on
ly
Rolf Hind
ru s
al
THE CITY OF LOVE
score
C op
yr ig
ht
by
R
ic or
di L
on d
on
/A
ll
rig
ht
s
re se
rv
ed
/F
or
pe
for voice, violin and piano (2001-2002)
RICORDI
ly on al ru s pe or /F ed rv re se s ht rig ll /A on on d di L ic or R by ht yr ig C op
RICL 146 ISMN 979-0-57002-798-9 Š 2008 by G. Ricordi & Co (London) Limited All rights reserved Unauthorised reproduction of any part of this publication by any means including photocopying is an infringement of copyright
http://www.ricordi.com/
The City of Love
7
Song III
13
on
Song II
al
2
R
ic
or
di L
on do n
/A
ll r
ig ht
s
re se
rv
ed
/F
or
pe
ru s
Song I
ly
for voice, violin and piano
C op
yr
ig ht
by
The City of Love was commissioned by VANITAS and first performed by them in a cutting edge tour in York, April 2002 with Lore Lixenberg (voice), Zoe Martlew (‘cello) and Dominic Saunders (piano)
This version for voice, violin and piano, premiered in November 2006 at Huddersfield Contemporary Music Festival by Lore Lixenberg (Voice), David Alberman (violin) and Rolf Hind (piano).
ly on al ru s pe
re se
rv
ed
/F
or
ig ht
s
Notes/chords with diamond noteheads (eg. bar 1) are silently depressed.
ll r
/A
or
by ig ht
C op
yr
di L
R
ic
on do n
Text:
I
on
ly
Chhutana na payyatu chhinaku basi, neha nagara yeha chala Maaryau phiri phiri maariye, khunee phirai khushyaala
pe
ru s
al
This is the way of the city of love - once settled for a moment, you cannot leave; The stricken one is struck wherever he turns, the assassin wanders at will
/F
or
II
re se
rv
ed
Urati guree lakhi lalana kee a(n)gana a(n)gana maa(n)ha Bauree lau(n) dauree phirati, chhubati chhabeelee chaa(n)ha
ig ht
s
Seeing the lover’s flying kite, the lady in the courtyard runs about like a a lunatic, touching its lovely shadow
/A
ll r
III
on do n
Kyau(n) basiyai kyau(n) nibahiyai, neeti neha pura naa(n)hi Lagaalagee loina karai(n) naahaka mana ba(n)dhi jaa(n)hi
R
ic
or
di L
How can one dwell or survive the city of love? There is no propriety there; the eyes it is which ensnare, yet hearts are caught unjustly
underlining shows retroflex consonant
C op
r
Nasalisation
yr
(n)
ig ht
by
Pronunciation
consonants are unaspirated unless followed by an h (except “sh” which is as in English) vowels are always pure
laghuji ke lie, sasneh
THE CITY OF LOVE
-USIC BY 2OLF (IND 4EXT BY "IHARI
)
A TEMPO q
p
pp SENZA DIM
SOSPESO SERENO
ic
R
GLISS
by
GLISS
GLISS
NO PEDAL ON %S
GLISS
GLISS
yr
ig ht
6LN
C op
SEMPRE p
0NO
LEGATO POSSIBILE
mp POCO CANTANDO CON PED
6LN
GLISS
POCHETTINO
or
/A
p
on do n
s
ig ht
