julia wolfe
riSE and fLY
C
op
yr
ig
ht
by
R ic
or
di
N
ew
Yo
rk
for colin currie
full score
rk Yo ew N di or R ic by ht ig yr op C Š 2012 by Universal Music Corp. (ASCAP) International Copyright Secured. All Rights Reserved. RNY 1233 Warning : Unauthorized reproduction of this publication is prohibited by Federal law, and subject to criminal prosecution.
ORCHESTRA 2 Flutes (2nd doubling piccolo) 2 Oboes 2 Clarinets in Bb (2nd doubling Bass Clarinet in Bb) 2 Bassoons 4 Horns in F 3 Trumpets in C 2 Tenor Trombones Bass Trombone Tuba 3 Percussion:
Yo
rk
2 Vibraphones 2 Slide whistles 2 Flexatones Sleigh bells Glockenspiel Tubular Bells Triangle Chinese cymbal Low tom Tam-tam
N
ew
Harp Piano
R ic
Strings
or
di
Percussion Solo (see key below)
op
yr
ig
ht
by
THE SCORE IS IN C.
C
BODY PERCUSSION KEY (m. 1-311)
rubbing hands together
oven rack sitting on metal tray, rattles when struck
stick click
blowing into hands
chest
lap
clap
back of hand clap
snap
foot stomp
STREET PERCUSSION KEY (begins at m.312) bass drum bucket
metal pot
metal grate (like a guiro)
snare drum bucket hit on the side
snare drum bucket
tambourine
higher pitched buckets with a bouyant sound (x-notehead indicates to hit the rim)
ratty cymbal
ht
ig
yr
op
C by di
or
R ic ew
N Yo
rk
Commissioned by the BBC Radio 3 and first performed by the BBC Concert Orchestra, with soloist Colin Currie, at the Southbank Centre's Ether Festival, October 11, 2012
SCORE IN C
q=66
Vibraphone 1 Slide Whistle 1, Flexatone 1
no motor, minimal pedal throughout
Percussion I
p
Piano
Hands rubbing together
Violin 1
Violin 2
q=66
Begin with body perc. key
mf
rubbing hands together (as if to stay warm)
blowing into hands
p
f
unsynchronized bowing
Viola
ig
p
p
MNLOLMMN
Body Perc./ Street Perc.
Percussion Solo
yr
Harp
op
Glockenspiel, Tubular Bells Triangle, Chinese Cymbal Low Tom, Tam-tam
p
C
Vibraphone 2, Sleigh Bells Slide Whistle 2, Flexatone 2
Percussion III
no motor, minimal pedal throughout
Percussion II
Yo
Tuba
ew
2 Tenor Trombones Bass Trombone
N
3 Trumpets
di
4 Horns
or
R ic
by
2 Clarinets (2nd doubling Bass Clarinet)
rk
2 Oboes
2 Bassoons
Julia Wolfe
for Colin Currie
ht
2 Flutes (2nd doubling Piccolo)
riSE and fLY
mp
Violoncello
Contrabass
RNY 1233
p
2
Fl.
Ob.
Cl.
5
Bsn.
a2 jet whistle
sf
Hp.
Pno.
Perc. Solo
Humming
**
Humming
p
(hum)
Vla.
Humming
Vc.
p
(hum)
Humming
p
Cb.
f
(hum)
Yo ew N
p
(black-note gliss.) f
p
f
p
p
p
(hum)
Vln. 2
Vln. 1
gliss.
f
l.v.
di
R ic
Triangle
or
by
Tri.
ht
Vib. 2
op
Vib. 1
C
Tba.
ig
Tbn.
yr
C Tpt.
rk
Hn.
p
p
f
p
(hum)
p
(hum)
p
(hum)
** players should hum in any octave that is natural and comfortable
p
(hum)
RNY 1233
Ob.
Cl.
Tri.
Hp.
Pno.
Perc. Solo
a2
p
Air sound
f
a3
p
f
Air sound
f
a3
p
Air sound p
f
f
sim.
f
f
p
f
p
p
p
Yo
p
Air sound
a2
rk
Vln. 1
N
di
Vib. 2
sf
by
Vib. 1
C
Tba.
yr
Tbn.
op
C Tpt.
Air sound
Hn.
ew
3
or
R ic
Bsn.
ht
Fl.
sim.
ig
10
p
f
p
p
f
p
p
(hum)
Vln. 2
Vla.
Vc.
Cb.
p
(hum)
RNY 1233
p
(hum) p
(hum)
Fl. 16
sf
sf
Cl.
Tri.
f
f
Perc. Solo
p
f
p
Vla.
Vc.
Cb.
p
p
(hum)
f
p
f
p
(hum)
RNY 1233
f
p
p
f
p
p
(hum) p
(hum)
p
di
p
Vln. 1 Vln. 2
p
Pno.
Yo
f
ew
p
N
f
p
Hp.
f
p
or
Vib. 2
f
Tba. Vib. 1
p
by
Tbn.
f
ht
Tpt.
p
ig
Hn.
R ic
yr
op
Bsn.
rk
Ob.
C
4
Ob.
Cl.
Fl.
Bsn.
5
N
21
Hp.
Pno.
Vln. 1
p
f
p
p
rk
f
Yo
ew
f
Perc. Solo
p
di
f
or
R ic
Tri.
p
by
Vib. 2
f
p
ht
Vib. 1
f
p
ig
Tba.
yr
Tbn.
op
C
Tpt.
p
Hn.
p
f
p
(hum)
Vln. 2
p
(hum)
Vla.
Vc.
p
(hum)
Cb.
p
(hum)
RNY 1233
6
Fl. 25
Ob.
Cl.
Bsn.
a2
3
6
6
3
3
3
3
p
ff
pp
3
6
6
p
6
6
6
pp
ff
p
3
6
6
ff
3
3
3
3
pp
Hp.
Pno.
Vln. 1
mp
(hum)
Vln. 2
mp
Vc.
Cb.
6
6
6
ff
pp
mf
p
(hum)
Yo
f
p
(hum) mp
mp
(hum)
Vla.
6
p
6
R ic
ew
N
di
or
Perc. Solo
by
Tri.
ht
Vib. 2
ig
Vib. 1
yr
Tba.
op
Tbn.
C
Tpt.
rk
Hn.
RNY 1233
28
Fl.
sf
7
sf
Cl.
Tri.
Hp.
Pno.
Vla.
Vc.
Cb.
p
f
f
f
p
p
p
f
f
p
p
f
f
p
(hum)
(hum) mp
(hum)
RNY 1233
mp
(hum) mp
mp
p
p
Yo
f
N
p
Vln. 1 Vln. 2
Perc. Solo
f
ew
Vib. 2
p
di
Vib. 1
yr
Tba.
f
op
Tbn.
p
ht
or
Hn.
Tpt.
f
R ic
p
by
ig
C
Bsn.
rk
Ob.
8
(a2) 3 6 6 Fl.
33
p
ff
Ob.
3
3
pp
3 6 6 3 3
Cl.
p
Bsn.
6
3
6
6
6
6
pp
ff
p
3
6
6
ff
Hp.
by
Pno.
Perc. Solo
Vln. 1
rk Yo ew
6
6
6
6
p
ff
pp
mf
pp
pp
Vc.
p
(transition to "ah" by gradually opening mouth)
-
-
-
-
-
-
-
-
-
-
-
-
(transition to "ah" by gradually opening mouth)
-
-
-
-
-
pp
(hum)
f
p
-
Vla.
(hum)
Cb.
(hum)
Vln. 2
C 6
f
di
p
f
N
p
or
ht
Tri.
f
ig
Vib. 2
p
(transition to "ah" by gradually opening mouth)
-
pp
(hum)
-
-
-
(transition to "ah" by gradually opening mouth)
-
RNY 1233
-
-
-
-
-
f
3
f
p
yr
Vib. 1
pp
op
Tba.
R ic
Tbn.
3
p
Hn.
Tpt.
9
35
Ob.
Cl.
6
p
Vln. 1
6
ff
6
6
6
f
f
f
f
f
N
di or
ht
op
C
yr
p
p
Yo
ew
p
f
p
mp
mp
pp
pp
ah
Vla.
mp
Vc.
pp
pp
ah
mp
Cb.
pp
3
pp
6
ff
6
R ic
6
ah
Vln. 2
pp
Perc. Solo
6
3
3
Pno.
6
6
pp
pp
Hp.
6
by
Tbn.
Tri.
rk
Tpt.
Vib. 2
pp
6
pp
Vib. 1
ff
Tbn.
3
3
p
Hn.
6
p
Bsn.
6
ig
Fl.
ah
RNY 1233
3
3 6 6 Fl.
37
ff
6
3
6
6
6
3
ff
p
Vib. 2
Tri.
Hp.
Perc. Solo
Vln. 1
ppp
f
p
ppp
ppp
op
f
p
6
p
p
-
(sim.)
mp
-
-
(hum)
-
(sim.)
-
-
(hum)
Cb.
mp
-
(sim.)
-
-
p
(hum)
RNY 1233
ah
p
Vc.
ah mp
ah mp
-
(sim.)
-
6
6
6
p
p
Vla.
6
6
ppp
(hum)
Vln. 2
6
yr
p
C
6
Pno.
6
or
Vib. 1
pp
ig
Tbn.
R ic
Tbn.
6
by
Tpt.
3
ff
p
pp
ht
Hn.
6
p
Bsn. 6
6
rk
6
Yo
Cl.
ew
N
Ob.
pp
di
10
-
ah
6 3 3
11
41
Fl.
ff
Ob.
Cl.
pp
pp
Bsn.
6
6
6
6
ff
6
6
ff
3
3
6
6
6
pp
Hn.
maintain harmony as a rolling broken chord
ig 6
6
6
6
Vln. 1
pp
mf pp
ff
pp
pp
pp
ah
Vla.
Vc.
pp
pp
ah
Cb.
pp
pp
ah
RNY 1233
ah
Vln. 2
f
op
Perc. Solo
C
Pno.
p
f
ht
p
p
by
a3
yr
Hp.
rk
f
p
Yo
ew
Tri.
Air sound
Vib. 2
N
Vib. 1
di
Tbn.
Air sound
or
Tbn.
R ic
Tpt.
p
f
p
44
sf
sf
Ob.
Cl.
Vla.
Vc.
Cb.
f
p
f
p
mp
p
mp
f
Yo
f
p
f
p
p
p
p
f
p
f
p
ppp
ppp
p
6
6
6
ff
ppp
ppp
RNY 1233
6
ff
f
mp
f
mp
f
f
p
6
rk
p
p
6
6
ff
ew
6
f
pp
Vln. 1
Vln. 2
Perc. Solo
f
6
N
Pno.
f
p
p
R ic
by
Hp.
p
6
ht
Tri.
f
6
ig
Vib. 2
p
C
Vib. 1
Tba.
pp
Tbn.
ff
6
Hn.
6
6
p
p
Tpt.
6
yr
op
Bsn.
di
Fl.
a2
or
12
6
6
pp
47
Fl.
Ob.
Cl.
13 3
3
6
6
6
6
6
6
Perc. Solo
ht ig
yr
op
by
Pno.
N
ew
Yo
rk
C
Hp.
pp
Tri.
di
Vib. 2
or
Vib. 1
pp
R ic
Tba.
pp
3
pp
Tbn.
mf
Vln. 1
pp
Bsn.
Tpt.
6
Hn.
3
p
(hum)
Vln. 2
p
(hum)
Vla.
Vc.
p
(hum)
Cb.
p
(hum)
RNY 1233
14
3 6 6 Fl.
49
p
Ob.
ff
3
3
pp
3 6 6 3 3
p
6
3
ff
Hn.
Tri.
Vln. 1
p
p
f
p
f
ew
yr
C 6
6
6
6
p
ff
p
pp
mf
p
ppp
-
-
-
-
-
ah
-
mf
ppp
-
-
-
-
-
ah
-
f
ppp
-
Cb.
op
mf
Vc.
ht
N
pp
pp
f
-
Vla.
-
Vln. 2
Perc. Solo
6
Pno.
6
Hp.
6
di
Vib. 2
6
6
Vib. 1
6
or
Tba.
6
R ic
Tbn.
6
by
Tpt.
6
ff
rk
3
ig
Bsn.
6
p
Yo
Cl.
-
-
-
-
-
ah
-
mf
-
-
-
-
-
-
ah
-
RNY 1233
ppp
Ob.
Cl.
