FW2122 TREND BOOK by Centopercento Trend

CENTOPERCENTO TREND I N S P I R A T I O N M O O D B O A R D S F W 2 0 2 1-2 2

S h a p i n g i n s p i r a t i o n s, p r o v i d i n g t r e n d

Who,what and where Un team di creativi, insieme per aiutarti ad immaginare la tua prossima collezione.

A team of creative designers and cool hunters, together to help you designing next collection.

Catturiamo ispirazioni in giro per il mondo, le coltiviamo e le elaboriamo fino a renderle fruibili in forma grafica.

We gather inspirations from around the world, grow and work them out till they reach a definite graphic shape.

La base è a Bergamo, ma la nostra missione ci porta dove voi avete bisogno di trovarci

Our base is in Bergamo, but our mission takes us wherever you need us to be.

Natural & Tactile

M i x & M a t c h

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Pag. 13

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L I N D A N UR K

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A G ATA P O S P I E S Z Y N S KA

Galaxy & Lighting

C o l o r s & m o r e

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Pag. 37

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HARPER’S BAZAAR

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PA B L O A L B A CE T E

INDICE

N a t u r a l & Ta c t i l e

PI NTE R E ST

FW 2 0 2 1-22

The ancient materials are revisited and transformed into locally produced artisan products, therefore rich in tradition, designed to create modular and versatile products. An intimacy created through tactile commitment that embraces pleasure through luxurious materials, colored wool, noble fibers, animal hair, by-product feathers, natural animal fibers that offer a flexible, sensual and tactile material. Through textile techniques, precious natural materials are created, long fringes with a silky appearance, feathers and artificial fur applied everywhere, in maxi, mini, large or thin versions, studied on the effect of movement and silhouette, applied to knits worked with hanging threads, multicolor, abundant, super comfort. Wool that create movement and felts that embrace natural imperfections, creating softness in shape and surface. Responsible or vegan suede with sinuous and realistic shapes with color variations. Printed flowers, floral motifs, petals also in application or embroidered version, in relief or in 3D, on a solid or striped base; pleats, padding and ribbed manufacturing with precious accessories with pearls or chains or stone applications, even on precious smooth velvet. The strong colors will be pleasantly combined with shades of natural colors, with some combinations of gray tones, to then be brightened by decorations of shiny gold-based metal accessories, highlighted by light points with rhinestones, pearls and precious stones and with metal chains even pending. Precious fabrics for a chic and elegant fashion, designed to make you appreciate not only the style, but also the materials, enveloping and warm, for a winter of great rebirth.

PANTONE® and PANTONE Textile Color-System® are trademarks of PANTONE®, Inc., 1984, 2008. The PANTONE® Reference Numbers shown herein represent the PANTONE® Colors most closely related to the colours displayed. Colour reproduction may not match PANTONE® - identified textile solid colour standards, refer to current PANTONE® Textile Color System Publications for accurate colour standards.

I materiali antichi vengono rivisitati e trasformati in prodotti artigianali di produzione locale, quindi ricchi di tradizione, progettati per creare prodotti modulari e versatili. Un’intimità creata attraverso l’impegno tattile che abbraccia il piacere attraverso materiali lussuosi, lane colorate, fibre nobili, pelo animale, piume di sottoprodotto, fibre animali naturali che offrono una materia flessibile, sensuale e tattile. Attraverso tecniche tessili, vengono creati materiali naturali pregiati, lunghe frange di aspetto setoso, piume e pelo artificiale applicate ovunque, in versione maxi, mini, grosse o sottili, studiate sull’effetto del movimento e della silhouette, applicate a maglie lavorate con fili pendenti, multicolor, abbondanti, super comfort. Lane che creano movimento e feltri che abbracciano le imperfezioni naturali, creando morbidezza in forma e superficie. Pelle scamosciata responsabile o vegana dalle forme sinuose e realistiche con variazioni di colore. Fiori stampati, motivi floreali, petali anche in versione applicazioni o ricamati, in rilievo o in 3D, su base tinta unita o righe; pieghettature, imbottiture e lavorazioni a coste tessili con preziosi accessori con perle o catene o applicazioni di pietre, anche su prezioso velluto liscio. I colori forti saranno gradevolmente abbinati a gradazioni di colori naturali, con qualche accostamento di toni di grigi, per essere poi resi luminosi da decori di accessori in metallo base oro lucido, sottolineati da punti luce con strass, perle e pietre preziose e con catene metalliche anche pendenti. Tessuti preziosi per una moda chic ed elegante, studiata per far apprezzare non solo lo stile, ma anche i materiali, avvolgenti e caldi, per un inverno di grande rinascita.