p MA SONORE
0NO
SEMPRE CON PED
di L
6LN
ll r
0NO
pe
or
/F
ed
PED UNTIL BAR
on
6IOLIN
LH ON STRING
al
rv
0IANO
re se
ru s
6OICE
ly
TEMPO LIBERO
GLISS
GLISS
RICL 146
GLISS
4HE #ITY OF ,OVE mp
0NO
6LN
6OICE
7:6
p
GLISS
ed
GLIS S
ppp
rv
PREPARE TO WHISTLE
GLISS
GLISS
GLISS
p
di L
on do n
/A
re se
ig ht
ll r
s
6LN
WHISTLE
mp
MM
0NO
p
LAZILY
on
ly
al
ru s
MM
pe
or
/F
6OICE
or
WHISTLE
yr C op
0NO
6LN
GLISS
GLISS
GLISS
PIÂ
mf RICL 146
AAA
ppp SEMPRE
MMM
ig ht
by
R
ic
6OICE
e e
GLISS
7:6
4HE #ITY OF ,OVE PIU DECISO
PED
mf
BA
SI
KU
NA
p QUASI LEGATO
SUL $
CHHI
PIZZ
6LN
TU
ly
YA
on
WHISTLE
al
PAY
ru s
NA
or
0NO
NA
mf
/F
TA
6OICE
AA
ig ht
yr
NE
C op
NA
GA
HA
RA
YE
p
mp
POCO PED FOR LEGATO HUMMING
6LN
mf DARKER
R
ic
by
or
WHISTLE
0NO
di L
MM
on do n
p
/A
ll r
ig ht
s
p ENERGICO MOLTO VIB
ed
#HHU
pe
rv
6OICE
mf
re se
pp ARCO
7:6
p
PREPARE TO HUM
9:7
RICL 146
ppp
ppp
GLISS
4HE #ITY OF ,OVE mp
CHA
p
/F
sfz
on
al
ru s
HUMMING
6LN
PREPARE TO HUM
PIZZ SUL $
mp
s
ppp SEMPRE
7:5
re se
GLISS
pp
mf
6OICE
RYAU
PHI
R
ic
C op
6LN
pp
RI
PHI
RI
MAA
yr
0NO
by
ig ht
or
-AA
di L
on do n
/A
ll r
ig ht
rv
ed
ly
MM
LA
pe
0NO
HA
WHISTLE
or
6OICE
p
7:5
RI
YE
RICL 146
sfz
ARCO
AA
p
4HE #ITY OF ,OVE POCO LIBERO
KHUU
PHI RA I
KHU SHYAA
LA ORDINARIO
ru s
SUL '
pppp
7:4
MMM
0NO
AAAA
pppp
pp sfz R H
PIZZ
or
ic
R
ppp
mp
mf
yr
ig ht
by
6LN
di L
on do n
s
ll r
/A
6OICE
ig ht
re se
rv
mp
ACCEL TREM
/F
ed
or
POCO f
ly
pe
6LN
on
ALL CHROMATIC NOTES
PED
pppp
0NO
NEE
al
6OICE
POCO f
A TEMPO
C op
0NO
6LN
pppp
7:6
7:5
p
7:6
RICL 146
7:5
7:5
4HE #ITY OF ,OVE
7:4
mp
pppp
mf
SUL '
7:6
mf
7:5
di L
5:7
5:7
5:7
by
ig ht
yr
p
C op
0NO
f
PED
p
6LN
HUM
mp
f
HUM
POCO
R H
PIZZ
q
R
ic
e e
5:7
PIZZ
5:7
or
5:7
POCO f
mf
p
PIZZ
5:4
PIZZ
COL LEGNO BATTUTO
ig ht
or
ll r
/A
on do n
s
6LN
0NO
MENO f
PED
mp QUASI ECO
f
PED
7:6
/F
q
6LN
))
e e
7:5
f
7:5
0NO
7:4
f
7:5
ru s
pe
ed
rv
6LN
7:5
PED
re se
0NO
ly
on
al
RICL 146
5:4
5:4
4HE #ITY OF ,OVE
mf
PLAY
ff
on
5:4
5:4
PIZZ
5:4
ARCO
5:4
mp
PED
5:4
5:4
PIZZ
5:4
PIZZ
5:4
PIZZ
R
ig ht
6OICE
by
x x e
ic
or
di L
pp SUBITO
f
on do n
5:4
POCO A POCO PED
6LN
ll r
/A
0NO
s
ig ht
re se
rv
ed
5:4
6LN PIZZ
ru s
or
al
ly
/F
0NO
pe
6OICE
HUM THROUGH PARTLY CLOSED LIPS
yr C op
0NO
8:9
5
mp
RA
TI
GU
8:9
REE
LA
KHI
8:9 LA
LA
ppp
mp
PIÂ PED
6LN
8:9
8:9
RICL 146
8:9
8:9
4HE #ITY OF ,OVE
8:9 NA KEE
A N
pp
A N GA NA
MAA
GA NA
ppp
5:4
5:4
pe
or
5:4
8:9
N
di L
mf
PIZZ
5:4
POCO A POCO CRESC
5:4
R H
on do n
DAU REE PHI RA TI
p
5:4
5:4
ig ht
by
R
ic
6LN
"AU REE LAU N
or
0NO
HA
/A
s
ig ht
6OICE
ll r
re se
rv
ed
/F
on
POCO
HOLD WITH PEDAL
6LN