Perc. Solo
Vln. 1
p
f
p
Vc.
f
p
f
p
-
-
-
-
6
-
-
-
-
p
ah
ah
p
-
-
-
-
p
ah
-
-
-
-
6
6
6
6
-
p
(hum)
p
-
p
-
p
(hum)
Cb.
f
(hum)
Vla.
p
(hum)
Vln. 2
f
f
p
op
Pno.
f
rk
f
p
6
Yo
f
6
ff
6
C
Hp.
6
6
f
6
ff
ew
6
N
6
Tri.
p
6
R ic
6
Tba.
Vib. 2
6
by
p
p
Vib. 1
ff
6
p
p
6
di
Hn.
Tbn.
6
p
Tpt.
sf
ht
ig
Bsn.
15
yr
Fl.
a2
or
51
- ah
RNY 1233
ff
pp
16
54
Fl.
6
6
3
6
6
pp
Perc. Solo
Vc.
Cb.
rk ew
by ig
f
p
f
f
p
f
p
switch to violin
pp
p
f
pp
f
Vla.
p
p
f
f Vln. 1
Vln. 2
yr
mf
p
op
Pno.
ht
mf
f
C
Hp.
N
di
Tri.
or
Vib. 2
R ic
Vib. 1
Yo
pp
pp
Tba.
sf
Hn.
Tbn.
pp
6
Tpt.
Cl.
pp
3
Bsn.
a2
Ob.
3
3
switch to violin
f
pp
f
pp
RNY 1233
switch to cello
56
3
6
6
p
ff
3
3
6
6
Perc. Solo
6
6
6
6
pp
pp
f
p
f
p
f
or
op 6
6
6
6
6
p
div.
ff
p
pp
ht
yr
p
ig
Yo
p
p
rk
f
p
Play violin
Vln. 1
pp
f
pp
Play violin div.
Vln. 2
pp
f
pp
pp
f
Play cello
Vc.
div. pp
Cb.
pp
div.
Vla.
pp
pp
6
6
6
6
ff
Pno.
6
C
Hp.
Tri.
ff
pp
ew
p
Tba.
Vib. 2
3
p
Vib. 1
pp
3
Hn.
Tbn.
ff
Tpt.
p
3
N
Bsn.
3
di
Cl.
6
R ic
Ob.
6
by
Fl.
17 3
pp
f
RNY 1233
18
58
Fl.
a2
sf
sf
Ob.
Cl.
Bsn.
Hn.
Tri.
Hp.
p
Perc. Solo
Vln. 1
ht
ig
p
f
p
p
f
f
f
RNY 1233
p
f
f
pp
Cb.
f
pp
Vc.
f
p
pp
Vla.
pp
Vln. 2
yr f
op
C
f
ew
f
p
f
Pno.
f
p
p
rk
f
N
Vib. 2
p
di
Vib. 1
or
Tba.
R ic
Tbn.
by
Tpt.
Yo
3
60
Fl.
3
p
ff
3
3
p
pp
ff
Ob.
3 3 3 3
Cl.
Bsn.
19
p
6
3
6 ff
6
6 ff
6
6
p
6
3
pp
p
3
6
3
6
ff
pp
p
6
3
6
ff
Tri.
Perc. Solo
p
6
6
6
pp
pp
Vc.
pp
pp
Cb.
6
pp
Vln. 1
Vla.
ht
ff
Vln. 2
ig 6
p
6
f
p
p
pp
pp
pp
pp
Play double bass
pp
RNY 1233
6
6
6
6
unis.
p
C
Pno.
yr
op
by
Hp.
N
di
Vib. 2
or
Vib. 1
R ic
Tba.
Yo
Tbn.
ew
Tpt.
rk
Hn.
ff
pp
p
f
20
Fl. 62
3
pp
6
p
3
ff
Ob.
6
p
3
6 3 6
Bsn.
Hn.
pp
3
6
p a2
6
6
ff
6
like a fog horn, on and off
pp
6
p
6
ff
6
6
6
6
3
pp
3
Cl.
3
pp
ff
pp
6
sudden rest
sudden rest
pp
f
like a fog horn, on and off
f
Hp.
Pno.
Vln. 1
f
Vc.
Yo
ew
N
6
6
f
f
6
6
6
6
6
6
6
6
6
6
6
6
p
ff
pp
p
ff
pp
pp
pp
f
6
p
Vla.
or
Vln. 2
mf
f
Cb.
Perc. Solo
yr
ig
R ic
di
rk
Vib. 2
Tri.
op
Vib. 1
C
Tba.
by
Tbn.
ht
Tpt.
pp
pp
RNY 1233
pp
pp
pp
pp
pp
pp
64
Fl.
6
p
6
Ob.
6
p
6
Hn.
3
ff
6
p
3
6
6
6
ff
6
6
p
6
6
ff
6
f
di or
ig
ht
by
R ic
yr
op
Perc. Solo
C
Yo
N
rk
6
6
6
6
6
6
6
6
6
6
6
6
p
ff
pp
Vla.
6
pp
RNY 1233
6 6
pp off the string pp off the string pp
ff
6
off the string 6
pp
div. off the string
ff
ff
6
ff
ff
Vc.
6
p
ff
6
Vln. 2
pp
ew
3
f
Cb.
3 pp
3
3
Vln. 1
3
3
6
sim.
Pno.
3
3 pp
pp
6
sim.
Vib. 2
Hp.
f
Tbn.
Tri.
3
3
3
6
Tpt.
Vib. 1
3
3
3
f
Tba.
6
Cl.
Bsn.
3
ff
21
22
Fl. 66
Ob.
p
p
6
6
6
6
6
6
6
6
p
Cl.
Bsn.
a2
f
Hn.
f
Vln. 1
Vln. 2
Vla.
Vc.
(all with right hand) 6
6
6
6
6
6
6
6
6 6
Cb.
Perc. Solo
ht
Pno.
ig
yr
Yo
ew
N
di
Hp.
rk
or
Vib. 2
Tri.
op
Vib. 1
C
Tba.
R ic
Tbn.
by
Tpt.
6
6
6
6
6
6
6
6
6
6
6
6
6 6
RNY 1233
68
Fl.
Ob.
Bsn.
f
6
Cl.
23
6
6
6
6
6
6
6
6
6
6
6
f
1. 6
6
2. p
6
6
6
p
6
f
f
6
6
f
6
6
6
f
Hn.
f
Perc. Solo
Vln. 1
by
6
6
6
6
unis. 6
6
6 6
unis.
6
6
6
Vc.
Vla.
Yo
6
Vln. 2
ew
di
ht
Pno.
ig
yr
N
Hp.
rk
Vib. 2
Tri.
op
Vib. 1
C
Tba.
or
Tbn.
R ic
Tpt.
6
6
6
6
f
f
6
6
6
6
6
6
6
6
f
f
f
Cb.
mf
RNY 1233
24
Fl.
70
Ob.
ff
f
Cl.
Bsn.
6
6
6
6
6
6
6
6
6
6
6
6
f
6
6
6
6
6
6
6
6
ff
6
ff
6
6
6
Hn.
Pno.
Perc. Solo
Vln. 1
C
Vln. 2
Vc.
Yo
6
6
6
6
6
6
6
6
6
6
6
6
Vla.
ew
N
di
or
R ic
by
Hp.
rk
Vib. 2
Tri.
yr
Vib. 1
op
Tba.
ht
Tbn.
ig
Tpt.
ff
ff
6
6
6
6
6
6
6
6
ff
ff
ff
Cb.
ff
RNY 1233
25
72
Fl.
Ob.
f
6
6
6
6
f
6
6
6
Cl.
Bsn.
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
f
Hn.
6
f
Hp.
Perc. Solo
Yo ew
C
N
di or
R ic
Pno.
by
rk
Vib. 2
Tri.
ht
Vib. 1
ig
Tba.
yr
Tbn.
op
Tpt.
freeze, hand in front of chest
fff
Vln. 1
Vln. 2
Vla.
Cb.
Vc.
RNY 1233
26 Fl.
A
Ob.
Cl.
Bsn.
Tpt.
Tbn.
Perc. Solo
pp
ff
ff
pp
C
pp
yr
ff
N
pp
di
ff
or
pp
R ic
Pno.
ff
op
Hp.
pp
Vib. 2
Tri.
ff
by
pp
ew
Yo
ht
Vib. 1
ig
Tba.
rk
Hn.
Vln. 1 non div. on the string
pp
Vln. 2
ff
pp
ff
Vc.
Cb.
ff pp
non div. on the string
pp
Vla.
pp
ff
pp
ff
pp
ff
RNY 1233
pp
76
Fl.
Ob.
Cl.
Bsn.
a2
a2
a2
ff
ff
p
a2
6
3
ff
27
ppp
ff
pp
Tpt.
Tbn.
Tba.
rk
Hn.
Pno.
Perc. Solo
Vln. 1
ff pp
di
ff pp
ff pp
hit handle of sleighbell with palm of hand to make a clear rhythm
ff
p
ff
ff
Sleigh Bells
begin to move hands, slow motion - leading into each clap
as before
ff
ff pp
Vln. 2
ff
Vla.
Vc.
pp
ff pp
ff
pp
ff pp
ff pp
Cb.
ff pp
or
R ic
by
ht
ig
yr
ff pp
op
Hp.
ff pp
C
Tri.
ff pp
Vib. 2
ff pp
N
ff pp
ew
Yo
Vib. 1
ff pp
ff pp
RNY 1233
unis.
ff
unis.
ff
ff
pp
ff
played from the string
played from the string
played from the string
ff
28
Fl. 79
ff
p
ff
ff
Cl.
Ob.
Bsn.
6
3
ppp
ff
3
pp
Tpt.
Tbn.
Tba.
rk
Hn.
Pno.
Perc. Solo
Vln. 1
Vc.
Cb.
p
ff pp
ff pp
ff
pp
ff pp
ff pp
ff
pp
pp
Vla.
ff
ff pp
Vln. 2
N
di
ff pp
or
R ic
ff pp
sim.
by
ff pp
ht
ff pp
ig
pp
yr
ff
op
Hp.
ff pp
S.Bells
Tri.
ff pp
C
pp
ew
Yo
Vib. 1
ff pp
ff pp
ff pp
ff pp
ff
ff
RNY 1233
ff
82
Fl.
ff
29
3
ff
Cl.
Ob.
3
p
3
3
3 ppp
ff
Bsn.
ff
pp
p
p
Tbn.
ff
3
3
ppp
3
3
3
3
3
p
ff
3
3
pp
pp
rk
Tpt.
Tba.
ff
Hn.
Pno.
Perc. Solo
Vln. 1
ff
Vc.
Cb.
N
ff pp
ff
di
ff pp
3 3 3 p
ppp
ff
ig
ff
pp
ff pp
ff pp
ff
ff pp
Vla.
l.v.
yr
ff pp
Vln. 2
ff pp
ht
ff pp
or
ff pp
Chinese Cymbal and Low Tom
op
Hp.
ff pp
C
Tri.
ff pp
by
S.Bells
ff pp
R ic
ff pp
ew
Yo
Vib. 1
ff pp
ff
pp
ff
pp
ff pp
ff
ff
ff
RNY 1233
30
Fl. 85
ff
ff
Bsn.
6
3
ff
ff
ppp
ff
pp
ff
p
ppp
ff
6 3
Cl.
p
ff
Ob.
6
3
ff
pp
3
Perc. Solo
Yo
ff pp
ff
p
ff
ff pp
ff
pp
sim.
pp
C
ff
ff pp
R ic
ff pp
by
Pno.
ff pp
ht
Hp.
ff pp
ig
S.Bells
Perc.
ff pp
op
pp
ew
Vib. 1
N
di
Tba.
or
Tbn.
yr
Tpt.
rk
Hn.
Vln. 1 ff pp
pp
Vln. 2
Vc.
ff pp
ff
pp
ff pp
Vla.
ff pp
Cb.
ff
ff pp
ff pp
ff pp
ff
ff
ff
RNY 1233
ff
ff
ff pp
Cl.
ppp
Vc.
Cb.
p
ff
p
ff
3
3
3
3
ff
p
ppp
pp
pp
3
pp
ff
ff pp
ff pp
3
3
ff
ff pp
ff pp
ppp
ig
ff pp
p
p
pp
ff
3
ff
di
or
ff pp
R ic
pp
N
ff pp
ew
C
pp
ff
pp
ff pp
ff pp
ff pp
ff pp
Vla.
3
3
ff
Vln. 2
3
pp
Vln. 1
3
ppp
ff
Perc.
Perc. Solo
ff
S.Bells
Pno.
6
3
ff pp
Hp.
by
Vib. 1
p
ff
ht
Tba.
a2
p
Hn.
Tbn.
ff
Tpt.
ff
yr
Bsn.
31
rk
Ob.
op
Fl.
