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_ )D[ _ ( PDLO GRFVWXGLHV#GXNH HGX _ KWWS FGV DDV GXNH HGX &'6 'LUHFWRU 7RP 5DQNLQ &'6 $VVRFLDWH 'LUHFWRU IRU 3URJUDPV &RPPXQLFDWLRQV /\QQ 0F.QLJKW (GLWRUV $OH[D 'LOZRUWK DQG /DXUHQ +DUW 'HVLJQHU %RQQLH &DPSEHOO 3XEOLVKLQJ ,QWHUQ 0DJJLH 6PLWK The Center for Documentary Studies at Duke University teaches, engages in, and presents documentary work grounded in collaborative partnerships and extended ÀHOGZRUN WKDW XVHV SKRWRJUDSK\ ÀOP/video, audio, and narrative writing to capture and convey contemporary memory, life, and culture. CDS values documentary work that balances community goals with individual artistic expression. CDS promotes documentary work that cultivates progressive change by amplifying voices, advancing human dignity, engendering respect among individuals, breaking down barriers to understanding, and illuminating social injustices. CDS conducts its work for local, regional, national, and international audiences. $OO SKRWRJUDSKV DSSHDULQJ LQ DocumentŽ DUH FRS\ULJKW E\ WKH DUWLVW DocumentŽ LV UHJLVWHUHG LQ WKH 8 6 3DWHQW DQG 7UDGHPDUN 2IILFH

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CONTENTS EXHIBITIONS Winners of the Daylight/CDS Photo Awards

Continuing Education Highlights Listening Institute

Literacy Through Photography–Arusha, Tanzania

Show + Tell: Multimedia Training from Big Shed

Sparkle & Twang: An American Musical Odyssey Photographs by Marty Stuart

Certificate in Documentary Arts Presentations

Jazz in New York: A Community of Visions Photographs by Lourdes Delgado

OTHER NEWS John Hope Franklin Student Documentary Awards

Jazz Loft Project Exhibit Travels to the Nasher

Lewis Hine Documentary Fellow Anne Weber

FILM Full Frame Documentary Film Festival Formally Joins Forces with CDS and Duke Visiting Filmmakers Munkhzul Chuluunbat, Lee Daniels, and James Longley Southern Circuit Film Screenings Brother Towns/Pueblos Hermanos Screenings Across North Carolina PEOPLE Chris Sims Winner of the 2010 Baum Award for Emerging American Photographers Bruce Orenstein Joins CDS Faculty Tom Rankin With the Maasai Project in Kenya EDUCATION New Master of Fine Arts in Experimental and Documentary Arts Undergraduate Education Highlights Art of Farming Student Documentaries Politics of Food: Land, Labor, Health, and Economics Video for Social Change

Visit on the CDS Porch, our news blog, at cdsporch.org

Duke Innovation Program Connecting with the Center for Documentary Studies FRIENDS OF CDS CALENDAR

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EXHIBITIONS

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Winners of the Daylight/CDS Photo Awards September 13–December 23, 2010 Porch and University Galleries

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The Center for Documentary Studies and Daylight Magazine are proud to present the work of these gifted photographers.

Guest Jurors: 9LQFH $OHWWL 'DULXV +LPHV -XOLH 6DXO $OHF 6RWK +DQN :LOOLV 7KRPDV DQG -DPLH :HOOIRUG

Paula McCartney (Minneapolis, Minnesota) Juror’s Pick (Darius Himes), Work-in-Process Prize

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Nandita Raman (Mishawaka, Indiana) Cinema Play House Winner and Juror’s Pick (Julie Saul), Project Prize Elizabeth Moreno (La Paz, Mexico) Winner and Juror’s Pick (Vince Aletti), Work-in-Process Prize Erica Allen (Brooklyn, New York) Juror’s Pick (Hank Willis Thomas), Work-in-Process Prize Rachel Barrett (New York, New York) Juror’s Pick (Hank Willis Thomas), Project Prize Priya Kambli (Kirksville, Missouri) Juror’s Pick (Vince Aletti), Project Prize Jan Lieske (Hannover, Germany) Juror’s Pick (Jamie Wellford), Project Prize

Martin Roemers (Delft, Netherlands) Juror’s Pick (Jamie Wellford), Work-in-Process Prize Daniel Stier (London, England) Juror’s Pick (Darius Himes and Alec Soth), Project Prize Monika Sziladi (Astoria, New York) Juror’s Pick (Julie Saul and Alec Soth), Work-in-Process Prize