14-6305 TPX

18-1250 TPX 18-1250 TPX 16-6216 TPX

16-0953 TPX 16-0953 TPX

18-4510 TPX

19-0809 TPX

16-1356 TPX 1 6 -1 3 5 6 T P X

17-3628 TPX

17-1312 TPX

HAAS BROTHERS

17-1564 TPX 17-1564 TPX

T a c t i l e ZO UA SSI

NATURAL & TACTILE 2

AL I C I A R OW B OTH AM

17-3628 TPX

B R A N D Y KR A F T B R A N D Y KR A F T

SAL M AN K H OSH R OO

POMANDERE

3 FW 2 0 2 1-22 PANTONE® and PANTONE Textile Color-System® are trademarks of PANTONE®, Inc., 1984, 2008. The PANTONE® Reference Numbers shown herein represent the PANTONE® Colors most closely related to the colours displayed. Colour reproduction may not match PANTONE® - identified textile solid colour standards, refer to current PANTONE® Textile Color System Publications for accurate colour standards.

F i b e r s

R E NS & DE SSO G A LVA N

Y U I M A N A K A Z AT O

B A RB A RA MED O

16-0953 TPX YA R O S T UD I O

B R A N D Y KR A F T

NATURAL & TACTILE 4

L A UR A H A R T

I L A R I A FAT O N E

SAR AH AM A DU AH

R AK U I NOE

M I L A N R A D I S I CS

5 FW 2 0 2 1-22 ANTONIO MARRAS

16-6216 TPX

F l o r a

M A R L A ND B A C KU S

19-0809 TPX

ZOUASSI

16-6216 TPX

NATURAL & TACTILE 6

17-1564 TPX

Y R UR A R I

L I E DE L K OOR T

AL I C I A R OW B OTH AM

7 FW 2 0 2 1-22 M I R A M I KAT I PANTONE® and PANTONE Textile Color-System® are trademarks of PANTONE®, Inc., 1984, 2008. The PANTONE® Reference Numbers shown herein represent the PANTONE® Colors most closely related to the colours displayed. Colour reproduction may not match PANTONE® - identified textile solid colour standards, refer to current PANTONE® Textile Color System Publications for accurate colour standards.

T h r e a d s

Q UE E N W O O D S T UD I O

B E AT R I CE WA A N D E R S PA ULI N A A RC K LI N

18-4510 TPX

SAR AH AM A DU AH ELIN THOMAS

NATURAL & TACTILE 8

Recycling

16-6216 TPX

SI NI W E ST E E VA SU O R L A H T I P H

A N G E L A M AT H I S -M AT E R I A L S DRI VEN SAR AH AM A DU AH

SA DE C O R

FW 2 0 2 1-22

J I N G J I AJI NNGG JI A N G

JI N G JI A N G

18-1250 TPX

FERREIRA DE SA

NATURAL & TACTILE

L I E L D E KO O R T

M E TAL M E GAZI NE

11 FW 2 0 2 1-22 ERDEM PANTONE® and PANTONE Textile Color-System® are trademarks of PANTONE®, Inc., 1984, 2008. The PANTONE® Reference Numbers shown herein represent the PANTONE® Colors most closely related to the colours displayed. Colour reproduction may not match PANTONE® - identified textile solid colour standards, refer to current PANTONE® Textile Color System Publications for accurate colour standards.

