2

.2

,

%

p

/2

/2

/0 /0) 0 0) 0 0) 0 0) 0 0) 0 0) 0 0) 0 0)

mf

.,

., p

(ff)

A %

" "

/0 /0) 0 0) 0 0) 0 0)

(ff)

ff no dim.

Db.

%

(ff)

ff no dim.

&

%

(ff)

ff no dim.

/2

%

pp

2 /2

%

%

pp

molto rit. ! SOLO (((((((((((((((( Fl. "#

%

pp

* 2* / 22

%

pp

(f)

A / 22

%

p

2

* 2*

%

p

(f)

3A 2

(mf)

2

2

f

%

p

(f)

.A 2

(mf)

2

(f)

A

%

p

.2

(fff)

%

2

.2

,

f

(mf)

Tpt.

A

/2

f

(mf)

Hn. II

2

/2

(ff)

A %

%

" "

p

(ff)

ff no dim.

Cbsn.

2

(ff)

ff no dim.

&

2 (ff)

ff no dim.

# .2

Cl. II

2

ff no dim.

same note tremolo

Cl. I

2 A

6,

/,6 3

#

B .,6

% p

SY. 4365

%

13

q = 52

accel.

! Picc. # 67

%

? "

rit. %

%

" "

Pi첫 mosso q = 100 )0(

very short staccato

%

4 1

+

sfffz

/ )0(

very short staccato

%

#

Ob.

%

%

%

4 1

+

sfffz

/ )0(

very short staccato

%

#

Cl. I

%

%

%

4 1

+

sfffz

%

#

Cl. II

%

%

) /0( 4 1

very short staccato

%

+

sfffz

very short staccato

&

Bsn.

%

%

%

) /0( 4 1

%

+

sfffz

Cbsn.

"

very short staccato

&

%

%

%

%

0 4 1 )(

+

sfffz

! Hn. I #

very short staccato

%

%

%

%

0 4 1 )(

+

sffz

very short staccato

%

#

Hn. II

%

%

%

/ 0( )

4 1

+

sffz

senza sord. very short staccato

%

#

Tpt.

%

%

/ )0(

%

4 1

+

sffz

Tbn.

"

*

%

%

%

&

) /0( 4 1

+

sffz

q = 52 SOLO Fl.

%

senza sord. very short staccato

! "#

! Vln. I #

. 0 . 06 0 30

accel. 6 0 30 0 30 f

rit.

) 0 6 6 3 0 . 60 0 0 0 0 0 0 0 0 .0 /0 3 0 0 0 0 3 0 30 0 30 /0 30 .0 +/,0 30 .0 /0 .0 .0 /0+/,0 0 /0 0+.,0 30 0 mp

f

0

/0 0 .0 ) 0

0 /0 )

? "

Pi첫 mosso q = 100

A A 0 : /0 )

0 0 6 )(

/0 /0

sub. f

. / )0

)C( )( 0 +/,C

All pizz., let them ring. pizz.

%

%

%

%

+

sfffz

. / )0

All pizz., let them ring. pizz. Vln. II

#

%

%

%

%

+

sfffz

. /0 )

All pizz., let them ring. pizz. Vla.

#

%

%

%

%

*

+

sfffz

Vc.

&

%

%

%

. /)0

All pizz., let them ring. pizz.

%

+

sfffz

. 0 )

All pizz., let them ring. pizz. Db.

"#

%

%

%

%

&

sfffz

SY. 4365

+

tut tut

" "

14

72

#

SOLO Fl.

" "

less and less pitches, more and more staccato, percussive and breathy.

tut tut tut /60 )C( +/,)C( +/,60 )( 60 0 0( 0( ( 0( 0( 0( .0( C 0

tut

C )(

f

06 /0 /0 0

)( /)C( +/,0 6 C /0 /0 /0( 0 0 0 0 +/,0 0 ) 6

76

# 0

tut tut tut sim.

mp f

(f)

/

SOLO Fl.

subito normale

sim. / 0 / 0 .0 3 60 0 .0 30 / 0 /C( +/,0 0 0 +/,0 C /C( ) C( ) )( )

tut

)( C

tut

tut

> DE

/0 /0 /0

> F

.0 0 30 0 .0 .0 .0 3

(f)

(f)

subito normale

/0 +/,0 0 /0 0 30 /0 /0 /0 30 30 30 3C( /C( C( +/,C( /60 0 +/,0 +/,0 +/,0 +/,0 6 0 /06 30 30 +/,0 +/,0 30( ( 06 ( +/,0( 30( ( .06 ( /0( 3C( 0 ) ) sub.

)C( )( +/,60 +/,C

tut tut

3

.0 3

30

> DE

0 .0 .0

" "

/

! Picc. # 81

" "

/ )0(

4 1 +

-

)0(

1)

#

Ob.

4 1 +

-

)0(

1)

)0(

#

4 1 +

-

1)

#

0 4 1 + )(

-

.0( 4 1 + )

-

30( 4 1 + )

-

4 1 +

-

)0(

1)

&

4

)0(

1

) 4 0( 1 4 0( 1 )

+

+

1

Hn. I

"

&

+

+

1

0 )(

+

+

1

#

1

% 1)

-

-

1)

-

SOLO Fl.

"

&

! "#

! Vln. I #

" "

-

1)

-

/0( 4 1 + )

-

tut

0( 306 .C( 0 )

6 0 )C( ) 360 0 / 0 30 +3,C( 0 0 tut tut

(pizz.)

+

3C 4 .60 )(

. 0

*

. 0

(pizz.)

-

1)

+

Vc.

0.

(pizz.)

-

1)

-

1)

-

-

sfffz

Db.

