Digital Visualisation in commercial interior design by Digital-Kreasjon

- RETAIL DESIGN

mobile kiosk

RETAIL DISPLAY STANDS

mobile kiosk - human scale

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

DESIGN 2007

- RETAIL DESIGN

PROCESS

THE DESIGNER IS INITIATING THE DESIGNING PRODESS BY IMPLEMENTING FUNDAMENTAL PROGRAMMING FOR EACH GIVEN PROJECT TASK. IN THIS CASE, THE TASK WAS TO PRESENT TO THE IN-HOUSE DESIGN TEAM OF TAMPA INTERNATIONAL AIRPORT A MOBILE KIOSK FOR TRAVELORS AND VISITORS OF THIS AIRPORT. BY INSPECTING THE SITE LOCATION, THE DESIGNER MAKES VIGOROUS NOTES ABOUT THE CLIENTS OBJECTIVES FOR AND AROUND THE FUNCTION OF T WO RETAIL KIOSK STANDS. THE KIOSK IS TO PROVIDE FOR THE TRAVELING CUSTOMER TO HAVE EASY ACCESS TO “ fas t on t he go” T YPES OF MERCHANDISE FOR SHORT - AND LOND DISTANCE JOURNEYS, THAT BE MAGAZINES, EARPLUGS, SOUVENIRS, BEAUT Y PRODUCTS, HAIR PRODUCTS, POCKET BOOKS, ELECTRONICS ETC, ETC. UPON THE DISCOVERY PHASE, ON SITE TOUR WITH TAMPA AIRPORT PROJECT MANAGER, I WAS INFORMED THAT THEY WANTED T WO EQUAL KIOSKS THAT WOULD STAND OUT FROM THE AIRPORTS CRISP, WHITE AND MINIMALISTIC BACKDROP. THE AIRPORTS EXISTING STRUCTURES CONSISTS OF HIGH GLOSS FLOORING WITH INDUSTRIAL GRADE ANTI-SLIP CARPET CONNECTED TO SEATING AREA. CLEAR BACKLIT CONTRAST SIGNAGES THROUGHOUT THE SPACE GIVES EASY WAYFINDING IN THE L ARGELY OPEN INTERIOR L ANDSCAPE. DESIGNER DELIBERATELY MADE USE OF THE WHITE, NEUTRAL EXISTING WALL AND FLOOR COLOR TO CREATE A KIOSK WITH BOLD COLORS MIXED WITH ALUMINUM SHEETS WITH SEMI-GLOSS FINISH INTERFUSED WITH BACKLIT COLORED TRANSLUSCENT PLEXI GL ASS. THIS GIVES SERVICE POINT IMMEDIATE AT TENTION IN THE WAY IT STICKS-OUT IN ITS INDUSTRIAL LOOK AND RADIAL ORIENTATION. AS I INVESTIGATED THE POSSIBLE DESIGN L AY-OUT I ENDED AT A RADIAL ORIENTATION FOR THE INTERIOR SPACE WITH AERO DYNAMIC INSPIRATONS OF SMOOTH LINES AND ALMOST SEAMLESS DISPL AYS.

THE TRAVELER CAN EFFORTLESSLY CONNECT WITH BOTH THE SERVICE PERSONELL AND THE VARIOUS ARTICLES ON THE STAND, AND “Grab and Go” HIS OR HER PRODUCTS WITHOUT ANY PHYSICAL OBSTRUCTIONS. THE 360 DESIGN PL AT TFORM INVITES CUSTOMERS TO MAKE THEIR SELECTIONS AND PAYMENTS AT EVERY ANGLE OF THIS STRUCTURE THAT SURELY IS PERCEIVED AS A POSIT VE CONTRIBUTION TO SAVING TIME ON THE WAY TO THE TRAVELERS DEPARTING FLIGHT. DISPL AY STANDS WHERE DESIGNED TO COMPLIMENT THE KIOSK BY PL ACIN THEM FREESTANDING ON SURROUNDING FLOOR SPACE, AND ARE ALSO INCORPORATED IN ANOTHER RETAIL STORE AT THE AIRPORT DESIGNED BY K ARINA K ALLSTROM. ALL DISPL AY ELEMENTS ARE THOUGHTFULLY PL ANNED FOR THAT PARTICUL AR DESIGN PROJECT AT HAND AND THIS REQUIRES FOR THE DESIGNER TO REINVENT THESE COMPONENTS OVER AND OVER AGAIN. THIS SUGGESTS THAT THE DESIGNER MUST INHABIT A REALISTIC SENSE OF INNOVATION AND CREATIVE LEADERSKIP MESHED WITH THE ABILIT Y TO SUCCESSFULLY VISUALIZE THE SET OF IDEAS IN 3D IMAGERY AND COMMUNICATING THESE VERBALLY.

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

THE WAY THAT THE DISPL AY IS MEANT TO SERVICE THE END USER IS CAREFULLY THOUGHT OUT IN THE FULL USE OF THE RADIAL DESIGN THAT ALLOWS FOR A TOTAL OF A 360 DEGREE PL AT TFORM FOR THE MERCHANDISE TO BE DISPL AYED AT SERVERAL HIGHTS.