H AAS B R OTH E R S

F l o w e r s

ULLA STINA WIKANDER

B R ANDY K R AFT

OT037551 COL.3

U L L A S T IN A W IK AN D ER

R O M O L A R E S TA UR A N T M A D R I D -B Y. . Y E L L O W T R A CE UN D ERC O VER

NATURAL & TACTILE 12

M i x

L I DE W I J E DE L K OOR T

FW 2 0 2 1-22

M a t c h

Taking inspiration from the soil on which we walk, this trend delves between earth and ash, clay and biomaterial, showing a rich diversity of soil through local pigments, earthy surfaces, algae and biodegradable products. Trash will be increasingly important because it provides a precious resource for redoing and repairing.The discarded waste can be reused for anything. Biodegradability has changed design and fashion creating new fibers. Water-free dyes, low toxicity for recyclable fabrics. Various waste materials, chopped and recycled, create new design accessories for useful or decorative objects. This trend will thus have an image of a mix of materials, of overlays, of effects inspired by the earth, to give value and beauty for creative customization. Choosing sustainable fashion is the only possible way to safeguard the environment and it is a concept belonging to the economic sphere that defines a development capable of not compromising the resources destined for future generations; a way of thinking on a global scale. The ancient tradition of flower conservation gives a second life to these beauties of nature, incorporating them in resins, thus making them the center of attention, for natural and retro jewelry and jewels, made of craftsmanship, handmade, fine embroidery. Metals also oxidized, combined with wood, stones, minerals, clay, inlaid and not, with bioengineered products, tiles with algae, for experimental prototypes, eco-friendly but with future concepts for creative processes that will transform waste products into ad hoc products, to arouse positivity in times of uncertainty and perpetual change.

Prendendo ispirazione dal terreno su cui camminiamo, questo trend scava tra terra e cenere, argilla e biomateriale, mostrando una ricca diversità del suolo attraverso i pigmenti locali, superfici terrose, funghi, alghe e prodotti biodegradabili. La spazzatura sarà sempre più importante perchè fornisce una risorsa preziosa per rifare e riparare. I rifiuti eliminati possono essere riutilizzati per qualsiasi cosa. La biodegradabilità ha cambiato il design e la moda dando vita a nuove fibre. Coloranti privi di acqua, a bassa tossicità per i tessuti riciclabili. Materiali vari di scarto, tritati e riciclati, creano nuovi complementi di design, per oggetti utili o decorativi. Questo trend avrà cosi un’immagine di mix di materiali, di sovrapposizioni, di effetti ispirati alla terra, per dare valore e bellezza per una personalizzazione creativa. Scegliere la moda sostenibile è l’unica strada possibile per salvaguardare l’ambiente ed è un concetto appartenente alla sfera economica che definisce uno sviluppo in grado di non compromettere le risorse destinate alle generazioni future; un modo di pensare su scala globale. L’antica tradizione della conservazione dei fiori da una seconda vita a queste bellezze della natura, incorporandoli in resine, rendendoli cosi al centro dell’attenzione, per monili e gioielli naturali e retrò, fatti di artigianalità, hand-made, ricami pregiati. Metalli anche ossidati, abbinati a legno, sassi, minerali, argilla, intarsiati e non, con prodotti bioingegnerizzati, piastrelle con alghe, per prototipi sperimentali, eco-compatibili ma con concetti futuri per processi creativi che trasformeranno i prodotti di scarto in prodotti ad hoc, per suscitare positività in tempi di incertezza e cambiamento perpetuo.