"

&

. 30

pizz.

sfffz

%

%

%

3)0(

4 +

-

%

%

1 0 ,) ** * flz.

p

0 4 + )(

-

%

%

* 1 0* ,**)

.0( 4 + )

-

%

%

%

30( 4 + )

-

%

%

%

4 +

-

%

%

%

/0( 4 + )

-

%

%

%

-

%

%

%

-

%

%

%

flz.

p

% ff % ff

/0( + )

1

/)0( +

1

)0

.)0

)0

/ )0(

-

-

0 )(

sffz

sffz

)0( 4 + sffz

+

1

sffz

/0( 4 + ) sffz

f

f

4

)0)

1)

4

.)0 )

) 4 /0 )

.)0

+

1

1)

)0

+

1

1)

+

1

sfffz

1) 1)

.0 +

.0 + sfffz

arco non-div. trem.

+

-

%

0 0 1 **

%

p

. 30 . 0

+

-

%

0.

30 , ) 1 ** ** arco trem.

+

-

%

%

+

-

%

%

sfffz

1

. 30

% ff

0 ,) 1 .0 *, ) * * % ff p

%

p

sfffz

1

,) ,) **

arco non-div. trem.

sfffz

sfffz

/ )0

/ 0. sfffz

sfffz

sfffz

+

-

flz.

sfffz sfffz

+

4 +

0 2 tut tut tut tut tut ) )( 6 6 6 6 6 60 )C( ) 0 .60 3 0( .0( tut 6 0 / 0 30 tut 0 / 0 30 0 30 0 0 0 0 0 * 6 30 / 0 )0( 30 )( )C( 0 0 )C( )( 60 ) 3 0 . 0 0 ( 6 C( 0 0 0 0 C +3, C 0 +3, C 0 * ** +.,)C( 3 0 ( .)C( 0 pp

sfffz sfffz

+

/ )0(

tut tut

sfffz sfffz

sfffz

&

60

f

f

/ 0.

tut

sfffz

Vla.

1)

-

sffz

pizz.

#

1

sffz

sfffz

Vln. II

0 + )(

sffz

sffz

Tbn.

1

sffz

)0( 4 1 +

#

%

sfffz

sffz

Tpt.

%

sfffz

4 1 +

.0( )

%

sfffz

%

sffz Hn. II

-

sfffz

sfffz

! #

4 +

sfffz

sfffz

Cbsn.

/ )0(

sfffz

sfffz sfffz

sfffz

Bsn.

1

sfffz sfffz

sfffz

Cl. II

+

sfffz sfffz

.)0(

sfffz

Cl. I

+

sfffz sfffz

sfffz

/ )0(

4 .0( 1 )

arco trem.

#

1 0 ,) * * p

+

sfffz

SY. 4365

-

%

%

%

% ff &

% ff

15

)( ! 0 4 1 Ob. # 87

+

-

%

-

. 60 / 0

1

)0( 4 1

non-flz.

#

Cl. I

+

-

%

-

1

+

-

%

-

1

ff norm.

# 0( 4 1 )

Cl. II

SOLO Fl.

"

-

%

60 0 /0 0 .60 0 4 1 0 p %f

+

-

%

/0 06 0 4 1 /0 0 %f

+

-

%

.0 .0

+

-

%

.60 /0

ff

Bsn.

+

p

ff

p

&

%

%

-

+

! Vln. I #

less and less pitches, more and more staccato, percussive and breathy.

non-flz.

0 0

0 0

0

0 30

ff

.)0(

non-trem.

4 1

+

-

%

-

)0(

# *

)0(

+

4 1

+

-

%

-

307

+

+

-

%

-

/ 07

+

ff

)0(

4 1

+

-

%

-

.07

+

ff

)0(

"

&

4 1

+

-

%

-

. 07

+

ff

%

G .)0( 4 1

+

-

%

)G( 0 4 1

+

-

%

)G( 0 4 1

+

-

%

G .)0( 4 1

+

-

%

%sfz

pp

arco

-

%sfz

pp

non-trem.

+

%sfz

pp

4 1

4 1

%sfz

pp

non-trem.

&

)0G(

.07

ff

Db.

%f

4 1

more and more pitches, more and more legato, less and less percussive and breathy.

ff

Vc.

6 0.0 0

) norm. 30 0 tut 0 0 )( .)C( .)C( ) )( 3 C( 60 ( 0 ( C( 0( 0( 0( .0 0 30 0 0 0 0 0 3 0 / 0 / C / 0 / 0 30 0 ( ( 0 0 0 0 . C . C ( ( ( 6 /0 0( 0( /0 0 /0+/,0 +/,0 /C +/,C+/,0 ( 30 0 0 0 0 0 /0+/,0 0 0 30 /0 .C 0 .0 .0 0 0 0 0( ( ( +3, 0( ( ( +3, C( 0 0( tut tut tut tut tut

non-trem.

Vla.

%f

p

! "#

Vln. II

6 30 3 0 0

4 1

0

/0

%sfz

pp

/ ! Picc. # 92

)0(

%

41

)0(

1

%

#

Ob.

41

.)0(

1

/)0( 4 1

%

#

/)0(

1

%

#

.0( 4 1 )

"

&

! Vln. I # #

Vc.

"

-

1)

sfz

4+

+

-

1)

4.0 1 )( sfz

+

-

4

sfz

0 )(

%

%

)0(

%

%

%

%

%

%

%

%

sfz

.)0( sfz

0 )(

sfz

) 4 0( 1

-

%

sfz

1)

1

sfz

%

.0 3 0 0 3 0 . 0 3 0 0 3 06 30 3

3

tut

)( 0( 6 30 30.)C( .)C( .C 60 /0.0 tut

tut

+

)0

30 /0/030 .0 .0 6 +., 0 3 0 . 0 .0 0 0 0 0 / 0 3 0 +/,0+.,030 6 +.,0 /0.0 360 0 +/,0 0+.,60 .0 0 .030 3

pizz.

% %

sfz

.)0

pizz.

sfz

)0

1 1

pizz.

*

Vla.

+

) 4 30( 1

)0(

sfz

! SOLO Fl. "#

Vln. II

4+

)( 04+

1

sfz

Bsn.