DESIGN 2007

- HOTEL DESIGN

hotel sesame - reception area

hotel DESIGN - reception area

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

-CONSTRUCTION DRAWINGS (CAD)

concrete floor detail

insulated wall detail

hallway door detail

THIS CONCEPT PROJECT PERTAINS TO THE SPECIALIZED INDUSTRY OF “HOSPITALIT Y DESIGN”, CLOSELY LINKED TO UNIVERSAL DESIGN PRINCIPLES ASIDE THE AJOINED LINK TO SUBJECTS OF COMMERCIAL DESIGN PRACTISE. THE DESIGNER HONORS INNOVATION IN THIS HOTEL LOBBY DESIGN THAT INCORPORATES THE FULL SCOPE OF COMMERCIAL DESIGN STANDARDS AND L AW ABIDING SAFET Y RULES FOR PUBLIC SPACES. PROGRAMMING STAGES IN THIS T YPE OF PROJECT, AS FOR ANY L ARGE SCALE BUILDINGS, IS CHALLENGING, AS MULTIFACED DISPLINARY ACTION MUST TAKE PL ACE. DESIGNER WORKS OF A PRELIMANARY PL AN, CONSISTING STRUCTURAL WALLS AND COLUMNS. DETAILING, ELEVATIONS AND SPECS ARE DRAWN IN AUTOCAD FOR CUSTOM DESIGNS. INITIAL PROJECT PROGRAMMING INCLUDES SPACE PL ANNING FOR ENTRANCE, LOGICAL TRAFFICE PAT TERN WAY-FINDING, WAITING AREA, AND CHECK-IN AREA. DESIGN THEME IS PROJECTING AN “NEW DREAM WORLD” OF AWE AND WONDER, THAT BET WEEN THE EARTHLY COLOR PALET TE AND GOLDEN BRONZED FINISHES PL AYS WITH THE PL AYFULNESS WITHOUT RESTRICTION.

media center laptop work station table detail

reception desk detail

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

THE RED THREAD CONNECTING THE PROJECT TOGETHER LIES WITHIN

- HOTEL DESIGN

THE DECORATIVE, ORNAMENTAL ELEMENTS REVEALED HERE IN THE PL AN OVERVIEW OF FURNITURE L AY OUT FOR RECEPTION AREA NEXT TO THE HOTELS WAITING AREAS NEXT TO ELEVATORS WITH ADDED ROOM DIVIDERS. ALSO, THE HOTEL BAR AREA THAT OFFERS SERVICES THE HOTEL GUESTS AT ALL HOURS IS TO BE FOUND CENTERED IN THE LOBBY WITH EFFORTLESS ACCESS BASED ON UNIVERSAL DESIGN PRINCIPLES.

UNIVERSAL DESIGN PRINCIPLES MAKES EASY ACCESS FOR VISITORS WITH DISSABILITIES AND WILL BE PRESENT AT ANY PUBLIC BUILDING FOR A MINIMUM OF 25% OF THE GUESTS.

hotel DESIGN - FURNITURE PLAN

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

DESIGN 2007

hotel DESIGN - LIFE SAFETY PLAN * required major exits

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

-SPACE PLAN & LIFE SAFETY PLAN (CAD)

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

- ENTERTAINMENT VENUE: LARGE SCALE SPACE

ENTERAINMENT VENUE - DANCE FLOOR

ENTERAINMENT VENUE - WINDOW ROW CLUB AREA

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

DESIGN 2007

- ENTERTAINMENT VENUE: LARGE SCALE SPACE

THE VENUE IS THE RESULT OF A DREAM PROJECT OF UNFORSEEN PROPORTIONS * APROXIMENTALLY 15000 SQ.FT. THAT IS WITHIN ITS DRAMATIC AND CURVED PHYSICAL BOUNDARIES ACCEPTING UP TO 1500 VISITORS TOTAL. THE T WO MAJOR ZONES SYMBOLIZED IN COLORCODES OF BLUE AND RED IS THE VENUES MAIN EVENT. THE RENDERED FURNITURE PL AN EXHIBITS A THIRD ACTIVIT Y ZONE WITH 2 RETAIL STORES IN DARK BROWN COLORS THAT LEADS TO 2 BARS AND HOSTESS STATIONS AT THE LOWER END. THE MAIN ENTRANCE IS TO BE FOUND ON THE FAR LEFT LOWER SIDE AND THE PERSONELL ENTRY WAY IS SENTRALLY PL ACED AT THE UPPER SIDE OF THE BUILDING.

entertainment venue furniture plan

THE BUILDING HAS A FULLY OPERATIONAL ADMINISTRATION FACILIT Y WITH ADJACENT OFFICES THROUGHOUT A SEPARATED ROOM SECTION WITHIN THE SPACE PL AN. IT IS HERE THAT THE FOOD SUPPLY AND EQUIPMENT NEEDED IS DELIVERED THROUGH A MAJOR HALLWAY ENTERING THROUGH DOBBLE DOORWAYS, AND STRAIGHT TO KITCHEN AREA.

entertaiment venue dance floor

THE VISITOR AS WELL AS EMPLOYEES OF THIS VENUE IS PRESENTED WITH A HIGHLY FUNCTIONAL TRAFFIC PAT TERN, SO THAT THROUGH CLEAR VIEWS OF VISTAS THE NAVIGATION WITHIN SUCH A L ARGE, OPEN PL AN IS MEANT TO BE BOTH COMPLIABLE WITH A USER-FRIENDLY APPROACH. THE DESIGNER AT K AK ADESIGN (&) PROJECT ALLWAYS REACHES FOR, AND HOPEFULLY IS SUCCESFUL IN VISUALIZING ANY GIVEN DESIGN OT BE OF EXPLORATIVE CHARACTER, THAT IN THIS PARTICUL AR WORK EX AMPLE TAKES THE VIEWER OF THIS CONCEPT THROUGH A MAZE OF SPECTACTUL AR UNDERWATER THEMES, AND IN THE SAME INSTANCE DELIVERS AN UNFORGETABLE EXPERIENCE NOT EASILY COMPARABLE TO OTHER ENTERTAINMENT VENUES OF THIS SCALE. THIS INTERIOR SPACE SHOULD MOVE ANY VISTOR IN SUCH A WAY THAT IT CREATES THE URGE TO REVISIT AGAIN AND AGAIN.

way finding & logical order of traffic patterns

conceptual 3d cad imagery displays level of details

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

THE SPATIAL PARAMETERS PL AYS OUT FROM THE KITCHEN LOCATED IN CENTER. FROM CENTER ONWARDS TO THE RESTAURANTS IN RED AND BLUE IS THE CLEAR VISUALS OF OBVIOUS L ANDMARKS PL ACED ONTO INTERIOR A XISâ&#x20AC;&#x2122;.

