SY 4499 | Liza Lim - Ronda - The Spinning World (2016) by Ricordi

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Ronda â&#x20AC;&#x201C; The Spinning World

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(2016)

Liza Lim

Liza Lim Ronda – The Spinning World (2016) for nine musicians

Ein Projekt von Berliner Künstlerprogramm des DAAD und Ensemble Modern in Kooperation mit dem Goethe-Institut. Ermöglicht durch die Kulturstiftung des Bundes. Unterstützt durch die Ernst von Siemens Musikstiftung und Pro Helvetia, Schweizer Kulturstiftung.

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Commissioned by Ensemble Modern and DAAD Artists-in-Berlin Program as part of ‘Re-Inventing Smetak’, in co-operation with the Goethe Institut. Enabled by the Kulturstiftung des Bundes and supported by the Ernst von Siemens Foundation und Pro Helvetia, Swiss Cultural Foundation.

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Premiere: 25 February 2017, Ensemble Modern conducted by Vimbayi Kaziboni, Alte Oper, Frankfurt Sava Stoianov (trumpet), Saar Berger (horn/ Piston Cretino), Till Künkler (trombone/ Piston Cretino), Rumi Ogawa (percussion), Ueli Wiget (harp/ Três Sóis), Jagdish Mistry (violin/ Ronda), Megumi Kasakawa (viola/ Ronda), Eva Böcker (‘cello), Paul Cannon (double bass)

Dedicated to Ensemble Modern Duration: approx. 16’

Percussion – the following instruments are set up in a drum kit formation:

Trumpet in C (wa-wa mute) Horn (wa-wa mute, contrabassoon reed); also playing Piston Cretino 1 Trombone (harmon mute, contrabassoon reed); also playing Piston Cretino 2

Instrumentation:

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Reco-reco, Large/Long Guiro, 2 Large Tin Cans, 5 Cowbells (close in pitch making an uneven microtonal scale within a tone) Pedal Bass Drum, Roto-tom, Snare Drum, 2 Bongos, Medium Ride Cymbal [Basic indications are given for sticks/beaters but the player should feel free to further customize the part in terms of achieving more nuanced timbral qualities]

2 Large Tin Cans

5 Cowbells

2 Bongos

Roto-tom

Large/long Guiro

Medium Ride Cymbal

Reco-reco

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Pedal Bass Drum

Snare Drum

Harp, also plays Três Sóis The following strings are retuned and are notated at pitch in the score though pedal markings are kept as normal:

Violin, also plays Ronda 1 (with Smetak bow) Viola, also plays Ronda 2 (with Smetak bow) Violoncello Double bass

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Set up:

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Percussion

Violoncello

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Viola / Ronda 2

Harp / TrĂŞs SĂłis

Double Bass

Violin / Ronda 1

Conductor

Stage Area

Piston Cretino 1 & 2 (Bar 156)

Station 2: Trombone (also with contrabassoon reed

Trumpet (within audience, musician slightly elevated on a podium)

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Station 1: Horn (also with contrabassoon reed)

Station 3: Horn (wa-wa) Piston Cretino 1

Station 4: Trombone (harmon) Piston Cretino 2 Trumpet final position

Notes for performance

Smetak instruments

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See programme notes for pictures of the Ronda, Smetak bow, Três Sóis and Piston Cretino. In the first performances by Ensemble Modern, reproductions of these instruments are used. In case of difficulty obtaining such instruments, and in the spirit of Smetak the inventor and improviser, it would be possible to construct instruments that operate on similar principles to fulfill the role of these instruments in the work.

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The Ronda are played by rotating the handle (indications for different speeds and direction of rotation clockwise or anticlockwise are given in the score) and by bowing the strings. The Smetak bow (a simple arc made of horse hair attached to a curved piece of bamboo) requires a lighter touch than a standard bow – rather than using much downward pressure, it simply needs to be guided across the strings as the instrument rotates. A very breathy, pitchless sound is also required which is produced by rubbing the bow laterally along the length of the string. The bow is sometimes used in a ‘flat’ position (see Ex.4 below) so that hair and wood (bamboo) are simultaneously in contact with the string – the uneven shape of the bamboo catches on the string creating extra rhythmic impulses in the sound.

The Três Sóis is generally played quite freely though at times the movement of particular wheels is specified with [1], [2] & [3] denoting the smallest to largest wheel. Allow sound to come to a stop naturally.

The Piston Cretino parts are notated with the 3 stave lines providing a relative guide to embouchure positions to sound different partials available on the instrument. The ‘mute’ indication shows relative open and closed positions of the funnel placed against the belly or chest of the musician (this can be varied in performance). The resulting timbral changes and pitch bends should be emphasized and in general, the instrument should be played in a highly expressive manner with free articulations to create a vocal, language-like quality. The Piston Cretino use trumpet mouthpieces but these could be substituted with horn and trombone mouthpieces if desired.

Brass

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The trumpet part in particular is highly virtuosic with many changing timbral qualities – the effect sought is of a fluid, cascading gestural and vocal style (see the description of my encounter with Brazilian radio in a taxi in Salvador da Bahia, below on p.vi) in which the elements are plaited together into a dynamic and multi-layered line. A Stockhausen-style belt to hold the wa-wa mute may be useful.

The horn and trombone are also played using contrabassoon reeds to produce a rich harmonic/multiphonic effect – a soft, flexible reed or even a plastic reed will be suitable but experimentation is needed to arrive at best results.

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Percussion

line shows contact point of stick when rubbing the guiro or reco-reco

tip base

Strings

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Bring out many different harmonics by changing bow position and pressure, use vibrato to enhance the vibrancy of the sound

Various noisy/breathy sounds are called for including the use of sounds produced using ‘harmonic’ pressure at non-harmonic nodes. These will result in complex, quasi-multiphonic notes (notated with ‘M’ on the stem) and other airy/noisy results of indistinct or unfocussed pitch especially when combined with diagonal bowing . The player should try and get ‘inside’ these sounds, calibrating bow speed and pressure to emphasise their fluctuating, colourful and ambiguous qualities.

Programme note Liza Lim: Ronda – The Spinning World (2016)

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I was very fortunate to visit Salvador da Bahia, Brazil for a two week residency in July 2016 at the invitation of the Goethe Institut there, in association with the DAAD Artists-in-Berlin programme and Ensemble Modern, as part of a project re-imagining aspects of the work of Walter Smetak (1913-1984), visionary composer, ‘cellist, philosopher and instrument builder. In Salvador I spent time at the Museum Solar Ferrão that houses the 150-plus instruments invented and built by Smetak, as well as meeting musicians associated with Smetak and members of his family.

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Walter Smetak conceptualised the world as polarities of energy flowing across and spiralling around axes of evolution and he built his instruments or Plásticas Sonoras (sound sculptures) to express his complex symbology of spiritual relations. At the museum, I was immediately drawn to several of his rotating kinetic instruments: the impressive Máquina do Silêncio or Machine of Silence; the Três Sóis and particularly to the Ronda which Smetak called ‘a carrousel producing sounds’. Rather like Stockhausen’s insight into the unity of pitch and rhythm as a function of time 1, Smetak says, ‘It is the slow turn that sets the rhythm. It creates intervals. At a faster speed, the instrument does not allow us to perceive the intervals, forming a melodic line. At an even faster speed, we only hear harmonies, because the rotation is so fast that we hear many strings at the same time. We thus can conclude that rhythm, melody and harmony depend on the speed of rotation. They are three elements in one that depend on speed.’2

Ex. 2 Ronda (foreground) and Três Sóis (background)

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Ex. 1 Máquina do Silêncio

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Instruments from the Smetak Collection of the Museum Solar Ferrão, photos: L. Lim

Ex. 3 Ronda with Smetak bow

Ex. 4 Lim experimenting with the Smetak bow in different positions, photo, Daniel Moreira

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‘there is a big wooden disc, painted in several colors, with predominantly triangular figures, having rays made by strings fixed to tunable pieces and fixed in the center. In front of this disc, there is another smaller disc with the same characteristics. Both the frame and the back of the smaller discs have little wire springs that “hurt” the strings of the neighboring disc. Both the discs and the frame can be turned independently, varying the senses and the speed. Symbolically, the discs represent the sun, the sun as the center of the Earth and the inner sun of each one of us that can be harmonized.’

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Tuzé de Abreu, trans. Denice Maria Figueiredo Santos, ‘Smetak and his Instruments’, Music review - Federal University of Bahia, ART 025, SEP 2013.

Ex. 5 The three rotating wheels and styrofoam resonator of the Três Sóis

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The harmony of circles within circles expressed in Smetak’s instruments was something that I connected to a wider idea of a Brazilian poetics of sound and movement. In Salvador da Bahia I became attuned to the city’s dense sonic fabric of drumming, singing and high-keyed voices. One of the most memorable audio experiences I had was in a careening taxi with its radio blaring out a virtuosic barrage of vocal articulation – a mash-up of sports commentary, evangelical outpouring and advertising spiel punctuated with abrupt fragments of cheesy electronica. The composer Daniel Moreira commented that ‘life in Salvador has a continuous soundtrack’ and the nature of this soundtrack perhaps expresses some essence of a Brazilian poetics of sound.

Sound is experienced as multi-dimensional, spatially dynamic phenomena. It is not frontal or presentational in its acoustics but highly immersive, circulating and generative in its relations and here I recall the ethnomusicologist Jason Stanyek’s evocative descriptions of capoeira, the Afro-Brazilian dance-like martial arts form as an inside-out, upside-down spinning world that is an ultimate expression of brasilidade (Brazilianness). Capoeira is played within a roda – the living circle of the group, within which participants spin and wheel in stylized combat. Stanyek says the roda is ‘typically conceptualized by capoeiristas as being a kind of world in miniature’, and quotes Danielle Goldman: ‘the world making potential of improvisation involves the ability to make new spaces, to create and form one’s surroundings continually, as one would wish them to be’.3 Another striking example of the world-making circle in Brazilian culture can be found in Candomblé rituals where the danced and sung circle is the powerful dynamo for opening portals of communication between the human and spirit worlds.

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Ex. 6 The ‘world-making circle’: Candomblé ceremony, Terreiros of Nilza Maria da Silva Rodrigues, 31 July 2016, photo: L. Lim

Ex. 7 Capoeira in Terreiro de Jesus, Salvador da Bahia, 29 July 2016, photo: L. Lim

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The experience of life in circulation and the arcs of its relational forces that are so amplified in Smetak’s work and in the daily round of Salvador da Bahia find some corresponding expressions in my composition. It is found in the instruments and their spatialisation in a bow-formation of stringed instruments that carry tensile force to a perpendicular plane mapped out by percussion and a solo trumpet. It is found in the mobile sound sources of itinerant brass instruments playing wonderfully homemade Piston Cretino whose funnel-mouth is placed on the belly of the musicians to produce a kind of extravagant invented language. It is found in the music’s irregular repetitions nested inside each other and in a form made out of a profusion of gestures so that, as Smetak says: ‘Time does not go by, time grows.’4

Ex. 8 Piston Cretino made from a trumpet mouthpiece, plastic garden tubing and plastic funnel

Endnotes: 1

Karlheinz Stockhausen, ‘…how time passes…’, (English trans. Cornelius Cardew), Die Reihe (‘Musical Craftsmanship’), Vol 3, 1959. Walter Smetak, Simbologia Dos Instrumentos, Associação dos Amigos de Smetak, 2001. Symbology of Instruments, (unpublished English transl.), p.38. For an overview of the instruments, see: Tuzé de Abreu, ‘Smetak and his instruments’ ‘Smetak and his instruments’, trans. Denice Maria Figueiredo Santos, Music review – Federal University of Bahia, ART 025, SEP 2013. 3 Jason Stanyek, ‘“A Thread that Connects the Worlds”: Ovoid Logics and the Contradictory Lines of Force of Brazilian Improvisations’. Critical Studies in Improvisation / Études critiques en improvisation, Vol 7, No 1, 2011, p.2. 4 Smetak, p.30.