18-1112 TPX

18-1250 TPX 16-0545 TPX 19-0309 TPX

16-0953 TPX 18-0130 TPX

19-1619 TPX

16-1149 TPX

16-1356 TPX 19-4517 TPX

19-2024 TPX

18-0933 TPX

M I L A N R A D I S I CS

17-1564 TPX 18-4034 TPX

a t c h MA X MA C HA I D ZE

MIX & MATCH 14

A M O S F R I CKE

R e s i n s

E D JO N E S

M I C H AE L K ANE

15 FW 2 0 2 1-22 S T UD I O D R I F T KAT E S I E R Z P UT O W S KI

FE R R E I R A DE SA

H a n d m a d e

AT E L I E R N L

FE R R E I R A DE SA FE R R E I R A D E S A

A M O S F R I CKE

16-1149 TPX P I N T EREST

MIX & MATCH 16

DESIGN DEZEEN

PI NTE R E ST

17 FW 2 0 2 1-22 V I N CE N Z O D E CO T I I S

GR ANB Y W OR K SH OP M A R CI N R US A K L UB I E N I E CKA

18-4034 TPX

n u t

SHAHAR LIVNE

18-1112 TPX

M I L A N R A D I S I CS

MIX & MATCH 18

B E A FR E M DE R M AN

MISSONI

16-0545 TPX

M I L AN R ADI SI C S

19 FW 2 0 2 1-22 G A S PA R D G R A UL I CH P H

BIO ID LAB

M I L A N R A D I S I CS

B EA FREMD ERMA N

M I L A N R A D I S I CS

B EA FREMD ERMA N

Eco-friendly

B E A FR E M DE R M AN M I L A N R A D I S I CS

MIX & MATCH 20

L I NDA NU R K

E N I S A KI E V

19-2024 TPX

21 FW 2 0 2 1-22

M M aa tt ee rr ii aa ll ss

W I L D E F L O W E R G E O R G E A R CH E R P H . PANTONE® and PANTONE Textile Color-System® are trademarks of PANTONE®, Inc., 1984, 2008. The PANTONE® Reference Numbers shown herein represent the PANTONE® Colors most closely related to the colours displayed. Colour reproduction may not match PANTONE® - identified textile solid colour standards, refer to current PANTONE® Textile Color System Publications for accurate colour standards.

SHAHAR LIVNE

M A R L A ND B A C KU S

H E L G A F E LT

ZOUASSI

19-0309 TPX Y O UYA N G S O N G

MIX & MATCH 22

16-0545 TPX

S T E FA N O S A N T I L L I

TOOGOOD

FERREIRA DE SA

23 FW 2 0 2 1-22 PANTONE® and PANTONE Textile Color-System® are trademarks of PANTONE®, Inc., 1984, 2008. The PANTONE® Reference Numbers shown herein represent the PANTONE® Colors most closely related to the colours displayed. Colour reproduction may not match PANTONE® - identified textile solid colour standards, refer to current PANTONE® Textile Color System Publications for accurate colour standards.

S T E FA N O S A N T I L L I

I SETA N -N I K E

BIO ID LAB

N a t u r a l

16-1149 TPX

G A S PA R D G R A UL I CH 3 8 CA R L O S CA N FERLAT O

MIX & MATCH 24

Galaxy & Lighting

B AR B AR A M E DO

FW 2 0 2 1-22

In the digital challenge everyone looks for the most suitable solution, while the entire globalized fashion system wonders about its future from both an economic and an ethical point of view. The more time we spend in front of monitors, the more difficult it is to explain what is real and what is digital and above all we are not interested in understanding the differences. While tailoring is discovered by young consumers, innovations in fabrics and techniques will make even the most formal working looks easier and more comfortable. We explore designs, materials and colors that stand out in the videos. Imperfections and digital debris are the basis of prints that tell stories with iridescent details that reflect and create ephemeral and otherworldly surfaces. Eccentric novelties are ready to enter our wardrobes, sporty and futuristic characterized by iridescent, reflective colors, spatial brightness so as not to go unnoticed. A galaxy mood that distinguishes the new decade. After all, fashion is by its nature a laboratory of the future as it presents in advance garments that will be marketed and worn only as from months later. Starting from the early twentieth century, some creatives deliberately designed the clothing of tomorrow, initially creating a break with the past and then learning to live with it and imagine a future. Sometimes dystopian, sometimes optimistic or nostalgic, but always possible.Futuristic and technical materials with strong colors will be the most desired in the sporty lines combined with plastic but also precious materials. But not only that, because antivirus and antibacterial fabrics have already been studied and produced and will protect us in the near future from pandemics.

