Catherine southon 26 march 2014 by Catherine Southon

Antiques & Collectables Wednesday 26th March at 12 noon TO BE HELD AT THE CHATEAU, COOMBE LANE, CROYDON, SURREY CR0 5RE

C AT H E R I N E S O U T H O N a u c t i o n e e r s & v a l u e r s l t d

Lygon House, 50 London Road, Bromley BR1 3RA

Tel: 07596 332 978 www.catherinesouthon.co.uk

A N T I Q U E S & C O L L E C TA B L E S - m a r c h 2 0 14

REGISTERED OFFICE

Antiques & Collectables Wednesday 26th March at 12 noon VIEWING Tuesday 25th March 9.30am - 5.30pm Wednesday 26th March 9am - 11.30am

T O B E H E L D AT T H E C H AT E A U , C O O M B E L A N E , C R O Y D O N , S U R R E Y C R 0 5 R E

Welcome to Catherine Southon Auctioneers & Valuers Specialist:

Catherine Southon MA

Consultants:

Mark Stacey Susan Rothwell Aubrey Dawson

Sale Administrator:

Nicola Minney

Auction Enquiries and Information:

07596 332978 020 8667 9023 (24th-28th March only) 07808 737694 Email: info@catherinesouthon.co.uk

Auction Venue:

The Chateau, Coombe Lane, Croydon, Surrey, CR0 5RE Tel: 020 8686 1244 (venue enquiries only)

Registered Office:

Lygon House, 50 London Road, Bromley, Kent, BR1 3RA

Forthcoming Valuation Days:

Second Friday of every month St Marks Hall, Braemar Gardens, West Wickham, Kent 12.15 - 2.15pm

26th April 10-2pm, The Olympic Centre, Swanley BR8 8DR 11th May 10-3pm, Ripley Arts Centre, Sundridge Avenue, Bromley, BR1 2PX I M P O R TA N T N O T I C E S Please note that purchased items of furniture should be collected from the auction venue before 4pm on Friday 28th March. All other purchases can also be collected during this time. Please note that the condition of items are not noted in the catalogue. Condition reports can be viewed on www.the-saleroom.com AUCTIONS We hold regular Antiques and Collectables Auctions, with colour catalogues, on-line catalogues and Live bidding. These auctions take place regularly at The Chateau, Coombe Lane, Shirley Hills, Surrey CR0 5RE. This venue has plently of free parking and is a short taxi ride from East Croydon Station with directly links to London. The Company trades as Catherine Southon Auctioneers & Valuers Ltd. The Company’s registered office is: Lygon House, 50 London Road, Bromley, BR1 3RA. Company Registration Number 08020183. Registered in England and Wales.

L I V E I N T E R N E T B I D D I N G - Bid Here Without Being Here All you need is your computer and an internet connection and you can make real-time bids in real‑world auctions at the-saleroom.com. You don’t have to be a computer whizz. All you have to do is visit www.the-saleroom.com and register to bid - it’s just like being in the auction room. A live audio feed means you hear the auctioneer at exactly the same time as other bidders. You see the lots on your computer screen as they appear in the auction room, and the auctioneer is aware of your bids the moment you make them. Just register and click to bid! w w w.c a t h e r i n e s o u t h o n .c o.u k

Furniture & Clocks (LOTS 1-31)

FURNITURE & CLOCKS

1. A pair of Barbola mirrors each mirror carved with floral decoration, and painted with alternative bands of brown, gold, blue and green, 47cm high, 37cm wide £150-£250

4. An early 20th century Anglo-Indian Kashmir carved hardwood table with triangular petal shaped top, deeply carved in relief with leaves, scrolls and berries, with central carved armorial crest with Latin motto ‘NEC TIMIDE NEC TEMERE’ (Neither rashly nor timidly), supported on a carved and pierced folding stand with similar decoration, 49cm wide, 58cm high £100-£200

2. A Victorian carved mahogany piano stool with revolving top, padded seat and supported on three curved legs £80-£120 3. A vintage travelling trunk the canvas covered case with wooden struts and brass lock and hinges, with leather carrying handles to the sides, 81cm wide, 46cm high £40-£60

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5. A Victorian aesthetic movement music shelf of ebonised and brass mounted wooden construction with tubular brass shelves and supports, 47cm wide, 106cm high, 30cm deep £100-£150

FURNITURE & CLOCKS

6. A Georgian oak bow fronted child’s bureau the front lifting down to reveal compartmented interior, with two long and two smaller drawers, 70cm high, 65cm wide, 41cm deep £300-£400 7. A George III mahogany inverted breakfront sideboard of small proportions, with flamed top over a central drawer, with cupboard doors below, flanked either side by narrow cellarette drawers and supported on square tapering legs 94cm wide, 83.5cm high, 48.5cm deep £200-£300

8. An Edwardian mahogany perdonium with satinwood crossbanded decoration, the shelf top with mirrored back below above a hinged fold-out coal storage box, 96cm high, 38cm wide, 35cm deep £60-£80

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FURNITURE & CLOCKS

9. A Victorian mahogany kneehole writing desk with green tooled leather top over two larger and two smaller drawers, supported on turned legs, 119.5cm wide, 72cm high, 51cm deep £150-£250 10. An Art Nouveau hammered copper and cast iron trivet stand with serpentine fronted top, and supported on shaped front and turned back legs. The base impressed ‘801 15 inch’, 40cm wide £30-£40

11. A Victorian mahogany reading table the rectangular top with two ratchet action reading stands, on a rising column and supported on a shaped platform base, 90cm wide, 69cm high, 46cm deep £100-£150

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12. An early 19th century mahogany armorial hall chair with shield shaped back and painted crest, solid seat and supported on turned front legs £60-£80

FURNITURE & CLOCKS

13. A Victorian mahogany desk chair with curved back and scrolled arms, pierced back and side splats, leather overstuffed seat and supported on turned front legs, 55cm wide £100-£150

14. A George III oak carver armchair with pierced vase shaped splat, splayed curved arms, with upholstered drop-in seat and supported on square chamfered legs £50-£80

15. A George III mahogany shelved cupboard with two panel doors opening to reveal a central set of adjustable shelves flanked either side by pigeon holes 103cm wide, 111cm high, 27cm deep £100-£150

16. A Regency mahogany shaped-top three tier étagère with brass bound rims, the top with sliding removable front, with turned columns and supported on tapering legs with brass castors, 49cm wide, 71cm high, 29cm deep £300-£400

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FURNITURE & CLOCKS

19. A Victorian figured walnut inlaid oval loo table with quartered top and moulded rim, supported on four turned columns to four scrolled legs, 90cm x 59cm, 74 high £100-£120 17. A Regency mahogany extending torchere stand with circular top, reeded column with vacuum action and reeded circular foot, 89cm high closed, 114cm high extended £400-£600

18. A Victorian mahogany Pembroke table the plain top with moulded rim and a pair of hinged folding flaps, with one end drawer and opposing dummy drawer, 98cm long, 109cm wide extended, 52cm wide closed, 70cm high £60-£80

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20. An Edwardian rosewood inlaid music cabinet with shelf top, over a panel door with lower glazed section, fitted shelves within and supported on short square legs, 54cm wide, 131cm high, 37cm deep £100-£150

FURNITURE & CLOCKS

21. Another similar Edwardian rosewood inlaid cabinet with cabinet inlaid with floral motif and flanked by arched mirrors, the cupboard fitted with shelves, with storage section below, raised on tapered squared legs, 100cm high, 56cm wide, 37cm deep £80-£120

22. A Regency rosewood banjo barometer with onion top, silvered thermometer and barometer faces with ivory adjuster, unsigned, 99cm high £200-£300

23. A large Jaeger le Coultre eight day brass pedestal mantel clock the silvered circular dial set with bronzed Roman numerals, the whole supported on a column pedestal, face diameter 20cm, 24.5cm high £100-£150

24. A Victorian onyx and ormolu mantel clock crested with a cherub playing pipes, the white enamel dial with blue Roman numerals, supported on turned feet. The brass movement signed Japy Freres, striking on a single bell, 32.5cm high £80-£120

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FURNITURE & CLOCKS

25. A Victorian simulated marble cast iron mantel clock the circular face with white enamel dial and visible escapement, with ormolu lion mounts to the sides, and American movement, 38cm wide £80-£100

27. An early 20th century English brass carriage clock with white enamel dial, set within a plain brass case with shaped carrying handle, 13cm high £100-£150

26. A Victorian brass eight day miniature carriage clock with white enamel dial and black Roman numerals, complete in a velvet lined travelling case, 8cm high £200-£300 28. An Edwardian mahogany cased mantel clock the 5-inch dial with Arabic numerals, flanked by columns and inlaid with satinwood, with brass ball finials, striking gong and French movement stamped F. Martin, the base with presentation plaque reading ‘Presented to to William T. Close by his colleagues at Harrods Ltd on the occasion of his marriage august 3rd 1911’, 45cm high, 28cm wide £150-£250

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FURNITURE & CLOCKS

29. A late 19th century mahogany and brass inlaid mantel clock retailed by Dent of London the flame mahogany case with brass inlay, pineapple finial and ring handles supported on ball feet, with circular white enamel dial with Dent retailers name, with French brass movement, supported on brass ball feet. With engraved presentation plaque: ‘Presented to Mrs. Whitworth on the occasion of her marriage 10th April 1901 by H.R.H. The Duchess of Albany...’, 38cm high, dial 11.5cm diameter £400-£600

30. A Continental Majolica clock possibly Austrian, late 19th century with dophinesque loop handles, a circular enamel dial with Roman numerals, with key and pendulum, 33cm high £100-£150 31. A French late 19th/early 20th century champleve enamel onyx and gilt metal mantel clock with bowed bevelled glass front and mercury pendulum, with key, 33.5cm high £800-£1,200

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Decorative Works of Art, Prints & Paintings (LOTS 32-80)

D E C O R AT I V E W O R K S O F A R T, P R I N T S & PA I N T I N G S

35. A 19th century rosewood Tunbridgeware pen box with large geometric cube pattern to lid, 24.5cm wide £40-£60

32. A 17th century carved oak oval lock panel ornately and deeply carved in relief with flowers, berries, leaves and entwined branches, with two lock holes at the 12 and 9 o’clock positions. The reverse side showing traces of gilding and red paint. Probably a fragment of a larger piece, 32.5 x 26cm £300-£500

36. A 19th century rosewood Tunbridgeware jewellery box with inlaid mosaic rose pattern to the lid, 20.5cm wide £60-£80

33. An early 19th century Tunbridgeware castle top tea caddy the rosewood box with mosaic pattern to the lid depicting castle, and floral mosaic banner around the box, 15cm wide £100-£150

37. A small collection of five rectangular Tunbridgeware boxes together with a square hinged wooden jewellery box decorated with floral spray to lid, the largest 18 x 18cm, the smallest 9.5 x 7cm £30-£50

34. A 19th century Tunbridgeware cribbage board with floral mosaic pattern, 25.5cm £50-£80

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D E C O R AT I V E W O R K S O F A R T, P R I N T S & PA I N T I N G S

38. A collection of fifteen small pieces of Tunbridgeware comprising a pin cushion, two stamp boxes, bookmark, five screw top containers and six hinged boxes, the largest 10.5cm wide, the smallest 2.5cm diameter £100-£150 39. A Victorian rosewood and ebonised miniature chest of drawers mounted with mother of pearl roundels and plaques, the top with push button lift up lid, over a bank of four small drawers with turned wooden handles, supported on stud feet, 15.5cm wide, 18cm high £100-£150

40. A large collection of Chinese mother of pearl gaming counters early 20th century, of various shapes, all finely pierced and carved with Oriental scenes, together with a small collection of bone fish counters, 3 to 6cm wide on average £80-£120

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41. An early 19th century painted souvenir sewing box the top decorated with a hand-coloured printed scene of ‘Chain Pier and Marine Parade Brighton’. The lift-up lid with applied printed scene of the ‘East Front of Pavilion, Brighton’, with fitted interior. The sides with gilded ring handles, 25cm wide £200-£300

42. A collection of nine wooden walking canes mostly late 19th and early 20th century four with silver pommel, others with silver collars, the longest 92cm long £100-£150

D E C O R AT I V E W O R K S O F A R T, P R I N T S & PA I N T I N G S

43. A late 19th century gothic tea caddy with domed lid and two inner compartments, the escutcheon and lid applied with heavy gothic brass and ivory decoration, length 21cm £70-£100

46. A 19th century French ebonised bottle box by Tahan the top with brass Greek Key pattern inlay, and inset with an oval micro mosaic panel, the lock plate engraved with makers name ‘TAHAN, Fourn de l’Empereur’, 14cm wide, 9.5cm high £150-£200

44. A George III mahogany domed top tea caddy with brass swan neck carrying handle, the domed lid opening to reveal a central circular well with glass mixing bowl, flanked either side by a caddy with barber pole stringing, the inside of the lid with similar inlay, 32.5cm wide £200-£300

45. A 19th century treen spice tower of four sections, one section labelled ‘Nut-meg’, two with partial labels and one lacking a label, 18.5cm high £80-£120

47. A George III mahogany and satinwood inlaid fitted travelling case the rising crossbanded top inlaid with central oval fan, the corners with similar inlay, rising to reveal a fully fitted interior with lidded compartments, and one glass bottle, with brass carrying the handles to the sides, and small fitted drawer below, 39.5cm wide excluding handles £300-£400