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Acknowledgements:

My endless thanks go to the staff of the Goethe Institut Salvador da Bahia for their kind hospitality during my residency: Manfred Stoffl, Felix Toro & Bega Tesch; to the Director of the Museum Solar Ferrão, Graça Lobo; and the friends and family of Walter Smetak who are the epitome of life-force at its strongest including Bárbara Smetak and Uibitú Smetak, and the legendary musicians Tuzé de Abreu and Bira Reis.

Dedicated to Ensemble Modern

Ronda – The Spinning World Liza Lim

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jŸ bœ nœ nœ

j œ bœ

bœ ™

bœœ J

b˙˙

? Hn. (Station 1)

∑

nl y

&˙ pp

? ∑

∑ ¢

ru sa

Tbn. (Station 2)

(Tins)

° 2 Tin Cans Cowbells

Cym.

Œ œ

∑

j œœ

¢/ œ

œ™

œœ

œ ‰

œœ

œ™

j œœ

œ œ J

‰ 3

j œœ

œ Ó

j œœ

rli

œ œ

2 Bongos S.D. Roto-t. B.D.

≈

∑

j> œœ

3 3

> œ bœœ J

Tpt.

° b˙˙ ™™ &

ht b

j œ ˜œ

Ÿ~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ œ #œ 5 nœ bœ œ bœ ‰ J 4J J

œ™

‰

œœ

4 4

œ bœ œ œ gliss.

> / œ œ

> œ œ

Cowbells

3 3

ææ œ œ œ œ œ œ œ œ œ œ œ

5 œææœ ™™ 4

2 Bongos S.D. Roto-t. B.D.

4 4

‰ œ

° 2 Tin Cans

4 4

Tbn. (Station 2)

j µœ mf

j nœ

bœ nœ µœ µœ

& w

? bœ

æ bœæ™

5 ˙™ææ 4

Hn. (Station 1)

æ bœæ

5 4 b˙˙

j œ

4 4

œ œ J

¢/

5 4

Ó œ

SY. 4499/01

∑

4 4

Ronda – The Spinning World - Score in C 12

q = 66 half valve 3 28

‰ ° 4 &4

Tpt.

‰

Œ j œ

µœ ™

7 4

O O O O O O O

nl y

4 Hn. (Station 1)

‰ &4

7 4

∑

bœ

ru sa

bœ

?4 Tbn. (Station 2)

4 >œ 4

2 Tin Cans Cowbells

‰

œœ œ

j œ œ œ œ

œœ œ

mf mf

4 4

∑

7 4

∑

7 4

∑

7 4

rli

¢/

2 Bongos S.D. Roto-t. B.D.

7 4

∑

∑ ¢

MNLOMNNM ∑

Hp.

l.v. – 3

‰

µœ bœ µœ #œ #œ µ œ µœ

7 4

¿/™

h. sul pont. ord. 3

° 4 &4

∑

Vln.

ht b

q = 66

0¿

µ˙ ˙

4 µ>œ

Três Sóis [3]

{

rock large wheel back and fourth

&4 4

ord.

œO

h. sul pont. h. sul pont.

B4 Ó 4

> ‰ ˜œ

˜˙ ™ œ-

Vla.

O >˙

7 4

æ O˙æ

7 4

f mf

h. sul pont.

j ord. ##œO ##œO

?4 ∑ Vc.

™ >O mf

7 4

™ F fO

pizz.

œ µœ

Db.

? 4 µœ ¢‹ 4

j œ

j #œ œ

bœ œ

œ™ ææ

SY. 4499/01

‰

7 4

Ronda – The Spinning World - Score in C 13

Tpt.

° 7 &4

Hn. (Station 1)

7 &4

4 4

∑

œ ≈ R

Œ #œ ™

nl y

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙

4 4

œ R ‰™

?7 Tbn. (Station 2)

ru sa

∑

4 4

Reco-reco Guiro 2 Tin Cans 5 Cowbells

or /f

7 4

∑

¢/

4 4 4 4

rli

2 Bongos S.D. Roto-t. B.D.

7 4

∑

F§

Harp

‰

#œ #œ

‰

7 &4

oj œ

µœ

#œ nœ J

gliss.

œ #œ

4 4

Hp.

?7 Œ

{

Bœ

B§

4 4

∑

Bœ

ht b

Vln.

µœ œ Oœ œ ˜ œ œ #œ ˜ œ µ œ #œ ≈ # œ O œ 7 œ

° 7 æ &4 æ œO

œO >

#œ œ ™ R 7

#œ œ

ord.

Vla.

j œ

œ™

4 4

p, mf

B7 4

œ œ œ œ #œ & #œ

#œ

#œ #œ œ œ œ œ #œ œ œ 7

4 4

mf 7

ord. 7

h. sul pont.

Vc.

? 7 # Or ≈ ‰ 4# œ

‰

œ œ œ

?7 Œ ¢‹ 4

œ J

4 4 ˙

arco o

Db.

#œ #œ nœ œ œ œ bœ œ

œ™

o œ

h. sul pont.

o œ™ J

‰

#œ œ #œ nœ œ™

j œ™

7 7

mp SY. 4499/01

≈ Œ

4 4

Ronda – The Spinning World - Score in C 14

Tpt.

Hn. (Station 1)

∑

nl y

° 4 &4

ru sa

j œ bœ

>œ

?4 Tbn. (Station 2)

œ™

‰

Reco-reco Guiro 2 Tin Cans 5 Cowbells

4 4

∑

¢/

∑

rli

2 Bongos S.D. Roto-t. B.D.

4 4

∑

&4 4

∑

Hp.

mf ff 3

˙ µ˙

∑

˜˙˙

b˙

{

(mf)

œ j #œ

˜œ mp B#

‰

Vla.

j µœ #œ

7 7

nœ #œ ™

j œ

#œ ˙ ‰

≈ 3

j bbœO

ord. Vc.

? 4 #O ™ 4 #œ ™

j #œ

#œ J

&4 4

b >œ b ˙ R

œ œ µ œ #œ #œ ˜œ µœ µ œJ

œ™

‰

° 4 &4 Ó

œ #œ J

Vln.

ht b

O O

‰

b>Oœ

Oœ ™™

Oœ

bbOœ J

3 3

M pp mf

‰

#O # œO ™™ f

FO ff

Db.

ord.

?4 Ó ¢‹ 4

SY. 4499/01

‰

Ronda – The Spinning World - Score in C 15

° & Œ

Tpt.

‰

˜>œ J

‰

∑

Hn. (Station 1)

∑

nl y

∑

ru sa

? Tbn. (Station 2)

∑

(soft beaters) 7

æ œæ

° / Œ œ

˙˙

˙ pp

2 Bongos S.D. Roto-t. B.D.

œ œ

Reco-reco Guiro 2 Tin Cans 5 Cowbells

∑

? Œ

∑

Hp.

> b˜œœœ µœ

& Œ

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

rli

¢/

#œ

Três Sóis mp

{

¿™

[1]

[2]

[3]

Ÿ~~~~~~~~~~~ bœ œ

ht b

œ nœ

œ bœ

˜œ

Vln.

œ n œ µbœœ ™™ J

° &

nœœ

˜œœ

µœ bbœœ J

bœœ

‰ b œœ ™™ b œœ ™™

7 3

#œœ

#œ

µ œœ J

˜œ œ ææ

Vla.

# œœ

? Ó

r œ ≈

‰

bbOœ

Vc.

bb Oœ J

bbOœ ™™ æ

bb Oœ ™™ ‰

I Db.

? ¢‹ Ó

&œ

œ J

M M

‹ 3

mp SY. 4499/01

? ‹

Ronda – The Spinning World - Score in C 16

> ˜œ J

Tpt.

µœ

∑ œ

bœ

µœ

nœ

#œ

Œ™

Hn. (Station 1)

∑

nl y

° & Ó

∑

ru sa

? Tbn. (Station 2)

∑

Reco-reco Guiro 2 Tin Cans 5 Cowbells

-œ / J

œ™

œ R

‰™

2 Bongos S.D. Roto-t. B.D.

(stick position) tip base

∑

∑ &

Três Sóis

l.v. –

? Ó

[2]

[1]

l.v. – 3

YÓ/

—

Y 0

∑ [3]

Œ —

{

rli

¢/

ht b

[3]

diagonal bow (wheezing)

#œ ™

# œé™

r ‰™ #œ

‰

j #œ

∑

‰

Vla.

œ #œ b œ #œ œ µœ

Vln.

° Œ &

j œ

b œ µœ b œ œ & # œ œ

breathy, fuzzy multiphonic Vc.

? OM ˙

OM ˙

OM™ œ™

OM œ

j OM œ

#O #O ™

#O œ

OM OM™ >œ

breathy, fuzzy multiphonic

Db.

? ¢‹ Œ

#O ™ œ™

#O œ

M M

M M M

mf SY. 4499/01

Ronda – The Spinning World - Score in C 17

37 ˜œ. ° ˜œ. ≈ &

Tpt.

˜œ. ˜œ. ˜œ. ˜œ. ˜œ. ˜œ.

#œ ≈

5 4

∑

5 4

∑

5 4

∑

5 4

‰

4 4

3 3

Hn. (Station 1)

4 4

? Tbn. (Station 2)

4 4

∑

ru sa

nl y

Reco-reco Guiro 2 Tin Cans 5 Cowbells

2 Bongos S.D. Roto-t. B.D.

5 4

∑

4 4

∑

4 4

∑

4 4

rli

¢/

∑

5 4

∑ & [1]

{

l.v. –

¿ /

4 4

r ≈ Ó bœ

4 4

– Ó —

5> 4 YYY™™™

Ó —Ó

? > 0Y ‰

chaotic movement of 3 wheels (ad lib.)

Três Sóis

Vln.

ht b

[2]

° #œ &

> ˜>œ ˜œ µœ ˜>œ ˜œ µœ #œ #œ nœ µœ nœ

œ ˜œ œ bœ bœ

5 >OO 4

≈ ‰

‰

3 3

& œ

Vla.

sul pont. 3

œ ˜œ #œ bœ œ œ ˜œ #œ nœ bœ ˜œ nœ bœ ‰

nœ œ bœ

‰

5 4 œ µœ #œ

‰

Bœæ™

3 3

III

œ™

˙™

III M™

j #O #OM™

3 3

? Vc.

M M

OM œ

O œ

O #O

O O O O O O O

5 4 #O

4 4

ff 3

Db.

#O ? œ ¢‹

#O œ

> > > > >O >O #O &

5 OR 4

≈ ‰ 3

3 3

SY. 4499/01

‰ Œ

? ‹ #œ O ™™

‰

4 4

Ronda – The Spinning World - Score in C 18

half valve 39

° 4 &4

Tpt.

≈

∑

j œ bœ nœ bœ bœ nœ nœ bœ O O O™ O > >

7 4

∑

4 4

∑

7 4

∑

4 4

∑

7 4

∑

ru sa

&4 4

Hn. (Station 1)

nl y

Reco-reco tip base

° /

4 4

œ œ œ œ

œ™ J

œ™ œ J

7 7

4 4

∑

&4 4

∑

4 4

7 4

∑

4 4

7 4

∑

4 4

‰

∑

rli

¢/

∑

7 œ™ 4 mf

2 Bongos S.D. Roto-t. B.D.

p, mp

4 4

Guiro Reco-reco Guiro 2 Tin Cans 5 Cowbells

∑

Tbn. (Station 2)

Três Sóis [2]

?4 Ó

[1]

j ¿

7 freely– 4 YYY –—

[3]

{

∑

¿™

4 4

mf l.v.