Nella sfida del digitale ciascuno cerca la soluzione più adatta, mentre l’intero sistema globalizzato della moda si interroga sul proprio futuro dal punto di vista tanto economico quanto etico. Più tempo spendiamo davanti a monitor, più diventa difficile spiegare ciò che è reale e ciò che è digitale e soprattutto non ci interessa capirne le differenze Mentre la sartorialità viene scoperta dai giovani consumatori, le innovazioni nei tessuti e nelle tecniche renderanno più semplici e confortevoli anche i look più formali per il lavoro. Si esplorano design, materiali e colori che si fanno notare nei video. Imperfezioni e digital debris sono alla base di stampe che raccontano storie con dettagli cangianti che riflettono e creano superfici effimere e ultraterrene. Eccentriche novità sono pronte ad entrare nei nostri armadi, sportive e futuristiche caratterizzate da colori cangianti, riflettenti, luminosità spaziali per non passare inosservati. Un galaxy mood che contraddistingue la nuova decade. Del resto, la moda è per sua natura un laboratorio del futuro poiché presenta con anticipo capi che verranno commercializzati e indossati solo mesi dopo. A partire dai primi del Novecento alcuni creativi hanno deliberatamente progettato l’abbigliamento del domani, creando inizialmente una rottura con il passato per poi imparare a conviverci e immaginare un futuro. A volte distopico, altre ottimista o nostalgico, ma sempre possibile. Materiali futuristici e tecnici dai colori forti saranno i più desiderati nelle linee sportive abbinate a materiali plastici ma anche preziosi. Ma non solo, perchè sono già stati studiati e prodotti tessuti antivirus e antibatterici che ci proteggeranno nel prossimo futuro dalle pandemie.

15-4008 TPX

18-1250 TPX 13-0650 TPX 18-3918 TPX

16-0953 TPX 15-0927 TPX

19-4014 TPX

13-1208 TPX

16-1356 TPX 18-1537 TPX

16-4725 TPX

14-3905 TPX

N O O RA YAU

1 19 7- 1- 18 56 60 4T TP PX X

L i g h t i n g S T UD I O T O MA S SA RA C EN O O

GALAXY & LIGHTING 26

S p a t i a l

E R I ’ N P I CKS -W G S N

M A R I JA P UI PA I T E

STU DI O R E NS

27 FW 2 0 2 1-22 T H I S I S CO L O S S A L

E L I SSA B R U NATO

C H R I STOPH E G E R N I G O N S T UD I O

SIMON VORHAMMER PH.

MA RG I ELA

B E N JA M I N S WA N S O N

M AR NI JO E D O UCE T

14-3905 TPX

GALAXY & LIGHTING 28

Y O SHIMA DA-DE SI GNB OOM M E L I KA D E Z

UV Z H U

B AR B AR A M E DO

29 FW 2 0 2 1-22 13-1208 TPX PANTONE® and PANTONE Textile Color-System® are trademarks of PANTONE®, Inc., 1984, 2008. The PANTONE® Reference Numbers shown herein represent the PANTONE® Colors most closely related to the colours displayed. Colour reproduction may not match PANTONE® - identified textile solid colour standards, refer to current PANTONE® Textile Color System Publications for accurate colour standards.

