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Taking Her Shot

Taking Her Shot

CONNECTICUT COLLEGE Magazine

Volume 31 / Number 2

VICE PRESIDENT FOR MARKETING

AND COMMUNICATIONS: John Cramer

EDITOR: Amy Martin

ART DIRECTOR: Benjamin Parent

STAFF PHOTOGRAPHER: Sean D. Elliot

SENIOR WRITER: Melissa Babcock Johnson

CLASS NOTES COMPILED BY: Alumni Relations

CC Magazine is published by the Office of Communications. We are committed to covering a diverse group of stories in order to profile the human condition as seen through—and sometimes written by—our alumni, faculty, students and staff; we strive to publish features and photography that illuminate the College’s story.

CC Magazine (ISSN 1060-5134) (USPS 129-140) is published in winter, summer and fall, and is mailed free of charge to Connecticut College alumni, parents and friends of the College. Standard rate nonprofit postage paid at New London, CT, and at additional offices.

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CONNECTICUT COLLEGE BOARD OF TRUSTEES

Debo P. Adegbile ’91, Chair, Karen Quint ’87, Vice Chair, Seth W. Alvord ’93, Jessica Archibald ’95, Katherine Bergeron, President, Betty Brown Bibbins ’73, Maria Wyckoff Boyce ’85, Ethan W. Brown ’94, Isaac H. Clothier V ’79 P’10, Lynn Cooley ’76, Loulie Sutro Crawford ’89, Lawrence B. Damon III ’93, Mark D. Fallon ’92, Marisa Farina ’93, Gregory J. Gigliotti ’88, Rob Hale ’88 P’20, Alice W. Handy ’70, Kim-An Hernandez ’99, Steven W. Jacobson ’85 P’22, Samirah Jaigirdar ’22, Young Alumni Trustee, Jonathan A. Krane ’90, Sydney L. Lamb ’21, Young Alumni Trustee, John D. Linehan P’18 ’23 ’24, Jonathan D. McBride ’92, Sarah A. Mudho ’98, Devon Danz Preston ’93, Leslie Rosen ’02, Peter D. Skaperdas P’17, Dwayne C. Stallings ’99, Diane E. Stratton ’91, Shyanne T. Temple ’20, Young Alumni Trustee, Maarten D. Terry ’83, Rajneesh Vig ’93, Leslie E. Wong, Pamela D. Zilly ’75

ALUMNI ASSOCIATION BOARD OF DIRECTORS Thomas N. Anderson ’07, Angela Bannerman Ankoma ’97, Isaac H. Clothier V ’79 P’10, President, Margaret S. Davey ’20, Saveena Dhall ’94, Vice President, Philip M. Dolan Jr. ’88, Susan Mabrey Gaud ’68 P’07, Judith Epstein Grollman ’58, Susan Peck Hinkel ’65, Austin L. Jenkins ’95, Mario Laurenzi ’90, Jennifer Lapan Mann ’94, Heather Morrison ’69 P’95, Secretary, Derrick M. Newton ’17, Jacob Nozaki ’22, Steve C. Owen ’80 P’12, Priyanka Ramchurn ’21, Harris R. Rosenheim ’09, Vice President, Katrina Sanders ’92, Tamsen Bales Sharpless ’89, An-Ming Sze Truxes ’71, Aidyn P. Urena ’10, Richard C. Vancil ’82 P’13, Veronica Venture ’86, Denise L. Wheeless ’80, Mariko Wilcox ’99

CC Magazine Copyright 2022 by Connecticut College, all rights reserved. Reproduction in whole or in part without written permission is prohibited. Views expressed herein are those of the authors and do not necessarily reflect official policy of the College.

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Unmoored by Love

Sophia Bianchi ’26, left, and Brielle

Blood ’24 starred in the Theater Department’s production of The Moors in Conn’s black box Tansill Theater in November. Written by Jen Silverman and directed by Associate Professor of Theater Kenneth Prestininzi, the play is a funny and dark comedy about living in a big, isolated, Gothic house filled with hidden lusts and rage in England’s unnerving Yorkshire moors.

Upon the arrival of an unsuspecting young woman answering a job advertisement, the household’s two sisters, along with a maid, dog and forlorn moorhen, begin to unravel in this strange mash-up world of desire, identity and rivalry. Edgy and contemporary, The Moors pushes Victorian tropes to such extreme limits that even the Brontë sisters would be shocked at its moxie and daring.

Blood played Agatha, the head of the household and one of the sisters, while Bianchi played the new governess, Emilie. “The Moors tells the complicated story of how each character’s ambitions in life and love ultimately lead to their downfalls or triumphs,” Bianchi said. “Playing Emilie allowed me to discover the secrets of the show with the audience. It’s a role I will cherish.”

Prestininzi called the production “beautiful, smart and dangerous.”

“The characters become unmoored by love. No one could be trusted in this wickedly comic play about the conflict between desire and control,” he said.

The Moors was presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc.

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