DESIGN 2007

- ENTERTAINMENT VENUE: LARGE SCALE SPACE

ENTERTAINMENT VENUE - RESTAURANT BAR AND SERVICE DESIGN

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

UNDER WATER THEME RESTAURANT AT NIGHT

- CONSTRUCTION DRAWINGS (CAD)

THESE DRAWINGS, BOTH CLIPS OF TECHNICAL DRAWINGS AND THE CONTINUED 3D RENDERINGS ARE THE CONTINUED FEATURES OF THE ENTERTAINMENT VENUE. THE SHELL OF THE BUILDING EXTERIORS IS ILLUSTRATED IN A SIMPLIFIED ELEVATION. THE BLUE RESTAURANT IS A COOL ATMOSPHERE CONSISTING OF SMOOTH AND GLOSSY SURFACES THAT GIVES THE IMPRESSION OF AN UNDERWATER VOYAGE. WAYFINDING IS CLEAR AND THE VISITOR CAN NAVIGATE FROM ONE FOCAL POINT TO ANOTHER, AND ONE CAN CHOOSE FROM VARIOUS SEATING ALTERNATIVES RANGING FROM BOOTH SEATING, TO REGUL AR FREESTANDING CHAIRS TO STOPPING AT THE RADIAL BAR BEHIND THE SECLUTION OF SEA=PL ANTS INSPIRED ROOM DIVIDERS. MATERIAL CHOICES IS MADE OF PL ASTIC COMPOSITS, FROM SEMI-TRANSLUSCENT TO CLEAR PLEXIS FOR THE USE AS CUSTOM DESIGNED LIGHTING FIXTURES, TO SOLID ACRYLICS USED IN FLOOR INSTALL ATIONS, SOME OF WHICH IS USED AS VERTICAL LIGHT-BOXES. *BEHIND ALL OF THE CUSTOM FURNITURE AND FIXTURES IS DESIGNERS INVESTMENT IN PROPER RESEARCH OF PRODUCTION COMPANIES THAT FULLY SUPPORT THE ARAY OF POSSIBILITIES THAT CAN BE FABRICATED IN THE US, ASIA OR EUROPE FOR THIS T YPE OF INTERIOR DESIGN “THEME” PROJECT.

hostess and bar desk - plan view/ front view

hostess and bar desk - elevation view

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

BELOW IS OTHER TECHNICAL DRAWINGS OF WORK STATIONS AND SERVICE DESKS.

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

DESIGN 2007

- RECREATIONAL VEHICLE

CUSTOM DESIGN

A RECREATIONAL VEHICLE IN THE UNITED STATES IS TO MANY OF ITS USER LIKE A SECOND HOME. THE INVESTMENT MADE IN SUCH A VEHICLE BY THE OWNER CAN SURPASS ANY EXPECTATIONS BY FAR IN REGARDS TO FINISHES, APPLICATIONS AND TECHNICAL EQUIPMENT INSTALLED. IN THIS PARTICUL AR TASK, THE CLIENT PROPOSAL WAS MADE TO A YOUNG, SINGING ARTIST THAT NEEDED A TOURBUS. STARTING WITH THE L AYOUT OF THE BUS, OR “RV” MOSTLY CALLED IN THE CAMPING INDUSTRY,

AS YOU FOLLOW THE PL AN DRAWING DOWN YOU WILL BE IN THE LIVING/KITCHEN AREA AS SEEN IN THE 3D IMAGE ABOVE TEXT, THAT LEADS YOU TO THE MID SECTION OF THE RV THAT HAS BUILDT-IN REFRIGERATOR AND DRYER/WASHER APPLIANCES IN CONJUNCTION WITH SMALL TOILET AND OFFICE WORK DESK ACROSS THE HALLWAY. AS ONE WOULD MOVE FURTHER DOWN, TOWARDS THE BACK OF THE BUS IN THIS PL AN DRAWING, THERE IS A SLIDING DOOR THAT OPENS UP TO THE BEDROOM AND BATHROOM ALL THE WAY AT THE BACK END OF THE RV.

recreational vehicle - TOUR BUS CUSTOM design

WHAT IS VITAL AND PRET T Y IMPRESSIVE TO TAKE NOTICE OF IN REGARDS TO THE MECHANISM OF THE BODY OF THE RV IS ITS CAPASIT Y TO EXTRACT AND EXTEND TO COMPARTMENTS ON EITHER SIDE OF THE KITCHEN/LIVING ROOM AREA AND BEDROOM AREA WHEN IN A COMPLETE STAND STILL. THIS MEANS THAT WHEN DRIVING THE BODY IS CONTRACTED TO IS “NORMAL” WIDTH, COMPLETELY LINEAR ON THE OUTER PERIMETER. THEREFORE THE FURNITURE IN RETURN IS EQUIPPED WITH ROLL-OUT/ROLL-IN FUNCTIONALIT Y TO MAKE USE OF EVERY INCH OF THE SPACE.