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D E C O R AT I V E W O R K S O F A R T, P R I N T S & PA I N T I N G S

48. An Arts and Craft copper stationery box the hammered copper box with brass strap work design and applied owl motif to the centre, opening to reveal three storage compartments, and silk lined interior to the lid, 21.5cm wide £80-£120

49. An early 20th century coco de mer shell from the Seychelles, converted to a hand basket, 34cm long £300-£400

50. A rare 17th century carved elm figure of a Roman soldier in a seated pose, his arm resting on a scrolled shield and a hound resting at his feet, supported on a naturalistic rocky base. The shield is inscribed with the Latin motto: ‘PRO RELÍGÍON PRINCÍPE PATRÍÀ & HONORI’ which translates to ‘Chief of the fathers of religion and honour’, 59cm high £3,000-£5,000

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D E C O R AT I V E W O R K S O F A R T, P R I N T S & PA I N T I N G S

51. An Art Deco bronzed plaster lamp of a nude woman the girl stood on one leg with the other raised and holding aloft a lamp base with later white glass globe, 1936 registration number and impressed makers mark, 53cm high excluding globe £100-£150

52. A Victorian papier-mâché scent bottle box containing four bottles the top and sides inlaid with mother of pearl flowers and painted with gilt highlights, the base with shaped foot, with fitted interior, 18cm square £100-£150

53. A Newlyn Arts & Crafts hammered copper circular tray stamped Newlyn, with rolled rim and central roundel, sold together with a Victorian copper jug (2), 32cm diameter £80-£120

54. A late 19th century Mamluk revival copper circular tray with white metal inlaid script and leaves, together with a smaller Mamluk Revival brass pin tray, with similar white metal script inlay (2), 27.5cm and 10.5cm diameter £60-£90

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D E C O R AT I V E W O R K S O F A R T, P R I N T S & PA I N T I N G S

55. An Art Nouveau embossed copper tray by Townshend & Co with pie-crust rim, the centre embossed with a quatrefoil shape and radiating dimpled lines, the underside rim stamped ‘Townshends’, 31.5cm diameter £30-£40

56. An early 20th century Japanese carved ivory nude figure of a woman seated on a rocky base and touching her hair. Carved signature to the base, 14cm high £100-£150

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57. A group of four early 20th century Indian carved ivory figures comprising a lady with pierced shawl, an Indian Goddess, a scholas with staff and a dancing female with beaded necklaces, all supported on ebony bases, largest 22cm high, smallest 14cm high £200-£300

58. A 19th century Chinese carved soapstone figure depicting a woman seated holding a fan and wearing a robe engraved with flowers, with a child at her feet and supported on a rocky naturalistic base, 10.5cm wide, 13cm high £80-£120

D E C O R AT I V E W O R K S O F A R T, P R I N T S & PA I N T I N G S

59. A late 19th century French porcelain and leather jewellery box the shaped hinged top with inset oval painted porcelain panel depicting young lovers in a country landscape and signed ‘F.Blondel’. The leather body tooled and decorated with scrolls and swags, with satin-lined interior. The base with applied retailers label from Linder, Marseilles, 28.5 x 24.5cm £150-£200

61. An unusual pair of early 20th century brass and perspex model street lamps fitted with clear and coloured perspex segments and turned brass columns, 21.5cm high £40-£60

60. ‡ Gill Parker (born 1957) British A bronze sculpture of a cougar, in walking pose and supported on a naturalistic base on a wooden plinth. Signed and dated 1984, 30cm long £300-£400

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D E C O R AT I V E W O R K S O F A R T, P R I N T S & PA I N T I N G S

62. A marble bust of a lady Italian, dated 1858 the reverse bearing the signature R. Rinaldi F, 67cm high, 48cm wide ÂŁ4,000-ÂŁ6,000

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D E C O R AT I V E W O R K S O F A R T, P R I N T S & PA I N T I N G S

63. Ferdinand Preiss (1882-1943) German An Art Deco carved ivory figure of a nude woman seated on an onyx pedestal and holding a mirror and powder puff, with gilt painted hair band and mirror. Signed ‘F. Preiss’ on the onyx base, 9.25cm high £800-£1,200

64. A secessionist silver plated and ivory centrepiece circa 1905 with gilt metal liner, each side fitted with stylised carved ivory heads, the underside with applied paper label from a confectioner in Barcelona ‘Llibre y Serra’, 55.5cm wide, 17cm deep. £1,200-£1,800 This confectioner supplied chocolates to the Spanish Royal family, and opened a shop and at the address printed on the label in 1900, moving to another premises in 1905

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D E C O R AT I V E W O R K S O F A R T, P R I N T S & PA I N T I N G S

65. A Victorian copper and brass desk set comprising an inkwell on a square brass base with pen rests, together with a pair of matching turned candlesticks with square bases. Both with applied pierced and scrolled mounts with mask mounts, on brass bodies, inkwell 16.5cm wide, candlesticks 14.5cm high £200-£300

68. A pair of 19th century Grand Tour carved Serpentine marble ‘Jennings dogs’ modelled after the antique models of the Molossian hounds. Well carved and seated on rectangular bases with canted corners, 22cm high £400-£600

66. A Victorian ormlu and malachite chain link ink well the rising top with chain link surround and polished malachite roundel, with lift-out glass reservoir, the body engraved with similar chain link decorated, the circular base decorated with large chain surround, with a leather base, 19cm diameter £100-£150

67. A miniature salesman’s sample cast iron fireplace late 19th century complete with grate, heavily cast with oak leaves, acorns and floral decoration, on stepped base resting on claw feet, 31.5 high, 34cm wide £100-£150

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69. A pair of carved Chinese style white marble immortals converted to lamps, one base signed ‘E.T’ Conto’ in script, supported on trunk effect bases, figures 44cm and 42.5cm high £150-£250

D E C O R AT I V E W O R K S O F A R T, P R I N T S & PA I N T I N G S

70. A decorative copper and brass Art Nouveau tray resting on four curved feet, 23cm wide £40-£60 71. An early 19th century sampler embroidered along the bottom ‘Jane Wood her sampler November 8 1808’, with upper and lower case alphabet, numbers, patterns and verse reading ‘A contented mind and a good conscience will make a man happy in all conditions. we know how to fear who dares to die’, mounted and framed, 40 x 30cm £150-£250

72. Frank Spenlove-Spenlove (1868-1933) British ‘The Restless Sea, ‘L’Etude’, a study of crashing waves with seagulls floating on the breeze Signed and dated 1915, watercolour. With hand written label verso, 37cm x 51cm. £300-£500 In 1896 Spenlove founded a successful Modern Art School in Beckenham, Kent called Yellow Door School of Art. This lot is sold together with a newspaper article advertising the school in 1905.

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D E C O R AT I V E W O R K S O F A R T, P R I N T S & PA I N T I N G S

73. Creswick Boydell RCA (fl. 1889-1916) British A country landscape with a tree in the foreground and sheep grazing in the distance by a pond Signed, watercolour, framed, 51cm x 45cm £60-£80

74. English School, 19th century Two country landscapes, depicting cottages set amidst woodland. One signed ‘R. Thorne’, the other signed ‘R. Perry’ Oil on canvas. Both in moulded gilt frames, both: 39cm x 49.5cm £150-£250

75. English school, 19th century A pair of half length portraits of a man and woman, the reverse side of the male figure inscribed ‘Christopher Pitt’, the reverse side of the female figure inscribed ‘Margaret Lowitz and dated 1873’ Oil on panel, in gilt frames, 15.25 x 13cm £150-£200

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D E C O R AT I V E W O R K S O F A R T, P R I N T S & PA I N T I N G S

76. Frederick French (fl. 1883-1916) Portrait of a Samoid dog, stood in alert pose on a tiled floor. Oil on canvas, signed and dated ‘98. Re-lined in a gilt gesso frame, 23 x 30cm £200-£300

77. George Baxter (1804-1867) British The Gems of the Great Exhibition A set of five oil coloured and framed engravings of the Great Exhibition at Crystal Palace in 1951. Numbered No. 1, 2, 3, 4, 5 Stamped makers name below images, 13cm x 24cm £150-£200

78. A set of two framed printed nude sketches depicting life-like anatomical male figures, probably studies for a larger work. Unsigned, both in a single frame, images: 24 x 34cm, 36.5cm x 17cm £80-£120

79. Henry Wilkinson (born 1921) British Cocker Spaniel and a Mallard, limited edition dry point engraving, signed and numbered 25/150. With card mount in a slim gilt frame with gallery label verso, 27 x 32cm £40-£60

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D E C O R AT I V E W O R K S O F A R T, P R I N T S & PA I N T I N G S

80. ‡ Pablo Picasso (1881-1973) Seven plates from Le Tricorne, Editions Paul Rosenberg, Paris, 1920 seven pochoirs in colours, 1920, on buff wove paper, from the edition of 200, each blindstamped Edition P.P in the bottom right corner, 26.5 x 19.5cm £1,200-£1,800 Picasso’s designs, which appear to have remained in his possession, were reproduced by the pochoir process in an album which was produced by Paul Rosenberg in 1920, of which these are an example

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Ceramics & Glassware (LOTS 81-138)

CERAMICS & GL ASSWARE

81. A large Royal Worcester style hand painted circular dish decorated with a central panel of fruit, signed by W. Birbeck, surrounded by a board band of mottled pink within a white and gilt decorated rim and supported on four small feet, 30.5cm diameter, 7.5cm high £80-£120

83. A Royal Worcester blush ivory jug of tapered form painted with flower sprays heightened with gilt, model number 1047, 21cm high £80-£120

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82. An 18th century porcelain dolphin ewer creamboat Worcester circa 1770 of traditional moulded shell form, with high scroll handle, hand decorated with gilt pattern to base, handle and rim, unmarked, 8cm high, 10cm long £400-£600

84. A Royal Worcester ewer of conical form, the handle modelled as a bamboo stem, with painted flower sprays, number 1333, printed mark, 23.5cm high £75-£100

CERAMICS & GL ASSWARE

85. An extensive Royal Crown Derby Imari part dinner service circa 1900, comprising: 47 10-inch plates, 30 9-inch plates, 15 crescent shape salad plates, 1 8-inch plate, 2 7-inch plates, 6 10-inch soup plates, 1 13-inch pie dish, 5 tureens with lids, 2 sauce boats with lids, 1 soup tureen with lid and plate, 1 circular fruit bowl, 1 19-inch oval platter, 1 17-inch oval platter, 1 15-inch oval platter, 3 13-inch oval platters, 3 11-inch oval platters, 11-inch pie dish and 2 10-inch oval platters, with printed mark £600-£800

86. A mid 18th century Derby blue and white helmet-shaped cream boat with shell and dolphin moulded decoration, with high scroll handle, mounted on flared base, unmarked, 8.5cm high, 9.5cm long £100-£150 87. A Collection of assorted Susie Cooper cups and saucers comprising a coffee pot and three matching cup and saucers, a set of three floral cups and saucers and three green and blue banded trios £40-£60

88. A Collection of assorted Susie Cooper cups and saucers comprising 13 cups and saucers in various patterns, together with two Susie Cooper reference books £40-£60 89. A Collection of assorted Susie Cooper jugs comprising ten jugs in various patterns, together with a side dish and condiment set £30-£50

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CERAMICS & GL ASSWARE

90. A Collection of assorted Susie Cooper side plates comprising 24 assorted side plates and larger plates in various patterns £30-£50

92. A Clarice Cliff Fantasque Bizarre ‘Windbells’ honey pot and cover the lid with applied bee, the body decorated with flowers and foxgloves. Printed mark to base, 7.5cm high £150-£250

91. A Collection of assorted Susie Cooper pink tea wares comprising a pink spotted tea pot with matching milk jug, an oval platter, a pink banded trio, pink soup bowl and other jugs £40-£60

93. A Clarice Cliff Crocus pattern bonjour shape sugar sifter circa 1933, hand painted with crocus sprays in between bands of yellow and speckled brown, with printed Clarice Cliff mark to underside, 13cm high £100-£150

94. A Clarice Cliff Crocus pattern preserve pot circa 1933 hand painted with crocus sprays, with printed Bizarre marks to underside, 8.5cm high £40-£60

95. A Clarice Cliff Crocus Pattern part coffee service comprising coffee pot, milk jug, small cream jug, and four coffee cups and saucers, and two 9 inch plates, and three other assorted pieces of Clarice Cliff Crocus pattern including mustard pot, small table flower vase and pepper pot, all with printed Bizarre mark, together with a small assortment of other Clarice Cliff plates cups and saucers, together with two Clarice Cliff reference books and catalogues £200-£300

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CERAMICS & GL ASSWARE

96. A Clarice Cliff oval ‘Orange Chintz’ dish painted with orange and brown fruits and black painted leaves, mould number 475, printed mark, 32cm long £200-£300

97. A pair of Minton Secessionist tall vases early 20th century with tube lined decoration of flower sprays and leaves on a cream ground, with painted aqua and royal blue decoration, shape number 50, height 32.5cm £400-£600

98. A Hancock & Sons Morris Ware vase designed by George Cartlidge tubelined decoration with flowers and trailing leaves on a mottled pale green ground. With printed mark and signed by Cartlidge in green, 17.5cm high, 15cm diameter £300-£500