E T H CH O CO L AT Z UR I CH

P e r s i a n r e d 19-1860 TPX

B E NJ AM I N B E NM OYAL

PA CO C O N T RERA S

GALAXY & LIGHTING 30

B I R G I T S E V E R I N S T UD I O

WA R D W I JN A N T

SI X N. FI V E

31 FW 2 0 2 1-22 M A R CO B A R O T T I

TH OM AS SAR AC E NO

R e f l e c t i v e 19-1860 TPX

SI X N . FI VE

M E L I K A DE Z

A CE & TAT E

E L I S S A B R UN AT O SEED S

GALAXY & LIGHTING 32

GE OR GE R E DH AW K

SIX N. FIVE

33 FW 2 0 2 1-22 PANTONE® and PANTONE Textile Color-System® are trademarks of PANTONE®, Inc., 1984, 2008. The PANTONE® Reference Numbers shown herein represent the PANTONE® Colors most closely related to the colours displayed. Colour reproduction may not match PANTONE® - identified textile solid colour standards, refer to current PANTONE® Textile Color System Publications for accurate colour standards.

N O O R A YA U

BARBARA MEDO

Ombre 19-4014 TPX

QUEENS WOOD STUDIO

GALVAN

GALAXY & LIGHTING 34

18-1537 TPX

35 FW 2 0 2 1-22 H AU SE R & W I R TH E L A B I A L KO W S KA O KN O S T UD I O

BRENDI WEDINGER

SH AH AR L I V NE

14-3905 TPX

Iridescent

E f f e c t s

19-4014 TPX

BARBARA MEDO

K I WI B RAVO

M A R L A N D B A CKUS

M I L A N R A D I S I CS

GALAXY & LIGHTING 36

C o l o r s

U V ZH U

FW 2 0 2 1-22

m o r e

Mix of prints, different materials and color-block nuances for hybrid garments for a trend that will be a riot of colors combined with stripes and paintings, letters and numbers. But fashion in the future will be almost the same for everyone, men or women, sporty and elegant, which invites you to bring even two different shoes in color or shape. It is the overcoming of the concept of unisex, an increasingly loved and liberating, gender concept. Everything becomes big, extra-large, big contrasting the mini and the micro, trend of the last seasons. Clothing accessories will be the protagonists, precisely for their size, thickness and color combinations and for the most diverse materials. They range for soft and comfortable materials, for an indoor or outdoor look, without borders between real and virtual, creating futuristic accessories, between technique and innovation for even informal elegance. Color has a dramatic effect: on people, mood, perception and on choices too; this is called “color psychology” and refers to the ability to influence the mood and fashion too, through the use of the color spectrum. The colors will be those of the digital, chosen as much as they appear on the monitors; innovation and technical fabrics will be the center of attention with “responsive” materials that react to movement and regulate the temperature. This change will give our clothes a more imaginative and imaginary perception; just think of the futuristic or gender free style of sportswear, the structured silhouettes that shape the body shapes or conceptual outerwear and sneakers that would not seem out of date on the moon.

Mix di stampe, materiali diversi e nuances color-block per capi ibridi, per un trend che sarà un tripudio di colori abbinati a righe e quadri, lettere e numeri. Ma la moda in futuro, sarà quasi uguale per tutti, uomini o donne, sportiva ed elegante, che invita a portare addirittura due scarpe diverse nel colore o nella forma. È il superamento del concetto di unisex, un concetto sempre più amato e liberatorio, gender. Tutto diventa grande, extra large, big contrastando il mini e il micro, trend delle ultime stagioni. Gli accessori per abbigliamento saranno i protagonisti, proprio per le dimensioni, per gli spessori e per le combinazioni di colori e per i materiali più diversi tra loro. Spaziano per materiali morbidi e confortevoli, per un look dentro e fuori casa, senza confini tra reale e virtuale creando accessori futuristici, tra tecnica e innovazione per una eleganza anche informale. Il colore ha un effetto incredibile: sulle persone, sull’umore, sulla percezione e anche sulle scelte, ciò viene definito “psicologia del colore” e si riferisce alla capacità di influenzare lo stato d’animo attraverso l’utilizzo dello spettro cromatico e influenza anche la moda. I colori saranno quelli del digitale scelti tanto quanto per come appaiono sui monitor; innovazione e tessuti tecnici saranno al centro dell’attenzione con materiali “intelligenti” che reagiscono al movimento e regolano la temperatura. Questo cambiamento conferirà ai nostri abiti una percezione più fantasiosa e immaginaria; basti pensare allo stile futuristico o gender free dell’abbigliamento sportivo, alle silhouette strutturate che modellano le forme del corpo o capispalla concettuali e sneaker che sulla luna non sembrerebbero fuori moda.