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Close-Up Cinema Play House “I love this project because the subject is great, and it is addressed beautifully on its own terms—you feel that it grew organically from a love and knowledge of the subject. The images are very beautiful and evocative, and the use of black and white film, which is also becoming obsolete, is so in harmony with the depiction of the theaters.� —Julie Saul India has a long association with cinema. The first Indian film was made as early as 1899. Today, the country is one of the world’s largest producers of films, churning out more than a thousand movies a year, with an audience of 3.6 billion people. My mother’s family owned the first talkies cinema in my hometown of Varanasi, India. As a kid, a trip to the cinema was a big deal. With my cousins, I would venture into the auditorium, explore the box office and projector room. I would collect used bundles of tickets, posters, rejected film, almost anything that was part of the theater and wouldn’t be missed. In the 1990s, home video became popular in India and movie theaters struggled to stay in business. Many theaters, including my family’s, closed down. The turn of the century saw a comeback for cinema halls, this time with smaller auditoriums and multiple screens that cater to the aesthetics of the “globalized� middle class. When I began photographing the old theaters it felt like I was trying to in some way articulate childhood memories of the visits to my family’s theater. As I explored the subject further, what became increasingly interesting were the idiosyncrasies of these spaces. I realized that the halls were mostly designed by the owners themselves. Each theater was unique, unlike the multiplexes. Over many years of being occupied, these theaters seemed to contain cues to the psyches of the people who built and operated them: as if the arrangement of the space was a mirror of the occupant’s interior. I felt an intriguing play of elements in these spaces. A ladder in place of the screen, like an invitation to climb out of the mundane, or chairs with the seating sequence broken, bubbles emerging from a crack in the upholstery. It is these reflections, these cues that absorb me—the manifestations of the interaction between people and these spaces over time. —Nandita Raman

“Elizabeth Moreno’s decision to present her photographs as diptychs allows us unusual and welcome access to her subject. Typically combining a portrait with an environmental still life, these pieces have a scope that is wide open, occasionally panoramic. They give us a sense of a person and a place, and how deeply interconnected they are—how a place can shape a person. Moreno’s pictures are smartly constructed, beautifully lit, and wonderfully sensitive to her subjects. I wanted to see more and know more.� —Vince Aletti

Visit on the CDS Porch, our news blog, at cdsporch.org

Also on View in the CDS Galleries

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Literacy Through Photography– Arusha, Tanzania June 28, 2010–January 8, 2011

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Sparkle & Twang: An American Musical Odyssey Photographs by Marty Stuart January 31–March 31, 2011 Porch and University Galleries &RXQWU\ PXVLF LFRQ 0DUW\ 6WXDUW KDV SKRWRJUDSKHG VRPH RI WKH PRVW IDPRXV VWDUV LQ $PHULFDQ PXVLF LQFOXGLQJ VHYHUDO RI WKH JUHDWHVW SHUIRUPHUV RQ WKH FRXQWU\ EOXHJUDVV URFNDELOO\ DQG 6RXWKHUQ JRVSHO VFHQHV ,Q Sparkle & Twang 6WXDUW VKDUHV KLV MRXUQH\ LQ PXVLF DQG WKH EHORYHG PXVLFLDQV KH HQFRXQWHUHG DORQJ WKH ZD\ 7KLV XQLTXHO\ $PHULFDQ FROOHFWLRQ LQFOXGHV SKRWRJUDSKV RI VXFK OHJHQGV DV -RKQQ\ &DVK 3DWV\ &OLQH +DQN :LOOLDPV % % .LQJ /LWWOH 5LFKDUG 7DPP\ :\QHWWH 'ROO\ 3DUWRQ %LOO 0RQURH 3RUWHU :DJRQHU &KXFN %HUU\ DQG %RE '\ODQ Presented in collaboration with Duke Performances: Marty Stuart & His Fabulous Superlatives 7KXUVGD\ 0DUFK S P 5H\QROGV ,QGXVWULHV 7KHDWHU 'XNH :HVW &DPSXV dukeperformance.duke.edu/series.witnesses/ martystuart

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Jazz in New York: A Community of Visions Photographs by Lourdes Delgado February 3–July 10, 2011 Kreps Gallery In Jazz in New York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resented in collaboration with the -D]] /RIW 3URMHFW exhibition at the Nasher Museum of Art at Duke University cds.aas.duke.edu/exhibits/nowonview.html

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Conversation with Bill Johnson 0DUFK 1DVKHU 0XVHXP RI $UW DW 'XNH 8QLYHUVLW\

nasher.duke.edu/exhibitions_jazz_loft.php Find out more about CDS at documentary studies.duke.edu

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SOUTHERN CIRCUIT SCREENINGS Tour of Independent Filmmakers, Spring 2011 Center for Documentary Studies at Duke University

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TOM RANKIN With the Maasai Project in Kenya

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EDUCATION New Master of Fine Arts in Experimental and Documentary Arts

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Check out student work from past audio institutes on the CDS iTunes U site. Register now for spring CDS Continuing Education courses and workshops! cdscourses.org

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Lewis Hine Documentary Fellow

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Connecting with the Center for Documentary Studies Document Also Available Online cds.aas.duke.edu/about/document