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CERAMICS & GL ASSWARE

99. A large Macintyre & Co. Florian ware vase designed by William Moorcroft dated 1898, with bulbous tubelined body and slender neck with flared rim and twin scrolled handles, printed mark to the base and incised signature ‘W.M’, 33cm high, 16.5cm diameter £600-£800

100. Two Macintyre & Co. Florian ware vases designed by William Moorcroft dated 1898, with bulbous tubelined bodies and slender necks, printed mark and incised signature ‘W.M’ to the base of one vase, 26.5cm high, 11cm high £600-£800

101. A Macintyre & Co. Florian bowl designed by William Moorcroft late 19th century with tube lined decoration, and painted initials W.M. to underside, 6.5cm high, 10.5cm diameter £150-£250 102. A Moorcroft Iris pattern powder bowl and cover decorated with red flowers on a green ground, with associated base, the base impressed MOORCROFT, 11.5cm diameter £80-£120

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103. A Moorcroft Freesia globular vase the tubelined body decorated with alternating pink and cream flowers on a green ground. The base impressed ‘MOORCROFT’, 10cm high £80-£120 104. A Troika cube vase decorated with abstract designs, signed to the base with artists monogram EW, 9.5cm square £50-£70

CERAMICS & GL ASSWARE

105. A Collection of assorted Poole comprising two posy pots, three vases, two jugs and five pots of various sizes (12), together with a reference guide £40-£60

108. A collection of nine Doulton Lambeth stoneware saltglaze miniatures comprising: two jugs, three cups, a pepperette, a jug with silver top, a small bowl with silver rim and a vesta. Impressed marks to base, largest 9cm high, smallest 4cm high £80-£120

106. A large Carlton ware lustre vase the blue ground cylindrical body with flared neck and decorated with Oriental scenes of of figures and pagodas in bright enamels and gilt. Printed mark in black to the base, 26cm high, 14.5cm diameter £100-£150

109. A Victorian Doulton Silicon ware beaker with silver rim hallmarked London 1893, formed as riveted copper. Impressed marks to the base, 11cm high £60-£80

107. A collection of ten Doulton Lambeth stoneware saltglaze miniature and larger items comprising: a tankard, two tygs, five jugs of various sizes, a veta and a small pot, largest 9.5cm high, smallest 4cm high £100-£150

110. A Victorian Doulton Lambeth stoneware ‘Dewar’s Perth Whiskey’ advertising jug half glazed with green top, the body with applied figures and animals, and printed ‘John Dewar & Sons’. Impressed marks to base, 16cm high £50-£80

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CERAMICS & GL ASSWARE

111. A group of four Beswick animals comprising a King Charles spaniel, a Siamese cat and two Collies, large Collie: 16.5cm long, smaller collie 11cm long £60-£80

114. Four items of Losol Ware Flow Blue comprising a ginger jar and cover, a squat jug, a bottle vase and a square tapering vase, all decorated in blue and white transfer with flowers, and backstamps in blue, largest 27cm high, smallest 14.5cm high £60-£80

112. An unusual pair of Losol Ware cricket dishes early 20th century, inscribed ‘I’m here for the Ashes’, with CR monogram and queens crown above, the rims decorated with flowers. Keeling & Co. backstamp in green, 13.5cm diameter £40-£60

115. A collection of eight pieces of Belleek various dates comprising a cream coffee pot decorated with a stylised yellow branch shaped handle together with a matching sugar both mark with 6th Green Mark; together with a vase in the form of a jug with applied hand painted flower spray with 6th green mark; cream vase in the form of a branch with 7th beige mark; vase in the form of a horn (one of a pair) 7th beige mark; short fluted vase in the form of a flower head 6th green mark, Millennium vase with relief moulded acorn leaf pattern and a small rectangular vase heightened in yellow with relief moulded berries 7th beige mark, the largest 21cm £100-£150 113. A rare Keeling & Co. Losol Ware hand painted blue and white porcelain basket early 20th century, hand painted with two scenes of longhorn cattle in highland landscapes, signed, upon a blue and white basket weave ground, decorated with flowers and gilt highlights. Keeling backstamp to the base in blue, 25.5cm wide, 27.5cm high £150-£250

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CERAMICS & GL ASSWARE

116. A late 19th century Meissen porcelain figural double salt formed as a boy seated with a mixing bowl upon two scallop shells painted with flowers and supported on a naturalistic scrolled Rococo base. Crossed swords mark in blue to the base, 24cm wide £200-£300

118. A pair of 19th century Samson of Paris porcelain busts of children allegorical of the seasons, after the Meissen originals, supported on shaped bases with crossed swords mark in blue, 24cm and 22cm high £150-£250

117. A 19th century Meissen porcelain figure of a young lady playing cards in standing pose, dealing cards at a small tripod table and wearing 18th century costume, supported on a circular base with crossed swords mark in blue, incised number F64 and impressed number 122, 16cm high £200-£300

119. Two early 20th century Continental porcelain seated ladies resplendent in 18th century costume, seated on salon chairs holding flowers, their dresses painted and encrusted with flowers, supported on oval Rococo scrolled bases. Crossed swords mark in blue to bases, 14.5cm high £80-£120

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CERAMICS & GL ASSWARE

120. An unusual late 19th/early 20th century overpainted Chinese bottle vase and cover the body overglaze decorated with a landscape scene with flowers, leaves and dragons on an underglaze blue and white ground, with gilt character mark to base, 29cm high £80-£120

121. A 19th century Chinese porcelain square garden seat decorated with a four claw dragon amidst blossoms and foliage on a pale yellow ground, with gilt roundels, the top and base decorated with a pink and blue band of flowers, with pierced top and sides, 50cm high, 28cm square £200-£300

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122. A Chinese blue and white bottle vase late 19th or early 20th century, the square tapering body decorated with panels of trees and foliage, with slender bottle neck, the base unmarked, 20.5cm high 9.5cm square £100-£150

123. A 19th century Japanese Imari oval platter with pierced rim, decorated with smalls panels of animals amidst a ground richly decorated with flowers in red, blue and gilt. Mark in blue to base, 29cm wide £150-£250

CERAMICS & GL ASSWARE

124. A pair of Chinese late Qing dynasty circular plates with shaped rims, painted with naive landscape scenes surrounded by scrolled borders. Six character marks to the bases in blue, 19.5cm diameter £80-£120

126. A 19th century Chinese blue and white table lamp with bulbous body decorated with scrolls and flowers, with a waisted octagonal tapered foot. Later lamp conversion, vase only 28cm high £100-£150

127. A large pair of Chinese earthenware plum storage pots and covers the bodies of cylindrical form and decorated with figures, with dog of foe finials, 38cm high £80-£120

125. A large 19th century Chinese famille rose bottle vase and cover the body decorated with panels of figures and samurai, alternating with panels of birds and flowers, with floral gilded ground, the neck with similar decoration, 32.5cm high £40-£60 128. A large pair of Chinese earthenware ginger jars and covers the bodies of bulbous form, decorated with birds and flowers, 29cm high £80-£120

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CERAMICS & GL ASSWARE

129. A Victorian Ironstone Oriental design stick/ umbrella stand possibly Minton, decorated all over with chinoiserie designs and figures in landscapes, with twin pierced handles, 70cm high £40-£60 130. An unusual pair of late 18th/early 19th century tin glazed tea canisters naively painted and moulded in relief with aristocratic figures. Marks in blue to bases, 11.5cm high £150-£250

131. An Orrefors Swedish glass comport by Edward Hald the body engraved with three reclining nude women, on a ground of flowers, with octagonal tapering column and circular foot, 25cm diameter, 20cm high £150-£200

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132. A large 19th century engraved glass goblet the body decorated with a continuous band of wheel-cut flowers and wheatsheafs, the lower half with facet cutting, supported on a tapered column to a broad circular foot, 21.5cm high, 14.5cm diameter £150-£250

CERAMICS & GL ASSWARE

133. A 1920s Lalique ‘Formose’ globular moulded opalescent glass vase decorated with swimming goldfish with short cylindrical neck. Engraved signature ‘R. Lalique, France, No.934’, 17cm high £600-£800

134. A 1930s Lalique ‘Oeillets’ pattern moulded opalescent glass charger decorated with leaves radiating out towards flower heads. With acid etched signature - R. Lalique, France, 35.5cm wide £800-£1,200

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CERAMICS & GL ASSWARE

135. Two Victorian glass decanters One of bell shaped form, the other with facet cut sides and star cut base, 30cm and 23.5cm high £80-£120

136. Louis Comfort Tiffany A Favrile small glass dish of golden iridescence with blue and purple undertones, and pie crust rim, the underside etched L.C.T Favrile, 6.8cm diameter £100-£150

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137. A large Victorian opaque lilac glass painted vase hand painted with a scene of a young girl painting a picture upon a flower, the reverse decorated with flowers, 31.5cm high £60-£80

138. A pair of 19th century French opaque glass and enamel vases decorated with Pâte-sur-pâte style scenes of cherubs, the bodies of tapering form with flared necks, and gilt lines, 32cm high £80-£120

Silver & Silver Plate (LOTS 139-187)

S ILV ER & S ILV ER PL AT E

139. A Pair of George IV silver berry spoons hallmarked London 1821, with engraved stems and embossed and gilded bowls, Maker: Thomas Wilkes Barker, combined weight 2.53 ozt £60-£80

140. A group of five assorted Georgian silver fiddle pattern teaspoons hallmarked London 1822, 1812 (2), 1828 (2), combined weight 3.12 ozt £50-£70

141. An Omar Ramsden Art Nouveau silver spoon hallmarked London 1930, with hammered bowl, the stem decorated with leaves and a flower head, 12.75cm long, 25 grams £150-£200 142. A Victorian and later Lily pattern canteen of silver cutlery Hallmarked London 1872, Sheffield 1898 and later. Comprising: six dinner forks, six dessert spoons, four table spoons, six dinner knives, six dinner forks, six teaspoons, 50.6 weighable ozt, not including knives £600-£800

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S ILV ER & S ILV ER PL AT E

143. An Edwardian silver and mother of pearl dessert canteen hallmarked London 1909 and retailed by Goldsmiths & Silversmiths, comprising twelve dessert knives and forks with engraved decoration, in the original oak canteen box, missing cartouche panel on the lid, case with scratches and wear. One knife replaced £200-£300

144. A set of seven Victorian silver forks hallmarked London 1860, the stems with thread and shell decoration, with engraved ‘G’ initial to the reverse, 14.5 ozt total £80-£100

145. A silver and glass six piece cruet set the stand hallmarked Sheffield 1895/96, with initials R&B for Roberts and Belk and with small presentation inscription From George Frenholm 3rd Feb 1897, and engraved interlaced owners initials to the centre, complete with six hob nail glass containers comprising three oil and vinegar decanters, mustard pot, salt and pepper, with decorative central carrying handle £300-£500

C o n t a c t u s o n 075 9 6 3 3 2 978

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146. An early Victorian silver cruet stand with partial contents hallmarked London 1844, the body of pierced scrolled form with wooden base and scrolled feet, with carrying handle. With four out of eight bottles present, two with silver tops. Makers mark: Charles Reily & George Storer, 25cm high £400-£600

147. A Victorian embossed silver milk jug, sugar bowls and tongs hallmarked London 1896, the bodies embossed with flowers with scrolled handles. Sold together with a George V silver pierced bon bon dish of scalloped form, hallmarked London 1923. (4), milk, sugar and tongs = 5.96 ozt, bonbon dish = 5.39 ozt. 11.35 ozt total combined weight £120-£180

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148. A Victorian silver topped pinched glass decanter and stopper hallmarked Sheffield 1901. Makers mark: James Deakin & Sons, 29cm high £60-£80

S ILV ER & S ILV ER PL AT E

149. A pair of Victorian silver topped pinched glass decanters and stoppers hallmarked Birmingham 1898. Makers mark: John Thomas Heath & John Hartshorne Middleton of Hukin & Heath, 23cm high £80-£120

150. An Edwardian and later associated silver bachelors three piece tea set hallmarked London 1934 (teapot), 1905 & 1906 (milk & sugar) the bodies of square tapering form with canted corners and scrolled handles, the teapot with ebonised handle and knop. Makers mark: Goldsmiths & Silversmiths and Francis Higgins & Sons (milk jug), 23.7 ozt, including handle £300-£500

151. A Victorian repousse silver tea caddy by William Comyns hallmarked London 1894, the fluted lid with pineapple finial, the body embossed with flowers, scroll work, ribbons and a vacant cartouche on each side, one with engraved crest, 5.25cm square, 12cm high, 4.38 troy oz £150-£200

152. A George V silver teapot hallmarked Birmingham 1925, the body of bombe shape, with ebonised handle and knop. Makers mark: J. Gloster Ltd, 21.5 oz including handle £120-£150

C o n t a c t u s o n 075 9 6 3 3 2 978

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153. A George V silver octagonal sugar sifter hallmarked Birmingham 1928, of baluster form, 23cm high, 5.48 ozt £80-£100

154. A large late Victorian silver bowl hallmarked Sheffield 1901, with petal shaped rim and mounted with twin scrolled handles, supported on a broad circular foot. Makers mark: James Deakin & Sons, 20.5cm diameter excluding handles, 29cm wide, 37.2 ozt £500-£700

155. An Omar Ramsden hammered silver stem cup hallmarked London 1924, the hand hammered body with applied ribs, turned stem and supported on a broad tapered and stepped foot. The base engraved ‘OMAR RAMSDEN ME FECIT’, 10.25cm diameter, 9.5cm high. 6.3 ozt £800-£1,000