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

WE FIND IN THE PL AN DRAWING AN ENTRANCE TO THE FAR UPPER RIGHT, NEXT TO THE COCKPIT, OR DRIVERS AREA.

-CUSTOM DESIGN

THE RV IS TRULY MACHINERY OF INNOVATION WITH A HIGH LEVEL OF COMFORTABILIT Y. THE L ARGE SCALE RV IS IN REALIT Y A HOME ON WHEELS, AND IN THAT RESPECT IT IS A “STORAGE ON WHEELS”. THE CHASSIS IS COVERING PLENT Y OF STORAGE UNDER THE FLOOR OF THE BODY, ASIDE ALL THE INTERIOR STORAGE SPACE FROM THE UPPER CLOSET AND SHELVING SYSTEMS, TO THE ROLL-OUT SOFABED THAT IS DESIGNED WITH STORAGE SPACE BENEATH BY K AK A DESIGN (&) PROJECT. THE LINEAR SEATING IS ALSO COVERED WITH FINEST ITALIAN LEATHER. IN THE MIDDLE IS REQUIRED CUP-HOLDER STAND FOR WHEN ON THE MOVE. ALSO IN BET WEEN WALL SOFAS IS A MEDIA-TECH SENTER. THE MEDIACENTER OPERATES A NUMBER OF FUNCTIONS WITH SURROUND SPEAKER SYSTEM INNSTALLED, SEVERAL INPUT+OUTPUT ALTERNATIVES FOR USB, MEDIASTORAGE CARDS, ACCOUSTIC INSTRUMENTAL DEVICES, CELLPHONE BAT TERY RECHARGE, GPS DEVICE AND IT ALSO REMOTE CONTROLS THE FLIP-DOWN CEILING MOUNTED FL AT T V SCREEN.

recreational vehicle living/kitchen

THE T V-SCREEN IS DESIGNED WITH SHIELD OF BACKLIT ARTGL ASS THAT SLIDES TO THE SIDES AS THE T V IS DROPPED DOWN TO A VERTICAL STAND WHERE ITS POSITION CAN BE ROTATED AROUND ITS OWN A XIS TOWARD WHERE EVER YOUR FIELD OF VIEW IS. THE INTERNET IS YET ANOTHER OF THE ADDITIONS TO PROJECT ON THE SCREEN APART FROM GPS MAPS COMMUNICATED FROM THE “COCKPIT” AREA PER REQUEST. THE CERAMIC FLOOR TILES ARE HIGH-GLOSS AND GIVES A SENSE OF EXCLUSIVENESS AND ARE READILY EASY TO CLEAN/MAINTAIN. *All rights reserved by Kaka Design (&) Project. *ILProperty

THE DESIGNER ALWAYS HAVE IN MIND TO SERVICE THE END USER WITH TOP OF THE ART INTERACTION FEATURES IN ANY DESIGN PROJECT.

ST YLEWISE THE BEDROOM BRINGS TRANQUILIT Y AND CALMNESS TO THE END USER BY ITS EARTHLY GREENS AND L AYERS OF BROWNS. THE BEDFRAME HAS A BUILDT-IN FL ATSCREEN T V ON TOP OF THE VERTICAL THAT SERVICES THE USER WITH A HARDDISK CONNECTED IN THE BASE BELOW FOR DIGITAL STORAGE OF ALL MEDIAS FROM THE INTERNETSOURCES TO DOWNLOADING PHOTOMEMORIES ON-THE-GO. BATHROOM FEATURES ARE BLENDED WITH TECHNOLOGY. CEILING L AMP IS INFUSED WITH LIGTHING OPTICS THAT IN SLOW MOTION FIGURATION CHANGES ITS COLOR SPECTRUM. THE LIGHT EMISSION FILLS THIS ROOM WITH AN ATMOSPHERIC EXPERIENCE MORNING & NIGHT.

recreational vehicle - TOUR BUS CUSTOM design

BATHROOM CONTINUES WITH THE CURVELINEAR DESIGNST YLE. EVEN TOUGHENED ACRYLIC 13 CEILING CAP ALLOWS FOR A SENSORY PL AY OF LIGHT AND ENERGY SAVING EFFECT OF HEAT FROM THE SUN

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

WHEN ENTERING THE BEDROOM THE CEILING GL ASS FEATURE IS REPEATED ABOVE THE BED. THIS CREATES THE MOOD FOR REL A X ATION WHEN IN THE EVENINGS ALL OTHER LIGHTSOURCES CAN BE DIMMED DOWN, AND THIS ARTGL ASS PANEL IS BACKLIT WITH LED LIGHTING WHEREAS THE DIODES ARE DISPL ACED ALONG THE CURVELINEAR EXPRESSION.

DESIGN 2008

- RETAIL DESIGN

hotel sesame - reception area

HOW THE DESIGNER AT K AK A DESIGN (&) PROJECT IS TACKLING THE DESIGNTASK IS TO A GREAT EXTENT PUT TING THE EMPHASIS ON THE CLIENT PROFILES IDENTIT Y. BRANDMAKERS AND MARKEDANALYSTS ALIKE - AS A DESIGNER THERE IS CERTAIN FUNDEMENTALS ON HOW TO AT TRACT THE VISITOR TO STEP INTO ANY SHOP, THEREUNDER TO FURTHER EXPLORE THE MARKETERS INTENT FOR CONSUMER TO WANTING THEIR PRODUCTS. THE SHOP IMAGE HAS A FAR GREATER CHALLENGE THAN THE WEBSHOP IN THE SENSE THAT THIS IS THE PHYSICAL WORLD. RETAIL - PL AN VIEW THE L AY-OUT OF A RETAIL STORE: -IT HAS TO WORK FOR ALL SHAPES AND SIZES FOR OPTIMAL CONSUMER EXPERIENCE AND ADDED SALES