Yo
88
ff
pp
ff
ff
RNY 1233
ff
ff pp
ff
pp
ff
pp
Fl. 91
Bsn.
3
ff
ff
3
pp
3 ppp
ff
3
3
3
ff
3
pp
ff
3
3
p
Yo
3
pp
ff
p
3
pp
ff
3
ff
yr
ff pp
op C
3
pp
3
ff
or
pp
ew
ff
pp
rk
pp
ff
pp
ff
3
pp
ff
p
Perc. Solo
S.Bells
Pno.
ff
ff ff
Vib. 1
Hp.
R ic
ht
Tbn.
ig
Tpt.
3
p
p
Perc.
ff
3
Hn.
Tba.
3
ff
N
Cl.
ff
di
Ob.
by
32
Vln. 1 ff
Vln. 2
Vla.
Vc.
pp
ff
pp
ff
pp
Cb.
ff
ff
ff
ff
pp
ff
RNY 1233
pp
ff pp
ff
ff
ff
93
Fl.
Ob.
p
Bsn.
3
6
3
ppp
3
ff
6
a2
ff
ppp
33
ff
6
Cl.
ff
pp
Perc. Solo
Yo
ff
pp
ff
or
pp
ff
pp
ff
ff
ff
yr
pp
di
Pno.
pp
ew
ff
N
pp
op
Hp.
ff
S.Bells
Perc.
R ic
Vib. 1
by
C
Tba.
ht
Tbn.
ig
Tpt.
rk
Hn.
Vln. 1 ff
Vln. 2
pp
ff
Vc.
Cb.
ff
pp
ff
ff
Vla.
pp
pp
ff
RNY 1233
pp
ff
ff
ff
ff
pp
95
Ob.
Cl.
Bsn.
3
pp
ff
ff
3
ff
ff
p
3
3
3
3
3
3
ppp
pp
ff
pp ppp
3
3 ff
6
3
p
ff
p
p
a2
ppp
p
Tbn.
ff
Hn.
Tba.
3
Tpt.
ppp
3
pp
rk
Fl.
Yo
34
Perc. Solo
pp
ff
or R ic
3
ppp
pp
ff
op
3
yr
pp
p
by
ff
ff
ht
3
pp
ff
3
p
ff
ig
pp
di
Pno.
ff
C
Hp.
pp
S.Bells
Perc.
ff
N
pp
ew
Vib. 1
Vln. 1 ff pp
pp
Vln. 2
Vc.
Cb.
pp
ff
pp
ff
Vla.
ff
pp
ff
pp
ff
pp
ff
ff
ff
RNY 1233
Fl. 97
ff
ff
pp
Vln. 1
Vla.
3 ppp
ff
ff
Yo
pp
ff pp 3
p
ff
ew
ff 3
ff
pp
N
3
ff
pp
ff
ff
yr
pp
op
C
ff
di
pp
ff
or
pp
ppp
ff
6
ff
rk
3
ff
pp
ff
pp
ff
pp
ff
Vc.
ff
Vln. 2
Perc. Solo
ff
Pno.
p
S.Bells
Hp.
ff
Vib. 1
Perc.
35
Tpt.
Tba.
ff
3
ff
Hn.
Tbn.
3
p
3
3
ff
R ic
by
Bsn.
ht
Cl.
ig
Ob.
ff
Cb. ff
ff
pp
ff
pp
ff
pp
ff
RNY 1233
ff
ff
ff
99
Fl.
Ob.
Cl.
Bsn.
p
ff
p
ff
p
ff
Perc. Solo
Vln. 1
Vc.
Cb.
6
ppp
3
ff
ff
Yo
ff
N
ff
pp
ff
ff
op
ff
pp
3
ff
ht
pp
p
3
p
ff
ff
3
yr
pp
or 3
ff
ig
R ic
pp
by
pp
pp
di
pp
3
pp
ff
pp
ff pp
pp
Vla.
3
ew
ff
Vln. 2
pp
3
3
pp
ff
3
Pno.
3
3
3
ff
p
3
C
Hp.
3
Tpt.
Perc.
ff
3
S.Bells
3
Vib. 1
p
ff
Hn.
Tba.
ff
Tbn.
rk
36
ff
pp
ff
ff
RNY 1233
ff
ff
pp
ff
pp
101
Fl.
Ob.
Cl.
Bsn.
ff
3
ff
3
ff
pp
Tbn.
Perc. Solo
Vln. 1
ppp
op
N
3
or
ff
ff
C
3
3
3
3
ff
3
3
pp
ff
pp
ff pp
p
3
3
f
pp
ff
pp
ff
pp
pp
Cb.
Vc.
3
ew
pp
ff
ff
Vla.
ht
ff
di
pp
R ic
ff
ff
Vln. 2
3
ff
Pno.
ff
p
by
pp
S.Bells
Hp.
p
ppp
ff
ff
3
ff
Perc.
ff
ppp
p
ig
Vib. 1
yr
Tba.
3
ff
p
Yo
Tpt.
rk
3
Hn. ppp
3
3
ff
ppp 3
37
ff
pp
ff
ff
ff
ff
RNY 1233
pp
38
103
Fl.
Ob.
Cl.
Bsn.
ff
a2
a2
ff
p
3
ff
6
ff
pp
ff
ff
ff
ff
ff
S.Bells
rk
ff
Yo
pp
ff
pp
ff
R ic
op
C
pp
ff
ff
p
ff
ff
ht
pp
ig
ff
yr
pp
by
pp
ff
p
pp
ff
N
ff
ff
Vib. 1
di
or
Tbn.
Perc. Solo
pp
ew
Tpt.
Pno.
pp
ppp
Hp.
ppp
ppp
Hn.
Perc.
6
3
pp
Tba.
p
ff
ppp
Vln. 1 ff
Vln. 2
Vla.
Vc.
pp
ff
pp
ff
pp
ff
Cb.
ff
ff pp
ff
pp
ff
ff
ff
RNY 1233
ff
ff
ff
pp
Fl. 105
ff
Ob.
Cl.
Bsn.
ff
3
3
3
p
3
ff
3
ff
ff
ff
pp
ff
6
3
p
ppp
39
ff
pp
Hn.
1.
Perc. Solo
Vln. 2
Vla.
ff
p
pp
ff
pp
ff
pp
ff
C
ff pp
pp
ff
pp
ff
pp
3
pp
ew
ff
Cb.
3
ff
ff
ff
Vc.
rk
Yo
pp
N
ff
3
ff
di
pp
ff
Vln. 1
ff
or
pp
R ic
Pno.
by
Hp.
ht
S.Bells
Perc.
Vib. 1
yr
ff
ff
Tba.
ig
Tbn.
ff
op
Tpt.
ff
ff
pp
ff
pp
ff
pp
ff
RNY 1233
ff
ff
40 Fl.
Ob.
Cl.
Bsn.
ppp
p
ff
p
ff
p
ff
3
ff
pp
3
3
ff
3
3
3
pp
ppp
ppp
3
6
3
p
ppp
p
ff
pp
ff
rk
ff
3
Tbn.
ff
Hn.
Tpt.
ff
Tba.
107
Perc. Solo
Vln. 1
Vc.
Cb.
N di
or
yr
C
3
ff
ppp
pp
p
by
ff
ff
ff
p
pp
ff
pp
ff
pp
ff pp
Vla.
pp
3
ff
Vln. 2
ff
pp
ht
ff
ig
ff pp
Pno.
pp
op
Hp.
ff
S.Bells
Perc.
pp
R ic
ff
ew
Yo
Vib. 1
ff
pp
RNY 1233
ff
pp
ff
ff
ff
ff
109
Fl.
Ob.
Cl.
Bsn.
a2
ff
3
ff
3
3
ff
pp
ff
ff
p
ff
ppp
ff
rk
Tba.
3
ppp
p
Tbn.
3
3
Hn.
Tpt.
3
ff
41
Yo
Vib. 1
Perc. Solo
op C
p
pp
ff
pp
ff
pp
p
ff
by
ff
or
3
di
ff
ff
ew
pp
ht
ff
ig
pp
N
Pno.
ff
yr
Hp.
pp
S.Bells
Perc.
ff
R ic
pp
Vln. 1 ff
Vln. 2
pp
ff
ff
Cb.
Vc.
ff pp
pp
Vla.
pp
pp
ff
pp
ff
ff
ff
ff
RNY 1233
pp
42
111
Fl.
Hn.
ff
p
Cl.
Bsn.
ff
Ob.
3
ff
6
ff
ff
ff
p
6
3
ff
ff
Tbn.
ff
ff
ff
ff
p
ff
rk
Tpt.
p
ppp
pp
ppp
ppp
Tba.
ff
ppp
pp
Yo
Vib. 1
Perc. Solo
di
ff pp
3
3
ppp
R ic
pp
3
p
ff
ff
by
ff
ff
or
C
Pno.
ppp ff
p
pp
ht
ff
ff
pp
yr
Hp.
ff
op
Perc.
pp
ig
S.Bells
ff
ew
pp
N
ff
Vln. 1 6
Vln. 2
Vla.
Vc.
6
ff pp
6
6
6
6
6
ff pp
6
6
6
6
6
ff pp
6
6
6
6
Cb.
6
6
6
ff
6
ff pp
6
6
6
6
6
ff pp
6
6
6
ff
ff
ff
RNY 1233
6
ff
ff
6
ff pp
6
6
fff
fff
fff
fff
fff
ppp
ppp
Hp.
pp
pp
ff 3
3
ppp
3
C
q=100
Perc. Solo
To Glock.
ff
rk Yo
ff
pp
ppp
ff
Pno.
ff
ew
ff
S.Bells
Perc.
N
Vib. 1
di
ff
op
Tba.
ff
or
Tbn.
fff
R ic
Tpt.
by
Hn.
ht
Cl.
43
ig
Ob.
Bsn.
B
yr
Fl.
q=100
113
Vln. 1
ff
Vln. 2
pp
ff
Vla.
Cb.
pp
ff
pp
ff
ff
fff
ff
ff
Vc.
ff
f with a rough, folk-like quality
f
always forceful, don't let up
fff
f with a rough, folk-like quality always forceful, don't let up
f
RNY 1233
Fl.
Ob.
Cl.
S.Bells
Perc.
44
115
Bsn.
Hp.
Perc. Solo
Vln. 1
C
Pno.
Yo ew N di or R ic
by
yr
Vib. 1
op
Tba.
ht
Tbn.
ig
Tpt.
rk
Hn.
pp
Vln. 2
pp
Vla.
Vc.
Cb.
RNY 1233
Ob.
Cl.
S.Bells
Perc.
45
117
Fl.
Bsn.
Tba.
Pno.
Perc. Solo
Vln. 1
or R ic by
ht
ig
yr
Hp.
di
N
Vib. 1
Yo
Tbn.
ew
Tpt.
rk
Hn.
C
op
pppp
Vln. 2
Vla.
Vc.
Cb.
pppp
RNY 1233
46
Fl.
Ob.
Cl.
119
Bsn.
Hn.
S.Bells
Perc.
Vln. 1
Pno.
Perc. Solo
Vla.
Vc.
Cb.
soulful, bluesy, expressive dynamics 2.
f
N
or R ic by
ht ig yr op
with a rough folk-like quality
f
3
ff
Scratch sound
Vln. 2
3
C
3
1.
p
ew
3
Hp.
3
rk
Vib. 1
3
soulful, bluesy, expressive dynamics
3.
p
Tba.
p
ff
Yo
Tbn.
f sensual
ff
di
p
p
Tpt.
a2
dig deep into the string to make a nonpitch scratch sound
f
all rests sudden
RNY 1233
125
Fl.
p
47
f (sim.)
p
Ob.
Cl.
Bsn.
Hn.
p
Tpt.
soulful, bluesy, expressive dynamics
1.
f soulful, bluesy, expressive dynamics 3 3
2.
f
S.Bells
Perc.
Pno.
Perc. Solo
Vc.
Cb.
f sensual
p
sim.
di or
R ic
ig yr
op
ht
N
sim.
Vla.
Vln. 1 Vln. 2
C
Hp.
Vib. 1
by
Tba.
ew
Tbn.
rk
3
Yo
sim.
sim.
RNY 1233
Fl.
Ob.
Cl.
Hn.
ff
ff
3
3
3
Vib. 1
3
3
p
3
3
2. as before
3
ff
1. as before
Tba.
3
Tbn.
p
3
p
Tpt.
p
p
p
(3.)
f
rk
p
ew
p
f sim.
N
f
di
Bsn.
Yo
131
or
48
Perc.
Pno.
Perc. Solo
Vln. 1 Vln. 2
Vla.