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S ILV ER & S ILV ER PL AT E

156. An Edwardian Art Nouveau hammered silver dish hallmarked London 1904, the oval dished top, held aloft on four scrolling arms and supported on a similar oval base with matching finials. Makers mark Mappin & Webb, 18cm high, 20.5cm wide, 16.3 ozt £600-£800

157. An Arts & Crafts hammered white metal bowl early 20th century, probably silver but unmarked, supported on three hand shaped feet, 13cm diameter £70-£100

158. A Victorian white metal cup with fluted rim and tapered body, with cast scrolled and beaded handle. Note: Tests as Sterling silver, although unmarked, 8.25cm high, weight 5.62 ozt £50-£80

C o n t a c t u s o n 075 9 6 3 3 2 978

S ILV ER & S ILV ER PL AT E

159. A Victorian silver and glass scent bottle by William Comyns hallmarked London 1897, the top embossed with a classical scene, the body ornately embossed and pierced with scroll work and flowers. The glass bottle with star-cut sides and base, with original stopper, 14cm high, 6.75cm square £100-£150 160. A small collection of silver and silver plate comprising a silver cruet set hallmarked London 1923, a mid 20th century silver port label, a silver plated bon-bon dish, and a plated tea strainer (6), diameter of dish 12.5cm £60-£80 161. A Georgian style silver plated wine funnel with shell shaped thumb piece and removable tip, 14.5cm long £30-£50 162. An Edwardian William Neale silver novelty horse racing vesta case hallmarked Chester 1905, decorated in relief with a scene of horses crossing the post in front of a grandstand. Makers mark: William Neale, 5.5cm long. 32.6 grams £350-£500 159

162

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S ILV ER & S ILV ER PL AT E

163. A William IV engraved silver calling card case depicting a scene of Abbotsford House hallmarked Birmingham 1935, with an applied cast plaque of the front aspect of the house, set upon a finely chased and engraved body decorated all over with scrolls and flowers, the reverse with vacant cartouche. Makers mark: Taylor & Perry, 89 grams, 9.5cm x 7cm £500-£800

164. A George V silver and tortoiseshell trinket box hallmarked Birmingham 1919, with hinged lid, velvet lined interior and supported on three scrolled legs, 6.25cm diameter £50-£60

166. A George V silver and tortoiseshell trinket box hallmarked London 1922, with engraved initials M.H.H and E.A.H, the circular hinged top with velvet lined interior, supported on four cast legs, 7.25cm diameter £60-£80

165. An Edwardian silver novelty shoe shaped pin cushion hallmarked Birmingham 1910, the front with an applied ribbon and engraved ‘Dulcie, 12/7/11’. Makers mark: Henry Clifford Davis, weight 12.3 grams £50-£80

167. Two ladies silver bangles hallmarked Birmingham 1960 and 1972, 2.84 ozt £60-£80

C o n t a c t u s o n 075 9 6 3 3 2 978

S ILV ER & S ILV ER PL AT E

168. Three assorted silver dressing table jars hallmarked London 1928, London 1915 and London 1919 £70-£100

169. A pair of small silver sugar nips and two pairs of silver plated nips hallmarked Birmingham 1946, silver 0.33 ozt £50-£70

170. A Samson & Morden engine turned silver revolving cigarette box hallmarked London 1908, of drum form, ivory type circular inserts with engraved initials ‘F.L’, and supported on four scrolled feet. Patent number: 281515, 10cm wide, overall weight 10 ozt £180-£220

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171. Two engine turned silver dressing table sets each containing two brushes, a mirror, and a comb in a fitted case. Birmingham 1948 and 1964 £60-£80

172. A group of three Indian white metal embossed dishes comprising a heart shaped dish decorated with flowers, a basket embossed with animals and a bowl embossed with animals, bowl 9.5cm diameter, basket 8.5cm diameter, dish 10cm wide. Combined weight 4.1 ozt £80-£120

173. A collection of three early 20th century Eastern white metal parasol handles all with repousse chased decoration depicting animals, landscapes with figures and flowers, handles 15cm, 14cm and 11cm long £80-£120

S ILV ER & S ILV ER PL AT E

174. A collection of assorted silver objects comprising a wrythen fluted milk jug and sugar bowl, a plain sugar bowl, two pepperettes, a salt and spoon and a pair of sugar tongs (7), all of various dates, approx combined weight: 12.3 ozt £100-£150 177. An early Victorian silver vinaigrette hallmarked Birmingham 1845, the lid with foliate engraving, gilded interior and fitted with a pierced grille. Makers mark: Edward Smith, 2.75cm long £70-£90

175. An Asprey of London silver pin box hallmarked London 1897, the sprung hinged lid embossed with angels. Makers mark: Charles Asprey and George Asprey, 8cm long £40-£60

176. A collection of assorted silver items comprising: two Birmingham 1978 and 1980 silver photograph frames, a silver coin purse Birmingham 1917, two silver bangles, pair of miniature oval frames, napkin ring and a coffee spoon £60-£80

178. A Victorian silver whistle hallmarked Sheffield 1865, 5.8cm long £60-£100

179. Three silver cigarette cases all hallmarked Birmingham 1898, 1909, and 1926, of various sizes, with engraved floral decoration and an engraved monogram, combined weight 7.5ozt £60-£80

C o n t a c t u s o n 075 9 6 3 3 2 978

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180. An Asprey engine turned silver travelling clock barometer hallmarked Birmingham 1938, of hinged fold out design, with central thermometer and engraved Asprey retail mark, with silversmiths mark A. Wilcox. The lid with applied initials ‘AH’, 12.5cm wide £300-£500

183. Three items of Churchill memorabilia comprising a silver circular dish signed Clementine Churchill in a fitted case, and two silver gilt commemorative coins in fitted cases, dish 2.42 ozt, coins 0.76 ozt each £100-£150

181. A silver pin cushion in the form of a pig circa 1900 missing liner, rubbed mark, length 5.5cm £80-£100

182. A large silver pig shaped pin cushion hallmarked Birmingham, 1906, length 8.5cm £150-£250

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184. Antigone Filippaki (Greek) An unusual set of five silver ‘Olympic’ relief plaques, depicting scenes of ancient Olympians engaged in a variety of sports, all mounted on a white marble plinth. Each plaque signed and stamped .999, plinth 36cm wide, plaques 10.5cm diameter £150-£250

S ILV ER & S ILV ER PL AT E

185. An EPNS boat shaped toast rack with six divisions, looped handle, and supported on bun feet, 18cm wide £50-£60

186. A large Arts & Crafts silver plated hand hammered circular fruit bowl of deep dished form with rolled rim and applied scrolled handles, supported on a broad circular foot. Marked EPNS, makers mark A.B, 21cm diameter excluding handles £60-£80

187. A large Victorian silver plated Adam design tureen and cover of oval form, the body embossed with ribbons, swags, rams heads handles and acanthus finial, on an oval stepped base, 40cm wide £80-£120

C o n t a c t u s o n 075 9 6 3 3 2 978

Vertu (LOTS 188-231)

VERTU

188. An unusual early 19th century carved ivory mounted walnut possibly Prisoner of War work, the nut centrally split and hinged, opening to reveal two relief carved ivory plaques depicting a mother and children, soldiers and other figures, 3.5cm long £100-£150

189. A George V 9ct gold military vesta case hallmarked Birmingham 1922 and with engraved inscription: ‘Pat (Reg) Carolin - Essex Regt’. Makers mark S. Blanckensee & Son Ltd, weight 17.5 grams £200-£300

190. An early 19th century Scottish silver mounted horn snuff mull the hinged silver top embossed with thistles and leaves, with inset banded agate roundel and ball hinge. The front with applied shield cartouche engraved ‘Capt. J.K. to J. Hodgson’, 9cm long £100-£150 191. An early 20th century Continental silver and enamel erotic cigarette case with import hallmark for Birmingham 1908, the case of plain form with applied roundel and featuring a secret hinged lid opening to reveal an enamel painting of a nude woman lying on a sandy shore with waves crashing around her. Of curved form with gilded interior. Makers mark M & C, 9 x 8cm. Weight 5.5 troy oz £500-£700

C o n t a c t u s o n 075 9 6 3 3 2 978

VERTU

192. A ladies 1920s Art Deco ‘parklane de Luxe’ compact by L.S. Meyer of rectangular handbag form, with black enamel on a brass body, with strap handle and twin clasps opening to reveal fitted interiors to either side. Clasp stamped L.S.M. With felt slip case, 12.5 x 9.5cm £80-£120

195. An 18th century Battersea type enamel perfume bottle holder transfer decorated in black depicting courting couples in landscapes, the hinged lid opening to reveal a small glass scent bottle and stopper, 5cm long £100-£150

193. A Victorian silver mounted nephrite desk knife the unmarked silver mount engraved with flowers and bright cut decoration, the blade of uniform width with tapered rounded handle, 23cm long, blade 1.75cm wide £200-£300 194. A continental silver gilt and enamel box the top finely decorated with an enamel scene of figures and sheep resting beside a lake, surrounded by a rich border of white and blue foliate enamel, the sides and base with similar guilloche enamel decoration. With stamped silver import mark and dated London 1928, with initials T.C. & Sn, Ltd. In a fitted leather case by retailed M.P. Levene of Kensington, 8.25 x 5.5cm £400-£600

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VERTU

196. A large 19th century Chinese Canton carved ivory card case finely carved all over with figures amidst a landscape strewn with pagodas, trees, bridges and boats, 11.5 x 7.75cm, 1.1cm deep £500-£700

198. A 19th century Chinese Canton carved ivory card case finely carved all over with figures amidst a landscape strewn with pagodas, trees and fences, 11 x 7cm, 1cm deep £500-£700

197. A small 19th century Chinese Canton carved ivory card case finely carved all over with figures amidst a landscape strewn with pagodas, buildings, brick walls, trees, bridges and fences, 11 x 6.5cm, 0.9cm deep £500-£700

199. A late 19th century Indian carved figure of snake charmer the turbaned man blowing a pipe and holding a snake in the other hand, stood upon a tapered rectangular base, strewn with snake bags and other pipes, supported on bracket feet with pierced frieze, 14cm long, 13.5cm high £200-£300

C o n t a c t u s o n 075 9 6 3 3 2 978

VERTU

200. An early 20th century red porcelain and silver overlaid vase decorated with fish swimming amongst foliage and flowers, 8.5cm high £30-£40 203. A Prisoner-of-War bone ‘Spinning Jenny’ automaton French, early 19th century with two Breton ladies on bone platform, one sitting on high back chair with wide brimmed hat operating the spinning wheel as the hand cranked wheel is turned, mounted on an ebonised base under a glass dome, height from base of dome 18.5cm £200-£300

201. An Edwardian silver and enamel pill box by Charles Horner hallmarked Chester 1909, the circular top decorated with a knotted panel with blue and green enamel centre. Makers mark CH, 3.75cm diameter, 25.7 grams £50-£80

202. An early 20th century novelty silver atomiser perfume bottle with London import mark for 1913, in the form of a fire hydrant, the body engraved with leaves and swags, with sprung action, 7.5cm high, 42.5 grams £60-£80

204. A Victorian novelty porcelain scent bottle in the form of an egg with hallmarked silver screw-on top, 34mm high £100-£150

205. A pair of early 20th century carved bone gaming counters formed as a pair of hands rotating around an inked scale marked 0 - 9, with baize bases, 3.5cm diameter £80-£120

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VERTU

206. A pair of Victorian silver handled sewing scissors the handles embossed with cherubs, together with two silver thimbles, one with enamel decoration £50-£80 209. A small leather covered ladies travelling vanity case circa 1907 the green silk lined interior containing four silver toped glass bottles, two silver pill boxes, an aide-memoire and pencil, three brushes (all monogrammed), mirror, manicure set, and other later accessories, contained with outer canvas case £80-£120

207. A small collection of sewing items comprising: an ivory circular pin holder, two needle cases, a bone gavel pin cushion a tape measure and three novelty mice £50-£80

208. A Continental engraved silver lipstick holder with flip-out mirror, together with a Stratton and a Birks sterling silver compact (3) £80-£120

210. A cold painted bronze model of an owl probably Austrian, late 19th century possibly by Bergmann, with glass eyes and realistically painted feathers, height 8cm £200-£300

C o n t a c t u s o n 075 9 6 3 3 2 978

VERTU

211. An early 19th century silver mounted horn beaker the rim engraved with initials S E C U A B interspersed with thistles, with a shield cartouche to the front engraved Stewart Macleod, together with another horn beaker of plain design, the former 10.5cm high, 7.5cm diam £120-£180

212. A tan leather faux crocodile skin vanity case early 20th century, with hinged lid, front and back, folding open to reveal a fully fitted interior with silver plated bottles, ebony brushes and other accessories. With engraved lock plate ‘JP’, 23cm wide £80-£120

213. A gentleman’s Mappin and Webb tan leather dressing case in very good condition, the case with silver topped glasses bottles and a number of silver topped brushes, complete with comb and a number of leather compartments and boxes, the main section lifting out and folding up as a smaller travelling case and revealing storage for clothes, with original outer canvas case, monogrammed with the initials N.E.G, 57cm wide £400-£500

214. A Louis Vuitton style suitcase with leather trimmed edges and fabric covering with lined interior, 60cm wide £80-£120