° 4 &4

∑

7 4

∑

4 4

∑

7 4

∑

4 4

∑

7 4

∑

4 4

∑

4 4

Vln.

ht b

Vla.

diagonal bow

˙™

j O™ 4 #O O ™

?4 Vc.

‰

sul pont. 7 7 3

Db.

?4 ¢‹ 4 # ˙O mf

Œ n œO -

˙O

O O #O >

O #O µO #O µ O >

mp SY. 4499/01

‰™ µ O µO #O µ O

7 4 µO

Ronda – The Spinning World - Score in C 19

accel. q = 50

q = 60

o wa-wa mute 42

Tpt.

7 ° 4 ‰ #œ nœ µœ nœ µ œ n œ ¢& 4 #œ œ ™ nœ œ bœ œ bœ œ µœ µ œ > > >

7 7

j j œ ™ bœ nœ

j jœ j b œ n œ ™ b œ b œ bœ > > >

b˙

nl y

poco sul pont. sempre 7 7

j j œ ™ bœ nœ

Vln.

7 7 7 ° 4 ‰ #œ nœ µœ nœ n œ œ ¢& 4 #œ œ ™ nœ œ bœ œ bœ œ µœ µ œ > > >

ru sa

b˙

3 7

p, mf

œ œ µœ µœ #œ > nœ µœ

4 4

Œ™

4 4

nœ >

3 7

j œ œ™

œ œ µœ µœ #œ n œ µ œ >

jœ #œ

j j #œ œ #œ

nœ > f

Œ™

4½ 4 bœ

œ #>˙ ™ œ> µ >œ œ œ µœ

jœ #œ

j j #œ œ #œ f

Vln.

° ¢&

j œ œ™

rli

˙™

4½ 4 bœ

Tpt.

° ¢ & bœ

ht b

Tpt.

7 7

3 ° 4 #œ & œ œ œ œ œ j j µ œ # œ ¢ 4 b œ œ œ # œ œ™ - œ # œ œ œ œb œ œ œ n œ œ œ

4½ 4

via sord. 7 >œ ™ 3 # 4 ‰™ œ œ #œ nœ µœ µœ nœ œ #œ µœ µœ µœ nœ Œ ™ 4 > > mf 7

hard sticks

2 Tin Cans Reco-reco Guiro 2 Tin Cans 5 Cowbells

° ¢/

4 4

4½ 4

∑

>œ

>j œœ

j> œ œ™

œ Œ™

4 4

7 > 3 ™‰ #œ ™ œ œ #œ nœ µœ µœ nœ œ #œ µœ µœ µœ nœ Œ ™ > > mf

4 4

3 7

Vln.

7 3 ° 4 #œ & œ œ œ œ œ j j µ œ # œ ¢ 4 b œ œ œ # œ œ™ - œ # œ œ œ œb œ œ œ n œ œ œ

4½ 4

f SY. 4499/01

Ronda – The Spinning World - Score in C 20

allargando 48

Tpt.

∑

sing + play sfz

4 &4 Œ

Hn. (Station 1)

‰

O b˙

j œ

O bœ J

&≈

j œ

Tbn. (Station 2)

4 b>œ

œ J

bœ

œ J

ru sa

˙ 3

nl y

° 4 &4

Reco-reco Guiro 2 Tin Cans 5 Cowbells

° /

4 4

œœ ™™

œ œ œ œ æœ æJ

j œ ‰

‰ œ

j œ

œœ

¢/

4 ‰œ 4

œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ Œœ Œ ‰

œ™

2 Bongos S.D. Roto-t. B.D.

3 3

rli

MMLOMNML Harp 4 &4 Ó

B§>Bb

Œ œ Bœ

buzz

Hp.

#œœ œ œ b œ

sfz

?4 4B&˙ç

‰ œ bB œœ n ˙ œ

{

µœ Bœ B§ > Bb

3 A§

ht b

allargando ord.

Vln.

° 4 &4 ˙ >

œ œ

˙™ ˙™

˙ ˙

ord. 4 B b˙ 4>

Vla.

b˙˙

> nœœ

b˙˙ ™™

ord. 3

?4 ‰ œ #œ œ #œ

Vc.

4 >˙

˙™

j œ

ord. 3

3 3

Db.

?4 ¢‹ 4 ˙ > f

SY. 4499/01

æ Oæ

jæ Oæ F O

j j O FO-

O #O µ O #O O #O >O > >

Ronda – The Spinning World - Score in C 21

accel. 3 3

(senza sord.)

half-valve 3

3 3

Tpt.

° & Ó

& ˙

j œ

œ œ #œ nœ œ œ bœ ˜œ µœ œ bœ #œ nœ nœ œ œ œ O O O O O O bO nO bO O O ≈ > mf

‰

bœ bœ b œ bœ

bœ J

? Tbn. (Station 2)

∑

b >œ

j œ b˙

‰

ru sa

Hn. (Station 1)

˙™

3 3

ë 3

œœ™ œ œ

‰ œ™

œ œ œ œ œ œ

/ 3 3

∑

3 3

∑

rli

¢/

œ ‰

2 Bongos S.D. Roto-t. B.D.

≈ œ œ œ œ œ œ œœ œ œ œ œ œ Óœ œ œ œ

Reco-reco Guiro 2 Tin Cans 5 Cowbells

æ œ™æ

nl y

Hp.

Bœ ™ Bbœ œ ™ bœ A >

µœ ™ #œ ™

∑

{

∑

∑ &

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ° ˜˙˙ ™™ B œ Œ &

∑

Vln.

ht b

accel.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ µ˙™ œ B ˙™ Œ

∑

Vla.

poco sul pont. 7

Vc.

? bœ

bœ œ œ œ œ µœ #œ O ff

3 Ÿ~~~~~~~~~~~~~ 3 j µœ ≈ #œ œ #œ œ #œ ˜œ b œ œ #œ n O > > mf

r≈ ‰ ‰ FO F O

II h. sul pont. 3

Db.

? ¢‹

æ bœæ

‰ Œ

#œ ææ

nO ææ

nO ‰ ‰

F O

SY. 4499/01

Ronda – The Spinning World - Score in C 22

q = 72

Tpt.

wa-wa

52 > > ° ˜œ ˜œ µœ ˜œ ˜œ µœ ˜œ ˜œ µœ ˜œ ˜œ µœ &

n>œ nœ bœ Œ

>œ Ó

‰

ff mf

µ>œ ˜œ ˜œ µœ ˜œ ˜œ nœ #œ #œ >œ nœ nœ œ œ œ b>œ bœ œ Œ & 3

∑

nl y

Hn. (Station 1)

#œ ™

æ #œæ

ru sa

2 Bongos S.D. Roto-t. B.D.

> ° œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ / ¢ 3

j #œ

7 ææj r ‰ >j #œ bœ bœ bœ ™ bœ b˙

? ˙ Tbn. (Station 2)

j œ

æ œ™æ

‰

q = 60 54

(Trumpet leads)

senza sord.

œ™

6˙ 4

Ó™

Tpt.

>œ ™

° œ &

trumpet 6 #Face 4 ˙™

∑ &

Tbn. (Station 2)

6 4 b˙ ™

¢ bw

bœ J

µ˙

3 b>œ 4

b˙ ™

single stick 3

6 4

∑

µ˙

Roto-tom

° ¢/

#œ J

> œ

3 4

∑

2 Bongos S.D. Roto-t. B.D.

µ˙

Swing bell to face trumpet

#˙ ™

#œ J

3 #>œ 4

rli

Hn. (Station 1)

3 #>œ 4

j œ

æ ˙æ

Tpt.

ht b

57 ° #>œ &

#œ µœ J

nœ

5 #>œ ˜>œ ˜œ

> µœ ˜œ µœ #œ

>j œ #œ

nœ

6 4

w™

4 4

> & #œ

Hn. (Station 1)

#œ #œ J

nœ

3 7

5 4œ

> #œ #œ µœ œ

bœ ™ bœ

‰

6 4

∑

6 #˙ ™ 4

#˙ ™

4 4

5œ 4

b œ µ˙ J

> bœ bœ µœ #œ

#œ

#˙

4 4

Tbn. (Station 2)

> ? bœ

> ° ¢/ œ

j > œ œ

æ œæ

5 œææ 4

æ œ œ œ œæ

>j œ œ™

‰

6 4

ææ w™ f

SY. 4499/01

> 2 Bongos S.D. Roto-t. B.D.

4 4 pp

Ronda – The Spinning World - Score in C 23

q = 50 * Horn and Trombone memorise part. Place contrabassoon reed in mouthpiece, resulting in harmonic/multiphonic chords on each note

Begin walking to Station 3

Hn. (Station 1)

° 4 &4

’

6 4

j #œ

#œ

n˙

4 4 ˙™

˙™

6 4 w

∑

>˙

6 *w 4

?4 Tbn. (Station 2)

nl y

Begin walking to Station 4

4w 4

6 4

ru sa

5 4 bœ

Ó™

j œ

˙ nics harmo

bœ

5 b>œ ™ 4

Tbn.

#œ

4 4

rli

4 4

bœ ™

?6 ˙

œ™

j œ

Hn.

° 6 &4

° 4 &4

o + j #œ #œ

wa-wa

Tpt.

q = 66

6 4Ó

∑

j œ #œ

#œ

> #œ #œ µœ nœ œ

Ÿ~~~~~~~~~ ’ bœ nœ ‰

&4 4

Hn.

#˙

? 4 œ™

Tbn.

œ >

œ J

6 4w

4 4

#œ p

Station 4

6 4 bw ™

b˙

4 4

#œ #œ #œ >

Station 3

ht b

4 4

2 Bongos S.D. Roto-t. B.D.

° ¢/

4 4

∑

6 4

∑

4 4

∑

4 4

q = 66

Vln.

° 4 ¢& 4

∑

6 4 SY. 4499/01

Ronda – The Spinning World - Score in C 24

° 4 &4

Tpt.

o + > œ#œ#œ #œ #œ œ #œ œ #œ nœ œ#œ œ µœ nœ µœ nœbœ bœ

bœ ™

bœ ‰ ‰

∑

9 3 7

nl y

replace normal mouthpiece

?4 Hn. (Station 3)

∑

ru sa

replace normal mouthpiece

?4 Tbn. (Station 4)

∑

Reco-reco Guiro 2 Tin Cans 5 Cowbells

4 4 Bongos

¢/

4 4

œœœ œ œœ œœ œœœœ ææ 3

>j >j œœ œœ

>œ œ j j3 œ œ œ œœ œ œ J

2 Bongos S.D. Roto-t. B.D.

S.D. 3

ææj œ™ ≈ Œ

> œœœœœ

œ ææ

mp pp

rli

&4 4

∑

?4 ∑

∑

Vln.

ht b

{

Hp.

∑

poco sul pont. > ° 4 œ#œ#œ #œ- #œ œ #œ œ #œ nœ œ#œ œ µœ nœ µœ nœbœ bœ &4

ord.

> œ b>œœ bœ j ‰ nœœ µ œ # œ ™ # œ # œ µ œ œ œ œ bœ ™nœ ™ µœ 7

> b-œ

bœ ™

mf 3

3 7

∑

Vla.

B4 4

b-œ >

bœ ™

bœ ™ nœ ™ µœ œ œ µœ#œ#œ ™ bœ nœ œ µœ #œ œ œ > 7

ord.

?4 ∑

∑

Vc.

#>OM™

Ÿ~~~~~~~~~~~~~~~~~~~~ 3 j j #œ #œ #MO #œ #œ

ord.

>O ™™ œ Db.

?4 ¢‹ 4

∑

#O #O nO J J ææ

∑

SY. 4499/01

Ronda – The Spinning World - Score in C 25

allargando q = 50

∑

nl y

Tpt.