1)

+

sfz

sfz

Cl. II

-

sfz

sfz

Cl. I

+

sfz

sfz

.)0(

4+

&

% %

sfz

.)0

pizz.

sfz

1 1

)0 sfz

.)0

sfz

.)0 sfz

)0

sfz

+

+

) 4 0)

-

1)

sfz

+

+

4 .)0 )

-

+

-

1)

4 ) .)0

1)

4.0 ) )

1)

sfz

+

+

-

sfz

SY. 4365

3

3

)0

%

mp

%

sfz

sfz

+

molto espress.

3

3

3

3

0.0 0 0 0.0/030 .0 0.0 0 0 0 0.)0 30 0.0 0 .0 .0 0 30 0 0 0 ) 30 0 0 .0 3 0 3 3 3

.)0

%

-

arco

1 0

+

p

sfz

.)0

%

-

1)

%

-

#,

sfz

.)0

sfz

arco

p

arco

00

p

16

! Picc. # 97

%

;

0)0 ) 0

? "

,)

mf

1)

# -

Ob.

;

1)0 0

2

Cl. I

1)

+

;

1),

Cl. II

4 1

+

.)0(

very short staccato

4 1

+

,

very short staccato

30( 4 1 )

+

sfffz

,

very short staccato

0 )(

f

)0(

4 .0 1 )(

(very short staccato)

1)

1)

)( 4 /0 1

.)0(

+

1)

40 1 )(

& -

Bsn.

+

1

,

mf

very short staccato

04 1 )(

f

+

)( /)0( 1 30 4 4 1

sim.

1 .0 4 4 30 1 )( )(

.)0( 4

mf

.)0(

1

3 0( )

sim.

1 .0 4 4 /0 1 )( )(

(very short staccato)

2

)( ) 0 4 4 0( 1

sim.

sim.

(very short staccato)

sfffz

0)0

1

(very short staccato)

mf

f

4 1

)0(

+

+

+

4

+

4

+

1)

4

.)0(

1

.)0(

sim.

1

44

.)0(

1

+

4 .0( 1 )

+

)( 401

mf

sfffz

)0(

(very short staccato)

Cbsn.

"

&

%

very short staccato

-

., f

! Hn. I #

4)

%

$$

# -

Hn. II

mf

%

+

very short staccato

30( 4 1 ) &

4

1

-

+

%

-

$ 1 .0 4 + )( mp

Tbn.

SOLO Fl.

"

%

mp

! "# 0)

! Vln. I # +

Vln. II

Vla.

1

) ; 10 ) , )

straight mute

+

# 2

*

2

0 0 :

+

%

" "

mf

-

$ 1 .0 4 + )(

,

p

(mf)

f

2

,

(mf)

f

2

,

(mf)

f

-

+

+

Db.

# 2

"#

2

,

(mf)

f

2B

2B

,B

p

(mf)

f

+

+

+

)( 4 /0 1

+

0 )(

1

4 .0 1 )(

+

/)0( 4 1

. 0( )

+

-

4

3)0(

1

)0(

%

4

$

1

%

)$( &4 .0 1

%

3 0( ) sim.

+

4

/)0(

-

1

-

%

%

0 .0 6 .0 0 0 .0 60) 0 0 0 0 0 0 .0 0 .0 .06 0 0

%

.)0(

4 1

+

1)

4 1

+

1)

+

1)

04 1 )(

1

)0

4

3)0 )

+

) 4 .0 )

4

.)0 4 ) )0

pizz.

1

)0

4 0) )

+

4 )0 )

4

.)0

pizz.

4 3)0 )

1

.)0

) 4 .0 )

+

4 ) .)0

4

)) 4 .0

1

.)0

)) 4 .0

+

4 .0 ) )

4

mf

sfffz

&

)) 4 .0

mf

sfffz

.0( 4 1 )

)0

pizz.

+

1)

sfffz

.)0 mf

)0)

pizz.

&

.0( 4 1 )

3 0 / 0 /0.0 30 30 .0 0 30 0 0/0 30+.,0 /0 00 .0 3

0 0 .0 . 06 0 0

3

0)

3

) 4 .0

.0

4 .0 )

0

.0 )

.0

+

mf

sfffz

.)0(

0.30.0 0 0 0

3

pizz.

Vc.

41

1

(very short staccato)

f

2

1 0 ,

04 1 )(

%

arco

+

+

sffz

mf

? "

41

1

mp

very short staccato

,

+

sim.

(very short staccato)

sffz

&

41

mp

straight mute very short staccato

/)0( 4 1

)0(

sim.

(very short staccato)

sffz

mf

%

#

+

sffz

$ ,

mp

Tpt.

/ 0( ) &

4 1

4

.)0(

.)0(

+

mf

very short staccato

,

$ 2

+

sfffz

$

,)

mp

$ 1 .0 ) )

,

(f)

$

00 )

.0( 4 1 )

) 4 0( 1

+

mf

sfffz

2

1)

(very short staccato)

mf

f

0)0 2

mf

)0(

very short staccato

sfffz

,

mf

# -

,

f

mf

# -

" "

+

+

sfffz

4

mf

SY. 4365

-

+

) 4 0)

+

.0 )

.0 )

30 )

4

) 4 .0

4

.0 )

+

+

#.0

+

+

+

17

! # 1) 103

Picc.

# 1)

Ob.

Cl. I

Cl. II

Hn. I

.)0(

+

-

1)

+

) 1 /0( 4 +

1)

+

1 /0 4 + )(

# 1)

/ )0(

# 1)

3)0( +

1

& -

Bsn.

Cbsn.

.)0(

"

1

&

0 )(

4+

1)

1)

+

/)0( +

1

+

1

0+ )(

+

1

+

+

1

0 )(

/0( + )

%

.)0(

.)0(

/ )0(

.)0(

.)0( 4 1

4 -

4 1)

.)0(

4 1)

)0( +

%

41

+

)0( 41

)( 041

3)0(

+

4 4 4 0( + . 0( ) )

%

%

%

%

%

+

%

%

%

+

%

%

+

4

0 )(

1

(mf)

)0(

)( )( . 0 0 4 4 +

-

+

41

+

%

%

+

4

0 )(

1

(mf)

)( 401

%

+

-

%

%

+

4

.0( )

1

(mf)

! #

1

$ . 0( )

4+

%

)$ 1 /0( 4 +

& -

Hn. II

0 )(

4+

1)

.0( + )

? "

4

%

$

.0( )

4

)0$(

1

+

-

%

%

+

$ 4 1 / 0( ) (mp)

1

+

-

%

%

+

)$ 4 0( 1 (mp)

# 1)

Tpt.