RETAIL DESIGN - JEWELRY STORE

THROUGH THE DESIGNER’S EYES THE UNIVERSAL DESIGN PRINCIPLES IS THE KEY IN SUCCESSFULL RETAIL DESIGN. “MUST FIT ALL SIZE & SHAPES”, RETAIL STORES SHOULD DESIGN FOR ALL PEOPLE WITH, OR WITHOUT DISSABILITIES. VISITORS MUST HAVE CLEAR VIEWS FOR GOOD ORIENTATION INSIDE A SHOP, AND SHOULD BE ABLE TO READ SIGNAGE AND INFORMATION VARIOUS HEIGHTS WITHOUT PHYSICAL OBSTRUCTIONS. THIS JEWELRY STORE IS PL ACED WITHIN A MALL, OR VENUE, AND IS ENTERED FROM 2 SIDES. IT IS OPEN AND EASY TO GET A GRASP OF ITS PURPOSE. THE CUSTOMER CAN IN THIS SHOP WALK ON WIDE FLOOR SPACE BET WEEN MERCHANDISE, HE OR SHE CAN TURN AROUND AND RECEIVE SERVICE AT ANY SPOT PAUSED AT.

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

RETAIL DESIGN IS ONE OF THE MOST TRANSFORMING BUSINESSES TO DESIGN INTERIOR APPLICATIONS TO. RETAIL INDUSTRI CHANGES RAPIDLY AND FOLLOWS THE TRENDS OF NEW PRODUCTS THAT ARE RELEASED ALMOST CONSTANTLY.

EQUALLY IMPORTANTLY IS THAT EMPLOYEES HAS CLEAR FIELDS OF VIEW TO BOTH DETECT AND SWIFTLY SERVE ANY CUSTOMER, MINIMIMIZE THEFT, AND KEEP SHOP SPOTLESS IN ITS PRESENTATION. ALSO A EASY ACCESS STORAGE SPACE IS TIME-SAVING AND CUSTOMER MINDED FOR BET TER SERVICE.

- CONSTRUCION DRAWINGS (CAD)

COLUMN detail PLAN VIEW

CONSTRUCTION DRAWINGS ALWAYS FOLLOWS THE INTERIOR DESIGN PROJECT. THE REALISTIC BACK-UP MATERIAL, EXPL AINING DOCUMENTATION FOR ALL COMPONENTS IN A PROJECT AND CLEAR UNDERSTANDING FOR ALL FIT TINGS THAT WILL BE INSTALLED MUST BE CONFIGURED IN CAD DRAWINGS TO EACH LIT TLE DETAIL.

HERE ARE JUST A COUPLE OF EX AMPLES OF CAD DRAWINGS TO THIS PARTICUL AR RETAIL STORE, THAT IS CAREFULLY ADDED TO THE WORKING DRAWINGS COMMUNICATED TO SUBCONTRACTORS, OTHER INVOLVED PARTNERS, AND IS EXPL AINED TO THE CLIENT ITSELF IN CLIENT MEETINGS ALONGSIDE 3D VIEWS. NOT ONLY ARE THE DRAWINGS PURE DOCUMENTATION OF ALL THAT IS ORDERED TO BE MADE, BUT THE DRAWINGS NEEDS TO ENSURE ITS PRODUCED TO ACCURATE MEASUREMENT DONE ON SITE. DIMENTIONING THIS COMPONENTS TO SCALE IN CAD SHOULD AVOID TIMEWASTING MISUNDERSTANDINGS, AND ADD TO THE LIST OF COST EFFICIENT MEASURES FOR THE SAKE OF SMOOTH TRANSITIONS IN ALL LEVELS OF THE OPERATION. LOGBOOKS (PROJECTBOOK) WILL FURTHER SUPPORT THESE DRAWINGS WITH EQUIVALENT RECORDS OF ORDER DATES, TIME SCHEDULE, AND SPESIFICATION SHEETS.

COLUMN ELEVATION

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

INTERIOR DESIGN PROJECTS CAN BE VERY COSTLY, UNLESS ITS ONLY A FEW CUSTOM BUILDT FURNTURE THAT IS ORDERED, BUT SPESIFICATIONS ARE THE RED THREAD THROUGH OUT ANY GIVEN SPACE.

- RETAIL DESIGN

RETAIL DESIGN - TAMPA INTERNATIONAL AIRPORT 16

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

DESIGN 2008

-RETAIL DESIGN

THE INTERNATIONAL AIRPORT IN TAMPA (US) ANNOUNCED AN OPEN CONTEST TO DESIGN RETAIL STORES FOR THEIR CONCOURSE AT THE AIRPORT TERMINAL. THEIR IN-HOUSE ARCHITECTURE DEPARTMENT OFFERED TO MEET WITH THE DESIGNERS IN PERSON WITH A DIRECT REVIEW OF THE HANDFULL OF PROPOSALS THAT PARTICIPATED. WITH A SERIES OF PRESENTATIONS EXECUTED TO THEIR REPRESENTATIVES THIS PROJECT WAS SELECTED AMONGST A TOTAL OF THREE DESIGN PROPOSALS FOR FURTHER ASSESSMENTS. THIS PROJECT IS AN ADDITION TO THE PREVIOUS PROJECT WITH MOBILE KIOSK INTRODUCED AT PAGE 1 OF THIS CATALOGUE. AT FIRST GLIMPSE THIS RETAIL DESIGN PROJECT MAY HAVE ITS ROOTS IN A MINIMALISTIC, INDUSTRIAL TERMINOLOGY WITH EXPOSED METAL STUDS INGRAINED IN A SLEEK, SIMPLISTIC GL ASS AND PLEXI BACKDROP. STRIBING FOR SIMPLICIT Y AND GRACE THE DESIGNER USES DESIGNING PROGRAMMING METHODS TO BAL ANCE OUT THE SHARP FACADES WITH THE SOFTENING EFFECT OF CURVELINEAR MANIFESTATIONS. THE DISPL AY SCREENS SHOWCASES BOTH THE IDENTIT Y OF THE STORE - INDUSTRIAL + MODERN AS WELL AS SHOWCASING ALL THE L ATEST TRAVELING EFFECTS THAT ARE ON DISPL AY.