° &

ru sa

Hn. (Station 3)

? Tbn. (Station 4)

Reco-reco Guiro 2 Tin Cans 5 Cowbells

° ∑

2 Bongos S.D. Roto-t. B.D.

˙ ¢ / ææ

∑

rli

LMMOMNLM

gliss.

œ Bœ œ™ Bœ Bœ ™

& ‰ Bœ ™

#œ

Bœ

‰

µœ

? Ó

{

Hp.

j µœ

‰ #œ #œ nœ

Bœ ™

#œ Œ

gliss.

Bœ

nœ mf

(A§)

D§

A§

° &

∑

Ronda 1

ht b

allargando q = 50

B ˙

bœ é

Vla.

j M3 #œ- #O >

# ˙O

# ˙Oé™™

? Vc.

#œé™

j #œ

# ˙OM

# ˙OM mf

M O F

III Db.

? O˙ ¢‹

O F ˙ F

pp SY. 4499/01

Ronda – The Spinning World - Score in C 26

Tpt.

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

4 4

? Tbn. (Station 4)

4 4

ru sa

Hn. (Station 3)

4 4

nl y

° &

Reco-reco Guiro 2 Tin Cans 5 Cowbells

2 Bongos S.D. Roto-t. B.D.

4 4

∑

4 4

∑

4 4

or ∑

rli

¢/

sfz

œ #œœ

& Œ

Hp. 3

? ˙ Bœ

B˙ ˙

4 4

Bb ˙ ™ b >˙ ™

>˙ ™

6 4 B˙ ™

{

6 4

° &

æ Oœæ

Vla.

˙O

very breathy (minimal pitch) Ronda 1 lateral bowing with Smetak bow

6 4

∑

Ronda 1

ht b

∑

4 4

‰ O™ mf

Ÿ~~~~~~~~~~~~~~~~~~~~~~ OO OO

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

6 4 >OO ™™

é OœM™™

M œO ™™

O O

4 4

III 3

Vc.

j O

j ˜ O ˜ œ ˜˜œO ™™

6 4

? O F mf˙

™

III

™ F O

#Oé™

4 4

Ÿ3 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≈ bœ nœ bO nO b O b˙O nO ˙ IV

Db.

? ¢‹ ˙

#œOM

#˙OM

6 4 #>O

#O O bO ™

SY. 4499/01

4 4

Ronda – The Spinning World - Score in C 27

Tpt.

∑

?4 Hn. (Station 3)

ru sa

nl y

° 4 &4

?4 Tbn. (Station 4)

∑

Reco-reco Guiro 2 Tin Cans 5 Cowbells

&4 4

∑

4 4

∑

¢/

∑

rli

2 Bongos S.D. Roto-t. B.D.

4 4

∑

Hp.

∑

Ronda 1 (Vln)

ht b

{

Continue exploring different breathing patterns

3 3

° 4 &4

O™

é M œO ™™

B 4 OM™ 4 œ™

Vla.

to Ronda 2 with Smetak bow M

‰

∑

?4 Oé™

Vc.

O™

‰

j F O

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j ? 4 b O nO ‰ b O ¢‹ 4 ˙ œ

Œ O pp

Db.

[ ~]

∑

SY. 4499/01

∑

Ronda – The Spinning World - Score in C 28

o + 77

senza sord. half valve 7

Tpt.

Œ™

œ œ b œ b œ ™ nO bO bO O O O O O O

r O bO bO O O O O O O

˙™ pitch (rotate handle) breathy (as before)

sim.

° ¢& [ ~]

œ œ œ œ œ

[ ~]

Ronda 1 (Vln)

nl y

3 ° ¢& œ œ œ œ

ru sa

rli

ord. 3

‰

° ¢/

ht b

∑

#œ œ œ bœJ nbœœ ™™

4 ##œœ ™™ 4

#œ ##œœ ##˙˙ J

3 3

6 4

Reco-r.

‰

‰ Œ

4 4

∑

6 buzz 4B&˙™ç

˙™ ˙™ Œ

Guiro mp

6 4

r œ™ œ µ œ # œ bœ nœ

∑

bœ

7 7

Reco-reco Guiro 2 Tin Cans 5 Cowbells

‰

bO b œ ™ O O O O O O > >

6 4 bœ

Tpt.

° ¢& b œ b O ™

4 4

∑

Hp.

4 4 YYY ™™ (gentle turning of wheels)

{

Três Sóis

Ronda 1 (Vln)

° &

6 4

4 4

[ ~] (mp > mf )

very breathy (minimal pitch) lateral bowing synchronise patterns with violin Ronda 2 (Vla)

¢B

∑

6 4

4 4 [ ~] (mp > mf ) SY. 4499/01

––l.v. —

Ronda – The Spinning World - Score in C 29

slow 83

° bœœ &

Tpt.

b-œœ

fast ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b œ b˙˙ ™™ b œ nœœ 6 bŸ˙˙ ™™ bbœœ 4 J

œœ

’

#œœ ™™

œœ J

4 4

6 4

∑

6 4

∑

6 4

∑

Reco-reco Guiro 2 Tin Cans 5 Cowbells

œ ‰

/ 3

ru sa

? Tbn. (Station 4)

4 4

∑

? Hn. (Station 3)

nl y

4 4

6 4

∑

4 4

∑

4 4

rli

¢/

2 Bongos S.D. Roto-t. B.D.

6 4

∑

& Três Sóis

[3]

[2]

[1]

? Ó

{

j ¿

6 4¿

¿™

r ¿

‰™ Œ – — — l.v.

Ó™

4 4

Ronda 1 (Vln)

ht b

° &

4 4 ˙™

[ ~]

pitched (rotate handle)

6 4 O™

pitched (rotate handle)

6 4 O™

Ronda 2 (Vla)

[ ~]

4 4 ˙™

mute strings with hand and bow to make breathy sounds in rising and falling patterns

? ∑ Vc.

6 4

4 4 [ ~]

( pp > mf )

mute strings with hand and bow to make breathy sounds in rising and falling patterns Db.

? ¢‹

∑

6 4

4 4 [ ~]

( pp > mf ) SY. 4499/01

Ronda – The Spinning World - Score in C 30

3 85 ° 4 b>œ &4

Tpt.

bœ

bœ œ œ bœ bœ b œ œ µœ

>j œJœ µœ

nœ µœ nœ bœ ™ ##œœ J

##œœ b>œœ b>œœ ##>œœ

##œœ

3 3

nl y

?4 Hn. (Station 3)

∑

ru sa

?4 Tbn. (Station 4)

∑

4 4

> œ œ œ™ œ œ

> œ™ œ

Œ Ó œ™ œ œ™ œ œ œ œ œ œ œ

œ R ≈ ‰

œœ

Reco-reco Guiro 2 Tin Cans 5 Cowbells

∑

‰

4 4

∑

rli

¢/

2 Bongos S.D. Roto-t. B.D.

Harp

b#œœ J

Db > D# > D§

œ bBœœ 4 &4 J

µœ ™ B œ™

bœ Bœ

f Hp.

Bœ ™

mf 3

bœ ™

j Bb œ

∑

> ‰ bBœœœ

nœ #œ J

Bb œ

Ronda 1 (Vln)

ht b

{

‰

pitch bow hair on strings

turn handle very slowly (one chord per bow change)

œ™

° 4 &4

O™

ig yr

turn handle very slowly (one chord per bow change)

œ™

pitch bow hair on strings

O™

œ mf

?4 Vc.

4 [ ~] mp

Db.

œ™

Ronda 2 (Vla)

œ™

?4 ¢‹ 4 [ ~] mp SY. 4499/01

Ronda – The Spinning World - Score in C 31

q = 66 87

° ##œœ &

Tpt.

##œœ ##œœ bœœ ##>œœ ##œœ ##œœ ##œœ bœœ J

##œœ

##œœ ##œœ bœœ ##>œœ ##œœ ##œœ ##œœ bœœ J

##œœ

##œœ ##œœ bœœ ##>œœ ##œœ ##œœ ##œœ bœœ J

3 3

nl y

∑

ru sa

? Hn. (Station 3)

? Tbn. (Station 4)

∑

œ™ œ™

œ ‰

>œ œ œ œ œ œ œ œ œ

‰

Reco-reco Guiro 2 Tin Cans 5 Cowbells

/ 3

2 Bongos S.D. Roto-t. B.D.

∑

rli

¢/

∑

& Hp.

buzz sfz

? ∑

B&# œ™ œ™

R y ht b

Ronda 1 (Vln)

° &

‰

{

sfz

l.v.

—

‰

Œ B&# œ™ œ™

l.v.

—

q = 66

∑

Ronda 2 (Vla)

˙ f

(hoarse breathing)

? Vc.

" ff "

(hoarse breathing) Db.

? ¢‹ " ff "

SY. 4499/01

Ronda – The Spinning World - Score in C 32

harmonic trill Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ bœ b œ ˙ bœ J ‰

° ##œœ &

Tpt.

##œœ ##œœ bœœ ##>œœ

##œœ ##œœ

##œœ bœœ J

6 bœ 4œ

U Œ

4 4

3 3

∑

6 4

∑

6 4

∑

4 4

œ œ œ

/ 3

œ œ œ ‰

œ J

æ œœ œ œ œ œ˙ œ œæ

6 4

2 Bongos S.D. Roto-t. B.D.

6 4

∑

‰

4 4

∑

4 4

∑

4 4

rli

¢/

>j œœ J >

Reco-reco Guiro 2 Tin Cans 5 Cowbells

>œ

4 4

? Tbn. (Station 4)

ru sa

Hn. (Station 3)

nl y

6 4

∑ &

Hp. sfz

{

‰

3 3

6 4 jjœœç

l.v.

—

bœ

j œç™ j œ™

j jœ œ œ F F

–‰ —l.v. J

B&# œ™ œ™

? Œ

buzz

4 4

° &

U ∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

Ronda 1 (Vln)

ht b

Ronda 2 (Vla)

? Vc.

Db.

? ¢‹

SY. 4499/01

Ronda – The Spinning World - Score in C 33

q = 56

Tpt.

∑

nl y

° 4 &4

?4 Hn. (Station 3)

?4 Tbn. (Station 4)

Cym.

°/

4 4

∑

2 Bongos S.D. Roto-t. B.D.

4 4

∑

¢/

ru sa

∑

Hp.

? 4 bœ ™ 4 Bb œœ ™™

{

bœ ™ œ™ bœ ™ Bb œ ™

Bœ

buzz 3

j Bbœ

œ™

ç™ F œ

Bœ

mf f

ht b

q = 56

∑

‰

&4 4 Œ

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

rli

∑

breathy noise

Ronda 1 (Vln)

pitch 3

° 4 &4

O™

œ™

breathy noise

pitch

breathy 3

Ronda 2 (Vla)

O™

œ™

j œ

O p mf

breathy noise

?4 ∑

Vc.

4 O

breathy noise Db.

?4 ¢‹ 4

∑

Œ O p

SY. 4499/01

Ronda – The Spinning World - Score in C 34

Tpt.

∑

7 4

∑

7 4

∑

7 4

∑

7 4

∑

7 4

4 4

? Tbn. (Station 4)

∑

4 4

ru sa

Hn. (Station 3)

4 4

nl y

° &

¢/

4 4

∑

4 4

7 4

∑

4 4

7 4

∑

4 4

2 Bongos S.D. Roto-t. B.D.

∑

°/

rli

Cym.

∑ &

Hp.

scrape along string

{

r ‰™ B œ— > l.v.

é Bœ

‰

j B>œ

ht b

(Ped.)

(uneven 'ragged' breathing)

œ™

˙™

O™

7 O™

breathy

° Ronda 1 ‰ (Vln) & r œ

r O O

7 4O

‰ O

(uneven 'ragged' breathing)

œ™

7 4O

O™

4 4

Ronda 2 (Vla)

O™

˙™ 7 O™

‰

4 4

> f

(uneven 'ragged' breathing)

? j O

Vc.