Tbn.

"

)0( +

-

-

+

)( 1 0 4 1)

.0( + )

# 1)

* 1)

# 1)

Vc.

%

%

%

%

%

%

%

+

401 )( (mp)

! ) Vln. I # 1

Vla.

%

(straight mute)

&

tut ) tut tut 3 3 3 tut 3 / 0 . 0 3 0 / 0 .0.03 0 / 0 0) )C( ! / 0 30.0.030 0 . 0 . C SOLO 60 +.,)C( 3 0 / 0 / C 0 0 ( ) # . 0 0 . 0 0 ( ) Fl. " .06 .06 .0 ) 6 . 06 0 ) 3

Vln. II

-

.0

.0

.0

+

1 .0

+

1 .0

+

30 +

1 0

&

1 /0

+

+

+

+

1)

1)

1)

1)

.)0

+

)0 +

)0 +

)0 +

+

+

+

-

1

1

1

.)0

.)0

.)0

4) .0

4

)0

4 .)0

3 0 3 0 tut)( tut / 0 .0 0 30 0 0 60 0 0 0 0.0 60 /0 30 0. 0 0 0 .0 .0 C )( .030 /0 6 .06 3C .0 3 3

3

.)0

+

.)0

+

3

3

%

? "

tut .0 3 0 .0 .0 0 303 0 0 tut tut 0.0/ 0 C( .0 30 ) .C( 3C .0 0 ) )( 3 3 3

%

+

4

) )0

(mf)

0 )+

)0

+

%

%

+

4 .)0 ) (mf)

)0

+

)0

+

%

%

+

4

)0)

(mf)

) ) .0 40 +

)0

+

%

%

+

4

)0)

(mf)

Db.

"

& -

1 0

+

1)

/)0

+

-

) 4 0)

+

-

%

%

+

4

.)0 )

(mf)

SY. 4365

18

! # 109

Picc.

%

%

%

4

.)0(

1

+

%

+

#

Ob.

%

%

4

.)0(

1

+

%

+

#

Cl. I

%

%

4

/ )0(

1

+

%

%

#

%

%

4

.)0(

&

%

%

.)0( +

.)0( 4

1

)( 0 +

/)0( 4

1

) /0(

%

1

(mf)

1

+

%

)( 0 1

+

(mf)

(mf)

Bsn.

.)0( 1

)0(

+

(mf)

Cl. II

%

(mf)

(mf)

%

0 )(

(mf)

(mf)

%

.0( 1 )

%

%

%

.)0(

+

4 1

/)0(

+

4

1

$ /0( 4 )

1

(mf)

Cbsn.

Hn. I

&

%

%

%

! #

%

%

%

"

$ 4 0 1 )(

%

%

%

+

%

%

%

+

(mp)

&

Hn. II

%

%

#

Tpt.

%

%

%

)( 4 /0 1

(straight mute)

%

)0$(

%

%

%

+

+

%

%

%

%

%

%

%

4

1

(mp)

Tbn.

"

&

! SOLO Fl. "#

! Vln. I #

%

30

.0 3

/ 0 3 0 tut) 3C(

%

30 30 /C .C( )( .C( /C( /C .C( 3C /C( 30 .0 ( ( ) ) ) ) ) ) ) 3 norm.

%

/0 .0 30 30 .0 .0 0 .0 3

3

30 .0 /0 ) ) 4 .0 3C( .C( tut

tut

3

/0 .0 30 0 /0 30 3

3

.)0 )

)( .0 30 . 0 +.,)C( /C /)C( tut

tut tut

.0 .0 3

3 0 .0 3 0 0 . 0 3

0 30 3

3

(pizz.)

%

%

%

4

+

%

.)0 )

+

.)0 )

.)0 )

(pizz.)

#

Vln. II

%

%

4

+

%

+

.)0 )

)0 )

(pizz.) Vla.

%

%

%

4

+

%

+

)0 )

(pizz.) Vc.

%

%

%

4

+

%

"

&

%

%

%

%

SY. 4365

)0 +

.)0

.)0 +

.)0

)0

+

)0

+

.)0 )

.)0

+

.)0

(mf)

(mf)

Db.

3

0 0 3C( .06 0 0 0 )

(mf)

(mf)

&

tut

(mf)

(mf)

*

/0 .0 .0

(mf)

(mf)

%

3

.0 .0 0 0 30

%

%

%

19

! 1 Picc. # 4 /0 )( 116

# 4

Ob.

)0(

+

%

+

0 )(

1

0 )(

(mf)

)( 1 .0 4 1

%

+

+

)0( +

)( 01

.0( 4 1 )

)0(

4 1

/)0( # 4 1

)( 041

%

+

01 )(

0 + )(

(mf)

)( # 4 /0 1 .0( 4 1 )

Cl. II

&

Bsn.

%

+

.0( 1 .0( + ) )

) .0( 4 1

%

%

+

1

)( 04 1

.)0(

+

.)0(

4 1

Hn. I

"

&

%

sfffz

/ )0(

/ )0(

41

+

/ )0(

41

) /0( 4 1

%

%

& +

$ .0( 4 1 ) $ .)0(

%

41

%

%

%

%

%

/ )0(

+

) /0( 4 1

+

sfffz

) /0( 4 1

) /0( 4 1

+

041 )(

+

$ 0( 4 1 )

+

#

Tpt.

%

%

+

Tbn.

"

%

%

%

! .0 .0 .0 00 0 .0 0 0 0 "# 0 0 /0.0 .03C( .0 6 /030 0 .0 .0 ) 3

SOLO Fl.

%

41

/ )0(

+

! Vln. I # +

.)0

)0

# +

Vln. II

* +

Vla.