GRAPHIC PRINT FOILS THAT ARE INTEGRATED IN CLEAR PLEXI THAT BE SWAPPED & SHIFTED PER AS AQUIRED ACCORDING TO THE STORE’S PROMOTIONAL NEEDS. THE CURRENT COLOR CHOICE WITH THE ARTISTIC PROFILES ON EACH WALL MOUNTED SCREEN IS THEREFORE SUBJECT TO CHANGE PER DEMAND AS AN ADDED COMPONENT TO THE PRODUCT’S ABILIT Y TO ADJUST TO ITS SURROUNDINGS.

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

FOR THE EXPERIENCED FLYER TO THE YOUNG INEXPERIENCED TRAVELER, THIS STORE IS SERVICING ITS VISITORS WITH OPEN HIGHGLOSSED FLOORING DECOREATED WITH FIXED AND FLEXIBLE DISL AY STANDS.

-PRODUCT DESIGN

PRODUCT DESIGN FOR INTERIOR APPLICATIONS IS A FAST PACED INDUSTRY SUBJECT TO NEW DESIGN CONTRIBUTIONS WITH A QUICK TURN OVER. TO BE ABLE TO DISTINGUISH ON DESIGN FROM ANOTHER, OR SEPARATE QUALIT Y FROM QUANTIT Y IS AN IMPORTANT CHALLENGE TO TAKE FOR EXPLORING DESIGNERS. * REPETIVENESS IN DESIGN (REPETITION), WHEN USED BY THE CONSUMER IS NOT ALWAYS EQUAL TO PRODUCT QUALIT Y. YET IT IS IMPORTANT TO POSITION THE PRODUCT TO CL AIM MARKEDSHARES WITH ITS QUALIT Y OF HOW ITS COMPONENTS IS HIERARCHIALLY LOGICAL AND IS ESTETICALLY PLEASING.

DESIGNING THIS LIGHT FIXTURE AS SHOWN HERE IS ONE OF MANY ATTEMTS TO DELIVER SUCH A DESIGN, 18

RETAIL - DESIGNER LAMP

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

DESIGN 2012

- PR0DUCT DESIGN

THE DESIRE TO FURTER EXPLORE THE POSSIBILITIES WITHIN PRODUCT DESIGN, WITH A PRIMARY FOCUS ON DESIGNING FOR THE INTERIOR DESIGN INDUSTRY AS AN INTERIOR ARCHITECT IS AN OBJECTIVE FOR K AK A DESIGN (&) PROJECT THAT IS MOTIVATED BY A DRIVE FOR INNOVATION AND FUTURISTIC THOUGHTPROSESSES. LIGHT BULBS ARE ABLE TO BECOME SMALLER IN SIZE AND EMITS T WICE AND SOMETIMES UP TO THREE TIMES AS MUCH LIGHT AND L ASTS MANY MORE HOURS DUE TO TECHNOLOGICAL IMPROVEMENTS.

THIS FIXTURE DESIGNED BY K AK A DESIGN (&) PROJECT IS AT ITS INITIAL IDEA DEVELOPMENT STAGE, AND STILL LIES AHEAD HOURS AT THE DRAWING BOARD OF TRIALS & ERROR FOR HOW THE LIGHT WILL BEHAVE AS A RESULT OF THIS PRELIMINARY DESIGN CONSTRUCTION. TRIALS WILL INVESTIGATE T YPES OF LIGHT SOURCES, HOW THE MATERIALS CAN BE USED AND ALTERNATIVES FOR MATERIAL SELECTIONS ALONGSIDE POSSIBILITIES FOR SMALL ADJUSTMENTS TO THE DESIGN WITHOUT JEOPARDIZING ITS INTEGRIT Y.

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

WITH LED, FIBER OPTICS AND PL ASMA LIGHTING THERE ARE NOT MANY LIMITATIONS TO WHAT LIGHTING DESIGN CAN ADDRESS IN THE FUTURE.

DESIGN 2012

- FURNITURE PLAN & RETAIL FURNITURE DESIGN DESIGNING A COMPLETE RESTAURANT OR DINING PL ACE THAT EXPECTS TO TAKE A 100 GUESTS OR MORE, IS A RIGOROUS RESPONSIBILIT Y THAT REQUIRES SHARP PROJECT MANAGEMENT SKILLS AND EFFICIENCY IN SUCCESSION PL ANNING. DEGREES OF THE EARLY STAGES OF THE DESIGNERS WORK, WITH THAT THE IDEATION PROCESSES AND MANUAL SKETCHING IS IN SOME INSTANCES PL AINLY INTUITIVE. THE INTERIOR ARCHITECT WORKS OF THE ARCHITECTS ILLUSTRATION OF AN EMPT Y BUILDING SHELL. HERE THE BUILDING IS AN RESTAURATION PROJECT, AND HAS LIT TLE OR NO RELEVANT INFORMATION TO ITS EXISTING STRUCTURES. RESTRICTIONS IN THIS T YPE OF SET TING ARE IN MANY WAYS NON-EXISTING SINCE THERE ARE NO CONSIDIRATIONS TO HAVE IN MIND OTHER THAN THE BUILDING EXTERIORS, A FEW INTERNAL WEIGHT BEARING WALLS AND COLUMNS AND THREE ENTRY WAYS THAT EITHER DIRECTLY OR INDIRECTLY WILL EFFECT THE WAY THIS SPACE IS PL ANNED.