O™

7 4O

œ™

˙™

O™

7 O™

‰ O

4 4

mf f

(uneven 'ragged' breathing) Db.

7 4O

? ¢‹ O

O™

mf SY. 4499/01

‰ O

O™

7 O™ pp

4 4

Ronda – The Spinning World - Score in C 35

° 4 &4

Tpt.

∑

∑ Station 3 (normal mouthpiece)

o +

nl y

wa-wa 3

?4 Hn. (Station 3)

∑

&‰ #œ

#˙

Station 4 (normal mouthpiece)

o +

harmon

∑

‰

ru sa

?4 Tbn. (Station 4)

4 4

∑

2 Bongos S.D. Roto-t. B.D.

4 4

∑

¢/

∑

°/

∑

rli

Cym.

∏∏∏∏

MMLOLMML

n˙

Ó Bœ n˙ mp

ht b

>A§ 3

∑ Bœ

4 Bœœ

b˙ BbB˙˙˙

bœ

{

∏∏∏∏∏∏∏

Hp.

> bœœœ

&4 4

breathy slow

turn wheel rapidly (pitch)

Ronda 1 (Vln)

rit.

° 4 &4

fast

7 O™

O™

turn wheel rapidly (pitch)

rit.

Ronda 2 (Vla)

slow

B4 4

7 O™

fast

O™

mf mp

breath

? 4 #O

#O #O O

Vc.

æ OOæ

F O

-O

7 O

mf 3

(keep same ﬁnger distance)

™ ™

œo Db.

b Oœ

b Oœ J

?4 ¢‹ 4

j breath

O J

j F O

mf mp

SY. 4499/01

-O

Ronda – The Spinning World - Score in C 36

o + > #œœ J

wa-wa 98

° &

Tpt.

∑

‰

#˙˙

nl y

o + 3

Hn. (Station 3)

& #œ

j #œ #œ

‰ #œ

#>œ ™

#˙

mp mp

o + bœ

j œ bœ

j > µœ bœ

? Tbn. (Station 4)

gl. B œ œ bœ µœ #œ nŸœ~~~~~~~~~~~~~~~~~~~~~~~~~~~ #œ nœ œ™ bœ harm. J

ru sa

b˙

2 Bongos S.D. Roto-t. B.D.

¢/

∑

° Cym.

∑

rli

∑

scrape string sfz

{

j é Bœ

‰™

∑

° & 7 O™

‰

∑

Ronda 1 (Vln)

ht b

r Bœ

‰

Hp.

? Œ

∑

∑ &

Ronda 2 (Vla)

∑

˙™

Vc.

(mp)

? j -O

O™

j O

O™

7 O™ mf

Db.

? ¢‹ 7j O

O™

j O

O™

7 O™ mf

SY. 4499/01

‰

Ronda – The Spinning World - Score in C 37

Ÿ~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~ 3

100 (Œ) 7 ° #>œ µœ Bœ nœ Bœ bO. bO O Œ & nO O O O O O O O O 7 > mp

Tpt.

j bO

Œ O

nœ

6 4

‰ b>O b O >

nl y

senza sord.

Hn. (Station 3)

∑

ru sa

senza sord.

? Tbn. (Station 4)

6 4

∑

6 4

∑

°/

¢/ Œ

> œ

6 4

∑

2 Bongos S.D. Roto-t. B.D.

∑

gl.

æ œæ

> j œœ

æ œ™æ

Cym.

>j œ æœ

æJ

6 4

rli

œ œ œ œ œ œ œ œ ‰

∑

6 4

∑

6 4

∑ &

Hp.

∑

Ronda 1 (Vln)

ht b

{

° &

j O

j ‰ ‰ Œ O

6 4

(pitched)

∑

‰ j œ

Ronda 2 (Vla)

∑

6 4

O™

r ‰™ O

∑

6 4

O™

r ‰™ O

? Vc.

7 O™

Db.

6 4

? ¢‹ 7 O™

SY. 4499/01

Ronda – The Spinning World - Score in C 38

allargando

‰™ > ° 6 µœ &4 R 102

Tpt.

via sord.

˜œ µœ#œ nœ

#w ™

#w œbœ œ

4 4

nl y

with contrabassoon reed

?6 Ó

Hn. (Station 3)

4 4

bw ™

w™

4 4

6 Ó™ 4

œ Ó™ ÆJ

¢/

6 æ˙™ 4

˙™ æ

4 4

∑

˙ æ

> œw ÆJ

4 4

rli

2 Bongos S.D. Roto-t. B.D.

° Cym.

ru sa

with contrabassoon reed

?6 Ó ¢

Tbn. (Station 4)

6 &4

Hp.

4 4

∑

4 4

allargando

{

∑

arco ord.

Ronda 1 (Vln)

ht b

hair and wood

° 6 &4

˙™

‰ Œ Ó™

4 4

‰ Œ Ó™

4 4

œ™

arco ord.

hair and wood

Ronda 2 (Vla)

4 ˙™

˙™

œ™ ff

?6 ∑

∑

4 4

∑

4 4

Vc.

Db.

?6 ¢‹ 4

SY. 4499/01

Ronda – The Spinning World - Score in C 39

104

° 4 &4

∑

nl y

Tpt.

?4 Hn. (Station 3)

˙™

4 bœ

ru sa

fff

?4 Tbn. (Station 4)

˙™

4 4

∑ sfz

¢/

4 wœ™ 4

> 7

œ œ œ > 7

œ œ >

w Œ

œ œ œ œ > 7

œ œ œ œ œ œ œ ‰ Œ

rli

fff

ææ œ™ œ™ 7

2 Bongos S.D. Roto-t. B.D.

∑

°/

Cym.

fff

&4 4

Hp.

∑

ht b

{

∑

to Violin

∑

Vln.

° 4 &4

to Viola

Vla.

?4 Vc.

Db.

?4 ¢‹ 4

SY. 4499/01

œ œ œ œ œ œ ææ œ

Ronda – The Spinning World - Score in C 40

106

Tpt.

∑

harm. gl.

r œ

Hn. (Station 3)

œ™

∑

r œ

≈ œ™

> œ ≈

bœ

œ™

ru sa

harm. gl.

? Tbn. (Station 4)

œ™

nl y

° &

j œ

b˙ ™

b˙

°/ ææ ˙ / ¢

æ ˙™æ

rli

∑

2 Bongos S.D. Roto-t. B.D.

Cym.

∑

Hp.

∑

° &

∑

Vln.

ht b

{

Vla.

? Vc.

Db.

? ¢‹

SY. 4499/01

Ronda – The Spinning World - Score in C 41

7 4

∑

4 4

7 to normal mouthpiece 4

∑

nl y

Tpt.

∑

7 4

∑

7 4

∑

7 4

∑

4 4

∑

108

° &

∑

4 4

∑

? ˙™

Hn. (Station 3)

œ J

‰

4 4

to normal mouthpiece

? Tbn. (Station 4)

4 4

∑

rli

° ¢/

2 Bongos S.D. Roto-t. B.D.

ru sa

& Hp.

7 4

ht b

7 4∑

yr op

4 4 mp

4 4

& mp

˙o

Vc.

o ˙™

7 4

? Ó

o ˙™

7 4

? ¢‹ Ó

≈

-œ™ J

-œ™

4 4

˙o Db.

µ˙™ ∑

Vla.

˜˙ ™

7 4∑

∑

Vln.

° &

{

4 4

SY. 4499/01

Ronda – The Spinning World - Score in C 42

q = 56

° 4 &4

Tpt.

∑

nl y

110

?4 Hn. (Station 3)

ru sa

?4 Tbn. (Station 4)

∑

edge

4 >œ 4

œ™ œ ææJ ææ

‰™

œ ææ

… ‰

>œ J

° Cym.

‰

3 7

mf 2 Bongos S.D. Roto-t. B.D.

∑

> œ

>3 œ

‰

œ ‰

œ œ œ

¢/

4 4

rli

&4 4

∑

Ó B>œ mf

Hp.

∑

Ó Bœ ™

j µœ

bœ

ht b

q = 56

{

LMMOMNMM

Vln.

œ J

° 4 &4

˜>œ n œ œ µ œ n œ µœ µœ #œ ™ ≈ ‰ ≈ Ó J

3 7 7

n˙

&4 4

Vla.

ææ

#œ #œ œ #œ

j œ™

œ™ ‰

#œ œ #œ

mp mp mf

h. sul pont. poco sul pont. ord.

(vib.) >œ œ œ œ ˜ œ œ œ bœ bœ œ #œ ™ #œ

œ™ #œ œ #œ

>j œ™ #œ

Œ Vc.

Bœ Bœ ™

#œ #œ

j µœ

4 3 3 7 7

mp mf

h. sul pont. poco sul pont. ord.

Db.

?4 ¢‹ 4

(vib.) >œ œ œ œ ˜ œ œ œ bœ bœ œ #œ ™ #œ

œ™ #œ œ #œ

>j œ™ #œ

Bœ #œ #œ

Bœ ™ 3

3 7 7

mp mf SY. 4499/01

j µœ

Ronda – The Spinning World - Score in C 43

allarg. 112

° &

Tpt.

∑

Hn. (Station 3)

o + w

nl y

normal mouthpiece wa-wa

˙ ˜˙

gl.

o + ? #œ

Tbn. (Station 4)

#œ #œ ™ J ææ

#œ ææ

¢ pp

#œ J

#˙

2 Bongos S.D. Roto-t. B.D.

¢/

∑

æ œ™æ

‰

∑

°/

∑

rli

Cym.

ru sa

normal mouthpiece harmon

œ Bœ œ µœ

#˙ n˙

#œ

µœ ™

Hp.

buzz

#œ

{

& µ >œç

nœ

˜>œ

µœ

(D§)

° &

˜œ #œ nœ œ œ bœ bœ # œ j µœ µœ #œ #œ œ 7

‰

allarg.

‰

#>œœ #˙˙ J

µµOœ œ

µµOœ

œ #œ

B‰

##Oœ ™™

##Oœ

#œ

Vla.

b œœ ™™ 3

n -œ

Vln.

ht b

(B#)

mp p

? ˜˜Oœ ™™

‰

˜˜Oœ

˜˜O˙

˜˜ O˙

Vc.

h. sul pont.

ord.

3 3

Db.

? µœj nœ ¢‹

æ œæ

˙™

æ œæ

j œ gl.

SY. 4499/01

Oœ

œO

Ronda – The Spinning World - Score in C 44

q = 50 3 114

Tpt.

˜œ

˜w

° &

6 4½

∑

5 4

#œ #œ ™

#œ ˙ mp

nl y

to contrabassoon reed

o + ? w

Tbn. (Station 4)

‰™

∑

‰

5 4

& #w

6 4½

œ R

‰™

o + bœ ææJ

ru sa

Hn. (Station 3)

r 6 4 ½ #œ

∑

5 4

∑

6 4½

∑

6 4½

5 4

∑

rli

° ¢/

2 Bongos S.D. Roto-t. B.D.

Três Sóis

6 4½

? ∑

5 4

∑

5 4

{

∑

° #œ & œ

ht b

Vln.

q = 50

6 4 ½ #˙˙

B w~

6 4½

#˙˙ ™™

#œœ ™™

#˙˙

#œœ ææ

5 4

‰™

‰

5 4

Vla.

r Oœ

? ∑ Vc.

Db.

? r ¢‹ œ

‰™

6 4½

∑

5 4

6 4½

∑

5 4

SY. 4499/01

Ronda – The Spinning World - Score in C 45

’ 116

Tpt.

j bœ

j bœ nœ

4 4

-œ™ #œJ

3 4⁄ 7 4

nl y

œ µœ µœ

° 5 &4

#œ ™ #œ ™

bœ ™ 7 3

o + œ æ

+ ™

bœ

4 4

-œ™ J

œ7

5 4

∑

2 Bongos S.D. Roto-t. B.D.

5 4

∑

¢/

4 4

∑

3 4 ⁄7 4

∑

3 4 ⁄7 4

4 4

° 5 & 4 b˙ ™ b ˙™

∑

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

4 BŸww> 4

di ‰

Vla.