.)0

+

+

+

tut

tut 3 / 0 .0. 0 . 0 /0 .0 .0 0 0 C )( 6 3

3

.)0

.)0

)0

+

)0 )

)0 +

.)0

(mf)

+

)0 )

)0 +

)0

)0)

)0

+

.)0

& +

Vc.

+

)0

+

.)0 )

.)0

+

/ )0

"

&

%

+

.)0 (mf)

%

sffz

%

%

)0(

4

)( 04

)( 04

%

1

%

%

41

) .0( 4 1

) /0( 4 1

%

+

+

+

+

+

+

041 )(

+

) .0( 4 1

+

)( 04

+

sffz

%

)( 401

%

4

)0(

1

%

401 )(

%

401 )(

%

)( 4 /0 1

%

sfffz

+

+

+

sffz

41

+

+

sffz

%

1

sffz

/)0( 4 1

)0(

)0(

sfffz

sffz

%

4

sfffz

sffz

4

%

sfffz

sfffz

%

.)0( 4 1 sfffz

sfffz

sffz

1

+

sfffz

04 )( &

)0(

+

sfffz

%

4

)0(

%

+

. / )0

sfffz

sfffz

. / )0

. / )0

+

. /0 ) . /)0

1

1

sfffz

+

. /0 )

) /0( 4 1

4

)0(

1

%

4 /0 1 )(

%

sffz

+

+

sffz

sffz

. /)0

1

1

sfffz

. 0 )

sfffz

SY. 4365

sfffz

)0.

)0.

%

. 0 ) )0.

. 0 )

sfffz

+

+

%

. /)0

+

+

. /)0

+

+

. 3)0

sfffz

). 4 0)

%

. 4 /0 ) )

%

. 4 /0 ) )

%

. 4 ) )0

%

sfffz

+

+

sfffz

%

%

sfffz

sfffz

%

. .)0 ) 4 sfffz

sfffz

sfffz

1

)0.

sfffz

sfffz

sfffz

+

%

sfffz

sfffz

+

)0.

" "

sfffz

sfffz

04 )(

& )0(

41

+

tut tut tut tut )C( .)0( 6 . 0 0 )0( 6 . 0 . 0 tut )C( 6 .)0( 6 . 0 0 tut )C( 6 tut )C( 6 .)C( 6 . 0( ( . 0( ( 0( ( . 0( 0 ) ) ) ) ( ( ( ( 6 . 0 +., +., +., . 30 .0 C 0 .0 0 0 . 0 C +., 0 0 .0 C 0 0 .0 0 0 .0 C 0

. / )0

. 0 )

4

+

tut tut

sfffz

(mf)

Db.

sffz

sfffz

(mf)

.)0

) /0( 4 1

+

)0(

sffz

sffz

sfffz

(mf)

+

) /0( 4 1

)0(

sffz

41

41

sfffz

sfffz

1

.)0(

sfffz

sfffz

sffz

(straight mute)

.)0(

1

1

41

%

sfffz

$ 0( 4 1 )

$ /)0(

sffz

&

1

sfffz

$ /)0(

4

sfffz

1

sffz

/ )0(

1

041 )(

sffz

)0(

sfffz

sfffz

(straight mute)

%

41

sfffz

41

1

sfffz

sffz

%

41

1

sfffz

sfffz

! # +

Hn. II

%

41

sfffz

sfffz

(mf)

Cbsn.

)0(

+

sfffz

(mf)

.)0(

41

sfffz

(mf)

Cl. I

)0(

.)0( 4 1

sfffz

+

+

sfffz

" "

20

! Picc. # 126

" "

)0

%

/)0

41 1

4+

+

)0 4 1

-

mf

%

#

Ob.

)0(

%

#

Cl. I

)0(

41 1

4+

+

/ )0(

-

4 1

%

#

)0( 4+

41 1

+

/ )0( 4 1

-

041 1 )(

04+ )(

)0(

/)0(

%

41 1

4+

+

)( 4 01

-

+

-

"

&

%

! Hn. I #

%

%

-

1)

1)

1)

1)

+

41

+

+

41

+

30( )

4 01 )(

40 1 )(

-

) 4 0( 1

) 1 0 4 4 0( 1 ()

+

+

+

4

1

mf

1)

-

4 /0 1 ( 0( ) )

mf

/)0(

+

4

/)0(

+

4

/ )0(

+

/ 0( )

0 )(

/)0(

1

+

1)

sfffz

1

0 )(

41

30( 4 1 )

+

1)

.0( )

%

%

%

Hn. II

)$ 4 /0( 1

%

%

%

+

#

+

1)

%

#

%

%

/0( )

+

0 )(

0 )(

)( 4 0 1

+

)( 40 1

)( )( 1 .0 4 4 0 1

-

) /0( +

1

)0(

-

1

$

0 )(

41

+

1)

$

0 )(

+

1

SOLO Fl.

"

&

%

%

%

+

-

" "

! Vln. I #

#

*

&

Vc.

? "

tut 60 0 ) 0 .)C( 6. 0 +., 0 tut 0 6 0 / 0 0 06 0 . 0 )C( C( 06 0 60 0 0 6 0 0 0 /0 030 000 0 30 0 0 30360 0 0 0.0 0 00 03 0 30 0 3 3 3 3

3

)0

(pizz.)

%

%

mf

)0

(pizz.)

1

%

%

)0

mf

+

+

-

4

1

1

)0

+

+

-

4

)0 )

1)

%

+

)0)

/ )0 ) 4

-

1)

1)

(mf)

-

"

&

%

%

tut

3

)0

+

+

%

4 ) )0 sfz

(mf)

/0 + )

tut

ff

mf

(mf)

mf

(pizz.)

)0

tut

1)

)0

)0

(pizz.)

.)0

+

4

/ )0 ) sfz

+

4

/ )0 ) sfz

+

mf

Db.

1

) )C( / C( 0 0 .0 /)C( .0 0

tut

(f)

Vla.

/0( )

+

)$( 4 0 1

4+

+

)$ 4 0( 1

30( )

+

4 1 0 )(

-

%

%

mp

! "#

Vln. II

4

4+

mp

(straight mute) very short staccato

+

-

mp

mp

41

$

sfffz

Tbn.