Vc.
Cb.
by ht ig yr
op
C
Hp.
R ic
S.Bells
pizz. (l.v.)
ff
RNY 1233
3
sim.
sim.
p
Ob.
Cl.
p
ff
Tpt.
ff
p
3
3
3
ff
p
3
3
3
S.Bells
Perc.
Hp.
Pno.
Perc. Solo
Vln. 1
Cb.
3
ht ig yr op
by
Vc.
Vla.
Vln. 2
C
Vib. 1
R ic
3
Tba.
3
3
Tbn.
3
p
p
3
f
p
3
49
rk
Hn.
Yo
ew
N
Bsn.
di
Fl.
or
137
ff
p
pp
RNY 1233
50
Fl.
140
p
f
p
Ob.
Cl.
Bsn.
Hn.
3
p
Vln. 2
Vla.
Vc.
op
C
R ic
Perc.
Cb.
by
Vln. 1
yr
Perc. Solo
N
Pno.
f
S.Bells
Hp.
rk
Yo
3
ew
ht
Vib. 1
3
ig
Tba.
3
di
Tbn.
or
Tpt.
ff
p
ff
pp
RNY 1233
ff
Hn.
3
Tbn.
Hp.
Pno.
Perc. Solo
Vln. 1
3
3
3
3
3
p
3
p
ff
p
rk
3
3
3
3
ff
Vla.
Vc.
ht
by
RNY 1233
3
5
Vln. 2
Cb.
3
ig
Perc.
3
ew
p
yr
Tba.
3
ff p
p
p ff p
f sensual
p
Tpt.
a2
N
di
op
Bsn.
p
or
Cl.
f
R ic
Ob.
C
Fl.
51
Yo
144
Fl.
Ob.
Cl.
148
f
p
Perc. Solo
Vln. 1
3
Cb.
di
or
3
p
p
R ic
ht
N
3
3
p
RNY 1233
3
ff
ff
by
f
f
ig
3
op
3
f sensual
C
Vc.
3
f
Vla.
Vln. 2
p
3
p
3
yr
Pno.
ff
3
as before, swing but like crying
Perc.
Hp.
p
p 3
3
ff
3 3 3
Tba.
as before, swing but like crying
Tbn.
p
p
Hn.
Tpt.
rk
Yo
Bsn.
ew
52
152
Fl.
p
Cl.
f
Ob.
Bsn.
f sim.
p
f
p
ff
p
Hn.
p
3
3
3
Hp.
Pno.
Perc. Solo
3
3
3
3
3
3
f sim.
f
pp
ff
with percussion soloist 3
RNY 1233
3
p
ff
3
p
3
3
R ic by ht
ig
3
Vc.
3
Vla.
3
or
Vln. 2
Cb.
3
ff
Vln. 1
yr
Perc.
C
Tba.
op
Tbn.
3
3 3
rk
straight mute
Yo
p
ew
N
3
di
Tpt.
53
Fl. 156
3
p
Pno.
Perc. Solo
3
3
3
3
by
op
yr
ig
Vc.
Cb.
ff
3
p
ff
pp
3
RNY 1233
ff
3
Vla.
3
3
Vln. 2
3
p
5
Vln. 1
3
p
rk
C
Hp.
3
3
p
Yo
3
3
ht
3
3
p
p
ff
3
p
3
Perc.
ff
3
ff
Tba.
ff
Tbn.
p
3
p
Tpt.
f
p
3
p
f
ff
p
Hn.
ew
p
N
Bsn.
f
di
Cl.
or
Ob.
p
R ic
54
Ob.
Cl.
160
Fl.
Bsn.
p
f
p
p
ff
3
3
3
3
3
p
3
3
3
3
3
ff
3
f
3
3
3
3
3
ff
p
senza sord. 3
f
Pno.
Perc. Solo
Vln. 1
Vln. 2
Vla.
Vc.
Cb.
3
f
rk
senzasord.
f
p
p
f
p
f
3
5
ff
p
3
pp
RNY 1233
p
3
3
Yo
ig
ht
3
by
R ic
f
Perc.
Hp.
3
3
yr
op
Tba.
C
Tbn.
3
ew
N
di
or
p
Tpt.
55
p
p
3
p
p
p
ff
p 3
Hn.
ff
Cl.
Bsn.
f
ff
Hn.
Hp.
Pno.
Perc. Solo
Vln. 1
3
3
p
p
p
p
3
RNY 1233
pp
ff
5
3
3
p
f
3
3
Vc.
3
Vla.
3
f
3
di
3
or
3
R ic
Vln. 2
Cb.
3
yr
Perc.
3
op
Tba.
C
Tbn.
p
ff p
3
3
by
ff p p
3
ht
ff p p 3
p
ig
Tpt.
3
p
p
f
p
rk
Ob.
Yo
164
ew
Fl.
N
56
ff
Fl. 168
f
ff
p
Hn.
p
3
3
3
3
senza sord.
Perc.
Hp.
Pno.
Perc. Solo
Vln. 1
Vc.
p
3
ff
3
3
p
f
f
5
RNY 1233
p
3
3
p
3
or
f
3
p
R ic
f
Vla.
Vln. 2
Cb.
3
p
ff
by
p
ht
Tba.
ig
yr
Tbn.
3
op
f
3
p
C
3
ff
N
Tpt.
3
p
ff
p
di
3
f
3
p
ff
rk
Bsn.
f
Yo
Cl.
ew
Ob.
p
57
Fl.
172
p
p
3
p
straight mute
Pno.
Perc. Solo
3
3
3
3
3
p
ff
p
3
3
3
ff
p
3
3
3
ht
3
ff
3
f
f
yr
ig
3
pp
Vc.
Cb.
not with soloist
RNY 1233
with soloist
p
p
5
ff
3
3
3
3
f
3
p
3 3 3 3
Vla.
3
Vln. 2
3
by
p
p
di
ff
Vln. 1
p
or
Perc.
Hp.
3
op
3
R ic
Tba.
3
ff
Tbn.
3
3
p
C
Tpt.
3
3
ff
3
ew
3
p
N
Hn.
p
ff
f
p
rk
Bsn.
Cl.
p
Ob.
Yo
58
3
Ob.
Cl.
ff
p
Pno.
Cb.
f
3
3
3
ff
p
di
R ic
3
3
3
3
f
p
3
f
3
3
3
3
3
3
3
5
3
ff
p
RNY 1233
3
f
f
1.+2.
p
or
f
senza sord.
Vc.
3
f
Vla.
Vln. 2
3
N
f
p
3
ff
p
3
3
Perc. Solo
Vln. 1
3
3
yr
Hp.
3
op
Perc.
3
C
Tba.
3
59
p
p
Tbn.
ff
Tpt.
3
p
p
Hn.
rk
Yo
p
by
f
ht
Bsn.
ig
Fl.
ew
176
not with soloist
with soloist
Bsn.
p
p
Hn.
3
3
Pno.
p
p
3
3
p
3
3
3
3
3
ff
p
3
3
3
3
by
p
f
ff
3
3
p
3
ht
3
ig
3
p
p
3
3
yr
Hp.
3
op
Perc.
ff
3
p
C
Tba.
R ic
3
p
Tbn.
3
p
ff
p
f
Tpt.
rk
Cl.
3
3
N
p
di
Ob.
Yo
181
ew
Fl.
or
60
f
3
3
p
p
3 3 3 3 3 3 3 Perc. Solo pp f 3
3
3
3
ff
Vln. 1
Vln. 2
Vc.
Cb.
Vla.
RNY 1233
not with soloist
61
Fl. 184
f
p
ff
p
3
3
3
p
straight mute
Pno.
Perc. Solo
Vln. 1
3
3
3
3
3
3
p
3
3
p
3
p
3
ff
senza sord.
senza sord.
3
p
3
f
3
f
p
3
3
p
Vc.
Cb.
f
3
3
3
3
3
3
with soloist
3
all right hand, until too fast for one hand
3
5 3
3
3 ff
3
3
3
3
ff
3
rk
f
3
senza sord.
Yo
3
by
3
f
Vla.
3
Vln. 2
ff p p
3
p
p
di
3
3
R ic
Perc. Hp.
ff
ht
p
ig
3
yr
Tba.
p
C
Tbn.
3
p
ff
3
ff
op
3
Tpt.
3
3
f
ew
p
ff p
Hn.
f
N
f
or
p
Cl.
Bsn.
Ob.
RNY 1233
62
Fl. 188
f
f
ff
3
p
Perc.
Hp.
Pno.
Perc. Solo
Vln. 1
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
p
p
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
f
f
3
3
rk
3
by
f
3
3
3 3 3 3 3 3 3 3 6 3 3 6 3 3
Vln. 2
Vla.
Vc.
Cb.
3
3
f
3
ht
3
3
3
3
ff
ew
3
op
3
N
3
3
p
ff p p
di
3
3
f
Tba.
p
3
or
f
ig
3
C
p
yr
3
R ic
3
p
p
3
Tbn.
ff
f
Hn.
Tpt.
p
Yo
f
Cl.
p
Ob.
Bsn.
RNY 1233
p
Perc.
Hp.
Pno.
Perc. Solo
Vln. 1
3
3
3
3
3
3
p
p
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
f
3
rk
3
3
3
f
3 3 6 6 6 3 3 3 3
Vln. 2
Vla.
Vc.
Cb.
C
Tba.
3
Tbn.
Yo
p
ew
f
N
3
Tpt.
p
Hn.
di
yr
Bsn.
or
63
f
R ic
Cl.
by
ht
Ob.
p
op
Fl.
ig
192
RNY 1233
3
p
Hp.
Pno.
Perc. Solo
Vln. 1
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
p
3
sff
3
3
3
p
p
3
p
3
3
6 3 3 6 3 3 3 3 6
Vln. 2
Vla.
Vc.
Cb.
3
3
C
Perc.
Tbn.
Tba.
3
ff
p
p
3
p
3
ff
Hn.
Tpt.
p ff
rk
Yo
ew
p
N
di
Bsn.
or
R ic
Cl.
p
by
ht
Ob.
ig
195
yr
Fl.
op
64
RNY 1233
Ob.
Cl.
65
198
Pno.
Perc. Solo
Vln. 1
p
3
p
3
3
3
3
3
3
3
3
3
3
ff
p
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
3
3
ht ig
by
3
3
3
rk
3
Yo
ew
3
N
di
3
or
6 6 3 3 3 3 6 3 3 6 3 3
Vln. 2
Vla.
Vc.
Cb.
3
R ic
3
Hp.
p ff
Perc.
p
p
p
3
Tba.
ff
3
Tbn.
Hn.
Tpt.
yr
op
Bsn.
C
Fl.
RNY 1233
Fl.
Ob.
Cl.
Hn.
p
Perc.
Hp.
Pno.
Perc. Solo
Vln. 1
3
3
3
3
3
3
3
3
3
3
3
3
3
3
ff
p
3
3
3
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
N
3
3
3
3
3
3 3 6 6 6 3 3 3 3
Vln. 2
Vla.
Vc.
Cb.
3
by
Tba.
3
3
ht
Tbn.
3
3
3
p
3
3
ig
3
p
ff
p
p
p
3
Tpt.
p
di
ff
or
p
R ic
3
rk
Yo
yr
op
Bsn.
ew
202
C
66
RNY 1233
Ob.
Cl.
67
205
Perc.
Hp.
Pno.
Perc. Solo
Vln. 1
3
3
3
3
3
3
3
3
3
Vla.
Vc.
3
3
RNY 1233
3
3
3
3
6 3 3 6 3 3
3
3
3
3
3
p
rk
3
ew
3
3
ff
or
3
Yo
3
3
3
3
3
3
p
N
3
di
3
3
p
ff
3
3
by
Vln. 2
Cb.
3
p
ff
ht
Tba.
3
p
3
p
ff
ff
p
Tbn.
p
ig
ff
ff
p
p
3
p
p
Tpt.
ff
Hn.
R ic
yr
op
Bsn.
C
Fl.
3
3
3
3
6
Fl.
Ob.
Cl.
3
3
3
3
Hp.
Pno.
Perc. Solo
Vln. 1
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
by
3
3
3
3
ht
3
3
ff p
3
ig
3
3
3
3
6 6 3 3 3 3 6 3 3 6 3 3
Vln. 2
Vla.
Vc.
Cb.
p
ff p p 3
3
yr
Perc.
3
3
Tba.
3
3
3
p
p
p
ff
p
ff
ew
3
Tbn.
di
Tpt.
p
or
Hn.
p
rk
Yo
R ic
op
Bsn.
N
208
C
68
RNY 1233
Ob.