18-5424 TPX

18-1250 TPX 14-1036 TPX 19-3925 TPX

16-0953 TPX 14-1064TPX

16-4535 TPX

18-1536 TPX

16-1356 TPX 18-1654 TPX

11-4800 TPX

19-0516 TPX

DAAN VERMAAN

17-1564 TPX 19-1652 TPX

o r e D A A N VEERMA N

COLORS & MORE 38

18-1536 TPX

ADORNO DESIGN

L U C AS M U NOZ

UV Z H U

39 FW 2 0 2 1-22 B E N JA M I N S WA N S O N P H .

M i x o f p r i n t s

18-5424 TPX

YR U R AR I

A MB ER G RI FFI T HS

B E N JA M I N S WA N S O N P H UA U P RO JEC T

COLORS & MORE 40

E L I S A B E T H P I CA R D

YU M E I H UA N G

41 FW 2 0 2 1-22 DAAN VEERMAN PANTONE® and PANTONE Textile Color-System® are trademarks of PANTONE®, Inc., 1984, 2008. The PANTONE® Reference Numbers shown herein represent the PANTONE® Colors most closely related to the colours displayed. Colour reproduction may not match PANTONE® - identified textile solid colour standards, refer to current PANTONE® Textile Color System Publications for accurate colour standards.

FE R R E I R A DE S A I NI NE W H T

PA O L A PA R O N E T T O

UV ZHU

COLORS & MORE 42

JULI BO LA NOS DU R M AN JUL I E T T E B E R T H O N N E A U

M i c r o & Macro

19-0516 TPX

UV Z H U

43 FW 2 0 2 1-22 PANTONE® and PANTONE Textile Color-System® are trademarks of PANTONE®, Inc., 1984, 2008. The PANTONE® Reference Numbers shown herein represent the PANTONE® Colors most closely related to the colours displayed. Colour reproduction may not match PANTONE® - identified textile solid colour standards, refer to current PANTONE® Textile Color System Publications for accurate colour standards.

A L I S S A + N I E N KE

RIVE ROSHAN

UV Z H U

DA A N V E E R M A N

A LI SSA +N I EN K E

COLORS & MORE 44

18-1654 TPX

UN D E R CO V E R

45 FW 2 0 2 1-22 U V ZH U

U V ZH U

Color block PANTONE® and PANTONE Textile Color-System® are trademarks of PANTONE®, Inc., 1984, 2008. The PANTONE® Reference Numbers shown herein represent the PANTONE® Colors most closely related to the colours displayed. Colour reproduction may not match PANTONE® - identified textile solid colour standards, refer to current PANTONE® Textile Color System Publications for accurate colour standards.

BARBARA MEDO

14-1036 TPX UV Z H U

Blue

DAAN VEERMAN

19-3925 TPX

KI R I N B Y P E G G Y G O U

COLORS & MORE 46

L AC OSTE

B E N JA M I N B E N M O YA L

HCABNESEIB EIRELAG GAL E R I E B I E S E N B A CH

DAA N VEERM AN

47 FW 2 0 2 1-22

S h a p e s

19-3925 TPX

LE MANOOSH PANTONE® and PANTONE Textile Color-System® are trademarks of PANTONE®, Inc., 1984, 2008. The PANTONE® Reference Numbers shown herein represent the PANTONE® Colors most closely related to the colours displayed. Colour reproduction may not match PANTONE® - identified textile solid colour standards, refer to current PANTONE® Textile Color System Publications for accurate colour standards.

