Sy 4645 - Shiori Usui - In Digestion

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for string orchestra 2010

Partitur Sy. 4646/01 ISMN 979-0-2042-4646-5

RICORDI

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Shiori Usui In Digestion

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Composer’s note The piece was commissioned by A Far Cry for the première on 31st March 2011 at

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Jordan Hall, New England Conservatory, Boston, MA, U.S.A.

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What would my stomach sound like?

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Programme notes

One day, I pondered this to myself. I bought a stethoscope and listened to it in an

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anechoic chamber. Grrrrrrrrrrrruuuu. Gugyuuuuuuuuu. I ate and drank until my stomach became active and made a satisfied noise.

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The action of digestion is so embedded in our daily activity, yet we only occasionally

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think about it thoroughly. The process of digestion really starts from cooking, and of course when we bite, chew and drink. I looked into the action of grinding food with the

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teeth, and it made me realize that it is similar to the action of pulling the bow over the

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strings of violin, viola, cello and double bass. So I tried to find ways that the different

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kinds of pressure on the strings could make different colors of sound. Also, some of the harmonic language used in the piece is based on spectral analysis of the sound of biting

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an apple and the stomach rumbling.

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This piece was composed as a result of my fascination into the sound of the body and various experimentations with acoustic instruments. I hope you enjoy the experience of

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tuning into the body of instruments.

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Note-heads

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Approximate/indeterminate pitch.

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Notation

Non-pitched sound.

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The highest sound possible.

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Staves

three line stave indicate the approximate pitches of high, middle or low.

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Clefs

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A percussion clef in combination with a

Neck clef: This cancels the preceding traditional clefs and symbolizes the surface of the instrument and different bowing areas: neck or fingerboard. It shows where and in what direction an action should be performed on the surface of the instrument. Thus,

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is a brushing/combing motion with the

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back of the spoon/pencil loosely placed

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on the strings between the bottom of the neck and the top of the neck.

The clef only indicating which strings to

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be played.

Behind the bridge clef: It cancels the traditional

clefs

and

symbolizes the surface of the instrument and different bowing areas: either on the bridge or near the bridge, between the string(s) and coating fabric or only on the coating fabric. It shows where the action should be played and in what direction the bow should move the surface of the instrument. Thus,

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preceding

indicates the player should bow on the coated fabric of the designated strings (extremely slow bowing with flat hair)

Others ď Ž Usual rules of accidentals apply (i.e. they are only valid for all the notes of that pitch

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in that octave for the remaining duration of the bar).

Trills should always be to the semitone

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above.

Play the strings indicated sul pont.,

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dampened by the fingers of the left hand

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in any position.

Rapid wide vibrato: contour indicates the

Dynamics indicated in quotation marks: these refer to the intensity of the performance manner rather than the resultant dynamics. Slap the open strings.

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scale of the intended effect.

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circular motion

Rasping Sound

Left-hand should stop the string only half-way.

Lateral vibration of the strings with relative pitch differences:

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Press down the bow very hard before

pulling it. Play with the bow near the heel.

molto sul tasto (only as far up the

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fingerboard as is comfortable/practical).

or pe r

It shows where the bow should be placed on the surface of the fingerboard. These markings are relative. The

pitches

indicate

the

fingering

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positions and do not always correspond

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with the resultant pitch.

Vocal/mouth sound (International Phonetic Alphabet)1

front – open

[i]

ee as in seed

front-close

[u]

oo as in boot

back-close

[o]

o as in float

back-close-mid

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a as in lamb

Consonants

or pe r

[a]

al on ly

Vowels

m as in mow

bilabial-nasal

[g]

g as in gone (voiced)

velar-plosive

[k]

c as in cast (voiceless)

velar-plosive

[Ç‚]

Sound of smacking lips appreciatively over a dish (similar to the sound of

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tongue clicking).

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[m]

1 [online] http://www.langsci.ucl.ac.uk/ipa/index.html International Phonetic Association. Accessed on 11/06/10.

Examples of pronunciation taken from Blatter, Alfred; Instrumentation and Orchestration. 2nd Edition, USA: Wadsworth/Thomson Learning, (1997), pp.474 - 475.

2 Ibid. International Phonetic Association (11/06/10).

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al on ly us or pe r

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Instrumentation

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string orchestra (minimum 5/4/4/3/2)

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Additional items required for the work Violin II – pencils Viola – pencils Cello – pencils

Double bass – metal spoons & large bulldog clips

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Violin I – pencils

3 Ibid. 4 Ibid.

Duration: ca. 6’00”

4

In Digestion ° &

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sempre molto sul pont.

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Shiori Usui q = ca.65 "like stomach groan" (violins, violas & cellos)

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∑ Sy. 4646/01

Alle Rechte vorbehalten All rights reserved Tutti i diritti riservati

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Put away the spoon and pick up the bow.

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rasping sound

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breathy whistling, pursed lips (whilest playing) (Whislte at the octave low if the notes are too high)

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Sy. 4646/01

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molto sul pont. div.

Ÿ~~~~~~~~~~~~~~~~~~~~~~ nb Å“Å“ ™™ f

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div.

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‰ Sy. 4646/01

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Sy. 4646/01

29

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Sy. 4646/01

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Sy. 4646/01

ÂŽ

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Sy. 4646/01

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Sy. 4646/01

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