RNY 1223 - Julia Wolfe - Lad

J ULIA WOLFE LAD FOR NINE BAGPIPES

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rk Yo ew N or di ic R by ht ig yr op C © 2007 by Universal Music Corp. (ASCAP) International Copyright Secured. All Rights Reserved.

RNY 1223 ISMN 979-0-041-61223-2 Warning : Unauthorized reproduction of this publication is prohibited by Federal law, and subject to criminal prosecution.

Lad q=60

Bagpipes 1,4,7

Bagpipes 2,5,8

Bagpipes 3,6,9

Julia Wolfe

                

DRONES ONLY

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Copyright © 2007 by Red Poppy, Ltd. Administered exclusively worldwide by G. Schirmer, Inc., (ASCAP) New York, NY. International Copyright Secured. All Rights Reserved.

Warning: Unauthorized reproduction of this publication is RNY 1223 prohibited by Federal law and subject to criminal prosecution.

     

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2

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RNY 1223

11

THE SLOW MELODY



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 



  

TRANSITION

 3,6,9     

 







  

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3,6,9

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yr

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            169



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

 

THE SLOW MELODY IN 2 PARTS (harmony)  162      1,4,7,  2,5,8

 

 









 

rk





  

152

1,4,7, 2,5,8

  

 





R



 

by

146



 







Yo

 







   





ew

 



138

 

 

ht



  



N

     

131

 

or di



 

 

ic

TUTTI

    

124

ig

12



  

 



 



 





 









 























RNY 1223

     

179

 

     

 

 



   





 



 

 

 





 

 

13

 





 

 









 



 





 

 

 

Yo



   









ew



 

 





R

ic



 



 

N





or di

 

186

rk



yr

ig

ht

by



op

TRILL in 3 PARTS free trill, changing speeds

1,4,7

2,5,8

3,6,9

     

C

                  193









free trill, changing speeds              

         free trill, changing speeds





 RNY 1223

THE FAST MELODY q=120 205    3   

14

                                         1,4,7,          2,5,8  3





3

3







3

3

 3

3

           3,6,9       

rk



Yo

                                              3

3

3

N

3

ew

209

3

3



 

by

R

ic

or di

         

yr

ig

ht



op

TUTTI    

C

                                                  

214

3



3





3

3







3

3



3

3

                                                  

218

3

3

3

3

RNY 1223

3

3

 

                             1,4,7    





 

  



3

3



     

by

3

 

3

 





3



3

  

 

         

3

3

   3          

  

3

             



3



3

 

 

3

3

  



                

  

 

3

 





3

C

op

   232

3

            

3

ht

 

ig

3

yr

     





3

R

                 

229



3

 

                  

3





 

3

 

             

3



 

3

3

                 

 

rk



 33 

Yo

      

 

ew

  3.6.9     

 

3

226

3

  3             



           

 

3





N

3



3

or di

 2,5,8     



ic



223

15

3









 

   3                                   3 3 3  3   3   3                               3 3 3  

 33 

 

 

 

3

RNY 1223

3

3

16

                                                 3 3 3 3 3 3                                          3 3 3 3 3     3                                     3 3 3 3  238    3                                3 3 3     33                                      3 3 3    3   3                                  3 3 3 3    241    3                                         3 3 3 3 3      3                                     3 3 3   3   3     3                                         3 3 3 3 3    244                                   3 3 3                                             3 3 3     3                                          3 3 3 3

C

op

yr

ig

ht

by

R

ic

or di

N

ew

Yo

rk

235

3

RNY 1223

                               

247

    



3



3



3



3

 

3

         

 

3

 

 

3

3

 



3

3

 

3

3

  

 

3

         

 



 

 

3

 

3

3

3

           

3

 

        

N





3

                   3

3

              

 

3

 

3

3

3



3

     



3

3

yr

3

3

  

 

         

or di

 3  



ic



ig

 



            

R



by



ht

     250

ew

Yo

rk



C

op



                 

253



 

                      

 

 



  3             



3

17

3

       

 

3

3

      

 

3

              3

 

3

3

               

 

 

 

 

           3

3

RNY 1223

3

3

   

 

      

 

3

         

 

           3

3

3

3

    

18

     

 

      

 

256

3

              

3

 

      

 

3

         

3

3

3

3

3



 

           3

3

3

    



ew

N 3

3

            

 







3

            

 







  

  

by

             

ig

3

3

             

ht

3

  

      

 

3

3

3

3

3

3

yr

3

op C

      

      



262





                 





 

rk 



3

Yo

                 

or di

3

ic

3

  

      

 

R

      

      

 

259



 

3



3

         

 

                                    3

  

      

 

3

3

               

 

 

 

                   3

3

3

      

 

3

3

         

 

 

 

 

           3

3

RNY 1223

3

   

      

 

3

3

         

 

 

 

 

           3

3

3

    

            3                     

3

 

 

FREE G-A GLISSES



             

  



   

      

ew N

R





ic

































by



ht



 

 

continue free G-A glisses

3







3





ig



 





 

272

3

3

Yo

3





or di

3

 

  

3

yr

 

268



 

                 

  

   

 

op



         

C



  



rk

      

265

19

 

      RNY 1223

     

     

     











 















 













  













 













  





ht











 















 















 













Yo

ew N or di

R by

ig yr op



ic

278

rk



 continue free G-A glisses   

C

20

RNY 1223

Animal sound (made by cupping the hand around the mouth piece and creating a wild irregular distorted guitar sound)

21



 









 









 





  





 





 

 













 









 







op

yr

ig

ht

by

R



C

ic

or di

N

ew

Yo

rk



 

284

RNY 1223

22



 



 





 





  







 





 



287

 









  

C

op

yr

ig

ht

by

R

ic

or di

N

ew

Yo

rk

Animal sound









 









 







RNY 1223

23

 

290



   

 



 



  





 





 

N

Animal sound















 









 







op

yr

ig

ht

by

R



C

ic

or di



ew

Yo

rk

Animal sound

RNY 1223

24



 



 

293

ew

Yo

rk

  



 





 





 

ic

or di

N



 











 









 







op

yr

ig



C

ht

by

R

Animal sound

RNY 1223



 



 



 

25

ew

Yo

rk

296



 

Animal sound



 







  







 









op

yr

ig

ht

by

R

ic



 

C

or di

N

  

RNY 1223

26



 



 

299

Yo ew or di

N

 

ic



rk

  



 









 









 







op

yr

ig



 

C

ht

by

R

  

RNY 1223



 



 



 

27

ew

Yo

rk

302

or di R by ht ig yr

 

C

  

ic

 

op



N

  







  







 











RNY 1223

28

Sudden rest





 





 



 





 



 





 



 





 



 





 



 







 



 







 



 







 



C

op

yr

ig

ht

by

R

ic

or di

N

ew

Yo

rk



 

 

305

RNY 1223

ht

ig

yr

op

C by or di

ic

R N

ew

Yo

rk

ht

ig

yr

op

C by or di

ic

R N

ew

Yo

rk