CELIA D’HOSE
SELECTED WORKS 2019
I’m Célia D’Hose, a passionate architect from Paris. To me, creating architecture is a journey. We travel to change, not the place, but our minds.
PERSONAL
SKILLS 04/12/1990
DATE OF BIRTH LICENCES
CAR & MOTORBIKE
ADRESS
30, rue des Lilas 75019 Paris France
AUTOCAD
SKETCHUP
REVIT
ARCHICAD
LUMION
OFFICE
PHOTOSHOP
INDESIGN
ILLUSTRATOR
celia.dhose@gmail.com +336 87 53 57 37
CONTACT
EDUCATION 2019
GRADUATED IN ARCHITECTURE ENSA Paris-Belleville
2018
TOEIC - NATIONAL ENGLISH TEST Grade 880/990
2012
BTS SPACE DESIGN Educatel, Paris
2009
ONE YEAR OF APPLIED ARTS (MANAA) EBTP Vincennes
LANGUAGES
FRENCH
ENGLISH
GERMAN
WORKING EXPERIENCE Intern architect at VALARI ARCHITECTE
- 1 month A. Bravaccio, Heritage Architect Plan & section drawings Details statement Photographic report Costumer contact
Intern architect at ESPACE ARCHITECTURE
- 3 months Architecture agency specialized in architecture, urbanism & engineering
2010
Intern architect at NAVIR
- 3 months Architecture agency specialized in early childhood spaces planning Modeling 3D drawings Plan & section drawings Building statement
- April to present... A. Bravaccio, Heritage Architect
Folders compilation Plan & section drawings 3D Rendering Project structuration
2014
Architect partner of VALARI ARCHITECTE
Plan & section drawings 3D Rendering Site supervision work Costumer contact
2017 2015
Executive supervisor at BOUYGUES CONSTRUCTION - 1 month Social housing buildings
Site supervision work Direct contact with workers Site meetings
2019 2018
Self employed Architect Layout advices Folders compilation Plan & section drawings 3D Rendering Costumer contact
ALTERNATIVE WAYS OF LIFE
ECOLOGY / ALTERNATIVE WAYS OF CONTRUCTING
INTERESTS SELECTED READINGS
STRUCTURE
HERITAGE ARCHITECTURE
CONTENT ACADEMIC PROJECTS
HOCHHAUS ARCHITECTURE Bremen, GERMANY
6
HOSPITALITY ARCHITECTURE Lyon, FRANCE
16
FOOD SUPPLY URBANISM Île-de-France, FRANCE
24
PROFESIONNAL PROJECTS
AFRICAN ARCHITECTURE Lomé, TOGO
32
ARCHITECTURAL HERITAGE Paris, FRANCE
36
CONSTRUCTIONS
WOOD DESIGN & WOOD CONSTRUCTION
40
HOCHHAUS ARCHITECTURE Bremen, GERMANY
YEAR INSTITUTION PROJECT TYPE COLLABORATION
2017 University of Antwerp Architecture Mathilde Habousha
The Hochhaus concept is something very specific here. It is a downtown building integrated into its surrounding. Its height exceeds a few floors the neighboring buildings. The program related to this type of building is also very precise: a Hochhaus is characterized by an activity intended for public uses on the ground floor as well as housing on the upper floors. During this semester, the exercise was above all focused on the structural concept. The method followed during these few months was: the first phase of structural analysis led to structural models. The construction design had to include at least 3 different types of structure, had to be a 7 to 8-storey building considering its location in Bremen, Germany, and had to receive a 4000m² surface area. The program integration took place in the last weeks of the exercise. The great interest of this studio lied in its conceptual aspect. The theoretical approach placed the architectural aspect at the forefront. It allowed us to focus on our personal vision of architecture, to translate it into a spatial concept afterward. Finally, we expressed this concept in social and architectonical reality.