)0( 44 1

mp

(straight mute) very short staccato

%

) 4 0( 1

mf

sfffz

mp

Tpt.

$

very short staccato

+

4 4 30 1 )(

sffz

&

1

4 4 /0 1 )(

1

very short staccato

%

.)0(

mf

sfffz

)$( 0 41

3 0( )

4 0( 1 )

0 )(

) 4 /0( 1

mf

sfffz

4 /0 1 )(

mf

41

+

mf

sfffz

(mf)

mf

Cbsn.

+

)0(

(mf)

/ )0( 4 1

)0(

sfffz

(mf)

mf

&

Bsn.

%

(mf)

mf

Cl. II

+

" "

(mf)

mf

)0(

? "

4

.)0 )

sfz

+

(pizz.)

4 0) ) mf

SY. 4365

0

" "

60 0 / 0 /0 0 0 0 60 3 60 /0 30 0 0 /06 ) 0 0 30 /0 0 30 0 /030 0 30 0 0 30 /0 0 3

3

)0

+

1)

sfffz

)0

)0

mf

+

)) 40

+

sfffz

/)0

+

1)

sfffz

-

+

+

4

4

)0 )

.)0 )

/ )0 ) 0) 4

)0 ) 1 )0 4

+

4

)) )0 / 0 4

.)0 ) )0 . 1 4

+

4

+

4

3)0 )

mf

+

1)

sfffz

)0

) 1 0 4 0) )

mf

sfffz

0 )

) 4 0)

)0 )

mf

+

1)

.)0 + mf

1

)0

4

)0)

)0 )

21

! Picc. # 132

)( # 4/0 1

Ob.

+

# 4 1 0 )(

Cl. I

Bsn.

"

0 )(

+

)( & 4 01

30( )

Tbn.

$ 0 )(

/ 0( )

1)

+

+

0+ )(

1)

+

)( 0+

1)

4+ 1)

) 1 /0( 4 +

1)

0 )(

0

1

4+

-

4 /0 1 + )(

/0( + ) /)0(

+

1)

)0( +

1)

)0(

1)

+

+

) 1 0( 4 1 )

+

/0( 4 1 )

+

41

+

+

0 )( 0 )(

.)0(

)0(

1)

41

)0(

41 +

1)

)( 041 +

0 )(

1

44 1

-

) 4 0( 1

) ) 1 .0( 4 4 30( 1

+

4

41 +

/)0( 4 1 0 )(

) 1 0( 4 4 .0 1 )(

+

4

+

)( 4 .0 1

+

4

mf

1)

mf

)0( 41 +

.)0( 4 1

+

)0(

41

.)0( 4 1 +

+

1

.)0(

.)0( 44 1

mf

sfffz

+

3)0(

)0(

/ )0( 4 1

)0(

1)

sfffz

+

-

mf

sfffz

+

)0( )( 1 044 1

) 4 0( 1

mf

sfffz

) .0( 4 1

1 04 4 1 + )( )0(

41 +

sfffz

4 4 3)0( 4 + 0 )( 0 )( )0(

1

+

/ 0( )

)0(

-

/ )0( 4 4 )0( +

%

4+

1

-

)$( 1 04+

41

+

/ 0( )

(straight mute)

& -

041 )(

0 )(

-

,

, $

pp (do NOT crescendo)

!

% -

+

,

, $

)$ 4 0( 1 +

%

4+

%

., )

,)

+

+

softest sticks possible

Vib. # + #

$

1

1)

%

# "

1)

+

%

# -

Tpt.

41

0 )(

+

4+

)( 0+

-

-

1

+ ,

,

.0

$

$

0

/ 0( )

-

+

-

0 )(

)$ 1 .0( 4 +

-

$

41 +

.0( ) sffz / )0( 41 +

)$ 1 0( 4 +

-

%

+

%

4

+

4

,

,

mp

-

. 0( )

/)0(

1 1

1

)( 041 +

$

0 )( $

. 0( )

1 1

%

sffz

1 0( 4 )

+

mp

sffz

$ 4 01 + )(

4 1)

)0$( 41 +

-

0 )(

mp

sfffz

! Hn. I # Hn. II

41

)0(

1

1)

)( 041

+

1

-

-

+

& 4.0 1 )(

-

-

+

# 4 01 )(

Cl. II

Cbsn.

%

)0(

+

4

/)0(

1

%

mp

sffz

.2

2

.,

, $

pp (do NOT crescendo)

!

$

tut 6 tut 6 0/0 ) 0 0 0 0 0 )C( tut 3 0 0. 0 )C( 60 0 0 0 0 0 )0 0tut)( 60 )C( 3 0 60 3 0 60 0 0 0 0 0 0 0 0 0 0 0 0 0 0 / 0 3 0 0 / C /0 0 0 ! .0 0 30 0 030 .030.0.60 .0 0 0.0 60 ) 0 0 0 0 0 0 0 0 .0.60 0 60 0 0 .0 0 0 0 6 0 0 0 0 0 0) 0 0 SOLO 0 0 0 .0 0 0 Fl. "# ).0 0 3 3 3 3 3 3 3 3 3 3

! )) Vln. I # 4/0

4 .0 ) ) ) 4 0)

* 4 0) )

Vla.

) 4 0)

& 4.0 ) )

Vc.

Db.

