Cecilia Concepcion January 2020 Portfolio - Pratt GAUD

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cecilia concepcion portfolio


cecilia concepcion portfolio


inside/outside design studio 2

collision

design studio 3

counter composition constructed environments

object-ground relations design studio 1

hybrid thresholds mediums 1

resolution mediums 2

urban relief summer primer

watercolor art studio


inside/outside

critics: erich schoenenberger and joseph giampietro

1

MASSING ON SITE MODEL


library courtyard

gym

learning space

learning space

courtyard

shared learning space and circulation courtyard

gym

courtyard

combination classrooms indoor pool courtyard

backstage auditorium

DESIGN STUDIO 2

PLAN AND SECTION

2


CIRCULATION STUDY MODEL

3

COURTYARD


COMBINED MASSING AND CHUNK MODEL

Situated in Red Hook, Brooklyn, this proposal for a maritime middle school incorporates multiple courtyards with interlocking spaces that combine and decombine through movable partition walls and inside-outside relations. Begun from an investigation of private and public spaces through a grid of sine waves, this project evolved into a multi-faceted school that respects the need for both shared and individual learning.

CHUNK MODEL

DESIGN STUDIO 2

FRONT ELEVATION

4


collision

critic: thomas leeser

5

MASSING ON SITE MODEL


STUDY MODEL

DESIGN STUDIO 3

MASSING AND CHUNK MODELS

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7

CHUNK MODEL


LIATED NOITCES

1

001-A CURTAIN WALL DETAIL AND"0FLOOR DRAWINGS -'1 = "3 PLAN

Following the logic of angles in a game of pool, Collision rethinks the fire stair as a more dynamic circulation, which generates larger program spaces and smaller private residential spaces, as well as impressions on the facade. Originally a study on the relationship between two buildings through circulation in a triangular plot of land in Downtown Brooklyn, the project has evolved into a study of the ways that private and public spaces can be stratified. SECTION DRAWING

DESIGN STUDIO 3

DIAGRAMMATIC COLLAGE

8


counter composition critics: jefferey roberson and george louras

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MASSING MODEL


STUDY MODELS

CONSTRUCTED ENVIRONMENTS

MARKET

10


HALLWAY WITH WATER FEATURE

MASSING MODEL WITH ROOF

11

UNFOLDED ELEVATION


HALLWAY WITH GREEN WALLS

Using Theo Van Doesburg’s Counter Composition VI painting as the basis for the plan, this flower market makes an adaptive re-use of a lumber yard in the Lower East Side fronting Sarah D. Roosevelt Park and uses elements of earth, air, and water to create an interior that exudes lightness, which contradicts its harsh exterior.

PLAN DRAWING

CONSTRUCTED ENVIRONMENTS

UNFOLDED ELEVATION

12


object-ground relations critic: alexandra barker

13

COMPOSITE SITE MASSING MODEL


COMPOSITE OBJECT MODELS

This studio focused on introducing principles of design through an iterative and recursive process of making. With a series of abstract exercises, the studio created formal, spatial, and material relations by producing a physical object derived from casting negative and positive records of familiar objects.

DESIGN STUDIO 1

GROUND PLAN DRAWING

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Further developed as a Manhattan play space, issues of the site as it relates to the program and relationships between interior and exterior spaces were also brought into consideration.

15

COMPOSITE SITE MASSING MODEL


OBJECT SECTION DRAWINGS

DESIGN STUDIO 1

GROUND SECTION DRAWING

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hybrid thresholds critic: hart marlow

17

COMPOSITE DRAWING


THRESHOLD SECTION DRAWING

Through drawing analyses, a “threshold object” was proposed that speculates on possible transformations (experiential/ physical/geometric) between specific spaces. Resulting from the hybridization of different types of thresholds, the full transitional threshold has distinct architectural and geometric characteristics depicted through a series of drawings and 3D models.

MEDIUMS 1

TRANSITIONAL MODEL AND THRESHOLD COLLAGE

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resolution

critic: joseph giampietro

19

CORNER RENDER


An exercise on spatial perception, Resolution explores the articulation of spaces through interiorities. This is expressed through the gradiations of the curvilinear language and various depth levels to the pixelation of the interior’s surfaces.

MEDIUMS 2

PLAN DRAWING

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INTERIOR RENDER

21

PIXEL DETAIL


SECTION DRAWING

MEDIUMS 2

AXONOMETRIC

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urban relief

critics: olivia vien and hart marlow

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URBAN RELIEF


Designed as a preparatory course for incoming M. Arch. students, the Primer 1 course introduced computational and representational tools through a conceptual urban relief space in Brooklyn Bridge Park.

CECILIA CONCEPCION PRIMER 1

AXONOMETRIC DRAWING

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watercolor critic: eileen escueta

25

BASILICA DI SANT’ANDREA MANTUA


NOTRE DAME DU HAUT

Formed as a painting exercise with watercolor and ink as mediums, this series depicted various architectural periods from the Romanesque to the Modern.

ART STUDIO

KARLSPLATZ STADTBAHN

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