Ó™

4 4 h. sul pont.

œœ™™

5 ¢B 4

’

3 4

Vln.

rli

‰™

Cym.

œ R

ru sa

? 5 bœ ¢ 4 J

Tbn. (Station 4)

j œ bœ

ht b

q = 60

half valve

118

Tpt.

° 3 47 ‰ j ¢& 4 ⁄ #œ œ ™ nœ œ bœ œ bœ œ µœ µ œ #œ nœ µœ nœ µ œ n œ œ ™ > > > mf

Cym.

°/

3 4⁄7 4

Œ Ó

° ™3 ¢í ™4

> 7 j ™ bœ œ

7 3 ™™îü œ O O O bO nœ œ bœ O bO †

half valve

> j bœ nœ ™

≈

‰™ °í ™™ 3 Ó 4

™™îü

Œ œ ÆJ

7 7

2 Bongos S.D. Roto-t. B.D.

¢/

3 4⁄7 4

>j 3 j ™ œ œ™ í¢™4 œ

jœ œ

œ œ œ œ œ

œ™ J

mp 7

molto sul tasto (breathy) II I Ÿ~~~~~~~ > Ÿ~~~~~~~~~~~~~~~~

q = 60

Vla.

°B ¢

3 4

bb˙˙ ™™

°™3 # œœ œœ í ™4 ½ J ¢

bœ

# œœ

œœ™™ b œ

œ œ œ œ #œ #O nO O bO M 7

mf mf SY. 4499/01

U ™™îü †

™™î †

Ronda – The Spinning World - Score in C 46

120

3 7 3

4 °í¢™™ ≈ 4

∑

™™îü #œ O † -

j j #œ nœ ™

j #œ nœ

#œ

3 4

4 í ™™ Œ 4¢

∑

5 4

™™î Œ †

5 4 5 4

rli

¢/

2 Bongos S.D. Roto-t. B.D.

™™îü Œ

4 °í ™™ œ 4

3 ˙ææ™ 4

ru sa

° Cym.

bœ

Tpt.

° 3 ¢& 4

nl y

(Conductor's cue at bar 120)

ht b

122

Tpt.

° 5 °™ ™ ¢& 4 ¢™ í ™ ‰

> j 5 ° ° ™ ™ œ í Cym. / 4™ ™ ™

™™ ü 4 †4

3 3 ™™î ™ ™™î ææj í™ œ # œ n œ O™ O ® œ œ nœ œ œ œ O O O O #O # O bO bœ œ #œ œ nœ #œ œ O O #O O 7

… 7 Œ

™™î œ ™

–l.v.

‰

™™ ü 4 4

> 2 Bongos S.D. Roto-t. B.D.

¢/

5 4 ¢™™

‰

í ™™ œ pp

SY. 4499/01

jœ œ

> œ™

>œ > œ™ mf

™™î ‰

™™ 4 †4

Ronda – The Spinning World - Score in C 47

123

3 7 ° 4 j 7 r & 4 bœ ™ bœ bœ ™ bœ bœ bb˙˙ . -

Tpt.

6 4 bb˙˙

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ > bw bœœ- bœœ- w #nœœ > >

4 4

4 Hn. (Station 3)

∑

6 4

∑

4 4

?4 ∑ ¢

6 4

4 4

æ wæ

∑

6 4 6 4

œ œ œ œ œ œ œ œ

4 4

Tbn. (Station 4)

ru sa

nl y

¢/

4 4

j 7 œ™ œ

>j œ

r œ

æ ˙æ

œ™

4 4

Ó™

rli

2 Bongos S.D. Roto-t. B.D.

4 4

Cym.

6 4

∑

Três Sóis

?4 ∑

Três Sóis

freely

4 4

Œ™

¿™

YYY ™™

° 4 &4

∑

yr B4

œ œ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ œ # œ ‰ nœ bœ nœ #œ b œ bœ bœ bœ >

molto sul pont.

6 4

Ó™

Vln.

ht b

{

6 4

4 4

∑

&4 4

molto sul pont.

∑

Vla.

6 4

Ó™

‰&

4 4

> #œ #œ #œ œ œ

Ÿ~~~~~~~~~~~~~~~~~~~ œ b œ œ bœ bœ B œ œ bœ #œ ™ œ

4 4

bœ b œ ‰

molto sul pont.

?4 ∑ Vc.

6 4

Ó™

&b œ

œ bœ

? bœ

bœ

œ #œ nœ

4 4

Db.

?4 ¢‹ 4

∑

6 4

o o o o #œo œ œo o œo œ™ œ ‰ &#œ #œ

Ó™

‹ 3

mf SY. 4499/01

4 4

Ronda – The Spinning World - Score in C 48

< >~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 125 ° 4Ÿnbœœ ™™ #nœœ ‰ &4

6 4

∑

(with contrabassoon reed)

harmonic gliss.

>˙ ™

œ >œ œ

?4 Hn. (Station 3)

∑

˙™ ˙™

6 4

œ #˙

#˙

#œ

nl y

Tpt.

#œ #>œ #>œ 3

harmonic gliss.

?4 Tbn. (Station 4)

> bw

6 4 bw ™

bw ™

4 4

æ wæ ™

6 wææ ™ 4

æ wæ

° Cym.

&4 4

∑

6 4

∑

Três Sóis

{

rli

¢/

4 4

fff

2 Bongos S.D. Roto-t. B.D.

ru sa

(with contrabassoon reed)

YYY

∑

6 4 YYY ™™

Ó™ – — l.v.

∑

to Ronda 1 ° 4<Ÿb>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙ n œ Ó &4

6 4

∑

6 4

∑

6 4

∑

6 4

∑

Vln.

ht b

6 4

Vla.

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 B #˙ œ Ó 4

Vc.

3 ? 4 œ bœ œ bœ œ œ bœ æ æ bœ œ b Oj 4> > ff

æ b Oæ™

ææj F O

keep same ﬁnger distance

O˙ Db.

> Ó bœ bOœ

4 ¢& 4 ‹ ff

SY. 4499/01

Ronda – The Spinning World - Score in C 49

128

wa-wa

° &

Tpt.

∑

o + b >˙ ™

Œ mp

Hn. (Station 3)

‰

œ™

w™

nl y

To Piston Cretino

Ó™

¢ b˙ ™

b˙ ™

bœ ™

b˙

ru sa

To Piston Cretino

j bœ

? Tbn. (Station 4)

j bœ

‰

> œ

æ ˙æ

> œ

œ™

2 Bongos S.D. Roto-t. B.D.

j œ

∑

rli

¢/

æ wæ

ææ / ˙™

° Cym.

Hp.

∑

∑ &

∑

° &

∑

Vln.

ht b

{

Vla.

Ó™

∑ Vc.

b˙ ™ mp

sim. keep same ﬁnger distance

Oœ Db.

¢& ∑ ‹

nO ? ‹

‰

h. sul pont.

O #O #O #O

SY. 4499/01

b˙

b>˙

bœ

Ronda – The Spinning World - Score in C 50

o + ° bw &

Tpt.

bœ

> bœ

’

>3 ˜˙ ‰ bœ bœ nœ œ

ë ff

˜œ

8 4 µœ

#œ œ™ œ

ææ ææ ææ ææ ææ œ #œ œ nœ #œ

ææ ææ œ #œ

j ≈ Œ œ™ œ

U Œ

7 4

∑

8 4

U Ú

∑

8 4

U Ú

7 4

? Tbn. (Station 4)

7 4

ru sa

Hn. (Station 3)

via sord. 7 7

nl y

130

UÚ

8 4

‰ ∑

2 Bongos S.D. Roto-t. B.D.

7 4

° / œææ™

Cym.

U Ú

7 4

U Ú

7 4

8 4

U Ú

7 4

∑

8 4

U Ú

7 4

∑

8 4

U Ú

7 4

8 4

∑

rli

¢/

8 4

∑

? ∑

° &

Vln.

ht b

{

Hp.

Vla.

ord. h. sul pont.

Db.

? ¢‹ bœ ™ f

j bœ b˙ ë

bœ ™

j bœ bœ ™

? Vc.

j bœ b˙

8 4 µµ ˙O

˜˜æOœ ™™ æ

‰

U Œ

7 4

˜µOœ ™™ ææ

‰

U Œ

7 4

b˙

8 bbO˙ 4 mp

SY. 4499/01

Ronda – The Spinning World - Score in C 51

half valve 9 9

132

7 &4 O µO #O nO µO #O nO µO #O nO µO #O nO µO #O nO µO #O nO µO #O

Tpt.

‰ Œ

® O #O

6 4

O #O O O O O O O >

= Ÿ~~~~~~~~~~~ Ÿ3~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~ #-O ™ J

6 &4 O

Tpt.

‰ µ O # O n O µ O # O n-O ™ #-O ™

œ-

4 4

#O J

≈

#œ

>œ

nl y

Pedal 133

nœ

œ™

œ nœ #œ >

#œ

œ nœ #œ

mp mf

= split tone 3

#œ

‰ Tpt.

4#œ

6 #œææ™ 4

##œœ J

##˙˙ ™™

#œ ™

ru sa

ord. 134

##œ-œ

6 4

ff mp

= b >œœ b œœ œœ 6 #˙˙ & 4 ##œœ ##œœ ##œœ ##œœ ##œœ ##œœ ##œœ ##œœ ##œœ ##œœ ##œœ ##œœ ##œœ ##œœ ##œœ ##œœ ##œœ J 3

136

Tpt.

b œœ ™™ b œœ œœ #œœ #˙˙

7 4

3 3

split tone timbre slow

= ord. fast 3 138

Tpt.

œ #œ

Tpt.

j bœ b œ

nœ

= m œ #œ

œ œ œ #œ œ œ œ #œ bœ n-

rli

139

œ #œ µœ ˜œ nœ #œ œ ™ nœ #œ œ œ µœ #œ

Ÿ~~~~~~~~~~~~~~~~~~~~~ œ 7 # nœ bœ & ˙

bœ

° &

™ gliss.

™

o +

Begin at station 3 and move anticlockwise around space to the front.

Piston Cretino 1 (Hn)

vocal/ gestural

ord. ﬂz. ﬂz. ord.

’

o +

(Tempo libero)

ææ

Piston Cretino 2 (Tbn)

vocal / gestural

o +

ﬂz.

Begin at station 4 and move clockwise around space to the front.

ææ

ht b

(Trumpet)

muttering mix of playing and speech

o +

’ ’ 140

Piston Cretino 1 (Hn)

( mf )

U Piston Cretino 2 (Tbn)

o +

play/speak (muttering)

play

¢ mp

SY. 4499/01

Ronda – The Spinning World - Score in C 52

sfz

>œ ™

° Tpt

3 3

b œ b œ bœ bœ

œ bœ

‰

gliss.

bœ

# œ # œ œ #O O #O O #O O O O > > > > >O O O O > > > > ff ∑

muttering Piston Cretino 1 (Hn)

nl y

141

o ∑

Piston Cretino 2 (Tbn)

ru sa

rim shot

° ¢/

>r œç

≈ œ J

‰

‰ œ

j œ

‰

j œ

Tempo libero 142

° Piston Cretino 1 (Hn)

2 Bongos S.D. Roto-t. B.D.

∑

rli ∑

ë mp

j çœ æ wæ

mp f

j çœ æ wæ

° ¢/

¢ f

2 Bongos S.D. Roto-t. B.D.

Piston Cretino 2 (Tbn)

= q = 60 3

7 >œ >œ µ œ ˜ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ° bœ œ œ #œ #œ & œ ææ I µœ µœ bœ œ b>œ œ > œ œ . f > 7 3 3 o + Œ Œ 3

6 4

µœ #œ. #œ. ˜œ. œ. œ. µœ 3

∑

6 4

∑

6 4

Piston Cretino 1 (Hn)

ht b

Tpt.