) 4 0)

# +

Vln. II

"

& 4

3

)0)

4

)0 )

3

)0 )0 )0 )0 )0

+ + + + +

1)

/ )0

+

-

1 1

1)

)0

1)

)0

1)

+ +

)0 +

1 1

)0 )0 / )0 3)0

+ + + +

-

1) 1) 1)

)0

+

-

/)0 + /)0

1)

/)0

1)

)0

/ )0 ) 4

-

+

+

+

+

+

+

4 1

)0

/)0 )0

4

3)0

1 0 )

4

) 1 0

1)

+ 3)0 + )0 + .)0 +

.)0

+

.)0

+

0 )

+

.)0 sfffz

.)0

sfffz

.)0

+

)0

+

+

)0

+

.)0

+

)0

1)

+

.)0

1)

)0

1

) 4 0)

1

) 4 30 )

1

+

) ) .0 ) 1 ) # .0 &4

1

)0 .)0 .)0

)0)

4

4

) 4 0)

+

) 4 .0 )

.)0 )

+

.)0 ) 4

+

) 4 .0 )

+

4

4

4 0) )

mf

+

-

.)0 )

+

-

#

/)0 )

sfffz

less and less pitches, more and more staccato, percussive and breathy.

tut tut tut sim. tut tut sim. tut ) normale 6 tut tut ( )6 ( 0( 3)60 ( . C( ( ( ) normale 6 138 0 . 0 0 . 0 . 0 0 +., 0 0 . 0 0 0( 0 ( 0 0( . 0( . 0 C( . C C( +., C( .60 0 +., 0 +., 0 +., 0 +.,0+., 0 0 )C( .)C( . 0 . 0 .)0( 0 0 0 . 0 0 +.,0 06 )C( . C.)C( .)C( C( 0 +., 0 +.,0 0 ! .0.0 +.,0.60 0.0+.,0+.,0 SOLO .0 Fl. "# subito

mp

(ff)

.0 ! 0 Vln. I # arco

gliss. gliss.

p

0 .0

arco

Vla.

)0)

mf

/

Vln. II

4

mf

sfffz

)0

1)

mf

sfffz

.)0

)0

#

"#

arco

p

sub. f

(f)

.2

2

gliss.

gliss.

.2

.2

2 p

2

.2

2

mf

0

gliss.

gliss.

.2

p

.2

mf

.2

.2 p

SY. 4365

> > DE F .030 .0

(f)

mf

p

.0

subito

/0 /0 / 0 3 0 0 /0 0 0 3

3

30

> " DE " 00

/0

3

%

%

%

%

%

%

%

%

%

*

22

! Picc. # 145

" "

/ )0(

4 1 +

-

1)

sfffz

#

Ob.

/ )0(

mf

4 1 +

-

1)

sfffz

#

Cl. I

/ )0(

4 1 +

-

1)

)0(

#

-

1)

sfffz

&

Bsn.

)0( mf

.0( 4 1 + )

-

) /0( 4 1 +

-

-

1

-

1

-

1

f

Hn. I

"

&

-

1

f

%

#

1

%

/0( 4 1 + ) &

-

.0( 4 1 + ) &

-

B. D.

SOLO Fl.

"

-

.0( 4 1 + )

! "'

! Vln. I #

-

#

*

Vla.

1)

-

Vc.

-

Db.

"

/ )0(

4 30 1 )(

-

) 4 /0( 1

-

mf

4 +

-

+

)0(

mf

4 +

-

1)

/ 0( )

4

.0( 4 + )

-

) /0( 4 +

-

1)

) .)0( 4 0( 1

1

)0(

sfffz

/ 0.

+

-

1)

) /0( +

1

mf

$

/0( 4 + )

-

1)

-

$ .0( 4 + )

-

3)0( 4 +

-

+

/0.

/0.

1)

1)

-

.0( 4 + )

-

1)

+

-

1)

1)

/0.

sfffz

1

+

1

mf

+

-

1)

)0

+

-

-

) 4 30 )

1)

.)0

+

1

-

-

+

-

30.

+

0 + )(

.0

1)

0 +

1

1)

0 f

/0.

1

/0.

)0(

4 1 1

sfffz

sfffz

/ )0(

/ )0(

4 1 +

4 1 1

sfffz

sfffz

.0( 4 1 + )

.0( 4 1 1 )

sfffz

sfffz

.0( 4 1 + )

.0( 4 1 1 )

1)

/)0 4

-

1)

0 4 )

+

-

1)

mp

-

sfffz

sfffz

$

$

/0( 4 1 + ) sffz

sffz

$ .0( 4 1 + )

$ .0( 4 1 1 )

)( 0 4 1 +

)0( 4 1 1

sfffz

-

3)C(

tut

)( 3)C( / C 30+/, 0 60

/ )0 )

1)

.60 3)0( /0(

3)0 +

? "

.0( 4 1 + )

/0( 4 1 1 )

1)

) /)0 3 0 ) 4

1)

0 + )

/)0

+

+

/ 0.

+

sfffz

/0.

. 0.

%

0.

> F

tut 6 /0 0( )( 30 .C /0

/ )0

1 1

sfffz

/ 0.

1 1

sfffz

+

sfffz

%

%

/ 0 )C( ) tut 6 0( )( 30 +3,C( .C /0

sfffz

)0 )

sffz

tut tut

/ )0

/0.

1 1

sfffz

+

/0.

1 1

sfffz

+

&

sffz

sffz

sfffz

SY. 4365

/0( 4 1 1 )

sffz

sfffz

+

0 4 1 1 )(

%

tut tut

mf

+

sfffz

sffz

sfffz

+

.)0( +

-

mf

.

)0(

4 1 +

H F

4 1 1

sfffz

sffz

mf

sfffz

f

+

/ 0.

4 1 +

sfffz

%

sfffz

mf

(pizz.)

(pizz.)

.)0

)$ /0( +

mp

sfffz

.)0 4 .)0 )

mp

mp

sffz

+

)$( 0 +

1)

+

%

)0

/ )0(

) +3,0( 4 1 +

-

sffz

mf

sfffz

pizz.

1)

)0 / )0 ) 4

-

sffz

+

> F

sfffz

)( tut tut tut / 6 tut 6 tut / )0( )( )C( tut )( / 60 .tut)C( tut) / 0 +/, 60 / 0 3 0( tut 6 ) 0 .)C( 6 / 0 tut / 06 +/, 0 / 0 +/, 0 30 0 0 360 0 / 0 0 60 / 0 )C( C( 0( )( 30 +3,)C( 0 0 6 3C 4 C( 0 ) 4 60 .C /0 .0 +.,C( /0 ( .)C(

pizz.