Cl.
69
212
p
ff
Hp.
Perc. Solo
Vln. 1
3
3
3
3
3
3
3
3
3
3
3
3
p
3
3
3
3
3
3
3
3
3
3
3
3
3
rk Yo
3
3
ew
by
N
3
di
3
ff
3
3
3
3
3
3
3 3 6 6 3 3 6 3 3
Vln. 2
Vla.
Vc.
Cb.
3
p
p
3
or
3
3
Pno.
3
3
p
ht
Perc.
3
3
3
3
p
ff
3
3
p
Tba.
ff
R ic
Tbn.
ff
p 3
p
p
Tpt.
ig
Hn.
yr
op
Bsn.
C
Fl.
3
3
3
3
3 3
3
RNY 1233
3
3
3
3
3
3 3
3
3
Fl.
Ob.
Cl.
p
Hp.
Perc. Solo
Vln. 1
3
3
3
3
3
3
3
3
3
3
3
3
3
3
by 3
3
3
3
p
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 6 6 6 6 3 3 3
Vln. 2
Vla.
Vc.
Cb.
3
3
3
R ic
Pno.
3
3
3
ht
Perc.
3
ig
Tbn.
3
3
Tba.
3
p
di
ff
or
3
p
p
Tpt.
ew
ff
Hn.
N
rk
yr
op
Bsn.
Yo
215
C
70
3
3
3
3
3
3
3
3
3
3
3
3
RNY 1233
3
3
3
3
3
3
3
3
3
3
3
3
Ob.
Cl.
71
3
3
p
3
3
3
Perc. Solo
Vln. 1
Vla.
Vc.
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
6
3
3
6
3
p
3
6
3
3
3
3
3
3
3 3
RNY 1233
3
3
3
3
3
3
3
3
3
p
3
3
3
3
3
3
3
3
ff
3
3
3
3
3
3
3
3 3 3
Vln. 2
Cb.
3
3
Pno.
3
Hp.
3
3
3
p
p
R ic
3
ff
3
ff
3
3
by
Tbn.
3
3
ht
Perc.
3
Tba.
3
Tpt.
p
3
ig
3
p
rk
Hn.
Yo
ew
p
N
ff
di
yr
op
Bsn.
C
Fl.
or
218
3
3
3
3
3
f
3
3
3
f
3
3
3
3
3
3
3
3
p
3
3
3
3
3
p
3
3
3
3
3
3
3 3 3 3 Perc. Solo
Vln. 1
Vln. 2
Vla.
3
3
groove
3 groove
3
3 groove
3
3 groove
3
Vc.
3
Cb.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
6
3
3
3
6
3
3
3
3
3
3
3
3
3
p
3
op
groove
C
3
yr
3
3
3
3
3
3
3
3
p
p
3
p
by
Perc. Tba.
3
3
3
ht
3
3
3
3
3
3
3
3
ff
3
3
p
3
3
3
3
3
ig
3
3
3
3
f 3
3
3
di
3
3
Pno.
ff
3
3
3
3
3
3
3
p
3
3
3
3
3
ff
Hp.
3
3
Tbn.
3
f
Hn.
Tpt.
3
ff
3
or
Cl.
3
rk
f
Yo
Ob.
Bsn.
f
R ic
Fl.
ew
N
C
72
3
6
6
6
3
3
3
3
RNY 1233
3
3
3
3
3
3
3
3
3
3
3
3
224
Fl.
Ob.
Cl.
Bsn.
3
3
3
3
3
3
3
3
3
3
3
3
3
p
ff
ff
3
3
3
3
3
3
3
3
p
Hp.
Perc. Solo
3
Vln. 2
Vla.
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 5
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
not with soloist
RNY 1233
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
p
3
3
rk
di
Yo
R ic
3
p
3
3
3
p
N
3
Vc.
3
3.
3
ht
2.
by
3
Vln. 1
Cb.
3
3
3
Pno.
3
3
3
3
3
ig
Perc.
3
3
ff
yr
Tba.
3
3
3
3
3
3
op
3
3
73
3
C
Tbn.
3
3
Tpt.
3
3
or
3
3
3
3
3
ew
3
3
3
3
p
3
3
ff p 3
3
3
p
3
3
3
3
3
3
3
3
3
Hn.
3
p
fff
Hp.
3
2.
Pno.
3
Perc. Solo
Vla.
3
3
3
p
3
3
p
3
3
3
3
3
3
3
3 3
3
3
5
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 5
RNY 1233
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
5
3
3
3
3
3
3
5
3
3
3
3
3
3
p
3
3
3
fff
p
3
3
3
5
3
3
3
3
p
3
3
3
3
3
3
3
3
3
3
3
3
3
ff
p
3
3
by 3
3
3
3
3
ff
ht
3
3
3
5
3
Vc.
Cb.
3
3
3
p
3
Vln. 2
Vln. 1
3
3
3 3 3
3
p
3
3
1.
3
ig
Perc.
Tba.
3
3
3
3
di
3
3
3
3
3
3
Tbn.
3
3
3
ff
3
3
3
Tpt.
3
3
Hn.
3
3
3
3
rk
3
3
yr
3
3
3
op
3
3
Yo
3
3
3
ew
3
3
C
N
3
Cl.
Bsn.
3
Ob.
or
Fl.
R ic
227
74
3
3
3
3
3
3
3
3
Hp.
Pno.
Vla.
Vc.
p
3
3
3
3
3
p
3
3
3
3
3
3
3
3
p
ff
p
3
3
p
3
ff
3
3
p
3
3
3
3
3
3
3
3
3
3
3
3
p
3
3
3
6
6
6
6
6
6
6
6
6
6
6
6
6
6
3
3
3
3
3
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
3
3
6
6
3
3
3
3
6
6
3
3
3
3
6
3
3
3
3
3
5
3
3
3
3
3
3
3
3
3
3
3
3
3
(non div.)
3
3
3
3
Cb.
3
3
3
3
N
5
3
3
3
3
fff
3
3
di
3
3
3
3
ff
3
3
3
p
3
Perc. Solo
Vln. 2
3
Vln. 1
3
3
3
3
3
3
3
3
3
p
Tbn.
ff
3
3
3
Tpt.
3
3
3
3
Perc.
3
3
Hn.
Tba.
3
3
rk
3
3
3
3
Yo
3
3
3
or
Bsn.
3
R ic
Cl.
3
by
3
ht
3
ig
Ob.
3
yr
3
op
C
Fl.
ew
230
75
6
6
RNY 1233
6
6
6
6
6
3
3
3
3
3
3
ff
3
3
Perc. Solo
Vln. 1
3
3
p
ff
3
3
p
3
3
3
ff
3
Vla.
3
3
3
3
3
3
3
3
3
3
3
3
p
ff
3
3
3
3
C
fff
3
by
3
3
3
3
3
3
3
3
3
3
3
3
To B. Cl.
3
p
3
3
3
3
3
3
3
3
3
3
p
ff
p
p
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6 6 6 6
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
p
3
3
3
3
or
3
3
R ic
Vln. 2
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
Vc.
6
Cb.
3
3
3
Pno.
3
Hp.
3
Perc.
3
3
p
p
Tba.
3
p
Tbn.
3
3
Tpt.
Hn.
3
ht
ig
Cl.
3
rk
3
yr
Ob.
3
Yo
ew
Fl.
Bsn.
N
233
di
op
76
6
6
6
6
6
6
RNY 1233
6
6
6
6
6
77
D SOLO (right hand on all notes slower than 16ths) sim.
f
r l r r l r r l r
241 Perc. Solo
3
5
5
5
6
6
(regularclap) l R (all chest hits with right hand accept fast rolls with both hands)
l
l
(alternate hands for snapping)
suspended/leading 3
7
r
r
Perc. Solo
Perc. Solo
Perc. Solo
Perc. Solo
r l
ew
l
di
r l r l
by
l r
hands moving downward on chest to thighs 6
as before
6 3
ht
r l
r
r
op
r l r l
r l r l r l r l r l r l r
r l
or
l
R ic
r
3 6 6 6
272
C
l
N
r l r l
268 Perc. Solo
r l r l r l r l r
ig
l r
r
264 Perc. Solo
3
L
yr
6
6
260 Perc. Solo
5
Yo
3
6
hip hop groove l.h. clap against hand on chest L
255 Perc. Solo
3
249 Perc. Solo
3
246 Perc. Solo
r r r
rk
Perc. Solo
6
6
6
6 6 6 6 6 6 6
276
6
6
6
6
6
6
280
6
6
6
6
6
6
6
6
6
6
6
6
283
6
6
6
6
6
6
6
6
r
r l
r
r r
r
r r
r r
r
6 6 6 6 6 6 6 6
287 Perc. Solo
r
291 Perc. Solo
r
6
r r
r r
6
r
r r l
6
6
r l
6 6 3 l r r l r r l r r l r r l r r l r l
RNY 1233
r r
r r
r r
r r r l r
r r
r
r r
3 3 l r r l r r l r
78
Fl. 295
Ob.
Cl.
Bsn.
E
stomp with one foot a2 (should be the foot that is closest to the audience)
p
p
stomp with one foot a2 (should be the foot that is closest to the audience)
p
stomp with one foot a2 (should be the foot that is closest to the audience)
stomp with one foot a2 (should be the foot that is closest to the audience)
p
stomp with one foot
a2 (should be the foot that is closest to the audience)
p
Hn.
stomp with one foot
Tpt.
Tbn.
a2 (should be the foot that is closest to the audience)
p
p
stomp with one foot a3 (should be the foot that is closest to the audience)
stomp with one foot a3 (should be the foot that is closest to the audience)
Hp.
Pno.
Perc. Solo
Yo
ew
di
or
p
stomp with one foot
(should be the foot that is closest to the audience)
N
(should be the foot that is closest to the audience)
p
stomp with one foot
p stomp with one foot
R ic
(should be the foot that is closest to the audience)
by
p stomp with one foot
(should be the foot that is closest to the audience)
ig
Perc.
p
ht
S.Bells
yr
Vib. 1
op
(should be the foot that is closest to the audience)
C
Tba.
rk
p stomp with one foot
stomp with one foot (should be the foot that is closest to the audience)
p
(hold left hand outstretched to the left for this gesture) driving
Vln. 1
l r l r r l l r
r r
r
groove (left hand back to normal)
6 6 6 3 l r r l r r l r r l r r l r r l r r l r r l stomp with one foot
r
r r
r r l
3 l r r l r l r
l l r l r
l r
r r
r l r
(should be the foot that is closest to the audience)
p
stomp with one foot
Vln. 2
(should be the foot that is closest to the audience)
p
stomp with one foot
Vla.
(should be the foot that is closest to the audience)
p
Vc.
stomp with one foot
(should be the foot that is closest to the audience)
p
Cb.
stomp with one foot
(should be the foot that is closest to the audience)
p
RNY 1233
Ob.
Cl.
S.Bells
Perc.
79
300
Fl.
Bsn.
Hp.
Pno.
Perc. Solo
Vln. 1
ew
di
or
R ic
by
Yo
N
3
Vln. 2
Vla.
Vc.
Cb.
ht
ig
Vib. 1
yr
Tba.
op
Tbn.
C
Tpt.
rk
Hn.
RNY 1233
roll with both feet on the floor
304
Ob.
Cl.
roll with both feet on the floor
roll with both feet on the floor
roll with both feet on the floor
Pno.
roll with both feet on the floor
roll with both feet on the floor
Hp.
roll with both feet on the floor
ht
Perc.
rk
Yo
ig
S.Bells
roll with both feet on the floor
ew
by
roll with both feet on the floor
yr
roll with both feet on the floor
op
Tbn.
roll with both feet on the floor
N
roll with both feet on the floor
C
Tpt.
Vib. 1
Hn.
Tba.
di
Bsn.
roll with both feet on the floor
or
Fl.
R ic
80
roll with both feet on the floor
driving, to the point of obsession through m.311
tothe leftfor this gesture) Perc. Solo Vln. 1
6
6
6 6 6 6 l r r l r r l r r l r r l r r l r r l r r l r r
Vln. 2
Vla.
Vc.
Cb.
(hold left hand outstretched
roll with both feet on the floor
roll with both feet on the floor
roll with both feet on the floor
RNY 1233
Hp.
C
to maintain a constant sound.) Vln. 1
6
6
(alternate players as needed
(alternate players as needed to maintain a constant sound.)
Vla.
Vc.
Cb.
with foot stamp 6
6
6
6
6
6
6
6
6
sim.
Vln. 2
rk
Perc. Solo
Yo
Pno.