145

Piston Cretino 2 (Tbn)

Reco-reco Guiro 2 Tin Cans 5 Cowbells

∑

>œ

œ >œ J J

/ 3

‰

9 > 7 œ œ œ œ œ œ œ œ œ œ œ œ Œ œ

‰ Ó

ff Cym. 2 Bongos S.D. Roto-t. B.D.

/ ¢/ Œ

r ≈ œç ‰ œ

∑ Œ œ œ œ

Ó Ó 3

œ æ

ææ ææ ‰ œ œ œ œ œ œ ‰ 3

f 7

SY. 4499/01

œ œ 3

6 4 6 4 6 4

Ronda – The Spinning World - Score in C 53

µ œ ™ b œ n œ µ œ µœb œ µ -œ

147

Tpt.

° 6 µœ &4

jbœ œ

#>œ #œ

µœ

µœ ˜œ

nœ

µœ

#œ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #˙ œ ææ

j nœ #œ

3 3 7

ff 3

6 4

∑

nl y

Piston Cretino 1 (Hn)

Piston Cretino 2 (Tbn)

6 4‰

> æ œæ Œ

æj œ

æ œæ Œ

œ œ œ Œ

˙˙

œ >

6 œœææ 4

œ™ >

° ¢/

ru sa

2 Bongos S.D. Roto-t. B.D.

o +

rli

split tone ﬂz.

ord.

ﬂz. 148

Piston Cretino 1 (Hn)

ææ

q = 66

squeal / gliss.

>œ™

3x in total

° 4 &4

‰

r ‰™ #O O #O O #O > > f

ht b

Tpt.

149

°™ ™ # œ œ # œ œ # œ œ # œ œ œ µ œ µ œ b œ n œ n œ >œ > > > > mf f

™™ ü œ

œ >

(split tone)

Piston Cretino 1 (Hn)

4 4

™™

short interjections ad lib.

™™

™ ¢™

short interjections ad lib.

™™ †

‰

4 4

∑

Piston Cretino 2 (Tbn)

> 2 Bongos S.D. Roto-t. B.D.

° ¢/

4 4

∑

°™ ¢™ œ

œ œ

œœ

>j œ™ œ

œ œ ü ™™ œœ œ œ œ †

mp mf

SY. 4499/01

Ronda – The Spinning World - Score in C 54

Tempo libero 3 151

U Ó

Tpt.

° &

‰ #œ nœ œ#œ œ bœ#œ nœ nœbœ µœ nœ œ > >

œ œ >œ b œ œ b œ n œ b œ œ # œ >

f mf

o + Piston Cretino 1 (Hn)

nl y

∑ (not quite in sync with Cretino 2) f

o + ∑

Piston Cretino 2 (Tbn)

¢ (not quite in sync with Cretino 1)

° / Œ

‰

( mf ) f 3

œ œ œœ œ œ ≈ œ œœœ > 9

> œ

U ∑

f mf

Œ œ

œ œ œ œ œ œ ‰ ¢ / œ˙ œ

œ œ ˙ œ ææ

2 Bongos S.D. Roto-t. B.D.

Reco-reco Guiro 2 Tin Cans 5 Cowbells

> œœ œœ ≈™

ru sa

rli

q = 66 3

>œ

Tpt.

j œ

≈ Œ

. . . µœ J

half valve ha

‰

rm .g l.

∑

J ‰

Piston Cretino 2 (Tbn)

˜œ >œ J

˜œ

œ œ

Piston Cretino 1 (Hn)

>œ™

ht b

>œ

153

° & j -œ bœ æ æ

Reco-reco Guiro 2 Tin Cans 5 Cowbells

sfz

° œ Œ

∑ /

> 3 j œœ œ œ œ

3 j Œ œœ œ œ™

ff sfz 2 Bongos S.D. Roto-t. B.D.

æ j œæ / œ ¢

œ œ œæ æ

œ R ≈ Œ

œœ œ

ff ff

SY. 4499/01

Œ œ œ

O O >

O O

Ronda – The Spinning World - Score in C 55

approx. 20" 155

(ad lib. interjections) Tpt.

° & f

o +

nl y

Piston Cretino 1 (Hn) f

Piston Cretino 2 (Tbn)

o + ¢

° (ad lib. interjections) ¢/

Perc.

ru sa

approx. 20" 156

° &

∑

Tpt.

Move from Station 2 to middle/front of stage

o +

point bell in different directions around room

rli

Piston Cretino 1 (Hn)

Move from Station 1 to middle/front of stage

o +

point bell in different directions around room

Piston Cretino 2 (Tbn)

(ad lib. interjections)

° ¢/

Perc.

ht b

q = 66 157

Tpt.

° &

Swing bell for doppler effect r.h. l.h.

Swing bell r.h.

l.h. split tone

10"

™

. . #œ . . .

. . .

7 4‰

#œ J

. . . .

#˙ ™

> mf

Stand facing the front of the stage (middle) extend arm, bell up horizontally. Rotate position clockwise; move on each attack towards audience.

Piston Cretino 1 (Hn)

∑

7 4

∑

Stand facing the front of the stage (middle) extend arm, bell up horizontally. Rotate position anitclockwise; move on each attack towards audience.

Piston Cretino 2 (Tbn)

7 4

very crisp/articulate f

° Perc. ¢ /

2 Bongos S.D. Roto-t. B.D.

7 >˙™ 4 f

SY. 4499/01

°™ í™ ¢

3 3 > 3 œ œœœ œœ œœ œ œ œ œœ œ œ ü ™™î œ ≈ † >

repeat

Ronda – The Spinning World - Score in C 56

approx. 30" 159

Move to back of hall Improvise with split tones

° &

Tpt.

4 4 [ mp > f ]

nl y

Move to back of hall, to Station 3 Piston Cretino 1 (Hn)

very occasional interjections/muttering

[ pp - mf ]

ru sa

Move to back of hall, to Station 4 Piston Cretino 2 (Tbn)

very occasional interjections/muttering

4 4

[ pp - mf ]

Repeat bongos part with gradual rhythmic elaborations on other instruments, also returning to original instruments and rhythms.

4 4

° Perc. / ¢

4 4

(always beginning on the 2nd beat of the phrase, Bass Drum shifts between

crosses two phrases.)

rli

i.e.

LLMONNNM U ∑ &

4 4 4 4

10" Hp.

U ∑

1. f 2. mf

{ y

° &

4 4

ht b

Vln.

approx. 30"

Vla.

1st time q = 50 2nd time q = 60 breathy (use slightly diagonal fast bow) 7

? Vc.

7 Ÿ~~~~~~~~ 3 °™ ™™î ™™ í™ í ¢ œ œ œ #œ œ b œ b œ b O b œ #œ b œ nœ œ™ b œ œ n O b O O >

#-œO >

í ™™ O n -œ >

™™îü †

™™î nO O b O b O O F

bO O #O j O J O b œ

4 4

mf 1. mf cresc. to ff 2. mp cresc. to f

q = 50 lateral sweep, breathy

h. sul pont. 15" 7 7

U Db.

? ¢‹

°™ í™ O ¢F> ff

SY. 4499/01

#O ™

#OM

j #OM

7 lO™ mf

™™îü †

’

4 4

Ronda – The Spinning World - Score in C 57

q = 50 3 ° 4 #Ÿœ~~~~~~~~~~~~~~~~~~~~~~~~~~ nbœœ & 4 œ ™™ J

160

b˙˙ ™™

b˙˙

∑

ppp

4 ∑

∑

Hn.

ru sa

∑

Tbn.

Reco-reco Guiro 2 Tin Cans 5 Cowbells

4 4

>æ ˙æ™

∑

ppp

∑

&4 4

∑

rli

4 4

¢/

∑

Perc.

Cym.

4 4

° /

nl y

Tpt.

∑

Três Sóis

∑

YYY mp

ht b

{

freely

q = 50

° 4 &4

Vln.

Vla.

h. sul pont. h. sul pont. ord. 3

Vc.

?4 æ 4 b œæ

j bœ

b˙™

b˙

j bœ

bœ

Œ b œ-

b -œ

b˙™

pppp

pizz. Db.

?4 ¢‹ 4 ˙

Ó — l.v.

∑

SY. 4499/01

∑

Ronda – The Spinning World - Score in C 58

Hn.

∑

3 4

∑

4 4

∑

3 4

∑

3 4

∑

3 4

∑

4 4

? Tbn.

∑

4 4

∑

4 4

rli

° ¢/

Reco-reco Guiro B.D.

ru sa

Tpt.

nl y

163

° &

3 4

∑ & Três Soís

Œ™

NNLOLMMM

oo> ˜Bœœ ™™

j #œ

4 4

j Bœ

œ™

? >Y

‰

j œ œ >

3 4

œ™ ∑

4 4

∑

4 4

œ™ œ™

{

Œ – —

Harp

∑

ht b

° &

Vln.

∑

Vla.

3 4

II rocking, intimate "lullaby" I molto sul tasto/throaty

3 # œœJ 4

œœ

bœ

Ÿ~~~~~~~

# œœ

œœ™™ b œ Ÿ3~~~~~~~~~~

sotto voce

-œ œ œ œ #œœ

# œœ J

œœ

bœ

Ÿ~~~~~~~

# œœ

œœ™™ b œ

-œ œ œ œ #œœ

4 4

Ÿ3 ~~~~~~~~

∑

3 4

∑

3 4

∑

? Vc.

Db.

∑

? ¢‹

4 4

& ‹

SY. 4499/01

4 4

Ronda – The Spinning World - Score in C 59

Tpt.

Hn.

∑

3 4

∑

4 4

∑

3 4

∑

nl y

166

° 4 &4

∑

3 4

∑

3 4

4 4

?4 Tbn.

° ¢/

4 4

∑

4 4

∑

4 4

/f ∑

rli

Reco-reco Guiro B.D.

ru sa

l.v. Db

4 &4œ

≈BbœJ ™

® Bœ Bœ

Bœ

p Hp.

>œ

{

o œ >

3 4‰

bœ œ œ

o œ™ > — l.v.