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VERTU

215. An early 19th century carved and pierced Chinese ivory case in original fitted case the ivory sticks depicting figures, trees, foliage, temples etc, length of case 23.5cm £200-£300

216. An unusual early 19th century mother of pearl fan Chinese, circa 1820 finely decorated on both sides with figures some holding fans, temples, trees, dragons, gardens etc.., length 18.7cm £100-£150

217. A mid 19th century painted black lacquer and paper fan Canton with painted wooden sticks with figures, temples and foliage, and paper fan hand painted with figures with applied ivory faces and applied silk robes, length 28cm £100-£150

218. A mid 19th century Chinese carved wooden fan depicting temples, figures and foliage, 26.8cm long £80-£120

C o n t a c t u s o n 075 9 6 3 3 2 978

VERTU

219. An early 19th century Chinese carved ivory and paper fan the outer guard sticks carved with birds, basket of flowers, scrolls and figures, the lower part of the sticks pierced depicting figures and foliage, the upper section with printed paper, 29cm long £120-£180

220. A Chinese mid 19th century bone and feather fan the feathers brightly painted and decorated with flowers and figures, together with a lacquer and feather fan, 28cm long £60-£80

222. Two late 19th century sequin fans comprising a cream silk fan with applied gold coloured sequins and bone sticks and a black silk fan with applied silver coloured sequins together with a cream lace fan with mother of pearl sticks, the longest 28cm £50-£80

223. A late 19th century lace and silk fan hand painted and decorated with pansies, together with another fan hand painted with flowers, the largest 36cm long £30-£50

221. A tea box bone fan mid 19th century pierced and decorated with flowers and foliage, 19cm long £30-£50

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VERTU

224. A Chinese carved ivory concentric ball on stand early 20th century, the ball of eight layers and supported on a turned column held aloft by a female figure on a circular base, 20cm high. Ball 5cm diameter £200-£300

225. A pair of Japanese Shibyama lacquer panels first half 20th century, each panel finely inlaid with a scene of doves amidst flowers in mother of pearl, carved bone and abalone, surrounded by red lacquer shaped frames, 56 x 39cm £60-£80

226. A Japanese Meiji period bronze two handled vase and cover the pierced lid crested with a dog of foe, the body finely decorated and gilded with chased, applied and engraved flowers and birds on both sides, supported on three lion mounted feet, 22cm high £200-£300

227. A pair of Japanese Meiji period bronze vases each mounted with an applied dragon wound round the neck, the body with flared rim and bulbous base, 15.5cm high £100-£150

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VERTU

228. A mid 20th century Japanese bronze vase the body with spiral hammered decoration with interspersed coloured lines. Impressed character mark to the base, 19.5cm high £100-£150

230. A late 19th/early 20th century Chinese bronze temple bell suspended from a carved hardwood frame, the bell crested with a dragon, with engraved decoration. The frame carved and pierced with silver line inlay and dragons either side, 44cm high overall £300-£500

229. A group of four early 20th century Chinese carved ivory Netsuke comprising a seated deer, a snarling animal, a seated mother and child, and a seated man, sold together with a bone netsuke of a mouse sitting on a basket of leaves (5) £100-£150

231. A 19th century Chinese cloisonné bulbous vase the cylindrical neck and bulbous body mounted with four ring handles, decorated all over with flowers, scrolls and leaves on a blue ground. Supported on a carved wooden stand, vase only 32cm high, 21cm diameter £400-£600

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Jewellery & Watches (LOTS 232-322)

J E W EL L ERY & WATC H ES

232. A Victorian carved cameo and 18ct gold brooch of oval form, the cameo carved with a classical scene and mounted in an unmarked yellow metal frame, 4.5 x 5.25cm £100-£150

235. A ruby and diamond bar brooch set in 18ct yellow gold, the central flower head with oval ruby and surrounded by 10 small diamonds. Stamped 18ct, weight 7 grams £200-£300

233. An Edwardian diamond and emerald brooch set with two large pear shaped diamonds in ornate scrolled frames, pave set with smaller diamonds, with central suspended cabochon emerald. Probably converted from a pair of earrings, 53mm wide, 16.9 grams £1,200-£1,800

234. An Art Deco sapphire and diamond bar brooch The large central asscher cut sapphire surrounded by 12 diamonds of approximately 0.07cts each. With 18ct yellow gold mount upon an 18ct white gold bar. In a Mappin & Webb retail box, weight 7.1 grams £1,000-£1,500

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J E W EL L ERY & WATC H ES

238. A 1930s copper and enamel oval brooch decorated with flowers together with a copper and enamel half buckle (2) £30-£50

236. An Edwardian gold, emerald, sapphire, diamond and pearl pendant brooch formed with central sapphire surrounded by circles of diamond, pearls and emeralds, with suspended baroque pearl below, with pendant loop and bar brooch mount, 28mm diameter, 10 grams. £2,000-£3,000

239. An early 20th century Art Nouveau gold and enamel brooch stamped 9ct and decorated with three enamel leaves with pearl below, on a scrolled frame, 2.8 grams £40-£60

Phillips ‘Fine Jewels’, September, 1979, lot 140

237. A gold and sapphire five stone bar brooch early to mid 20th century, set with central sapphire of approx. 0.30cts and smaller graduated stones either side, set in unmarked yellow gold, in retailers box, 3.5 grams £800-£1,200

C o n t a c t u s o n 075 9 6 3 3 2 978

J E W EL L ERY & WATC H ES

240. An unusual 19th century white metal and opal brooch possibly from Peru, with pierced frame and decorated with a rat, monkey, cockerel and leaves, mounted with three opals and a cabochon garnet, 7.5cm wide. 44.5 grams. £80-£120 241. A Victorian yellow metal filigree brooch set with faceted oval stones, with further stone suspended below, in it’s original fitted case, overall weight 15.7 grams £200-£300

242. A Victorian diamond and 18ct white gold bar brooch formed as a a pair of half moon rings of diamonds with central stones and radiating spokes, divided by a long bar of diamonds with arrow head shaped ends, set in unmarked white metal, 44mm long £800-£1,200

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J E W EL L ERY & WATC H ES

243. A collection of 11 silver, white metal and bakelite costume jewellery brooches of varying styles and designs £60-£80

244. An early 20th century 9ct gold bar brooch by Murrle Bennett set with a central oval turquoise. Stamped ‘9ct MB & Co’, 27mm long £40-£60

245. A ruby and diamond crescent brooch set with a central circular ruby surrounded by nine diamonds, flanked either side by a curved and tapered bar interspersed with graduated rubies and diamonds, set in yellow gold, in a vintage retailers box, 5cm long £600-£800

246. A Continental silver gilt and turquoise lizard brooch realistically modelled and studded with parallel rows of turquoise extending down her back, set with coral eyes. Stamped .835, 6cm long. 6.6 grams £80-£120

247. An Edwardian 9ct gold, seed pearl and peridot pendant of lozenge shape, set with three peridots, scrolled and lattice work mount and pearl centred flower heads, on a 9ct gold chain, weight 4 grams £80-£120 248. A collection of six assorted loose opals including three doublets, all of various sizes £150-£200

C o n t a c t u s o n 075 9 6 3 3 2 978

J E W EL L ERY & WATC H ES

249. A silver gilt and doublet opal scrolled pendant set on a yellow metal chain stamped .750, chain weight 3.1 grams £100-£150

251. An Edwardian 9ct gold, aquamarine and seed pearl pendant the three petal flower head with seed pearl centre and suspended from a circular aquamarine, on a 9ct gold chain, in original retailers box from E.W. Payne, Bromley, weight 2.8 grams £120-£180

250. Two gold mounted banded agate pendants each of rectangular tapering form with twisted unmarked yellow gold mounts £80-£120

252. An emerald and diamond suite of jewellery comprising a lozenged shaped pendant and a similar pair of earrings each set with central pear shaped emerald surrounded by a pierced frame set with diamonds, and cabochon emeralds suspended below, set in unmarked yellow gold and white metal, combined weight 16.2 grams £500-£700

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J E W EL L ERY & WATC H ES

253. An Edwardian 15ct gold, seed pearl and pearl necklace stamped 15ct, the frame mounted with seed pearl set leaves, with a flower head and pearl suspended below, on a 15ct gold chain, weight 9 grams £250-£350

254. An Irish 1920s yellow gold and seed pearl choker necklace with three central flower heads and suspended pearls, with further pearls mounted on every link and box clasp, gold is unmarked, in original fitted retailers box from West & Son, Dublin, 38.5cm long. Overall weight 21.3 grams £500-£800

255. An Edwardian coral, pearl, diamond choker necklace formed as four alternating roundels of coral and pearl, each one surrounded by a row of diamonds and interspersed with flowers, set in unmarked yellow gold. In original fitted retailers box from C. Sewell of Berkeley Square, 37.5cm long £1,200-£1,800

C o n t a c t u s o n 075 9 6 3 3 2 978

J E W EL L ERY & WATC H ES

256. A Chinese dark green jade bead necklace of 48 10mm beads, set with an oval silver filigree clasp, 64.5cm long £60-£80

259. A string of 4mm cultured pearls, retailed by Garrards of uniform size, with 18ct gold double-sided clasp set with 1 point diamonds. The clasp stamped .750 and G & Co. In a Garrard retail box, 52cm long £600-£800 260. A 9ct gold, sapphire and diamond bangle set with three sapphires of 0.21cts and 0.14cts (2) and two small diamonds of 0.07cts each, weight 12.1 grams £200-£300

257. A Chinese pale green jade bead necklace of 57 10mm beads, set with an oval silver filigree clasp, 73cm long £60-£80 261. A Charles Horner silver bangle hallmarked Chester 1945, with buckle type clasp and engine turned decoration, with engraved inscription ‘From Mum & Dad Xmas 1945’, 23.1 grams £50-£70

258. A Chinese dark green fine jade bead necklace of 65 5mm beads, set with a 9ct yellow gold box clasp, stamped .375, 44.5cm long £80-£120

262. A Victorian 18ct yellow gold and seed pearl bracelet converted from a chain, each link set with a seed pearl, 38.8 grams £400-£500

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J E W EL L ERY & WATC H ES

263. A Victorian silver bangle in the form of a buckle hallmarked 1885 and a child’s white metal bangle decorated with roses (2), combined 1.52 ozt £50-£80

267. A 9ct gold 10 bar gate bracelet with heart shaped padlock clasp, 22.6 grams £140-£160 268. A 9ct gold 5 bar gate bracelet with heart shaped padlock clasp, 10.6 grams £60-£70

264. An early 20th century Continental banded agate and silver bracelet with central oval panel flanked by heart shaped and rectangular panels, each panel with floral engraved silver frames, 16.5cm long £100-£150

269. A large 9ct gold charm bracelet stamped .375 and mounted with 17 assorted charms, 55.8 grams £400-£500

265. A 9ct gold bark effect bracelet stamped .375, in Hamilton retailers box, 27.1 grams £180-£220

266. A 9ct gold charm bracelet stamped .375 and mounted with 16 charms, 26 grams £140-£160

270. A gold bracelet set with five full sovereigns dated 1909, 1913 (2), 1925, and 1965, all in 9ct mounts, the bracelet stamped .375, with heart shaped padlock clasp, combined weight 61.1 grams £800-£900

C o n t a c t u s o n 075 9 6 3 3 2 978

J E W EL L ERY & WATC H ES

271. A 9ct gold bracelet set with three gold rings two half sovereigns dated 1910 and 1914, an Austrian 1915 20 Corona coin and a 9ct fish fob, total weight: 29.5 grams £200-£300

272. A Christian Dior 9ct gold and diamond bracelet of yellow and white gold and set with ‘CD’ symbols and surrounded by pave set diamonds, 38.4 grams. 8 inches long £400-£600

273. A 9ct yellow gold charm bracelet set with three charms, each stamped 9ct, 17.8 grams £120-£140

275. A 9ct yellow gold charm bracelet stamped .375 and set with 10 assorted charms, with heart shaped padlock clasp, 31.1 grams £180-£250

274. A 9ct yellow gold curb link bracelet each link stamped, with heart shaped padlock clasp, in heart shaped retailers box from The Sheffield Goldsmiths, 15.8 grams £140-£160

276. A 9ct yellow gold oval locket and chain the hinged front engraved with a kingfisher in flight, weight 18 grams £150-£200

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J E W EL L ERY & WATC H ES

277. A 9ct gold oval locket and chain stamped .375, the locket engraved with scrolling flowers, 24.8 grams £150-£180

280. A pair of 11mm Tahitian cultured pearl ear studs with 18ct white gold mounts £300-£400

281. A pair of 9ct gold diamond ear studs each stone approximately 0.13-0.14cts £80-£120 278. A Victorian full sovereign in a 9ct gold mount the sovereign dated 1899, suspended on a 9ct gold chain, combined weight 23 grams £240-£260

279. A collection of assorted gold jewellery comprising: two 9ct gold ingots on chains, one with a small diamond, a gold plated bangle, and an 18ct gold tie pin, 9ct gold: 13.9 grams, 18ct 2.6 grams £100-£150

282. A pair of Art Deco style costume jewellery earrings formed as suspended arrow heads with rows of paste stones, topped and tailed by synthetic emeralds £50-£70