S.Bells
Perc.
ht
Vib. 1
ig
Tba.
ew
Tbn.
di
Tpt.
81
by
Hn.
yr
Bsn.
or
Cl.
R ic
Ob.
op
Fl.
N
308
p
p
6
RNY 1233
F q=135
311
Tbn.
ht yr
C
op
Vln. 1
ig
6
q=135
6
sudden rest Perc. Solo
Cb.
Vc.
Vla.
Vln. 2
Pno.
Hp.
S.Bells
Perc.
N
Vib. 1
di
Tba.
Tpt.
Hn.
rk
or
Bsn.
Yo
Cl.
ew
Ob.
R ic
Fl.
by
82
RNY 1233
S.Bells
Hp.
Pno.
Perc. Solo
pppp
pppp
pppp
pppp
pppp
pppp
pppp
pppp
pppp
pppp
pppp
pppp
pppp
hit oven rack and let rattle
ff
rk
Yo
pppp
ew
N
di
Tbn.
or
R ic
Tpt.
Perc.
Hn.
Vib. 1
by
Tba.
ht
Cl.
Bsn.
ig
Ob.
yr
op
Fl.
83
C
319
sim.
Vln. 1
Vln. 2
Vla.
Vc.
Cb.
pppp
pppp
pppp
RNY 1233
Fl.
Ob.
Cl.
S.Bells
Perc.
op
84
329
Bsn.
Pno.
Perc. Solo
Yo ew
N
di or
R ic
by
Hp.
ht
Vib. 1
ig
Tba.
yr
Tbn.
C
Tpt.
rk
Hn.
Vln. 1
Vln. 2
Vla.
Vc.
Cb.
RNY 1233
Ob.
Cl.
339
G
85
S.Bells
Perc.
Fl.
Bsn.
Pno.
Perc. Solo
Vln. 1
div.
Yo
ew N di or
R ic
div.
Vln. 2
by
ht
Hp.
ig
Vib. 1
yr
Tba.
op
Tbn.
C
Tpt.
rk
Hn.
Play viola
Vla.
div. sul pont.
p
Play cello div. sul pont.
Vc.
Cb.
p
RNY 1233
Fl.
Ob.
Cl.
S.Bells
Perc.
86
345
Bsn.
Pno.
Perc. Solo
Yo ew
R ic
or
di
N
by
ht
Hp.
ig
Vib. 1
yr
Tba.
op
Tbn.
C
Tpt.
rk
Hn.
Vln. 1
Vln. 2
Vla.
cresc. poco a poco
Vc.
cresc. poco a poco
Cb.
RNY 1233
Ob.
Cl.
S.Bells
Perc.
C
87
349
Fl.
Bsn.
Pno.
Perc. Solo
Yo ew
or
di
N
R ic
by
Hp.
ht
Vib. 1
ig
Tba.
yr
Tbn.
op
Tpt.
rk
Hn.
Vln. 1
Vln. 2
3
Vla.
Vc.
Cb.
RNY 1233
Fl.
Ob.
Cl.
S.Bells
Perc.
88
353
Bsn.
Pno.
Perc. Solo
Yo ew
R ic
or
di
N
by
3
ht
Hp.
ig
Vib. 1
yr
Tba.
op
Tbn.
C
Tpt.
rk
Hn.
3
3
3
Vln. 1
Vln. 2
3
Vla.
mp
Vc.
mp
Cb.
RNY 1233
Ob.
Cl.
S.Bells
Perc.
89
357
Fl.
Bsn.
Perc. Solo
3
Vln. 1
Vln. 2
Yo
R ic
or
di
N
by
ew
Pno.
ht
Hp.
ig
Vib. 1
yr
Tba.
op
Tbn.
C
Tpt.
rk
Hn.
3
3
3
3
pppp
pppp
Vla.
cresc. poco a poco
Vc.
cresc. poco a poco
Cb.
RNY 1233
Fl.
Ob.
Cl.
S.Bells
Perc.
90
361
Bsn.
Pno.
Perc. Solo
Vln. 1
3
R ic
or
di
N
ew
Yo
3
3
3
3
sul pont.
mf
Vln. 2
by
ht
Hp.
ig
Vib. 1
yr
Tba.
op
Tbn.
C
Tpt.
rk
Hn.
sul pont.
mf
unis.
Vla.
mf
unis.
Vc.
mf
Cb.
RNY 1233
Ob.
Cl.
S.Bells
Perc.
91
365
Fl.
Bsn.
Pno.
Perc. Solo
Vln. 1
Yo ew
R ic
or
di
N
3
3
3
Vln. 2
Vla.
Vc.
Cb.
by
ht
Hp.
ig
Vib. 1
C
Tba.
yr
Tbn.
op
Tpt.
rk
Hn.
RNY 1233
92
Fl.
369
Ob.
1.
Cl.
3
mf lilting
3
3
3
S.Bells
Perc.
Bsn.
Pno.
Perc. Solo
Vln. 1
3
mf lilting
3
3
3
3
Yo
3 cresc. poco a poco
3
3
ew N di or
R ic
by
ht
Hp.
ig
Vib. 1
yr
Tba.
op
Tbn.
C
Tpt.
rk
Hn.
3
3
3
cresc. poco a poco cresc. poco a poco
Vln. 2
Vla.
cresc. poco a poco
Vc.
cresc. poco a poco
Cb.
RNY 1233
Fl.
Ob.
Bsn.
3
f lilting
a2
3
f
93
f lilting
3
2.
3
a2
Cl.
1.
373
Hn.
S.Bells
Perc.
Pno.
Perc. Solo
3
3
Yo
3
3
f
3
f
ew
by ht
ig
3
yr
3
mf lilting
op
C
Hp.
rk
Vib. 1
Vibraphone 1
N
di
Tba.
or
Tbn.
R ic
Tpt.
3
3
3
3
Vln. 1 f ord.
ord.
f
Vln. 2
ord.
Vla.
f
Vc.
Cb.
ord.
f
RNY 1233
94
377 Fl.
3
3
3
1.
Ob.
1.
Cl.
Bsn.
3
3
2.
3
3
3
3
Perc.
Pno.
Perc. Solo
Vln. 1
ht ig yr op
3
3
3
3
3
3
3
3
f
3
f
cresc. poco a poco
3
3
3
3
3
3
3
3
3
Vln. 2
Vla.
Vc.
Cb.
C
by
3
3
S.Bells
Hp.
Yo
ew
Vib.
N
di
Tba.
or
Tbn.
R ic
Tpt.
rk
Hn.
RNY 1233
95
381
Fl.
Ob.
Cl.
Bsn.
3
3
3
Hp.
Pno.
Perc. Solo
Vln. 1
3
3
3
cresc. poco a poco
Vln. 2
Yo ew
3
ff
3
3
3
3
3
3
3
cresc. poco a poco
ff aggressive
div.
driving
ff aggressive
div.
cresc. poco a poco
Cb.
3
ff
ff aggressive
cresc. poco a poco
Vc.
Vla.
op
N
3
cresc. poco a poco
di
or
R ic
Perc.
by
S.Bells
ht
Vib.
ig
Tba.
yr
Tbn.
C
Tpt.
rk
Hn.
RNY 1233
ff aggressive
Fl.
384
Perc. Solo
Vln. 1
3
3
3
R ic
by
ht
3
3
3
3
3
or
3
ig
di
ff
3
3
3
Vln. 2
Vla.
Vc.
Cb.
Pno.
S.Bells
Hp.
Vib.
Perc.
rk
yr
Tba.
3
Hn.
Tbn.
3
Tpt.
Yo
3
op
Bsn.
ew
Cl.
N
Ob.
(1.)
C
96
RNY 1233
387
Fl.
3
3
3
3
Ob.
Cl.
Hn.
Vib.
Pno.
Perc. Solo
Vln. 1
3
3
3
or
3
ff
3
R ic
by
ht
ig
di
3
3
3
3
3
3
Vln. 2
Vla.
Vc.
Cb.
yr
Hp.
S.Bells
Perc.
op
Tba.
Yo
Tbn.
ew
Tpt.
rk
N
C
Bsn.
97
RNY 1233
390 2. Fl.
3
3
Cl.
Hn.
Hp.
Pno.
Vln. 1
ff
To Tub. B.
3
3
C
3
3
3
Vln. 2
Vla.
Vc.
Cb.
Perc. Solo
Glockenspiel
Vibraphone 2
ff
ew
N
Perc.
di
S.Bells
or
Vib.
yr
Tba.
R ic
Tbn.
by
Tpt.
Yo
ht
ig
Bsn.
rk
Ob.
op
98
RNY 1233
H
99
Fl.
ff aggressive, hammering
ff aggressive, hammering
Tba.
Vib.
ff aggressive, hammering
Vibraphone 2
Perc. Solo
ff aggressive, hammering
manic
N
unis. on the string
3
3
3
3
ff aggressive, hammering
on the string
ff aggressive, hammering unis. on the string
ff aggressive, hammering
Cb.
Vc.
ff aggressive, hammering
Vla.
on the string
Vln. 2
ff aggressive, hammering
Vln. 1
or
R ic
yr
di
by
ht
Pno.
op
Hp.
ff aggressive, hammering
ig
C
Glock.
Vib.
Hn.
Tbn.
ff aggressive, hammering
Tpt.
rk
Bsn.
Yo
Cl.
ew
Ob.
RNY 1233
100
396 Fl.
Vib.
Vib.
Glock.
Hp.
Vln. 2
Vla.
Perc. Solo
Vln. 1
Vc.
Cb.
yr op
C
ig
Pno.
N
Tba.
di
Tbn.
or
Tpt.
Yo
Hn.
ew
rk
R ic
by
Bsn.
Cl.
ht
Ob.
RNY 1233
398 Fl.
Ob.
Cl.
Bsn.
101
Tba.
N
Vib.
Yo
Tbn.
ew
Tpt.
rk
Hn.
Glock.
Pno.
ig
ht
by
R ic
yr
op
C
Hp.
di
or
Vib.
Vln. 2
Vla.
Perc. Solo
Vln. 1
Vc.
Cb.
3
3
3
3
3
3
3
RNY 1233
3
3
3
3
3
102
401 Fl.
Ob.
Cl.
Bsn.
Tba.
N
Vib.
Yo
Tbn.
ew
Tpt.
rk
Hn.
Glock.
Pno.
by ht
ig yr
op
C
Hp.
di
or
R ic
Vib.
Vln. 1
Vln. 2
Vla.
Perc. Solo
Vc.
Cb.
more manic
RNY 1233
div.
404 Fl.
ff
ew
p
Tbn.
Vib.
Tpt.
Tba.
N
Hn.
di
Bsn.
rk
Cl.
Yo
Ob.
103
Glock.
Pno.
Perc. Solo
Vln. 1
R ic
by ht ig yr op
C
Hp.
or
Vib.
tough groove
ff
3
Vln. 2
Vla.
Vc.
Cb.
RNY 1233
104
407 Fl.
Bsn.
Hn.
ff
ew
N
Vib.
di
Tba.
p
Tbn.
p
Tpt.
rk
Cl.
Yo
Ob.
Glock.
Pno.
Perc. Solo
Vln. 1
R ic
by ht ig yr op
C
Hp.
or
Vib.
Vln. 2
Vla.
Vc.
Cb.
RNY 1233
105
Fl.
410
Ob.
Cl.
Bsn.
p
Hn.
Vib.
Glock.
Pno.
Perc. Solo
Vln. 1
Vla.
3
div.
Vc.
Vln. 2
Cb.
yr
op
C
Hp.
Yo
ew
N
di
or
rk
R ic
Vib.
by
Tba.
ht
Tbn.
p
ig
Tpt.
unis.
RNY 1233
106
412 Fl.
Ob.
Cl.
Bsn.
ff
Hn.
p
p
Vib.
rk
Glock.
Pno.
Perc. Solo
Vln. 1
ht
by
R ic
ig
yr
op
C
or
Vib.
Hp.
Yo
di
Tba.
ew
Tbn.
N
Tpt.
Vln. 2
Vla.
Vc.
Cb.
RNY 1233
107
414
Fl.
Ob.
Cl.
Bsn.
Hn.
ff
rk
or
di
Vib.
Yo
Tba.
ew
Tbn.
N
Tpt.
p
Glock.
Pno.
Perc. Solo
Vln. 1
by ht ig
op
yr
C
Hp.
R ic
Vib.
Vln. 2
Vla.
Vc.
Cb.
RNY 1233
108
Fl. 416
Ob.
Cl.
p
Yo R ic
ew
C
div.
Vc.
Vla.
yr
Vln. 2
N
di
or
scrape strings with plastic credit card
by
ht
ig
rk
Glock.