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JOIN FRIENDS OF CDS The best way to get involved at the Center for Documentary Studies is to support the documentary arts. This is easy to do, by making a contribution through Friends of CDS. Through their contributions, Friends of CDS help to support the Center for Documentary Studies, a 501(c)3 nonprofit organization affiliated with Duke University. Because the founders of the Center for Documentary Studies envisioned an organization that would bridge campus and community life, CDS was established as neither an academic department nor a traditional university educational center. Rather, CDS functions as an independent not-for-profit organization, with its own budget and fundraising goals. TWO WAYS TO GIVE: You may make a secure on-line donation at http://cds.aas.duke.edu/donate OR you may send a check payable to “Center for Documentary Studies� at Friends of CDS, 1317 W. Pettigrew Street, Durham, NC 27705 For More Information: Contact Lynn McKnight, Associate Director for Programs and Communications, Center for Documentary Studies at Duke University: 919-660-3663 or docstudies@duke.edu

Find out more about CDS at documentary studies.duke.edu

November 1, 7 p.m. Brother Towns /Pueblos Hermanos

November 16, 7 p.m. Brother Towns /Pueblos Hermanos

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Carolina Theatre, Durham, NC

North Carolina A&T University, Greensboro, NC

November 4, 7 p.m. Panel Discussion ,Q FRQMXQFWLRQ ZLWK WKH H[KLELWLRQ Literacy Through Photography–Arusha, Tanzania Center for Documentary Studies

November 4, 7 p.m. Brother Towns /Pueblos Hermanos 6FUHHQLQJ VSRQVRUHG E\ WKH 1RUWK &DUROLQD &RXQFLO RI &KXUFKHV East Carolina University, Greenville, NC

November 6 – 7, 1 and 3 p.m. The Full Frame Fix $ PDWLQHH PDUDWKRQ RI IDYRULWHV IURP WKH )XOO )UDPH 'RFXPHQWDU\ )LOP )HVWLYDO DQG QHZHU WLWOHV WKDW KDYH \HW WR UHDFK 1RUWK &DUROLQD Nasher Museum of Art

November 12, 7 p.m. Artois the Goat 6RXWKHUQ &LUFXLW ÀOP VFUHHQLQJ ZLWK SURGXFHU 5LFKDUG 5HLQLQJHU Center for Documentary Studies

November 16, 5 p.m. “Diagnosis: A Photographer’s Guide� $ WDON E\ $OH[ +DUULV SDUW RI WKH 'XNH ,QQRYDWLRQ 3URJUDP XVLQJ GRFXPHQWDU\ WR HQKDQFH PHGLFDO HGXFDWLRQ John Hope Franklin Center

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December 10, 7 p.m. Final Project Presentations %\ FRQWLQXLQJ HGXFDWLRQ VWXGHQWV FRPSOHWLQJ WKH &HUWLĂ€FDWH LQ 'RFXPHQWDU\ $UWV Location TDB

January 12, 7 p.m. Full Frame Winter Series Screening &XUDWHG E\ WKH )XOO )UDPH 'RFXPHQWDU\ )LOP )HVWLYDO VWDII American Tobacco Campus, Durham, NC

January 31 Sparkle and Twang: An American Musical Odyssey $Q H[KLELWLRQ RI 0DUW\ 6WXDUW¡V SKRWRJUDSKV LQ WKH 3RUFK DQG 8QLYHUVLW\ *DOOHULHV WKURXJK 0DUFK Center for Documentary Studies

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February 3 The Jazz Loft Project: W. Eugene Smith in NYC, 1957–1965 $ WUDYHOLQJ H[KLELWLRQ RI WKH -D]] /RIW 3URMHFW DW &'6 WKURXJK -XO\ Nasher Museum of Art

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February 9, 7 p.m. Full Frame Winter Series Screening &XUDWHG E\ WKH )XOO )UDPH 'RFXPHQWDU\ )LOP )HVWLYDO VWDII American Tobacco Campus, Durham, NC

February 10, 7 p.m. Jazz Then and Now $ FRQYHUVDWLRQ EHWZHHQ %UDQIRUG 0DUVDOLV DQG 6DP 6WHSKHQVRQ -D]] /RIW 3URMHFW GLUHFWRU Hayti Heritage Center, Durham, NC

February 11, 7 p.m. Woodpecker 6RXWKHUQ &LUFXLW ÀOP VFUHHQLQJ ZLWK GLUHFWRU $OH[ .DUSRYVN\ Center for Documentary Studies

March 3, 8 p.m. Marty Stuart & His Fabulous Superlatives $ 'XNH 3HUIRUPDQFHV HYHQW LQ FRQMXQFWLRQ ZLWK DQ H[KLELWLRQ RI 0DUW\ 6WXDUW¡V SKRWRJUDSKV DW &'6 Reynolds Industries Theater, West Campus

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March 9, 7 p.m. Full Frame Winter Series Screening &XUDWHG E\ WKH )XOO )UDPH 'RFXPHQWDU\ )LOP )HVWLYDO VWDII American Tobacco Campus, Durham, NC

March 11, 7 p.m. Southern Stories 6RXWKHUQ &LUFXLW ÀOP VFUHHQLQJ ZLWK GLUHFWRUV 3DXO +DUULOO DQG $VKOH\ 0D\QRU Center for Documentary Studies

March 17– 20 Listening Institute $XGLR UDGLR SURGXFHUV IURP WKH 8 6 DQG DEURDG VKDUH WKHLU ZRUN Center for Documentary Studies

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