0l OVERVIEW
FRONTAL VIEW, FROM FAULENSTRASSE
BODY : slabs and walls Residential levels
INTERMEDIATE LEVEL : pergola : columns + beams Collective use
BASE : slabs and portiques Public use
STRUCTURAL CONCEPT
EN UL FA R ST SE
AS R ST
EN UL FA SE
AS
0
100m
SITE LOCATION : Bremen, GERMANY
1l BASE
0
5m
GROUNDFLOOR PLAN
CIRCULATION CONCEPT
VIEW OF THE PUBLIC AREA : A BANK
2l INTERMEDIATE LEVEL
0
5m
SECOND FLOOR PLAN
STRUCTURE DETAIL
VIEW OF THE COLLECTIVE AREA
3l BODY
0
5m
SECOND FLOOR PLAN
SOUTH FACADE DETAIL
BEDROOM 1
BATHROOM
KITCHEN BEDROOM 2
SERVED / SERVING SPACES
NORTH FACADE DETAIL
HOSPITALITY ARCHITECTURE Lyon, FRANCE
YEAR INSTITUTION PROJECT TYPE
2018 ENSA Paris Belleville Architecture
The conditions of acceptance of the refugee status in France induce an extremely long and painful process. First, migrants leave a country in which they are persecuted (racism, religion, war, sexual or political orientation, etc.). Then, they travel in precarious and dangerous conditions. Once in France, they begin administrative procedures and sign papers they do not understand (untranslated). Finally, after several years of waiting, the verdict arrives. If the asylum application is refused, the migrant is returned to his/ her home country (only 30% of asylum applications received a favorable opinion in 2017). If the asylum application is accepted, the refugee can begin a vocational reorientation process (it is very rare to see a migrant practicing in France the profession he used to exercise in the country he left). During the time of this project, I chose to work on cultural diversity. The welcome of migrants being a current issue, very controversial, it seemed interesting to reflect on the idea of ​​french hosting through architecture. This notion can be considered at different scales: from the city to the bedroom. Indeed, after the difficulties by which the refugees have passed through, the gradation of the spaces allows a smooth social integration: intimate (bedroom), semi-collective (shared living room), collective (classrooms, gym, etc.) and public (laundry, Fab-Lab, etc.). Public spaces are symbolized by the use of concrete, a hard and durable material as a continuity with the street, while housing is represented by a prefabricated wood assembly, to accelerate the construction of a building often considered unwelcome. The major goal of a center such as this one is to foster migrant/resident relations through the cultural appeal and services that this type of equipment provides to the city. The location chosen here is a parking lot currently unused in the 7th arrondissement of Lyon, a fast-developing neighborhood. Lyon is today the 3rd place of access for immigrants in France.
0
50m
LAUNDRY
SOLIDARITY GROCERY
FAB-LAB
RESTAURANT
B
GYM 1
SITE PLAN
A GYM 2
SITE LOCATION
SECTION A
A
FIRST FLOOR PLAN 0
20m
INT.
B
EXT.
PREFAB FLOORING
PREFAB EXTERIOR WALL
- Screed 5cm - Acoustic insulation 3cm - Cross laminated timber flooring 15cm - Thermal insulation 15 cm (when necessary) - Suspended ceiling 3cm
- External wood cladding 3cm - Suspended faรงade : Angled screwing - Thermal insulation 15cm - Sealing - Cross laminated timber 9,4cm
FACADE DETAIL
SECTION B
FOOD SUPPLY URBANISM Ile-de-France, FRANCE
YEAR INSTITUTION PROJECT TYPE COLLABORATION
2019 ENSA Paris Belleville Urban strategy ClĂŠmence MEYER
Mass food distribution in Paris and its region participates in the organization - or disorganization - of the territory. Our reflection on this subject comes from an analytical nature at first, prospective and critical in a second time. We question the role of productive agricultural lands in ĂŽle-de-France and analyze their links with the food distribution sites, including urban logistics. The choice of the project site focuses on a portion of the Paris Region that is conducive to the study of local vegetables production and distribution: le Triangle Vert (the Green Triangle). This sample contains a larger proportion of agricultural land than the rest of the region. In addition, local elected officials encourage sustainable agriculture and market gardening. We rely on trends already present in the territory to set up a prospective project in order to form alternative proposals (support for market gardening and local distribution, bursting of retail outlets in small supermarkets downtown, connections between the various actors of the territory ...). Those proposals represent a critic of Parisian food distribution mechanisms and the way mass distribution buildings participate in urban sprawl. Our position cross landscape, aesthetic, social, political and ecological issues.