Cb.
ff
Vln. 1
Vib.
Perc. Solo
Tbn.
Pno.
p
Tpt.
Hp.
Hn.
Vib.
Tba.
op
Bsn.
RNY 1233
418
Fl.
Ob.
Cl.
Bsn.
109
ff aggressive, hammering
Hn.
Perc. Solo
Vln. 1
Yo
or
C
Vln. 2
Vla.
Vc.
Cb.
Pno.
R ic
by
ht
Glock.
ig
di
Vib.
Hp.
rk
yr
Vib.
op
Tba.
ew
Tbn.
N
Tpt.
p
ff
p
RNY 1233
110
420
Ob.
Cl.
Bsn.
Pno.
Perc. Solo
Vln. 1
Vln. 2
Vla.
div. a3
Vc.
Cb.
op
R ic
or
by
ht
ig
Glock.
yr
di
Vib.
Hp.
rk
C
Vib.
Yo
Tbn.
ff
ew
Tpt.
Tba.
p
Hn.
N
Fl.
RNY 1233
422
Fl.
111
Ob.
Cl.
Bsn.
p
Hn.
p
Tba.
rk
Tbn.
ff
Yo
Tpt.
Hp.
Perc. Solo
Vln. 1
R ic
or
by
Vln. 2
Vla.
Vc.
Cb.
Pno.
ht
ig
yr
Glock.
op
C
Vib.
di
N
ew
Vib.
RNY 1233
Cl.
Bsn.
2. to bass clarinet
Hn.
Tubular Bells
Tub. B.
Hp.
Pno.
Perc. Solo
6 6 6 ff
3
3
Vln. 1
unis.
f anthemic
Vln. 2
unis.
f anthemic maintain continuous sound with unsynchronized bowing
Vla.
maintain continuous sound with unsynchronized bowing div. a2
Vc.
3
mf
3
mf
Cb.
f
by
ht
Vib.
R ic
ig
Vib.
yr
Tba.
op
Tbn.
C
Tpt.
rk
Yo
ew
Ob.
2. to piccolo
di
Fl.
N
I
or
112
RNY 1233
3
6
3
Fl.
Ob.
Cl.
Yo
113
430
Bsn.
Hp.
Pno.
Perc. Solo
ew N
di or
R ic
by
Tub. B.
ht
Vib.
ig
Vib.
yr
Tba.
op
Tbn.
C
Tpt.
rk
Hn.
6 3
Vln. 1
Vln. 2
Vla.
Vc.
Cb.
RNY 1233
114
Picc. 435
Fl.
f
1.
Cl.
f
Ob.
f
Vib.
Tub. B.
Bsn.
Hp.
Pno.
Yo ew N
di or R ic
by
ht
ig
Vib.
yr
Tba.
op
Tbn.
C
Tpt.
rk
Hn.
6 6 6 6 6 6 6 6 6 manic groove Perc. Solo
Vln. 1
Vla.
Vc.
Cb.
3
3
3
3
3
3
3
Vln. 2
3
RNY 1233
3
funky groove unis. pizz.
ff
funky groove (electric bass optional through m.529) pizz.
ff
115
Picc. 440
Fl.
Ob.
Cl.
Bsn.
To Cl.
Hp.
Pno.
Perc. Solo
Yo ew
N
di or R ic
To Glock.
by
Tub. B.
ht
Vib.
ig
Vib.
yr
Tba.
op
Tbn.
C
Tpt.
rk
Hn.
Glockenspiel
6 3 dance
3
3
3
6
3
6
6
6
6
6
6
6
Vc.
Cb.
Vln. 1
Vln. 2
Vla.
RNY 1233
116
Vib.
Glock.
Hp.
Glockenspiel
f
ew
Vib.
N
Tba.
di
Tbn.
or
Tpt.
R ic
Hn.
by
Perc. Solo
C
honky tonk style
3
ff
3
Vln. 1
Vln. 2
Vla.
3
3
3
3
3
3
6 3 3 3
Pno.
ig
Bsn.
ht
Cl.
yr
Ob.
Yo
op
Fl.
rk
J
Cb.
3
3
Vc.
RNY 1233
117
Fl.
Ob.
Cl.
449
Bsn.
Hn.
Pno.
R ic
or
di
N
rk
ew
Yo
by
3
Perc. Solo
ht
ig
Hp.
f 2nd time only
yr
Glock.
2.
f
C
Vib.
op
Tbn.
Vib.
Tpt.
Tba.
1. 2nd time only
3
3
3
3
3
3
3
3
3
3
3
6
3
3
3
6
3
Vla.
3
3
Vln. 1
Vln. 2
3
Vc.
Cb.
RNY 1233
118
Fl.
Ob.
Cl.
453
Hn.
Glock.
Hp.
ff
ff
rk
ff
di
1.+2.
3 3
N
Vib. Vib.
or
R ic
Tba.
ff
Perc. Solo
Vln. 1
Vln. 2
Vla.
Vc.
Cb.
ig
yr
3
3
3
ff
ff
3
ff
fff
fff
RNY 1233
3
3
3
op
3
C
3
3
To Tub. B.
Pno.
by
Tbn.
3.
ff
ht
Tpt.
1.
Yo
ew
Bsn.
119
Fl.
Ob.
Cl.
457
Pno.
Perc. Solo
Vln. 1
N
Yo
3
Vla.
3
Vln. 2
or
R ic
3
di
by
Hp.
Vib.
Glock.
ht
Vib.
Tba.
ig
yr
Tbn.
op
rk
Tpt.
ew
Hn.
C
Bsn.
Vc.
Cb.
RNY 1233
120
q=66
Ob.
Cl.
460
Fl.
Bsn.
Glock.
Perc. Solo
q=66
mp
Vln. 1
delicate, fragile, emotional
delicate, fragile, emotional
Vla.
ht ig yr
sub. p
Vln. 2
op
C
Pno.
by
Vib.
Hp.
Yo
ew
N
Vib.
di
Tba.
or
Tbn.
R ic
Tpt.
rk
Hn.
sub. p
Vc.
Cb.
RNY 1233
f
f
Bass Clarinet in Bb
Pno.
Perc. Solo
ff
Vln. 2
Vla.
Vc.
R ic by ht
3
6
ff
Cb.
6
f div. a3
f
mf
ff
Vln. 1
q=135
ff
op
Hp.
C
Glock.
ff
ig
yr
Vib. Vib.
Tbn.
Tpt.
Tba.
rk
B. Cl.
Yo
f funky groove Bsn. f 2. funky groove
Hn.
ew
Ob.
N
Fl.
di
Picc.
q=135
or
464
121
3
ff
RNY 1233
122
Picc.
Fl.
Ob.
Bsn.
B. Cl.
Vib.
3
3
3
Vln. 2
Vla.
3
6
3
3
3
f
3
3
6
3
f
1.+2.
3
3
3
3
3.
Perc. Solo
Vln. 1
3
by
ht
3
ig
Pno.
3
3
yr
Hp.
3
3
op
Glock.
3
3
C
Vib.
3
R ic
3
Yo
ew
N
Tba.
di
Tbn.
or
Tpt.
1. f
Hn.
rk
467
3
3
go crazy
6
6
6
Vc.
Cb.
RNY 1233
123
Glock.
Perc. Solo
Vln. 1
3
3
3
3
3
3
6
6
6
3
3
3
3
3
3
yr
3
op 3
3
6
3
Vla.
Vln. 2
rk
Pno.
N
Vib.
Hp.
Tbn.
Vib.
Tpt.
Tba.
Yo
di
Hn.
ew
Bsn.
B. Cl.
or
R ic
Ob.
by
ht
Fl.
C
Picc.
ig
470
3
6
6
6
3
6
Vc.
Cb.
RNY 1233
124
Vln. 2
Vla.
3
3
3
3
3
3
3
3
6
6
3
6
6
6
3
3
3
3
3
3
3
3
3
3
3
3
6
3
N
di
rk
Yo
or
Vln. 1
Glock.
Perc. Solo
R ic
Pno.
Vib.
Hp.
Tbn.
Vib.
Tpt.
Tba.
C
Hn.
ew
Bsn.
B. Cl.
to flute
by
ht
Ob.
ig
yr
Fl.
op
Picc. 472
6
3
3
3
3
6
6
6
6
6
Vc.
Cb.
RNY 1233
125
Picc. 475
f
f
p
3
3
p
rk
f
p
3
3
3
3
3
3
3
3
3
3
f
6 3
f
f
f
pizz. and let ring
mf
pizz. and let ring
f
f
sim.
sim.
RNY 1233
3
unsynchronized bowing
f
f
yr
op
p
Tubular Bells
C
mf
f
Yo
a2
ew
p
Perc. Solo
Cb.
Vc.
Vla.
f
p
Vln. 2
Vln. 1
Pno.
f
Hp.
Glock.
p
Vib. Vib.
p
f a2
N
Tba.
f
di
Tbn.
Hn.
Tpt.
a2
or
R ic
Bsn.
by
B. Cl.
ht
Ob.
ig
Fl.
Sudden Rest for Everyone. Everything Dampened.
126
Fl. 479
B. Cl.
Ob.
Bsn.
f
p
f
p
Hn.
by
ht
Hp.
f
p
To Glock.
op
Tub. B.
rk
Vib.
Yo
ew
Vib.
p
di
or
Tba.
f
N
R ic
ig
Tbn.
yr
Tpt.
Pno.
Perc. Solo
3
3
3
3
C
3
3
3
3
3
3
3
Vla.
Vc.
Cb.
Vln. 1
Vln. 2
3
RNY 1233
K
Fl.
127
Ob.
delicate, sweet
3 p delicate, sweet
Bsn.
3 p delicate, sweet
3
3
3
3
3
3
ppp
to clarinet
ppp
di
Cl.
Tub. B.
Pno.
Perc. Solo
Vln. 1
delicate, sweet
p
p
Delicate, sweet
Vla.
Vc.
Cb.
3
mp
R ic
ht
Vln. 2
3
ig
yr
op
Hp.
or
Vib.
by
C
Vib.
Yo
Tba.
ew
Tbn.
N
Tpt.
rk
Hn.
3
3
ppp
RNY 1233
Fl.
Ob.
Cl.
128
Bsn.
488
Hn.
Tbn.
Vib.
Tub. B.
Perc. Solo
Vln. 1
Vln. 2
Vla.
or
di
N
ew
ff
ff
ff funk attacks
R ic by ht
ig
yr
Pno.
op
Hp.
C
Vib.
funk attacks
Yo
Tba.
1.+2.
rk
Tpt.
3
3
3
6
3
f
f
3
f
unis. pizz. funk attacks
ff
Vc.
funk attacks
ff
Cb.
RNY 1233
funk attacks
ff
129
Hn.
Tpt.
Tbn.
Hp.
(funk attacks)
N
Vib.
Tub. B.
di
Vib.
or
Tba.
ff
(funk attacks)
R ic
Bsn.
rk
Cl.
Yo
Ob.
by
Fl.
ew
493
Perc. Solo
Vln. 1
ig 3
Vla.
Vc.
3
yr
Vln. 2
Cb.
3
3
op
3
C
Pno.
ht
3
3
3
3
3
RNY 1233
3
3
3
130
rock and roll
Tpt.
Tbn.
Hn.
Perc. Solo
Cb.
3
3
3
3
3
3
mp
3
3
RNY 1233
ff
3
3
ff
3
ff
3
3
3
3
3
3
steady, even groove
cresc.
3
3
3
3
rock and roll
3
3
rock and roll
3
3
3
3
3
Vc.
Vla.
Vln. 1
Vln. 2
3 3
di
or
3
ff
rock and roll
3
R ic
Pno.
by
Hp.
Vib.
Tub. B.
ht
3
ig
Vib.
yr
Tba.
3
Yo
op
C
Bsn.
ff
rk
Cl.
ew
Ob.
N
Fl.
rock and roll
496
131
499 Fl. 3
Ob.
Cl.
Bsn.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Hn.
Hp.
3
3
3
3
3
3
3
rk
3
3
3
3
3
3
3
3
3
3
3
3
3
di
3
R ic
3
3
by
3
ht
3
ig
Tub. B.
3
yr
Vib.
op
3
C
Vib.
3
3
Yo
Tba.
3
ew
Tbn.
N
or
Tpt.
Pno.
Perc. Solo
3
3
3
3
Vln. 1
Vln. 2
Vla.
Vc.
Cb.
3
3
3
3
3
3
3
3
3
3
3
3
RNY 1233
3
3
3
3
3
3
3
3
132
Fl.
Ob.
Cl.
Bsn.
502
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Hn.