restaurant furniture plan - color coded

USUALLY THERE ARE NO REASON TO CONTRADICT THE LOGICAL ORDER OF THINGS WHEN DEALING WITH SPATIAL PROGRAMMING. RATHER TO WORK WITH THE EXISTING PL AN, AND DEPENDING ON LIMITATIONS IN THE BUDGET AND WITH THE CLIENT EXPECTATIONS, THE DESIGNER CAN BEGIN TO EITHER ADD OR SUBTRACT. THE INTERNAL ZONES THAT IS DICTATED BY THE MANY INTERACTIVE FUNCTIONS THAT ARISES IN THE SERVICE INDUSTRY INVOLVING HUMAN INTERACTIONS, IS A DICIPLINARY CROSSOVER FROM RETAIL DESIGN. HAVING THE CUSTOMER CENTRIC MINDSET YOU KNOW YOU ARE TRULY DESIGNING FOR YOUR CUSTOMERS FREQUENT RETURN. APART FROM A GREAT PERSONELL, THE OUTCOME OF THE ZONING IS THE CORNERSTONE OF WHICH THE FURNITURE L AYOUT RESTS ON. TRAFFIC FLOW IS EVIDENT AND CLEAR IN THIS SPACE.

axonometric view 20

PRELIMANARY CUSTOM DESIGNED FURNITURE, FIXTURES, SHELVING SYSTEMS AND FEATURES BY K AK A DESIGN (&) PROJECT FINAL RENDERINGS IS BEING PROJECTED

RETAIL - CAFE/DINING SPACE CUSTOM DESIGNED

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

ON THE A XIS OF THE FLOOR PL AN IS T WO DIRECTIONAL TRAJECTORIES FORMING A L-SHAPE, AND ON THIS PATH THE DESIGNER CREATED WHAT WILL BE THE TRAFFIC PAT TERN AS THE THREE DOORWAYS SITS ON THE OUTER PERIMETER OF THIS GIVEN SHAPE.

- SPATIAL PROGRAMMING FOR RETAIL & FURNITURE DESIGN

RETAIL - PERSPECTIVE VIEW OF THE INTERIORS

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

DESIGN 2012

- FURNITURE & RETAIL PRODUCT DESIGN

DESIGNING DISPLAY STANDS FOR THE RETAIL INDUSTRI IS IN MANY WAYS APART FROM THE DISPLAYING OF MERCHANDISE, A DESIGN FOR A TYPE OF MOOD, IN A GIVEN SETTING FOR A CERTAIN IDENTITY PROFILE. IN THAT REGARDS THERE ARE PROGRAMMING STAGES DEDICATED TO USER ANALYSIS, CLIENT PROFILE, EVALUATION OF LOCALITY, DEMOGRAPHIC, FUNCTION, AND TYPE OF MARKED. DISPLAYS ARE FOR COMMERCIAL USE, AND HAS AN INTEGRAL PART IN THE RETAIL MARKETING STRATEGY AND THE DESIGN CONCEPT IS BEST SUITED IF ONE CONNECT THE PROJECT TOGETHER WITH ACCURATE INFORMATION OF RELEVANCE. THE DISPLAY STAND SHOWN HERE IS USED WITH A DIFFERENT COLOR IN THE PROJECT IN THE CAFE/RESTAURANT/DINING SPACE. THE DINING PLACE SELLS COFFEE AND SPICE PRODUCTS WITH SMALL SCALE UTENSILS/HOME EQUIPMENT FOR MAKING COFFEE. THE SHELVING SYSTEM IS DESIGNED TO DISPLAY THE SMALLER PRODUCTS THAT ARE ABOUT THE SIZE OF A HAND, AND SOME LARGER.

WHEN CONSIDERING TO USE THIS DISPLAY STAND IN OTHER TYPES OF STORES OR LIBRARIES, THESE SHELVINGS WOULD THEN BE COLOR COATED IN A REGULAR SOLID BLACK, OR OTHER NEUTRAL TONES OF GREYS AND BROWNS, THIS DISPLAY STAND CAN BE FITTED TO DISPLAY BOOKS, AND THINGS LIKE DESIGN COLLECTIONS OF SMALL DECORATIVE HOME PRODUCTS, PURSES OR EVEN SHOES. *ADJUSTMENTS TO ONE PARTICULAR SYSTEM CAN TRANSLATE SOME OF THE SAME PRINCIPLES INTO DISPLAYING VARIOUS SHAPES & SIZED ITEMS. IN THAT THOUGHT ONE CAN CREATE FURNITURE COLLECTIONS THAT HAS A SIGNATURE TO IT THAT REACHES OUT TO SEVERAL BRANCHES IN THE RETAIL INDUSTRY.

FURNITURE DESIGN - RETAIL DISPLAY STAND

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

THE SYSTEM HAS ITS FULL HEIGHT AT ABOUT 3-4 METERS ON THE VERTICAL, AND CAN BE PRODUCED IN WOOD WITH HIGH GLOSS PAINT AND DURABLE CLEAR COAT ACRYLIC FINISHES. IN THESE IMAGES THE BOLD COLORSCHEME ON THE SHELVING SYSTEM IS SET TO HAVE THE SUITABLE APPEARANCE FOR A MODERN CHILDRENS TOY SHOP.