C o n t a c t u s o n 075 9 6 3 3 2 978

J E W EL L ERY & WATC H ES

283. A pair of Art Deco design gold and diamond earrings each set with a central diamond of approximately 10pts, in a square set frame surrounded by smaller diamonds, suspended from a triple diamond set bar, all set in unmarked white metal £600-£800

284. An Art Deco sapphire and diamond flower head ring set with central oval sapphire, surrounded by 14 small diamonds of approx. 0.03cts each, set in 18ct white gold, weight 4.6 grams £400-£600

285. An Art Deco sapphire and diamond ring with central cushion shaped sapphire surrounded by 20 small diamonds, set in 18ct white gold, weight 3.6 grams £500-£800

286. An 18ct white gold and diamond cluster ring hallmarked London 1972, set with 19 diamonds of 0.05cts and smaller, the shank stamped ‘18’, 5.1 grams £300-£500

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J E W EL L ERY & WATC H ES

287. A platinum and diamond split shank ring with hammered platinum mount, stamped ‘950’, tension set with a baguette cut diamond of approximately 0.18cts, 12.1 grams £300-£400

290. A 9ct yellow gold and backed opal ring of oval form with in a ballerina mount, with part of the synthetic backing lacking, hallmarked London 1974, 2.3 grams £60-£80

288. A Victorian 9ct gold opal and garnet five stone ring with scrolled mount, stamped .375, 3.6 grams total £100-£150

291. An early 20th century diamond cluster ring set with central diamond of approximately 0.40ct, surrounded by smaller rose cut diamonds of approximately 4-5 pts each. Set in unmarked white metal, 7.2 grams £500-£700

289. An Edwardian 18ct yellow gold, opal and diamond marquise shaped ring hallmarked for Birmingham 1909, the marquise shaped opal surrounded by diamond chips, 3.1 grams £250-£350

292. A yellow gold and three stone diamond ring set with central stone of 0.38cts flanked either side by stones of 0.14cts each, set in an unmarked yellow metal mount, 2.9 grams £200-£300

C o n t a c t u s o n 075 9 6 3 3 2 978

J E W EL L ERY & WATC H ES

293. A 9ct yellow gold opal and emerald oval cluster ring hallmarked Birmingham 1975, 2.1 grams £100-£150

296. An Art Deco white gold and diamond eternity ring with scroll engraved mount £300-£400

294. An Art Deco style 18ct gold, sapphire and diamond ring hallmarked London 1975, set with central cushion cut sapphire surrounded by small pave-set diamonds, 5.5 grams £200-£300 297. Two 18ct yellow gold rings comprising and wedding band and a diamond engagement ring set with 5pt stone, 6.2 grams total £60-£80

295. An Art Deco diamond ring set with two large diamond in a rectangular frame, with stepped diamond set shoulders, set in a white gold pierced mount with S scrolled shoulders £800-£1,200

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298. A George V 22ct gold wedding band hallmarked London 1926, 10 grams £140-£180

J E W EL L ERY & WATC H ES

299. A sapphire and diamond cluster ring with central sapphire, surrounded by twelve diamonds, with diamond set shoulders, set in 9ct yellow gold £200-£300

302. A Victorian 15ct gold diamond ring set with five large diamonds in a row, surrounded by an oval band of smaller diamonds £150-£250

300. A sapphire and diamond Art Deco style ring with central circular sapphire surrounded by 12 diamonds in a square setting, with semi-split 18ct yellow gold shank £100-£150

303. An 18ct yellow gold and diamond cluster ring with central diamond surrounded by 8 smaller diamonds; sold together with a diamond eternity ring £150-£250

301. An Art Deco sapphire and diamond ring set with large central oval sapphire flanked either side by a princess cut sapphire and surrounded by a scrolled diamond set frame, set in unmarked white gold £200-£300

304. Three gold and diamond rings comprising: an 18ct gold and diamond flower head ring; an 18ct gold demi-lune ring; and an entwined gold and diamond eternity ring £150-£250

C o n t a c t u s o n 075 9 6 3 3 2 978

J E W EL L ERY & WATC H ES

305. An 18ct yellow gold and diamond triple crossover ring set with central diamond of approximately 6pts, set in platinum, flanked by a smaller diamond either side, 3 grams £100-£150

306. Three gold and diamond rings comprising a two stone diamond ring, the shoulders set with a row of smaller diamonds, set in 18ct yellow gold; a pave set diamond ring, set in unmarked yellow gold; and a 9ct gold eternity ring (3) £200-£300

307. A group of four assorted gold rings comprising: a 9ct gold wedding band, a 9ct gold buckle ring, an 18ct gold sapphire and diamond ring, and a 9ct gold sapphire and diamond ring, 9ct 12.4g, 18ct 3.2g including stones £140-£180

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308. Two 9ct gold and diamond rings one set with central diamond and diamond-set shoulders, one ring set with central tanzanite together with a platinum ring with central diamond and diamond set shoulders. (3) combined weight 8.8 grams £100-£200

309. A group of five assorted gold rings comprising a 22ct gold wedding band, a 9ct gold and garnet abstract ring, two 18ct gold and diamond three stone rings and a 9ct gold and platinum seal ring (5), abstract ring: 5.2g, 22ct band: 4.3g, seal ring: 3.2g, diamond rings: 3g and 1.9g £120-£180

310. A collection of assorted 9ct and 18ct gold rings comprising eleven assorted rings, three brooches, three tie pins and a fob £200-£300

J E W EL L ERY & WATC H ES

314. A gentleman’s Raymond Weil 18K gold electroplated wristwatch with white enamel dial, black Roman numerals and black leather strap. In original box £100-£150

311. Two 9ct gold dress rings comprising: a gold and garnet three stone ring, and a spiral twist diamond and sapphire ring, combined weight 9 grams £60-£80

312. A small collection of costume jewellery comprising a silver and marcasite peacock brooch, a citrine ring, a mother of pearl brooch, a seed pearl brooch, a 9ct gold scrolled brooch and a rose quartz brooch £60-£80

315. A ladies Edwardian 9ct gold wrist watch retailed by Thomas Russell & Son of Liverpool, with white enamel dial with red and black Roman numerals, with a 9ct yellow gold hollow strap, 25.9 grams total £100-£150

316. A 1970s ‘Avia’ gold plated wrist watch in original box £40-£60

313. A ladies 1940s 10K gold Rolex Standard wrist watch on an elastofix bracelet, with silvered dial and gilt numerals, in original Rolex box. The case stamped 10K £100-£150

C o n t a c t u s o n 075 9 6 3 3 2 978

J E W EL L ERY & WATC H ES

317. A ladies Rotary 9ct yellow gold wrist watch with circular dial and gilt numerals, pierced 9ct bracelet, 14.4 grams total weight £60-£80

320. An 18ct yellow gold Albert chain and a gold plated Waltham pocket watch the chain stamped 18 and mounted with a double sided hardstone swivel fob, the watch with white enamel dial and black Roman numerals, weight of chain approx 43 grams excluding fob £650-£750

318. A 9ct gold ladies Omega wristwatch with square dial and baton numerals on a 9ct yellow gold link strap. In original box with with paperwork, total weight 22.4 grams £100-£150

321. A Cartier gold plated cigarette lighter with engine turned body, set in a red Cartier box £80-£120

319. A Victorian 15ct yellow gold Albert chain fitted with a 9ct bowling club fob with engraved inscription dated 1937, total weight 34 grams. 9ct approx 11 grams, 15ct approx 23 grams £250-£350

322. A mid 20th century Dunhill gold plated cigarette lighter with engraved initials, in leather Dunhill travelling case in Dunhill retail box £80-£120

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Collectables (LOTS 323-358)

COL L ECTA B L ES

325. A three draw brass refracting telescope circa 1850 signed T.G.P. Osbourne London, with dust slide to the eyepiece and wooden bound outer tube, 30cm long unextended, 89cm extended £60-£100

323. A 19th century brass surveying instrument unmarked, set with a central optical scope, with a large wheel either side, with adjustable eyepiece, scope 38cm long £100-£150

326. An early 19th century two draw brass and mahogany day or night refracting telescope signed C. West London, with dust slide to eyepiece, 36.5cm long unextended, 86.3cm extended £60-£100

327. An early 19th century single draw day or night brass telescope signed J. Long Little Tower Street, London, with dust slide to the eyepiece and sliding hood to the objective, with leather bound outer tube, 51cm long unextended, 96cm extended £60-£90 324. An early 20th century set of drawing instruments by Cary contained within a metal tin with velvet lined interior containing brass dividers, ruling pens, compasses etc, lifting out to reveal boxwood rules and perspex triangles £50-£80 328. An early 19th century three drawer mahogany and brass telescope circa 1806 signed Gilbert & Sons, London, with dust slide to eyepiece, 24cm long unextended, 75cm extended £60-£90

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COL L ECTA B L ES

329. A mid 19th century three draw mahogany and brass refracting telescope unsigned, with lens cap and dust cover to the eyepiece, 21cm long unextended, 64cm extended £50-£80

332. A 19th century simple folding pocket microscope in fitted case with turned ivory handle, brass bar with sliding screw for specimen holder, and magnifier, contained within fishskin covered case, 8cm long £80-£120

330. An early 19th century single brass brass and mahogany refracting telescope unsigned, with bulbous eyepiece, dust slide to eyepiece and Schryle pattern to the internal optics £50-£80

333. A 19th century French brass folding microscope by Nachet et fils, Paris engraved with the makers name and ‘17, rue St. Severin, Paris’, in the original fitted leather box and sold together with a number of lens and eyepieces, approximately 21cm high £100-£150

331. A rare 19th century brass Dickinson’s anemometer signed Dickinson’s Anemometer No 406 Casartelli Manchester, the brass frame with sighting aperture at the side, the other side with a swivelling aperture arm, the silvered scale folding out from the frame and graduated 200-700 Feet per Minute with 20ft subdivisions, to be read off by a black-painted flap hinged to the top of the frame, 12cm wide, 12.5cm high £200-£300

334. A Victorian Negretti & Zambra pocket compensated barometer in a brass case with silvered dial, signed and numbered 26179, in a leather fitted makers case £60-£80

C o n t a c t u s o n 075 9 6 3 3 2 978

COL L ECTA B L ES

335. A late 19h century German Standard E.P. Magic Lantern and a large collection of glass slides covering various subjects, sold in the original fitted box £100-£150

336. A 1914 9ct yellow gold Printing, Stationery & Allied Trades Exhibition medallion the reverse with engraved dedication, in the original fitted case, 34mm diameter, 19.3 grams £120-£150 This medal was awarded to Mr Henry William Friend (left) who was killed during active service in the First World War in April 1918 aged 27.

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337. An unusual 18ct yellow gold 1810-1910 gold medal ‘Republica Argentina Sante Fe’, ‘Conmemoracion Exposicion Centenario’ Stamped ‘18K’, 29mm diameter, 17.4 grams £200-£300

338. A Victorian rosewood cased musical box circa 1880, with Swiss key-wound movement playing 6 airs on a single cylinder, the top with floral inlay, the hinged flipdown side section, 45cm wide £100-£150

339. An early 20th century small banjo unnamed with mother of pearl roundel inset neck, the reverse side with plated roundel, in a black covered case, 54.5cm long £30-£50

COL L ECTA B L ES

340. A beige coloured polka dot Beatles dress Dutch,1960s decorated with printed faces of the Beatles and their facsimile signatures £150-£250

341. A boxed set of car mascot ‘Bobb ’n head’ plaster of Paris Beatles dolls each doll with facsimile signature to the base, contained within original case, 29cm wide £300-£400 342. A rare 1964 Beatles record player the hinged blue case player with four speeds, with print to the interior and exterior lid, 44.5cm wide £1,000-£2,000 Only 5000 of these record players were produced in 1964 by NEMS Enterprises Ltd, and it is believed that few survived

C o n t a c t u s o n 075 9 6 3 3 2 978

COL L ECTA B L ES

343. John Lennon/bag One Dutch reprints Fifteen prints each one with facsimile John Lennon signature, contained within original folder, 50 x 37cm £100-£200

345. Formula 1 - Ayrton Senna A 1993 51st Monaco Grand Prix French Official Program signed by World Champion Ayrton Senna. Senna qualified in 3rd place and went on to win the race by almost a whole lap ahead of second place driver Damon Hill and beating pole sitter Alain Prost by over a lap. Signed ‘Ayrton Senna’ in black marker and dated ‘93 on a full page photo of Senna commemorating his win the previous year at the same race, A4 sized £100-£150 344. Neil Armstrong Memorabilia a ladies vintage 1930s beaded evening bag signed by astronaut Neil Armstrong and his then wife Janet Armstrong. With retailers label Sarne of California, Made in Japan £1,000-£2,000 The bag was signed during a charity auction at a London hotel in the mid 1980s that was attended by Neil Armstrong and his wife Janet

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COL L ECTA B L ES

346. An album of signed film star photographs including: Sir John Gielgud, William Fox, Ralph Richardson, Jack Hulbert, and more, some with facsimile signatures, album 19 x 14cm £80-£120

348. World War II Photographs an album of collected WWII black and white photographs, mostly of Naval subjects, including warships, aircraft, Royal ship inspections, bombing and attack scenes, shelling and sinking scenes, together with a small collection of similar loose photographs £100-£150

347. Football Photographs an early 20th century album of portrait photographs of football players, from 1900 onwards, including Liverpool, Tottenham Hotspurs, Blackburn Rovers, Manchester City, Wolverhampton, QPR, Arsenal, Chelsea and many more £50-£100