SHORT FOOD SUPPLY CHAIN
PRODUCTION
LOGISTIC
DISTRIBUTION
Sales on the spot
Producer
La Ruche qui dit Oui
MAKE TO STOCK FOOD SUPPLY CHAIN
MAKE TO ORDER FOOD SUPPLY CHAIN
Stock
Sub c
ont
Industrial farm
Packaging
Association spot
Packaging
1%
ting
Central purchasing
Rungis International Market
Pick-Up point
rac
Pick-Up point
Supermarket
Independent supermarkets
15%
Industrial farm
Producers shop
Market
Independent greengrocers
1. FOOD PROCUREMENT IN ÃŽLE-DE-FRANCE
Superette
Home delivery
COMMERCIAL CENTER -X%
N20
VALLEY OF SAULX-LES-CHARTREUX
A10
PLAIN OF SAULX-LES-CHARTREUX
PLATEAU OF NOZAY COMMERCIAL CENTER VILLE DU BOIS
N104 1
0
1
ÃŽle-de-France
A10
2
3
4 km
PRODUCTION
LOGISTIC
DISTRIBUTION
Relief
Infrastructures
Catchment area
Agricultural lands
Commercial centers and farms
Urban areas
Water N20
Agricultural samples
2. A DETERMINING GEOGRAPHY FOR FOOD PRODUCTION AND DISTRIBUTION
PLAIN OF SAULX-LES-CHARTREUX
VALLEY OF SAULX-LES-CHARTREUX
PLATEAU OF NOZAY
3. HOW AGRICULTURAL LANDSCAPE COULD BE ADAPTED
* On those documents, the white elements presen
Proposed
New trees (biodiversity)
Landscaping furniture
Planted roadside
Fruit trees
Hedge (windbreak)
Existing
Landmark trees
Pas de côté (Farm)
AGRICULTURAL ROADS Proposed
Fruit trees (biodiversity, entertainment and pedagogy)
Sideroad Hedge (windbreak)
Existing
Highway D118
Forest hedge
AGRICULTURAL TRAILS
Proposed
Existing
Fruit trees (biodiversity, entertainment and pedagogy)
Rubble (wheels cleaner)
Producers shop Reuse of a water tower (agricultural purposes) City’s plot
Private forest (association partners)
AGRICULTURAL PATHS
TO PUBLIC ACTIVITIES, ENTERTAINMENT AND PEDAGOGY
nt our projection, based on what is already existing.
4. HOW A DECLINING COMMERCIAL ADDING DIVERSITY AND TURNING THE BUILDING INTO A LO Réutilisation d’un centre commercial en déclin: intégration d’une plateforme logistique
* On those documents, the white elements presen
Greenhouses (pedagogy + local production)
Phytoremediation Public use
Housing (diversity + financial intersest)
Public gallery Abandonned factory
Unused part of the building
LA LOGISTIQUE, UNE COMPOSANTE VISIBLE DE L’ESPACE PUBLIC
LA LOGISTIQUE, UNE COMPOSANTE VISIBLE DE L’ESPACE PUBLIC
Greenhouses (pedagogy + local production)
Connexion with logistic (pedagogy + public security)
Producers market + Reception hall
PFE Déconstruire / Reconstruire ENSA-PB 2018-2019 Célia d’Hose et Clémence Meyer
Abandonned factory
LA PRODUCTION AGRICOLE, UN SAVOIR À PARTAGER
CENTER COULD BE REHABILITATED: OCAL PRODUCTION FACILITY AS A COMMERCIAL IMPULSION
LA PRODUCTION AGRICOLE, UN SAVOIR À PARTAGER
nt our projection, based on what is already existing.