RETAIL DISPLAY STANd - axonometric view

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

- RETAIL DISPLAY STAND

DESIGN 2008

-MODEL MAKING, CONCEPTUAL DESIGN AND PROGRAMMING

THE ARCHITECT SCHOOL THE DESIGNER IS TRAINED TO INTERPRET SPATIAL

QUALITIES WITH A SOMEWHAT MORE MATHEMATICAL POINT OF VIEW. BY THE NATURAL HIERARCHICALLY INSIDENCES OCCURING IN GEOMETRY AND GEOMETRIC SHAPES WHEN ADRESSED IN SPATIAL PROGRAMMING, THE ORDER OF THINGS IS SUBORDINATE TO THE L AWS OF PHYSICS, VOLUME AND MASS. THE DESIGNER HAS BEEN TRAINED AT THE MASTER OF ARCHITECTURE PROGRAM IN THE USA FOR ONE SEMESTER. BY THIS MEANS THAT SCHOL ASTIC TERMINOGIES FROM THE DESIGNERS FIELD AS AN INTERIOR ARCHITECT IS INTERT WINED WITH DISCIPLINES FROM BOTH FIELDS. THIS PLEXI COMPUTER GENERATED MODEL EXPANDS THE NUMBER OF POSSIBLE SOLLUTIONS FOR SPATIAL PROGRAMMING METHODS, AND THE MODEL IS BASED OF A SOLDERING PROJECT WITH LINEAR PROGRAMMING.

THE EXPERIMENTAL PHASES WITH CONCEPTUAL DRAWING AND WORKING WITH PHYSICAL MODELS OR CAD GENERATED MODELS BASED OF A PHYSICAL MODEL GIVES HEADWAY TO A WHOLE RANGE OF SOLLUTIONS FOR A PRODUCTIVE DESIGN PROJECT APPROACHED WITH A CURIOUS AND INVESTIGATIVE CONSENTRATION.

MODEL MAKING - PROGRAMMING WITH MATERIALS

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

- MODEL MAKING

THIS MODEL MADE OF CARDBOARD IS PROJECTING A RESIDENTIAL STRUCTURE THAT IS SUSPENDED FROM THE GROUND. MODEL MAKING IN THE ARCHITECTURAL FIELD IS A PRACTISING FIELD ON ITS OWN. OFTEN THE MODEL MAKERS ARE SOURCED OUTSIDE OF AN ARCHITECTURAL BUSINESS, AND HIRED BY DEMAND. THE MODEL THE DESIGNER K ARINA K ALLSTROM HAS MADE (K AK A DESIGN (&) PROJECT) IN THIS PICTURE IS ONLY ONE LEVEL WITH ZONING FOR 3 DIFFERENT FUNCTIONS: SLEEPING, DINING AND SOCIALIZING. THE ST YLE OF THIS DWELLING IS TAKEN FROM MIES VAN DER ROHES REVOLUTIONARY MINIMALISM, THE WELL KNOWN CHICAGO BASED ARCHITECT THAT CONTINUED TO RESHAPE ARCHITECTURE IN THE 1930’S AFTER THE PIONEERS LIKE FRANK LLOYD WRIGHT AND LOUIS SULLIVAN FROM THE 1890’S.

MODEL MAKING - PROGRAMMING WITH MATERIALS

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

DESIGN 2010

- CONCEPTUAL DESIGN SEMI-SUBMARINE

A DREAMPROJECT OFTEN REFERS TO SOMETHING THAT REQUIRES A LIMITLESS BUDGET INTERLINKED WITH GREAT VISIONS THAT IN MORE THAN ONE WAY OR ANOTHER HAS FEW SIMIL ARITIES TO ANY OTHER PROJECT IN THE WORLD. A PRIVATE SEMI-SUBMARINE DESIGN LIKE THIS PROJECT IN “MOVING SPACES” IS ONE THE DESIGNER CREATED AS A FUTURE PRODUCT TO CONSUMERS WITH A DREAM TO EXPLORE THE UNDERWATERWORLD FIRST HAND.

THE INTERIOR SPACE CONSISTS OF ROLL-OUT SOFABEDS AND PLENT Y OF STORAGE SPACE IN WALL CLOSET SYSTEMS CUSTOM DESIGNED TO FIT THE INTERIORS OF THIS CREATION. ON THE LEFT HAND SIDE IS THE KITCHEN FACILIT Y, THAT COVERS BASIC NEEDS, AND ON THE RIGHT HAND SIDE THE TRAVELOR HAS A FULLY FUNCTIONAL SHOWER, BATH AND TOILET. UNDERWATER EXPERIENCE WILL BE COMPLETE WITH

THE 360 DEGREE DECK WITH PANORAMIC VIEW IN THE FRONT.

CONCEPTUAL DESIGN - PROGRAMMING WITH 3D VISUALIZATON

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

THE SUBMARINE CAN TAKE 4 TRAVELERS OVERNIGHT (PLUSS THE CAPTAIN).

RESIDENTIAL SEMI-SUBMARINE INTERIORS

CONCEPTUAL DESIGN - PROGRAMMING WITH 3D VISUALIZATON

KAKA DESIGN & PROJECT 2007-2012 kakaproject@gmail.com

TOUGHENED, COMPRESSED WOOD FIT TINGS LIKE USED IN SAILBOATS AND ALUMINUM+PL ASTIC COMPOSITES USED IN MODERN OFFSHORE VESSELS ENSURE THE SUBMARINEâ&#x20AC;&#x2122;S ABILIT Y TO RESSIST THE OUTSIDE PRESSURE ON THE EXTERIORS.