349. A collection of early 20th century postcards all unused, covering subjects including: buildings, landscapes, Lourdes, Lyon, and more £40-£60

C o n t a c t u s o n 075 9 6 3 3 2 978

COL L ECTA B L ES

350. An interesting collection of boxing ephemera mainly 1930s signed black and white photographs of Jack ‘Kid’ Berg, Panama Al Brown, Primo Carnera and photographs of Emile Pladner and others, together with two boxing programmed from 1930s and a silhouette of Mr Darby by artist Baron Scotford dated 1927 £200-£300

352. Dinky Toys No. 772 British Road signs comprising 24 painted metal street signs in a fitted original box, signs 6cm high on average £80-£120

Provenance: from the collection of Mr Charlie Darby, a boxing referee in the 1920s. By direct descent to the present owner

351. A large collection of Hornby Dublo trains, rolling stock and accessories comprising: Sir Nigel Gresley boxed set, a quantity of track, 1 buffer, signals, footbridge, flat body wagon, transformer, box crossing, two stations, points, coupling rail, and a collection of wagons £200-£300 353. Corgi No.261 “James Bond” Aston Martin DB5 taken from the film “Goldfinger” gold body, red interior with “James Bond & Bandit” figures - Excellent Plus nice bright example, complete with inner pictorial stand, in original box, with leaflet and secret instructions with spare passenger figures, good condition in general £100-£200

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COL L ECTA B L ES

356. A 1930s mohair teddy bear with articulated head, arms and legs, with glass eyes, 33cm long £150-£250

354. Corgi No.497 “The Man From UNCLE” Thrush-buster blue body, cast lamps and hubs, complete with waverly ring, complete with inner pictorial stand, in original box, excellent condition £100-£200

357. An early 20th century French porcelain headed sailor doll with composite hands, body and feet, dressed in original sailors clothes and hat. The reverse of the head stamped ‘1 FRANCE’, 28cm long £60-£80

355. Two early 20th century ventriloquist puppets both of composite construction, one as an individual head with moving eyes and movable mouth, the second as a complete doll with fixed eyes and movable mouth, wearing a suit, larger head 9cm wide, smaller head 7.5cm wide £80-£120 358. A 19th century Belgian double barrelled percussion pistol circa 1853-1877 with ELG proof mark and crowned V, the box lock action and trigger guard with engraved decoration, with walnut pistol grip, 19.5cm high £80-£120

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TERMS & CONDITIONS

IMPORTANT INFORMATION FOR BIDDERS AND BUYERS Each auction is prepared in advance and is on public view at the saleroom for one day before the sale, and the morning of the sale. No passes or appointments are required.

CONDITIONS OF BUSINESS

PAYMENT

All lots are offered subject to Catherine Southon Auctioneers & Valuers Ltd’s Conditions of Business.

Payment is due in sterling immediately after the sale and before purchases can be released. Payment in person can be made in the saleroom on the day of the auction. After this, payments must be made by post, card transactions by telephone or electronic transfer to our bank. Catherine Southon Auctioneers & Valuers Ltd welcomes the following methods of payment:

ESTIMATES AND RESERVES Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may be higher or lower than the range of figures given and there are no predetermined starting prices. Estimates may be subject to revision. Published estimates are exclusive of buyer’s premium and VAT. All lots are subject to reserves. The reserve price is never higher than the low pre-sale estimate. BUYER’S PREMIUM AND VAT A buyer’s premium of 18% is applicable to all the lots in this sale. The buyer’s premium is inclusive of VAT at the current standard rate (20%). Lots are normally offered for sale under the auctioneers margin scheme and VAT is payable on the buyer’s premium by all buyers.

CREDIT/DEBIT CARD We are pleased to accept major Credit Cards, for which a surcharge will be made of 3% of the transaction total. This is to cover the charge made to us by the bank. (Unfortunately we are unable to accept American Express). There is no charge for payments by Debit Card. STERLING BANKER’S DRAFT RO BUILDING SOCIETY CHEQUE We are pleased to accept a Sterling Banker’s Draft or a Building Society cheque drawn on a recognised UK bank or building society.

Lots marked with a dagger † will be offered under normal UK VAT rules and VAT will be charged on both the hammer price and the buyer’s premium.

STERLING CHEQUE OR CASH

PRE-SALE EXHIBITION

Cash payments will not be accepted above the amount of £6,000.

All auctions are on public view the day before the sale and on the morning of the sale. CONDITION REPORTS All prospective bidders are encouraged to attend the pre-sale exhibition and view the lots in person. If this is not possible, we will be pleased to provide a brief condition report where practical. All condition reports are provided in good faith. Buyers are reminded that it is their responsibility to satisfy themselves of the condition of lots. All weights and measurements are approximate only. Please refer to Conditions of Business for further information.

Cheques are not acceptable tender unless agreed in advance by Catherine Southon Auctioneers & Valuers L td.

ELECTRONIC AND WIRE TRANSFERS Wire transfers can be made directly to our bank: National Westminster Bank plc 33 High Street West Wickham Kent BR4 0WH Sort Code: 60-23-22

BIDDING IN PERSON

Account Number: 79995810

To bid with us you must register to obtain a bidding number. You will be asked to provide proof of identity. All lots sold will be invoiced in the name and address in which the paddle has been registered and will not and cannot be transferred to other names or addresses. If you instruct an agent to bid on your behalf, you will need to provide a letter of authority to this effect.

Account Name: Catherine Southon Auctioneers & Valuers Ltd

ABSENTEE & TELEPHONE BIDDING

PLEASE NOTE THAT THE FULL AMOUNT OWED MUST BE TRANSFERRED. CATHERINE SOUTON AUCTIONEERS & VALUERS LTD WILL NOT ACCEPT TRANSFER CHARGES. ALL BANK TRANSFER/COMMISSION CHARGES MUST BE PAID BY THE BUYER

Catherine Southon Auctioneers & Valuers Ltd is pleased to execute bids on behalf of clients unable to attend the sale in person. All bids should be submitted in writing and in good time, no later than 4.00pm on the day prior to the sale. No absentee or telephone bidding requests will be accepted without a landline telephone number. Lots will be purchased as cheaply as possible (subject to other bids received, reserves and competition in the saleroom). It will be possible to arrange auction room telephone bidding, but subject always to the availability of lines and staffing. These services are offered free of charge and are subject to our Conditions of Business.

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IBAN: GB47 NWBK 6023 2279 9958 10 Swift Code: NWBKGB2L BIC: NWBK GB 2L

TERMS & CONDITIONS

CONDITIONS OF BUSINESS FOR SELLERS The Conditions of Business for Sellers govern all aspects of the consignment, report, holding and sale of Property by Catherine Southon Auctioneers & Valuers Ltd and the Conditions of Business for Buyers, as printed in sale catalogues and available from Catherine Southon Auctioneers & Valuers Ltd upon request. Catherine Southon Auctioneers & Valuers Ltd act as agent for Sellers. Conditions of Business for Buyers and/or Sellers may be amended by additional terms printed in the sale catalogue and/or by notices posted up in the saleroom or announced by the auctioneer. DEFINITIONS “Seller” is the owner of the Property, their agent, executors or the person in possession of the Property (as appropriate). “The Company” means Catherine Southon Auctioneers & Valuers Ltd, Lygon House, 50 London Road, Bromley, BR1 3RA, Company registration number “Seller’s Commission” is the commission The Company charges Sellers of Property. “Expenses” are The Company’s expenses, fees and charges relating to the Property, including legal expenses, insurance charges, illustration fees, administration fees, customs duties, shipping and packing costs and any other expenses and VAT on these amounts. “Buyer’s Premium” is the commission The Company charges Buyers of Property. “Hammer Price” is the highest bid for the Property accepted by the auctioneer. “Reserve Price” is the minimum Hammer Price at which the Property may be sold, as agreed between the Seller and The Company. “Net Sale Proceeds” are the proceeds of sale actually received by The Company, less Seller’s Commission, Buyer’s Premium and Expenses. “Property” means any item or items of any kind accepted by The Company with a view to its or their sale at auction. “Buyer” means the bidder (including a commission bidder) whom The Company has accepted by the fall of the auctioneer’s hammer. “Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description. The Seller’s Commission, Hammer Price, Buyer’s Premium and all Expenses are subject to VAT, where applicable.

1. SELLER’S WARRANTIES (a) The Seller warrants to The Company and the Buyer that:(i) the Seller is the owner of the Property or is properly authorised to sell it;

Company’s standard rates. The Company reserves the right to pay out of its commissions a fee to any third party introducing Sellers or Property to it. (f) Sellers are prohibited from bidding on their own Property.

3. WITHDRAWAL OF PROPERTY (a) If the Seller withdraws any Property from sale after their written agreement to sell it, The Company may charge the Seller 50% of the Seller’s Commission and Buyer’s Premium that The Company would have received had the Property sold at its mid estimate, plus all Expenses (the “Withdrawal Fee”). (b) The Company may withdraw any Property from sale without liability for any of the following reasons:- if (i) it reasonably believes that the authenticity or attribution is questionable; (ii) it reasonably believes that the Seller’s Warranties or other Conditions of Business have been breached; (iii) there is a competing ownership claim or lien over the Property; (iv) the Property does not have all licences and permits required by law, including those required under the Convention on the International Trade in Endangered Species (CITES); (v) the condition of the Property has deteriorated since consignment; (vi) the auction has been postponed for any reason. (c) If the Property is withdrawn for any of reasons 3(b)(ii), or (iii) the Seller shall pay the Withdrawal Fee, as per Condition 3(a). If withdrawn for any other reason, the Property shall be returned to the Seller at the Seller’s expense.

4. EXCLUSION OF LIABILITY (a) The Company shall not be liable for any errors or omissions in any written or oral information provided to Sellers or for acts or omissions relating to the conduct of the auction or any other matter relating to the sale of Property, whether negligent or otherwise, subject always to Condition 4(c). (b) Without prejudice to Condition 4(a), any claim against The Company shall be limited to the Net Sale Proceeds for the relevant Property. The Company shall not in any circumstances be liable for any indirect or consequential losses. (c) The Company’s liability to the Seller in respect of death or personal injury caused by The Company’s negligent acts or omissions shall not be excluded or limited.

(ii) the Seller shall transfer possession and good title in the Property to the Buyer, free from any third party claims;

5. LOSS OR DAMAGE TO PROPERTY

(iii) the Seller has provided all relevant information about the ownership, condition, authenticity, attribution, provenance and import/export history of the Property;

(a) Unless otherwise agreed in writing, The Company will assume the risk of loss or damage to Property received from the Seller until:-

(iv) there are no copyright or other restrictions on The Company’s rights to produce and publish images of the Property.

(i) risk passes to the Buyer; or

(b) The Seller will indemnify The Company, its directors, employees, officers and Buyers of the Property against all losses and damages resulting from a breach of any of these warranties or other Conditions of Business. The Company may cancel, rescind or postpone sales of Property where it reasonably believes that there has been or may be a breach of these warranties or any other Conditions of Business by the Seller.

(iii) 6 months after receipt of the Property by The Company, if not consigned for sale.

2. SALE PREPARATION (a) The Company shall have sole discretion as to how Property is described, illustrated and marketed, and the date, venue and conduct of the sale. (b) All oral or written estimates, appraisals and reports are statements of opinion only, and may not be relied upon as a prediction of the sale price and may be revised from time to time by The Company. The Company is not responsible for error of description (made either orally or in any catalogue) or for the genuineness or authenticity of any lot. (c) The Company may, without obligation, consult with third party experts and carry out such other research for the Property as it deems necessary. The Company may transfer possession of the Property to such third parties and shall not be responsible for the acts and omissions of such third parties. (d) The Company shall have the absolute right to produce and publish images of any Property consigned for sale and will retain copyright in any such images it produces. (e) The Company will charge a Buyer’s Premium on the sale of the Property at The

(ii) if unsold, 30 days after the sale or when released to the Seller (whichever is earlier); or (b) If damage or loss occurs whilst the Property is at the risk of The Company, the maximum amount of The Company’s liability shall be: (i) the Hammer Price of the Property, if sold; (ii) the Reserve Price of the Property or as otherwise stated on the Property Receipt, if unsold; or (iii) the mid estimate, if not offered for sale (or The Company’s reasonable estimate of auction value where there are no pre-sale estimates); less Seller’s Commission and Expenses. (c) The Company will not be liable for any loss or damage caused by:- (i) normal wear and tear, gradual deterioration or inherent vice or defect; (ii) errors in processing; (iii) war or radioactive contamination.

6. VAT If any Property is an asset of the Seller’s business, the Seller must notify The Company on delivery of the Property to The Company, whether or not he is registered for VAT purposes and if so, his registered number and whether or not he intends to operate the VAT Used Goods Scheme covering amongst other goods, works of art and antiques.

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TERMS & CONDITIONS 7. POST AUCTION SALES

re-sale plus all relevant Expenses.

If any Property fails to sell at auction, The Company shall be entitled for a period of 35 days after the auction to sell the Property privately for no less than the Reserve Price (unless otherwise agreed with the Seller) and on the terms of these Conditions of Business.

(c) If the Seller deposits the Property with The Company for more than 1 year and neither collects or consigns it for sale, The Company shall be entitled to sell such Property at a future sale conducted by The Company or elsewhere, with estimates and reserves at The Company’s discretion, after giving the Seller 60 days written notice sent to the Seller’s last known address.