–

j Bbœ ™

œ œ ‰ Bœ

∑

4 4 4 4

∑

Bœ ™

3 4

3 j 3 j 3 #œ #œ #œ #œ #œ #œ #œ

Ronda 1 1 rotation per beat bow with hair / wood

bow

° 4 Ronda 1 & 4

3 4œ

ht b

∑

h. sul pont.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ # œœ™™ œ I

j Ÿ B 4 bœ bœ ™ bœ 4 >

® bœ Bœ œ bœ œ #œææ™

ææ 3 ‰ #œ

# œœ ™™

3 4

4 4

∑ II mf

4 4

~~~~~~~~~~

Vla.

œœ ™™

h. sul pont. ord.

> j œ œ™ œ œ™

?4 ∑ Vc.

3 4

∑

4 4

∑

pizz. arco I

œo

4 Db.

o ˙™

˙o

o ˙™

3 4

¢& 4 ‹ mp

SY. 4499/01

œ >O O O O

4 4

Ronda – The Spinning World - Score in C 60

più mosso Tpt.

° 4 &4

Hn.

∑

nl y

169

ru sa

?4 ∑

∑

Tbn.

° ¢/

4 4

∑

rli

Reco-reco Guiro B.D.

G# B§ 3

j # œ &4 4

#œ

#œ œ Bœ Bœ # œ

nœ #œ

gliss.

∑

Hp.

?4 ∑

{

∑

più mosso

° 4 &4 j œœ

ht b

Ronda 1

>j # œœ œ™ 4

œœ

œœ œœ >

h. sul pont.

n œ b œ œ #œ #œ œ

Vla.

ff 3

III to Ronda 2

ord. sfz

j j bœ bO

œ œ #œ O™ F> Ÿ~~~~~~~~~~

>>>

æ bœæ™

> bO

Oœ ææ

Œ &

fff

?4 ∑

∑

Vc.

4 I

Db.

4 ¢& 4 ‹

OOO O O

>O O

O O™

#O j #O #O#O

O æ

OO ææ

>II III

I II II III IV

≈ Œ

mf f SY. 4499/01

Ronda – The Spinning World - Score in C 61

Hn.

∑

ru sa

Tpt.

nl y

171

° &

? ∑

∑

Tbn.

° ¢/

Reco-reco Guiro B.D.

∑

rli

∑

∑ & Hp.

? ∑

∑

{

∑

vary speed of rotation

ht b

° Ronda 1 &

∑

Ronda 2

? Vc.

>O I

O™ ææ Db.

ææJ

#O ™

¢& ‹

> #O #O #O #O #O #O > O O #O #O #O #O O O O O O O O R ‰ 3

SY. 4499/01

Ronda – The Spinning World - Score in C 62

Hn.

∑

ru sa

Tpt.

nl y

173

° &

? ∑

∑

Tbn.

° ¢/

Reco-reco Guiro B.D.

∑

rli

∑

∑ & Hp.

? ∑

∑

{

∑

rock handle forwards and backwards

° Ronda 1 &

fast (bow)

ŒÓ

∑

slow

‰

j œ

Ronda 2

ht b

hair and wood

ord.

> > > > #œ #œ œ #œ#œ œ#œ œ œ #œ#œ œ #œ#œ œ#œ#œ œ#œ#œ œ#œ œ œ#œ#œ œ#œ#œ œ#œ œ œ#œ#œ œ#œ#œ œ#œ œ œ#œ#œ œ#œ#œ œ

? Ó Vc.

& 3

3 9

ë mp

> > > > > > > > O# O# OO# O# O O# O# O O# O# OO# O# OO# O# O O# O# OO# O# O O# O# OO# O# O O# O# OO# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O Db.

¢& ‹

SY. 4499/01

Ronda – The Spinning World - Score in C 63

175

j œ

‰

˙™

gl.

ë ff

jŒ Bbœ mp

Play from behind audience doppler effect

#˙ ™

gl.

ë ff

normal mouthpiece doppler effect

Play from behind audience

? Ó

gl.

˙™

œ J

ru sa

jŒ µœ

j #œ

‰

j Bb œ

Tbn.

ë ff

Reco-reco Guiro B.D.

° ¢/

Hn.

& Ó

nl y

Tpt.

doppler effect

Play from behind audience

° & Ó

∑

rli

∑

∑ &

∑

Hp.

? ∑

freely

{

Três Soís

YYY

° &

ht b

Ronda 1

bow with hair and wood rock handle back and forth

Ronda 2

Vc.

> #œ#œ œ#œ#œ œµœµœBœ

> nœbœbœœbœbœnœ#œ#œœ#œ#œœ#œ#œœ#œ#œ œ#œ#œœ#œ#œœ#œ#œœ#œ#œœ#œ#œœ#œ#œœ#œ#œœ#œ#œœ#œ#œœ#œ#œœ#œ#œœ#œ#œ

& 9

9 9 9

fff

> > > > > > > > O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O O# O# O Db.

¢& ‹

SY. 4499/01

Ronda – The Spinning World - Score in C 64

177

wa-wa

° &

Tpt.

j ˜œ ˜œ ™

∑

nl y

j µœ µœ ™

∑ &

Hn.

ru sa

harmon

? ∑

Tbn.

‰

° ¢/

Reco-reco Guiro B.D.

œ™

∑

rli

∑

& Três Sóis

{

∑

YYY

° &

0œ

˙/

hair only rotate backward (vary speed)

ht b

œ/

Ronda 1

hair only rotate forward (vary speed)

Ronda 2

hair only

0 ˙

0œ

œ/

Vc.

molto sul pont.

repeat insert trem. ad lib.

œ #œ #œ œ #œ #œ œ #œ #œ œ #œ #œ œ #œ #œ œ #œ #œ #œ #œ nœ #œ #œ nœ nœ nœ nœ œ œ œ œ œ œ œ œ œ œ œ #œ œ œ ææ #œ 9

9 9

fff

#>O # O O # O # O O # O # O O # O # O O # O # O O # O # O O # O # O O # O # O O # O # O O

molto sul pont.

Œ Db.

¢& ‹

œ #œ nœ #œ œ ææ

fff

mf mp SY. 4499/01

repeat insert trem. ad lib.

Ronda – The Spinning World - Score in C 65

o + 179

° & n˙

Tpt.

b˙ ™

6 4˙

nœ

4 4

w ë

stopped

& ˙

Hn.

b˙ ™

+ bw

6 4 b˙ ë

ru sa

b˙™ #˙

#˙ œ

6˙ 4

? Tbn.

¢ 3

4 4

+ bœ

nl y

4 4

° ¢/

∑

6 4

∑

4 4

6 4

∑

4 4

rli

Reco-reco Guiro B.D.

∑

∑ & Três Sóis

{

YYY ™™™

6 4 YYY ™™™

4 4

> f

sfz

° &

Ronda 1

ht b

0 ˙

˙/

0 ˙

˙/

6 4{ w™ f

Ronda 2

0 ˙

˙/

0˙

6 4_

4 4 w™ f

Vc.

4 4

ad lib. harmonics

&æ æ

ææ

6 4

∑

4 4

6 4

∑

4 4

ad lib. harmonics Db.

¢& ‹

æ pp SY. 4499/01

Ronda – The Spinning World - Score in C 66

j> œ œ

182

° 4 & 4 œJ

Tpt.

‰

>œ b œ bœ œ œ

œ bœ b˙

˜œ µœ nœ #œ nœ bœ ™ b˙ ™

6 4

9 7

f mp

3 o r 4 & 4 bœ ≈ bœ >

Hn.

6 4

∑

b˙ ™

>œ R ≈ ‰

ru sa

nl y

o +

#˙ ‰

n˙ ™

#œ

Tbn.

° ¢/

∑

&4 4

∑

6 4

∑

6 4

Três Sóis

rli

4 4

Reco-reco Guiro B.D.

6 4

l.v.

–

{

6 4

4 YYY

rit.

˙/

ht b

˙/

slow

fast

° 4 Ronda 1 & 4

6 4

˙™

rit.

fast

slow

&4 4

Ronda 2

˙/

˙™

Vc.

&4 4

∑

6 4

∑

6 4

4 Db.

¢& 4 ‹ SY. 4499/01

Ronda – The Spinning World - Score in C 67

vib.

o + 184 ° 6 bœ&4

Tpt.

>œ. b˙

bœ R

#œ.

-œ

µœ.

bœ.

‰

bœ. R

µœ b œ µ œ

‰ œ

Ÿ~~~~~~~~~~~~~ #-œ œ ææJ

4 4

3 3

nl y

4 4

∑ &4

+ œ Œ

ru sa

Hn.

Ó™

Tbn.

∑

6 &4

4 4

rli

6 4

° ¢/

Reco-reco Guiro B.D.

4 4

∑

4 4

∑

4 4

∑

4 4

6 &4

∑

4 4

6 &4

∑

4 4

∑

4 4

Três Sóis

° 6 &4

ht b

Ronda 1

{

Ronda 2

Vc.

6 Db.

¢& 4 ‹ SY. 4499/01

Ronda – The Spinning World - Score in C 68

Ÿ~~~~~~~~~~~~~ ° 4 #œ œ #œ &4 ææ 185

Tpt.

~~~~~~~~~~~~~ +o #˙

>j Ÿ œ #œ œ

via sord.

6 #œ ™ 4

ææ

‰

4 4

Ó™

4 ∑

6 4

∑

6 4

∑

6 4

4 4

?4 Tbn.

° ¢/

4 4

∑

&4 4

∑

4 4

∑

4 4

∑

4 4

rli

Reco-reco Guiro B.D.

ru sa

Hn.

nl y

6 4

?4 ∑

6 4 YYY ™™™

4 4

° 4 &4

∑

6 4

∑

4 4

&4 4

∑

6 4

∑

4 4

&4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

ht b

Ronda 1

{

Três Sóis

Ronda 2

Vc.

4 Db.

¢& 4 ‹

SY. 4499/01

Ronda – The Spinning World - Score in C 69

q = 72 3

187

bœ ° 4‰ œ œ œ &4 #œ #œ

Tpt.

3 3

Œ #œ #œ # œ µ œ œ b œ œ

b œ b œ œ bO bO O bO bO O bO bO O bO bO O

nl y

4 ∑

∑

ru sa

Hn.

?4 ∑

∑

Tbn.

ord.

° ¢/

4 4

r ™ œ ‰ œ J

œœ

œ ‰

æ œ

Reco-reco Guiro B.D.

> œœ™ >

∑

&4 4

∑

Três Sóis

MMLOMMMM

rli

∑ f

Harp

Ó – – — l.v.

4 YYY

{

ic ° 4 &4

∑

ig &4 4

∑

Ronda 2

Vc.

&4 4

4 Db.

bœ

> A#

ht b

Ronda 1

q = 72

> > œœ bœ ™ Bœœ ˙ ˙

¢& 4 ‹ SY. 4499/01

Ronda – The Spinning World - Score in C 70

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #œ bœ #œ R ‰™

189

bœ

œ '

≈

∑

bœ

∑

nl y

° &

Tpt.

∑

ru sa

Hn.

? ∑

∑

Tbn.

( mf )

æ ° œ œ œ œ œ œ œ ¢/ Ó

Reco-reco Guiro B.D.

æ œ Œ

æ œ œ >

æ œ ‰

æ œœ

æ œœ >

œ >

rli

& Ó

#œ

Hp.

B>œ œ

{

#œ

Bb Cb > C§

∑

#œ

µœ µœ

µœ J

µœ ™

Bb œ

B§

& µ >˙

Bœ n œ

b œ B œ #œ µ œ

(A§) F#

° &

∑

ht b

Ronda 1

(A#)

B&>œ

Ronda 2

Vc.

Db.

¢& ‹ SY. 4499/01

> ç bœ ≈

ç nœ

Ronda – The Spinning World - Score in C 71

Hn.

∑

ru sa

Tpt.

nl y

191

° &

? ∑

∑

Tbn.

æ œ Œ

æ œ ‰

æ œœ >

œ J >

æ œœ œ

æ œœ >

rli

° ¢/

æ œœ œ™

Reco-reco Guiro B.D.

> E§

? Bœ µ œç '>

µ œç '>

Bb œœ Bœ

œ #œ

#œ

Hp.

C§

µœ µœ

#œ B œ

#œ ‰ ç L >œ

‰

bœ

‰

#œ

#œ b œ B ˙

œ > G

° &

∑

ht b

Ronda 1

ç j >œ ™

{

Ronda 2

Vc.

Db.

¢& ‹ SY. 4499/01

æ œœ

Ronda – The Spinning World - Score in C 72

Hn.

∑

ru sa

Tpt.

nl y

193

° &

∑

Tbn.

æ œœ™ >

æ œ œ J >

æ œœ >

æ œœ J >

œ >

æ œœ™

æ œ™ œ >

æ œ œ J >

æ œœ >

æ œ Œ

æ œ Ó

æ œ

œ >

rli

° ¢/

æ œœ

Reco-reco Guiro B.D.

Três Soís

∑ & Três Sóis

freely

{

? YY >Y

¿¿¿

∑

∑ – – —

l.v. l.v.

° &

∑

ht b

Ronda 1

Œ – – —

∑

Ronda 2

Vc.

Db.

¢& ‹ SY. 4499/01