Tba.
Hp.
3
3
3
3
di
3
R ic
by
3
3
ht
3
ig
3
yr
Tub. B.
Vib.
3
op
3
3
3
3
3
3
3
3
3
3
C
Vib.
Yo
3
ew
Tbn.
3
N
3
or
3
rk
Tpt.
Pno.
Perc. Solo
3
3
3
3
3
3
3
3
3
Vln. 2
Vla.
Vln. 1
Vc.
Cb.
3
3
3
RNY 1233
3
3
3
3
3
3
f
505
Fl.
Ob.
3
3
3
3
3
3
3
3
3
3
Cl.
Bsn.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
133
Hn.
Hp.
3
3
3
3
3
3
3
3
3
3
3
Pno.
Perc. Solo
3
3
cresc.
3
Vln. 2
Vla.
Vc.
Cb.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vln. 1
3
3
3
3
3
3
3
R ic
3
by
3
rk
Yo
ew
3
N
3
di
3
C
Tub. B.
ht
Vib.
ig
Vib.
yr
3
Tbn.
Tba.
op
Tpt.
or
ff
3
3
3
RNY 1233
3
3
3
3
3
3
3
3
3
L
134
Ob.
Cl.
Fl.
Bsn.
Glock.
Hp.
f
f
Pno.
Glockenspiel
Yo
ew N di
or
Vib.
R ic
To Flexatone
by
To Flexatone
ht
Vib.
ig
yr
Tba.
op
Tbn.
C
Tpt.
rk
Hn.
f
3 3 3 Perc. Solo 3
gliss starts immediately, all in one bow
Vln. 1
’
’
’
’
’
f expressive, lean into the gliss
Vln. 2
Vla.
Vc.
Cb.
RNY 1233
’
135
Fl.
Ob.
Cl.
514
Bsn.
Hp.
Yo ew N
di or
Pno.
R ic
by
Glock.
ht
Vib.
ig
Vib.
yr
Tba.
op
Tbn.
C
Tpt.
rk
Hn.
To Tri.
Perc. Solo
Vln. 1
choke
3
’
like an animal cry
’
Vln. 2
Vla.
Vc.
Cb.
RNY 1233
136
519
f
Fl.
Ob.
Bsn.
f
f
Cl.
f
Flexatone 2
Flex.
Hp.
Pno.
Perc. Solo
Yo ew N
di
or
ht
Glock.
R ic
by
Flexatone 1
ig
Flex.
yr
Tba.
op
Tbn.
C
Tpt.
rk
Hn.
in a groove
Vln. 1
in a groove
Vln. 2
Vla.
Vc.
Cb.
(sim.)
f expressive, like an animal cry lean into the gliss
RNY 1233
524
Fl.
Ob.
Cl.
137
to piccolo
Tbn.
Tba.
Hn.
Pno.
Perc. Solo
or
Slide Whistle
f
f
Vla.
Vc.
hocket with violin II
hocket with violin I
RNY 1233
pizz.
3
pizz.
ff
3
ff
Vln. 2
Vln. 1
Cb.
3
Slide Whistle
by
R ic
f
di
3
C
Hp.
ht
Flex.
Glock.
ig
Flex.
yr
op
Tpt.
rk
Yo
ew
N
Bsn.
3
3
Cl.
Hn.
Hp.
Pno.
Perc. Solo
Vln. 1
Vln. 2
Vla.
Vc.
To Vib.
3
RNY 1233
f
1.
mf 2.
mf
f
f
f
Triangle
l.v.
3
3
3
Cb.
f
3
f
f
ew
S.W.
Glock.
N
3
di
or
S..W.
R ic
Tba.
by
Tbn.
ht
Tpt.
ig
yr
Bsn.
op
Ob.
C
Fl.
rk
528
Yo
Picc.
138
optional E.Bs. switch back to Cb.
3
531
Fl.
Ob.
Tri.
Vla.
Vc.
Cb.
or
l.v.
by ht
3
6
To T.-t.
ig
R ic
op
yr
C
di
Vln. 2
S.W.
Vln. 1
Perc. Solo
Pno.
Hp.
S..W.
Tba.
Hn.
Tbn.
Tpt.
139 to flute
rk
Yo
Bsn.
ew
Cl.
N
Picc.
6
3
RNY 1233
140
M q=160
Ob.
Cl.
Hn.
Tbn.
S.W.
T.-t.
Pno.
Perc. Solo
q=160
ht
by
R ic
p
ig
Hp.
yr
Tam-tam
op
C
S..W.
or
Tba.
rk
Yo
Tpt.
ew
N
Bsn.
di
Fl.
3 6 3
div. Vln. 1
hyper ride
unsynchronized bowing
f
Vln. 2
Vla.
unsynchronized bowing div.
f unsynchronized bowing arco
f unsynchronized bowing arco div. a3
Vc.
f
Cb.
RNY 1233
Ob.
Cl.
141
538
Fl.
Bsn.
Hp.
Pno.
Perc. Solo
Vln. 1
Yo ew N di
6 6 6 3
Vln. 2
Vla.
Vc.
Cb.
or
yr
T.-t.
R ic
S.W.
by
ht
S..W.
ig
Tba.
op
Tbn.
C
Tpt.
rk
Hn.
arco
f
RNY 1233
Fl.
Ob.
Cl.
142
Bsn.
543
Hp.
Pno.
Perc. Solo
Vln. 1
Vla.
Vc.
Yo ew
N
3 3 3 3
Vln. 2
Cb.
or
di
ht
T.-t.
R ic
S.W.
by
ig
S..W.
yr
Tba.
op
Tbn.
C
Tpt.
rk
Hn.
div. a3
div.
RNY 1233
Ob.
Cl.
143
548
Fl.
Bsn.
Pno.
Perc. Solo
Yo
ew
by
ht
ig
Hp.
yr
T.-t.
N
S.W.
di
op
S..W.
C
Tba.
or
Tbn.
R ic
Tpt.
rk
Hn.
6 6
6
6
6
6
6
Vln. 1
Vln. 2
Vla.
Vc.
div. a3
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
Cb.
cresc. poco a poco
RNY 1233
Fl.
Ob.
Cl.
S.W.
T.-t.
144
Bsn.
553
Pno.
Perc. Solo
Yo ew
N di
R ic
or
6 6 r r l l r r l l
div. a4 Vln. 1
Vln. 2
by
ht
Hp.
ig
S..W.
yr
Tba.
op
Tbn.
C
Tpt.
rk
Hn.
Vc.
Cb.
Vla.
RNY 1233
Ob.
Cl.
S.W.
T.-t.
145
558
Fl.
Bsn.
Pno.
Perc. Solo
Vln. 1
r l r l r r r l r r r l r r r l l
Vln. 2
Yo ew N di
R ic
or
by
ht
Hp.
ig
S..W.
yr
Tba.
op
Tbn.
C
Tpt.
rk
Hn.
r r
r l
Vc.
Cb.
div. a4
Vla.
RNY 1233
146
Fl.
Ob.
Cl.
S.W.
T.-t.
562
Bsn.
Pno.
Perc. Solo
Vln. 1
Yo ew N di or
R ic
by
ht
Hp.
ig
S..W.
yr
Tba.
op
Tbn.
C
Tpt.
rk
Hn.
3
Choke
ff
Vln. 2
Vla.
Vc.
div. a3
ff
div. a4
ff
ff
Cb.
ff
RNY 1233
566
Hn.
Tpt.
Tbn.
Tba.
S..W.
ff aggressive, attack
ff aggressive, attack
ff aggressive, attack 2.
4.
ff aggressive, attack
ff aggressive, attack
Pno.
no pedal, hard mallet
ff aggressive, attack
Perc. Solo
op
C
hyper obsessive
Vln. 1
Vc.
Cb.
3
N
or
R ic
6
ff aggressive, attack
ff
by
ht
yr
ff aggressive, attack
ig
di
no pedal, hard mallet
Vibraphone 1
Vla.
Vln. 2
S.W.
Hp.
Vibraphone 2
T.-t.
147
rk
ff aggressive, attack
Yo
Cl.
Ob.
Bsn.
ew
Fl.
N
RNY 1233
570
Hp.
cresc.
cresc.
cresc.
Yo
cresc.
cresc. poco a poco
cresc.
ew
N
di
rk
cresc.
cresc.
cresc.
Vc.
cresc.
cresc.
cresc.
Cb.
cresc.
Vln. 1
Vla.
cresc.
Vln. 2
cresc.
Perc. Solo
Pno.
Vib.
T.-t.
or
Vib.
R ic
Tba.
Hn.
Tbn.
cresc.
Tpt.
by
ht
Bsn.
ig
Cl.
yr
Ob.
op
Fl.
C
148
RNY 1233
cresc.
Ob.
Cl.
Bsn.
Hn.
1.
3.
ff cresc.
ff cresc.
Vib.
T.-t.
Perc. Solo
Hyper mesmerized
di
or R ic
by ht ig yr
op
C
Pno.
N
1.+2.
Vln. 1
Vln. 2
Vla.
Vc.
Cb.
div. a4
149
Hp.
ff cresc.
Vib.
Tbn.
Tpt.
Tba.
rk
574
Yo
Fl.
ew
RNY 1233
Ob.
Cl.
Bsn.
Hn.
Tbn.
(3, 4.)
stagger-breathe as needed through the end
3.
ff cresc.
T.-t.
Vln. 1
di
or
ht ig
C
yr
op
by
2.+3.
ff cresc.
R ic
N
Vib.
Cb.
Vc.
Vla.
Vln. 2
Perc. Solo
Pno.
Hp.
Vib.
stagger-breathe as needed through the end
(1, 2.)
Tpt.
Tba.
rk
Fl.
Yo
577
ew
150
RNY 1233
Hn.
T.-t.
Hp.
Pno.
Perc. Solo
fff
fff cresc.
fff cresc.
fff cresc.
stagger breathe as needed through the end
or
di
Vla.
Vln. 1 Vln. 2
fff cresc.
fff cresc.
fff cresc.
fff cresc.
fff
fff
fff cresc.
fff cresc.
fff cresc.
fff cresc.
fff cresc.
Vc.
fff cresc.
Cb.
151
Vib.
R ic
Vib.
by
Tba.
ht
Tbn.
(1, 2, 3.)
Tpt.
rk
Yo
ig
yr
Bsn.
op
Cl.
C
Ob.
ew
580
N
Fl.
RNY 1233
fff cresc.
wild and crazy trill, as noisy as possible, clarinets trade off breaths a2
fff cresc.
T.-t.
Cb.
fff
ad lib wild noise making, start low and climb to the top of your range
Yo
ew
Wild, driving to the end
fff
ff
Vc.
ff
ff
a3
Vla.
ad lib wild noise making, start low and climb to the top of your range
Vln. 1
Vln. 2
N
di
Perc. Solo
by
Vib.
Pno.
ht
Tbn.
Hp.
ig
Tpt.
Vib.
Tba.
yr
Hn.
rk
Cl.
or
Ob.
Bsn.
op
Fl.
R ic
583
C
152
RNY 1233
T.-t.
Cb.
Yo
Vc.
gradually let the trill gliss upward, to the top of range, wild and crazy
Vla.
Vln. 1
Vln. 2
ew
R ic
by
Perc. Solo
ht
Vib.
Pno.
ig
Tbn.
Hp.
yr
Tpt.
Vib.
Tba.
op
Hn.
C
Bsn.
153
rk
Cl.
N
Ob.
di
586
or
Fl.
RNY 1233
589
Ob.
Cl.
Hn.
Vc.
Cb.
op
C
Yo
rk
ew
Vla.
Vln. 2
Vln. 1
T.-t.
Perc. Solo
Pno.
Vib.
Hp.
N
Vib.
di
Tba.
or
Tbn.
R ic
Tpt.
by
ht
Bsn.
ig
Fl.
yr
154
tune down to E flat if necessary
RNY 1233
Tba.
Vib.
Vib.
T.-t.
Pno.
Vc.
ffff
ffff
ffff
ffff
ffff
ffff
l.v.
l.v.
ffff
ffff
ffff
l.v.
ffff l.v.
ig
ffff
ffff
l.v.
ffff
ffff
l.v.
ffff
ffff
ffff
Cb.
ffff
Vla.
Vln. 1
Vln. 2
155
Perc. Solo
C
sudden cut-off, let ring
ffff
Hp.
rk
Tbn.
Yo
Tpt.
ew
N
Hn.
di
or
R ic
Bsn.
by
Cl.
ht
Ob.
yr
592
op
Fl.
RNY 1233
ffff
ht
ig
yr
op
C by di
or
R ic ew
N Yo
rk