8. PAYMENT OF NET SALE PROCEEDS (a) Subject in all cases to prior receipt of cleared funds by The Company and subject to rescission of the sale under Condition 10, 35 days after the sale date or 5 working days after receipt of cleared funds from the Buyer (whichever is later), The Company shall send the Seller the Net Sale Proceeds in pounds sterling, less any other amounts owed by the Seller to The Company. (b) The Company shall not be obliged to check the ability of Buyers to pay for Property and shall have absolute discretion whether to use any of the rights and remedies against defaulting Buyers contained in the Conditions of Business for Buyers.

9. UNSOLD/ UNCOLLECTED PROPERTY (a) The Company will advise Sellers whether or not their Property has sold. Unsold Property may either:(i) be reconsigned for sale; or (ii) be collected by the Seller, in which case a Reduced Commission of 50% of the Seller’s Commission may be payable calculated as if the Property sold for its Reserve Price (where applicable), plus relevant Expenses. (b) If the Seller does not reconsign or collect the Property within 60 days of the auction as per Condition 8(a) (i) or (ii) above, The Company shall be released from any duty of bailment and may in its sole discretion be entitled to:-

10. RESCISSION OF SALES The Company may rescind the sale where it reasonably believes that the Property is a Deliberate Forgery, in which case The Company shall send the Seller a notice of such rescission. The Seller agrees to return to The Company the Net Sale Proceeds received from the sale of such Property together with any additional Expenses incurred by The Company. The Company will return the Property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented from doing so for reasons beyond The Company’s control.

11. DATA PROTECTION (a) The Company will use information supplied by Sellers or otherwise obtained lawfully by The Company for the provision of auction related services, client administration, marketing and as otherwise required by law. (b) By agreeing to these Conditions of Business, the Seller agrees to the processing of their personal information and to the disclosure of such information to third parties worldwide for the purposes outlined in Condition 11(a).

12. MISCELLANEOUS

(i) transfer the Property to independent storage at the Seller’s expense; or

(a) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect.

(ii) re-offer the Property at auction for no less than 50% of the original Reserve Price agreed with the Seller (where applicable), and subject to the Seller’s Commission on the

b) These Conditions of Business shall be interpreted in accordance with English Law under the exclusive jurisdiction of the English Courts, in favour of The Company.

CONDITIONS OF BUSINESS FOR BUYERS 1. INTRODUCTION

3. EXAMINATION OF LOTS

(a) The contractual relationship of Catherine Southon Auctioneers & Valuers Ltd and Sellers with prospective Buyers is governed by:

(a) THE COMPANYs knowledge of lots is partly dependent on information provided by the Seller and THE COMPANY is unable to exercise exhaustive due diligence on each lot. Each lot is available for examination before sale. Bidders are responsible for carrying out examinations and research before sale to satisfy themselves over the condition of lots and accuracy of descriptions.

(i) these Conditions of Business for Buyers; (ii) the Conditions of Business for Sellers displayed in the saleroom and available from Catherine Southon Auctioneers & Valuers Ltd; (iii) any additional notices and terms printed in the sale catalogue, in each case as amended by any saleroom notice or auctioneer’s announcement. (b) As auctioneer, Catherine Southon Auctioneers & Valuers Ltd acts as agent for the Seller. Occasionally, Catherine Southon Auctioneers & Valuers Ltd may own or have a financial interest in a lot.

2. DEFINITIONS “Bidder” is any person making, attempting or considering making a bid, including Buyers; “Buyer” is the person who makes the highest bid or offer accepted by the auctioneer, including a Buyer’s principal when bidding as agent; “Seller” is the person offering a lot for sale, including their agent, or executors; “THE COMPANY” means Catherine Southon Auctioneers & Valuers Ltd, registered office: Lygon House, 50 London Road, Bromley BR1 3RA. Company Registration number: 08020183; “Buyer’s Expenses” are any costs or expenses due to Catherine Southon Auctioneers & Valuers Ltd from the Buyer; “Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the current rate of 18% (inc VAT); “Hammer Price” is the highest bid for the Property accepted by the auctioneer at the auction or the post auction sale price; “Purchase Price” is the Hammer Price plus applicable Buyer’s Premium and Buyer’s Expenses; “Reserve Price” (where applicable) is the minimum Hammer Price at which the Seller has agreed to sell a lot. The Buyer’s Premium, Buyer’s Expenses and Hammer Price are subject to VAT, where applicable.

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(b) All oral and/or written information provided to Bidders relating to lots, including descriptions in the catalogue, condition reports or elsewhere are statements of THE COMPANY’s opinion and not representations of fact. Each lot is sold by the Seller with any and all errors of description, faults and imperfections. All weights and measurements are approximate and should not be relied upon as fact. Estimates may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time at THE COMPANY’s absolute discretion.

4. EXCLUSIONS AND LIMITATIONS OF LIABILITY TO BUYERS (a) THE COMPANY shall refund the Purchase Price to the Buyer in circumstances where it deems that the lot is a Counterfeit. (b) Subject to Condition 4(a), neither THE COMPANY nor the Seller: (i) is liable for any errors or omissions in any oral or written information provided to Bidders by THE COMPANY, whether negligent or otherwise; (ii) gives any guarantee or warranty to Bidders and any implied warranties and conditions are excluded (save in so far as such obligations cannot be excluded by English law), other than the express warranties given by the Seller to the Buyer (for which the Seller is solely responsible) under the Conditions of Business for Sellers; (iii) accepts responsibility to Bidders for acts or omissions (whether negligent or otherwise) by THE COMPANY in connection with the conduct of auctions or for any matter relating to the sale of any lot. (c) Without prejudice to Condition 4(b), any claim against THE COMPANY and/ or the Seller by a Bidder is limited to the Purchase Price for the relevant lot. Neither THE COMPANY nor the Seller shall be liable for any indirect or consequential losses. (d) Nothing in Condition 4 shall exclude or limit the liability of THE COMPANY or the Seller for death or personal injury caused by the negligent acts or omissions of THE COMPANY or the Seller.

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TERMS & CONDITIONS 5. BIDDING AT AUCTION (a) THE COMPANY has absolute discretion to refuse admission to the auction. Before sale, Bidders must complete a Registration Form and supply such information and references as THE COMPANY requires. Bidders are personally liable for their bid and are jointly and severally liable with their principal, if bidding as agent (in which case THE COMPANY’s prior and express consent must be obtained). (b) THE COMPANY advises Bidders to attend the auction, but THE COMPANY will endeavour to execute absentee written bids provided that they are, in THE COMPANY’s opinion, received in sufficient time and in legible form. (c) When available, written and telephone bidding is offered as a free service at the Bidder’s risk and subject to THE COMPANY’s other commitments; THE COMPANY is therefore not liable for failure to execute such bids. Telephone bidding may be recorded.

6. IMPORT, EXPORT AND COPYRIGHT RESTRICTIONS THE COMPANY and the Seller make no representations or warranties as to whether any lot is subject to import, export or copyright restrictions. It is the Buyer’s sole responsibility to obtain any copyright clearance or any necessary import, export or other licence required by law, including licenses required by law under the International Trade in Endangered Species (CITES).

(g) Exercise a lien over any Buyer’s Property in THE COMPANY’s possession, applying the sale proceeds to any amounts owed by the Buyer to THE COMPANY. THE COMPANY shall give the Buyer 14 days written notice before exercising such lien; (h) commence legal proceedings to recover the Purchase Price for the lot, plus interest and legal costs; (i) disclose the Buyer’s details to the Seller to enable the Seller to commence legal proceedings.

10. FAILURE TO COLLECT PURCHASES (a) If the Buyer pays the Purchase Price but does not collect the lot within 10 working days of the auction, the lot will be stored at the Buyer’s expense and risk at THE COMPANY’s premises or in independent storage. (b) If a lot is paid for but uncollected within 1 month of the auction, following 60 days written notice to the Buyer, THE COMPANY will re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion. The sale proceeds, less all THE COMPANY’s costs, will be forfeited unless collected by the Buyer within 2 years of the original auction.

11. DATA PROTECTION 7. CONDUCT OF THE AUCTION (a) The auctioneer has discretion to refuse bids, withdraw or re-offer lots for sale (including after the fall of the hammer) if (s)he believes that there may be an error or dispute, and may also take such other action as (s)he reasonably deems necessary.(b) The auctioneer will commence and advance the bidding in such increments as (s)he considers appropriate and is entitled to place bids on the Seller’s behalf up to the Reserve Price for the lot, where applicable. (c) Subject to Condition 7(a), the contract between the Buyer and the Seller is concluded on the striking of the auctioneer’s hammer. (d) Any post-auction sale of lots shall incorporate these Conditions of Business.

8. PAYMENT AND COLLECTION (a) Unless otherwise agreed in advance, payment of the Purchase Price is due in pounds sterling immediately after the auction (the “Payment Date”). (b) Title in a lot will not pass to the Buyer until THE COMPANY has received the Purchase Price in cleared funds. THE COMPANY will generally not release a lot to a Buyer before payment. Earlier release shall not affect passing of title or the Buyer’s obligation to pay the Purchase Price, as above. (c) The refusal of any licence or permit required by law, as outlined in Condition 6, shall not affect the Buyer’s obligation to pay for the lot, as per Condition 8(a). (d) The Buyer must arrange collection of lots immediately after the sale on the day of the auction, or until 12noon on the day after the auction; failing this, only on prior agreement, a mutually convenient day agreed by The Company and the Buyer. Purchased lots are at the Buyer’s risk from the earlier of (i) collection or release to a nominated carrier (ii) 5 working days after the auction. Until risk passes, THE COMPANY will compensate the Buyer for any loss or damage to the lot up to a maximum of the Purchase Price actually paid by the Buyer. THE COMPANY’s assumption of risk is subject to the exclusions detailed in Condition 5(d) of the Conditions of Business for Sellers. (e) All packing and handling of lots is at the Buyer’s risk. THE COMPANY will not be liable for any acts or omissions of third party packers or shippers.

9. REMEDIES FOR NON-PAYMENT Without prejudice to any rights that the Seller may have, if the Buyer without prior agreement fails to make payment for the lot within 5 working days of the auction, THE COMPANY may in its sole discretion exercise 1 or more of the following remedies:(a) store the lot at its premises or elsewhere at the Buyer’s sole risk and expense; (b) cancel the sale of the lot; (c) set off any amounts owed to the Buyer by THE COMPANY against any amounts owed to THE COMPANY by the Buyer for the lot; (d) reject future bids from the Buyer; (e) charge interest at 4% per annum above NatWest Bank Base Rate from the Payment Date to the date that the Purchase Price is received in cleared funds; (f) re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion, in which case the Buyer will be liable for any shortfall between the original Purchase Price and the amount achieved on re-sale, including all costs incurred in such re-sale;

(a) THE COMPANY will use information supplied by Bidders or otherwise obtained lawfully by THE COMPANY for the provision of auction related services, client administration, marketing and as otherwise required by law. (b) By agreeing to these Conditions of Business, the Bidder agrees to the processing of their personal information and to the disclosure of such information to third parties worldwide for the purposes outlined in Condition 11(a) and to Sellers as per Condition 9(i).

12. MISCELLANEOUS (a) All images of lots, catalogue descriptions and all other materials produced by THE COMPANY are the copyright of THE COMPANY. (b) These Conditions of Business are not assignable by any Buyer without THE COMPANY’s prior written consent, but are binding on Bidders’ successors, assigns and representatives. (c) The materials listed in Condition 1(a) set out the entire agreement between the parties. (d) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect. (e) These Conditions of Business shall be interpreted in accordance with English Law, under the exclusive jurisdiction of the English Courts, in favour of THE COMPANY.

13. ARTISTS’ RESALE RIGHTS From 14th February 2006 all UK art market professionals (which includes, but is not limited to; auctioneers, dealers, galleries, agents and other intermediaries) are required to collect a royalty payment for all works of art that have been produced by living artists. This payment is only calculated on qualifying works of art which are sold for a hammer price more than the UK sterling equivalent of EURO 1,000 – the UK sterling equivalent will fluctuate in line with prevailing exchange rates, for an estimate of the current UK sterling equivalent, please refer to the front of this catalogue. It is entirely the responsibility of the buyer to acquaint himself with the actual EURO to UK Sterling exchange rate on the day of the sale in this regard. The actual qualifying threshold will be calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on www.dacs.org.uk. All items in this catalogue that are marked with ‡ are potentially qualifying items, and the royalty charge will be applied if the hammer price achieved is more than the UK sterling equivalent of EURO 1,000. The royalty charge will be added to all relevant invoices, and must be paid before items can be cleared. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’), no handling costs or additional fees with respect to these charges will be retained by the auctioneer. The royalty charge that will be applied to qualifying items which achieve a hammer price of more than the UK sterling equivalent of EURO 1,000, but less than the UK sterling equivalent of EURO 50,000 is 4% payable by the buyer. For qualifying items that sell for more than the UK sterling equivalent of EURO 50,000 a sliding scale of royalty charges will apply – for a complete list of the royalty charges and threshold levels, please see www. dacs.org.uk. There is no VAT payable on this royalty charge. For all questions relating the regulations regarding Droit de Suite royalty charges, please see www.dacs.org.uk, telephone +44 (0) 845 410 3410, or email arr@dacs.org.uk.

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