R H
al
0NO
ru s
6OICE
CON SLANCIO
ly
yr
C op
0NO
f
6LN
f
5:4
mf
5:4 RICL 146
mf E DIM
4HE #ITY OF ,OVE
f
PIÂ f
5:4
/A
ic
or
ig ht
yr
C op
mf
HUM
PREPARE TO HUM
CRESC LH ONLY
6LN
R by
0NO
di L
on do n
ff
ll r
p
6OICE
re se
s
0NO
6LN
ig ht
rv
VOLANTE e
/F
f
5:4
pe
or
ed
6LN
ly
on
0NO
al
ru s
ACCEL POSSIBILE
p
ARCO SUL TASTO MOLTO PORTAMENTO
mf RICL 146
4HE #ITY OF ,OVE
6OICE
0NO
al p
/F
6OICE
OPEN MOUTH TOWARDS TOP
re se
rv
ed
ru s
6LN
pe
or
mf
mp
ly
on
CRESC RH
ig ht
f
SLOW CRESC
or
di L
6LN
ll r
0NO
/A
on do n
s
R
ig ht
yr
C op
0NO
PIÂ f
by
6OICE
ic
p
WITH FOREARM
ff
p
6LN
HUM
RICL 146
f
4HE #ITY OF ,OVE POCO A POCO RALL
SEMPRE RALL
BA
CHHA
5:4
N
di L by
ig ht
f
5:4
GLISS
p SONORE
HA
p
pp
5:4
HUM
q E SEMPRE RALL
p
PIZZ
LEE
pp
yr C op
R
HUM
or
ic
5:4
ll r
PIZZ BEYOND BRIDGE
CHAA
s
ff
pe
BEE
ig ht
TAP CHINREST WITH BOW SCREW
SIM
re se
rv
0NO
TI
ff
6OICE
ru s
ff
6LN
/A
on do n
or
CHU
/F
ed
#,!0
0NO
ff SMANIOSO
ff
< q_y = q. > q
6OICE
al
f
mf
0NO
6LN
ly
on
GLISS
6LN
RICL 146
4HE #ITY OF ,OVE
))) q
6OICE
POCO LIBERAMENTE
KHH BREATHING IN
ACCEL RIT
SUL PONT
or ic R
YAI
NEE
ig ht
yr
C op
0NO
TI
NE
HA
PU
RA
NAA
mf
GLISS
mp
RICL 146
ly HI
HUM
HUM
ppp
6LN
on
al
ed
HUM
3 BA
ppp
COL LEGNO GETTATO
mp
by
6OICE
di L
NI
mp
N
mf
ig ht
GLISS
KYAU
BA SI YAI
/F
N
ppp
ll r
rv
+YAU
ppp
or
pp
PED
6LN
ACCEL RIT ))
/A
0NO
TREM
ACCEL RIT
TREM
A TEMPO MA CON LICENZA p ENCANTADO
6OICE
ACCEL RIT
re se
on do n
pp
CLEAR PED SLOWLY
TREM
6LN
TREM
ru s
pe
s
0NO
ACCEL RIT
ACCEL RIT
N
HI
4HE #ITY OF ,OVE
0NO
GLISS
PED SEMPRE
PLAY
LOI
HUM
NA
KA
RAI
N
GLISS
GLISS
q
NAA
MA NA BA N DHI
JAA
mf
di L
CON SORD PRACTISE MUTE
or
ppp
DROP TOOL ON STRING
ll r
N
or
/F
HI
GLISS
GLISS
pp MOLTO TENERO
SENZA VIB
R ig ht
C op
yr
ppp
AA
N
AA
N
MA
PED SEMPRE
6LN
pp
by
0NO
HUM AS IF TRYING TO REMEMBER A NAME
6OICE
ic
/A
HA KA
SEMPRE LEGATISS OVERLAP FINGERS
0NO
on do n
6OICE
ed
pp
DIM POSSIBILE
rv
re se
SFZ
s
ig ht
sfz
COL LEGNO GETTATO
DAMP
ppp POSS
pp
6LN
6LN
GAA LA GEE
HUM
ly
,A
on
al
ru s
6OICE
pe
mf
RICL 146
4HE #ITY OF ,OVE
HA
0NO
AA
AA
N
N
E
MA
E
DA
DA
MA
AA
II
MA
N
ll r
/A
GLISS
ig ht
6OICE
by
R
ic
or
di L
6LN
on do n
0NO
ig ht
s
6OICE
re se
rv
ed
/F
or
pe
ru s
al
on
PED
6LN
ly
6OICE
C op
yr
NA M
0NO
6LN
M
HUM AS IF WORDS ARE FORBIDDEN
NA
N
POCO PIU f RICL 146
4HE #ITY OF ,OVE POCO A POCO RALL
0NO
PED
al
GLISS
ru s
SOSPIRANDO
or /F rv
ed
3
3
on do n
ppp SEMPRE
0NO
pp
or
ic
R
ORD
3
DOLCISS
3
3
di L
POCO FLAUTANDO
C op
yr
ig ht
by
6LN
4EMPO
s
3
p CON ULTIMA TENEREZZA
ig ht
6OICE
ll r
/A
q q.
re se
q
0NO
PED
6LN
GLISS
RICL 146
pe
6LN
ly
6OICE
on