2. UN CENTRE COMMERCIAL EN DÉCLIN, UN RÉSEAU LOGISTIQUE
2. UN CENTRE COMMERCIAL EN DÉCLIN, UN RÉSEAU LOGISTIQUE
MAIN FAÇADE
REAR FAÇADE
AFRICAN ARCHITECTURE LomĂŠ, TOGO
YEAR AGENCY
2017 Espace Architecture
Lome is a city whose rapid evolution placed it as an economic pole of West Africa. On one side, the business district offers a luxurious aspect of the city and, on the other hand, popular markets dotted here and there are a chaotic and saturated. West-african urbanism is totally different from what I have learned from European metropolises. This experience abroad has been an opportunity to make a critical questioning regarding the teaching that I received throughout my learning in Europe. In Western contemporary architecture, originality is often sought after. Indeed, current architectural trends use and abuse unusual forms. In LomĂŠ, buildings imagined by architects are, in reference to the western trends, punctual elements that do not seek to integrate the urban context. Therefore, freedom of expression is enormous regarding the shapes and colors chosen to coat a construction. The main obstacle on a construction site is, as often, due to financial concerns. The project presented here is about the transformation of an existing one-storey building imagined for commercial activities and previously unfinished. My professional goal is to continue working closely with international agencies and never stop discovering new ways of living. To me, architecture can not be limited to a particular way of life, it must evolve constantly. That is possible by an endless and various learning.
STRUCTURAL SECTIONS
MAIN FAÇADE
REAR FAÇADE
FIRST FLOOR - PROJECTING PLAN
GROUNDFLOOR - EXISTING PLAN
CITY HALL OF PARIS 10
STONE AND STEEL IMPAIRMENTS STATEMENT : HAND DRAWINGS AND COMPUTER DRAWINGS
ARCHITECTURAL HERITAGE Paris, FRANCE
YEAR AGENCY
from 2016 VALARI Architecte
French architectural heritage is known all around the world. I had the chance to approach this field during an internship with A. Bravaccio, heritage architect, who passed on to me his passion for this discipline. Since then, I continue to work on it and go deeper into the knowledge of architectural heritage. In general, during a restoration or any work on a listed building, a particular attention is paid to the understanding of the building: its contextual, architectural and historical layout. The role of these architects is to work for the preservation and enhancement of natural and built heritage, for its transmission to future generations.
1522 Original sculpture Too corroded to be drawn precisely Sculptor : Rault
Differences between the old statue and the new one
1852 Sculptor : Jean-Louis Chenillon
1911 Sculptor : Adolphe Louis Geoffroy-Dechaume
1998 Impairments statement
Saint-Jean Eagle
2006 Restorer : Atelier Jean-Loup Bouvier
Today
ARCHITECTURAL HERITAGE Paris, FRANCE YEAR 2017 2018
TOUR SAINT-JACQUES, PARIS 4
HISTORICAL RESEARCHS / UNDERSTANDING OF THE LIFE OF THE BUILDING AND ITS STATUES
DESIGN BASED ON WOOD ELASTICITY
A BOOKSHELF WITH ITS LAMP
WOOD DESIGN YEAR 2016
Wood is a material full of qualities. This is a renewable resource, a moisture regulator, a storage for carbon, a link between tradition and modernity, a living material with attractive thermal properties, etc. For all of those reasons, I like to work with this material at different scales. The picture to the left presents a wooden shelf whose design is based on the elasticity of wood. To this shelf is incorporated electrical wiring, allowing a moving lamp to integrate the object. In the following pages, the wooden construction is at the scale of a small building. With a studio group from ENSA Paris-Belleville, we visited Calais jungle, largest refugee camp in France. Above all, we tried to understand the camp organization logics and the forms of living that follow. In a second step, we imagined some architectural projects related to its inhabitants needs. Finally, we were able to build a legal center on the Linière refugee camp, 40 km from Calais jungle. The facility consists of two small separate buildings. Their position on a pedestal creates access spaces and waiting spaces. The construction of the whole lasted a little over a week and many migrants got interrested in working with us.
1. CALAIS JUNGLE STATEMENT 2016, A BEDOUIN SETTLEMENT REFUGEE «CAMP» IN CALAIS, FRANCE
WOOD CONSTRUCTION YEAR 2017
2. CONSTRUCTION OF A LAW CENTER, CAMP DE LA LINIERE REFUGEE «CAMP» IN DUNKERQUE, 40 KM AWAY FROM CALAIS, FRANCE
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