-

mf

tut

/ 0.

1

0 )(

/ )0(

mf

%

sfffz

&

.)0( +

1)

%

sfffz

&

1

mf

pizz.

Vln. II

$ 0( + )

1)

-

sffz

! "#

+

sffz

mf

(straight mute)

" "

1

mf

)0( 4 1 +

&

)$( 0 + mf

sffz

Tbn.

1

1)

-

(straight mute)

#

-

sfffz

sffz

Tpt.

4 +

sfffz

sffz

Hn. II

/ )0(

sfffz

sfffz

! #

%

sfffz

sfffz

Cbsn.

-

sfffz

f

) 4 0( 1

4 +

? "

sfffz

f

3)0( /)0( 4 1 mf

4 1 +

)( 4 /0 1

) )0( / 0( 4 1 mf

sfffz

Cl. II

/ )0(

/ )0(

. 0 sfffz

1 1

H F

23

! Picc. # 151

H F

2 )0(

3 4 1

1

+

? "

sfffz

)0(

#

Ob.

#

/ )0(

4 1

1

)0(

+

4 1

4 1

1

+

/ )0(

4 1

1

+

+

/ )0(

1)

+

.0( 4 1 )

+

) /0( 4 1

+

1)

+

. 0( )

sfffz

-

)0( ) 4 .0( 1

sfffz

+

+

%

mf

+

+

%

+

+

%

+

+

+

+

mf

3)0(

1)

sfffz

.0( 4 1 )

sfffz

" "

sfffz

sfffz

.0( 4 1 )

#

/)0( 4 1

+

sfffz

sfffz

Cl. II

4 1

sfffz

sfffz

Cl. I

)0(

) 4 /0( 1

mf

4 1

)0(

1)

+

mf

4 /0 1 )(

-

0

1)

+

p

sfffz

&

Bsn.

.0( 4 1 )

1

/0( 4 1 )

1

/0( 4 1 ) &

1

4 1

1

+

.0( )

sfffz

Cbsn.

Hn. I

"

&

+

& /)0(

&

.)0( 4 1

+

)0(

#

3)0(

Tbn.

"

4 1

1

)0(

+

0 4 1 )(

1

! Vln. I #

#

*

Vla.

%

&

"

&

&

4

3)0(

1

4 1

4 1

+

%

%

/)0( 4 1

+

1)

-

#

.)0( 4 1

+

+

. 0( )

+

1)

-

#0(

+

%

)

+

%

+

%

+

%

mp

4 1

+

.)0(

1)

-

mp

sffz

4 1

)0( +

mp

sffz

4 1

%

mf

sffz

/0( 4 1 )

+

)0(

1)

-

sffz

mp

H F

3

2

tut 6 )C( tut / 0 tut ) / 60 0( .)C( 30 +3,C( /0

/ )0

1

1

+

sfffz

/ 0.

1

+

sfffz

/0.

/0.

. /0

sfffz

? "

tut tut

/ )0

+

/ 0.

1

+

/0.

+

1

+

30.

+

1

+

. .0

sfffz

. /)0

+

.60

. /0

. /0

+

. /0

tut 3)C(

4

1)

. 30

)0( ( 0

)C( ) / 0 3 60 C( 0

tut tut

)0 4 /)0 )

+

1)

)0

1)

1)

.)0 +

+.,)C( 360 tut

.0 0

.0 3

.0 0 30 .0 30 .0

0 0 3

+

%

+

%

0 .0 30 30 .0 .0 3

.)0

mf

+

1)

)0 mf

+

+

sfffz

+

/ 60

%

mf

sfffz

sfffz

1

tut tut

sfffz

sfffz

1

/ 0 )C( ) tut 6 0( .)C( 30 +3,C( /0

" "

sfffz

sfffz

1

%

mf

/ 0 )C( ) tut 6 0( .)C( 30 +3,C( /0

sfffz

1

,

%

sfffz

Db.

.0( )

+

soft stick

sfffz

Vc.

+

sffz

! B. D. " '

Vln. II

+

+

sfffz

sffz

sffz

! SOLO Fl. "#

0 )(

sffz

sffz

&

+

sffz

+

4 1

sfffz

.0( 4 1 )

sffz

Tpt.

. 0( )

sfffz

sffz

Hn. II

+

sfffz

sfffz

! #

4 1

4 .0 ) )

4

)0)

1)

.)0

1)

0

1)

0

+

+

-

-

+

+

#

mf

+

-

mf

sfffz

SY. 4365

+

%

1

.0

arco

1

#

arco

p

0 0

3

p

30

24

! Picc. # +

#

Cl. II

Bsn.

Hn. I

Hn. II

"

0

p

(mf)

p

-

%

4

+

1)

1

+

1)

1

+

1)

1

+

1)

1

+

1)

/)0( 1

%

%

4

/ )0(

,

0

0

p

mf

(mf)

p

,

0

0

(mf)

p

,

mf

4 1

-

%

4

/ )0(

4 1

-

%

4

/ )0(

%

%

%

4

.)0(

%

%

"#

%

%

%

%

.,

! Vln. I # 4

+

/0)

arco

#

#

&

. 0 30 3 0 0 / 0 0 .0 . 0 0

3

3

.0 0 0 0 30 0 .0 30 30 0 /0 .0 .0 0 0 0 0 30 3

3

3

.0

+

.)0( +

.0 .0 +.,0 0 30 30 /0 .0 .0 0 +.,0+.,0+/,0 0 .0 .0+.,0

0 /0 0

3

3

,

0

0

mf

(mf)

p

mf

0

,

0

0

pizz.

p

mf

(mf)

p

mf

,

0

0

pizz.

mf

(mf)

,

0

mf

(mf)

0

1

0

f

arco

# +

+

.0 /0 0 0 .0 mp

p

"

. 0( )

mf

%

Vc.

.0( + )

mf

%

Vla.

+

)( 0 +

mf

! #

Vln. II

0 )(

mf

0 0

&

! SOLO Fl. "#

Db.

mf

4 1

mf

# 1)

Cl. I

0

%

#

Ob.