Sy. 9204 - Liza Lim - A Sutured World (2024)

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Liza Lim

A Sutured World

for solo cello and orchestra 2024 Full Score Copyright:RicordiBerlin-

onlyforperusal

Co-commissioned by the Symphonieorchester des Bayerischen Rundfunks/ musica viva, the Royal Concertgebouw Orchestra, Amsterdam ‘Cello Biennale, Melbourne Symphony Orchestra, and Casa da Música – Porto.

Performances 2024–2025:

World Premiere: 25 October 2024, Herkulessaal der Residenz, Munich Symphonie Orchester des Bayerischen Rundfunks, conducted by Edward Gardner Soloist: Nicolas Altstaedt

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master processed on 24.10.2024

Sy. 9024/01

ISMN 979-0-2042-9024-2

Copyright © 2024 by G. Ricordi & Co. Bühnen- und Musikverlag GmbH, Berlin

Alle Rechte vorbehalten

All rights reserved / Tutti i diritti riservati

Netherlands Premiere: 7 November 2024, Muziekgebouw aan’t IJ, Cello Biënnale Amsterdam Royal Concertgebouw Orchestra, conducted by Matthias Pintscher Soloist: Nicolas Altstaedt

Also: 8 November 2024, Concertgebouw Amsterdam 9 November 2024, November Music Festival, ‘s-Hertogenbosch

Australian Premiere: 6 and 7 March 2025, Hamer Hall, Melbourne Melbourne Symphony Orchestra, conducted by Jaime Martin Soloist: Nicolas Altstaedt

Portuguese Premiere: 4 October 2025, Casa da Música, Porto Orquestra Sinfónica do Porto Casa da Música, conducted by Ryan Wigglesworth Soloist: Nicolas Altstaedt

Liza Lim

A Sutured World (2024) for solo cello and orchestra

2.2.2.2–2.2.2.0–3 perc.–harp–strings

Dedicated to Nicolas Altstaedt

The work is in four sections:

1. take this broken wing... 2’30 page 1

2. Chrysalis 8’30 page 7

3. Sutra 6’30 page 31

4. Simon says: Alle Vögel fliegen hoch 7’30 page 51

InstrumentatIon:

Solo cello (with Baroque bow and standard bow)

2 Flutes (2. doubles Piccolo)

2 Oboes

2 Clarinets in Bb (2. doubles Bass Clarinet in Bb)

2 Bassoons (2. doubles Contrabassoon or Contraforte)

2 Horns in F

2 Trumpets in Bb [wa-wa and straight mutes needed]

2 Trombones (2. uses tenor-bass trombone) [harmon and straight mute needed]

3 Percussion Perc 1: Triangle (small)

Crotales (2 octaves) + bow

Tubular Bells

Perc 2: Triangle (medium)

Vibraphone + bow

Tubular Bells

Perc 3: Tambourine (high)

Vibraphone + bow

Snare Drum (drum sticks and brushes)

Bass Dr um

Harp

Violin I

Violin II

Viola

Violoncello

Double Bass (half the section needs C-string extension retuned down a semitone to B)

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Score is in C

Duration: approximately 25 minutes

Quartertones

Accidentals generally apply to the whole bar however additional courtesy accidentals appear to assist with clarity of reading.

Harp

Buzz produced by holding pedal in between positions

Strings

h. sul pont = ‘harmonics sul pont’ Br ing out different harmonics by changing bow position/pressure/speed (use vibrato to add resonance)

same position tr ill between normal finger pressure and harmonic (emphasise resonance)

onlyforperusal

s.f.p. = maintain the same finger position (distance) for the glissando

At times non-standard harmonics are used resulting in either complex multiphonics (notated with ‘M’ in the solo ‘cello part or for the viola and double bass) or in coloured airy pitches; treat the resulting sounds as part of a gestural shape.

Background

The word ‘suture’ refers to stitching up a wound or an incision. That in turn evokes things in the world (humans, creatures, landscapes etc) that are torn, lacerated, and wounded, and processes of sewing and binding edges together for healing. In surgery, making repair of the body with sutures results in scars. But rather than ugliness, think of the Japanese art of kintsugi in which broken pottery pieces are re-joined with gold lacquer — instead of the damage being hidden, the imperfect lines of the join are illuminated.

Also interesting is that the English/Latin root for ‘suture’ is the same as the Sanskrit ‘sutra’ (or Pali ‘sutta’), i.e., to sew. The Buddhist sutras were sewn texts: palm leaves bound by thread. Thread, string, yarn, sewing – the sutras and sutures weave story lines: scars that shed light, brokenness that is stitched into new life.

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The work is in 4 sections:

1. take this broken wing…

2. Chrysalis

3. Sutra

4. Simon says: Alle Vögel fliegen hoch

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Vln. I Vln. II
Perc. 1
Perc. 2
Perc. 3
Hp.
Solo Vc.
Vln. I
Vln. II

O

Perc. 2
Vln. II
Vln. I
Perc. 1
Perc. 2
Perc. 3
Perc. 1
Perc. 2
Perc. 3

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Vln. I

4. Simon says: Alle Vögel fliegen hoch

Vln. I
Vla.

Play with bow in each hand (2 bows move in same direction)

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