18-5424 TPX

B E J AM I N SWANSON

SI X N . FI VE

AL I SSA NI E NK E PREEN BY THORNTON BREGAZZI D AVE HA K K EN S

COLORS & MORE 48

Desig n e rs a n d p h o to s r e fe r e n c e s NATURAL & TACTILE

MIX & MATCH

Indice pabloalbacete.com lindanurk.com patriciamcmahon.com harpersbazaar.com

Pag.7 edelkoort.com alicia-rowbotham.com miramikati.com yrurari.com

Pag.1 pinterest.com

Pag.8 Beatrice Waanders thesoftworld.com paulinaarcklin.net queenwoodstudio.com sarah-ama-dua.com elinthomas.com

Pag.2 shop.zouassi.com thehaasbrothers.com Pag.3 alicia-rowbotham.com brandykraft.com pomandere.com salmankhoshroo.com Pag.4 barbaramedo.com eu.galvanlondon.com brandykraft.com studiorens.com yarostudio.com yuimanakazato.com Pag.5 ilariafatone.com Milan Radisics ph. milan.hu sarah-ama-duah.com Raku Inoe behance.net antoniomarras.com hartglass.com Pag.6 marlandbackus.com shop.zouassi.com

Pag.9 Jing Jiang artsthread.com sarah-ama-duah.com sadecor.co.za Sini West aalto.fi studio.angela-mathis.com Pag.10 ferreiradesa.pt Jing Jiang artsthread.com Pag.11 erdem.com thehaasbrothers.com edelkoort.com metalmagazine.eu Pag.12 erdem.com thehaasbrothers.com edelkoort.com metalmagazine.eu

Pag.13 edelkoort.com Pag.14 Milan Radisics ph. milan.hu Max Machaidze dezeen.com Pag.15 katesierzputowski.com studioamosfricke.com Ed Jones-Digital designer ferreiradesa.pt Michael Kane artfulhome.com studiodrift.com Pag.16 studioamosfricke.com ateliernl.com ferreiradesa.pt pinterest.com Pag.17 dezeen.com granbyworkshop.co.uk ottolinger.com marcinrusak.com pinterest.com decotiis.it Lubieniecka thisiscolossal.com Pag.18 Milan Radisics ph. milan.hu shaharlivnedesign.com

Pag.19 beafremderman.com Milan Radisics ph. milan.hu gaspardgraulich.com bio-idlab.com missoni.com ottolinger.com Pag.20 Milan Radisics ph. milan.hu beafremderman.com Pag.21 shaharlivnedesign.com lindanurk.com georgearcherphotography.com Enis Akiev dezeen.com Pag.22 helgafelt.com youjangsong.com Pag.23 t-o-o-g-o-o-d.com ferreiradesa.pt stefanosantilli.co.uk Pag.24 bio-idlab.com Carlo Scanferlato artsthread.com Isetan Shinjuku hypebeast.com gaspardgraulich.com

GALAXY & LIGHTING Pag.25 barbaramedo.com Pag.26 Noora Yau aalto.fi studiotomassaraceno.org Pag.27 elissabrunato.com wgsn.com marijapuipaite.com studiorens.com thisisthecolossal.com Pag.28 Joe Doucet designboom.com christophegernigon.com marni.com maisonmargiela.com simonvorhammer.de Pag.29 barbaramedo.com ethz.ch melikadetz.com Uv Zhu behance.net Yo Shimada designboom.com Pag.30 benjaminbenmoyal.com pacocontreras.net Pag.31

COLORS & MORE sixnfive.com wardwijnant.nl studiotomassaraceno.org marcobarotti.com studiobseverin.com Pag.32 aceandtate.com elissabrunato.com melikadez.com seedslondon.com sixnfive.com Pag.33 barbaramedo.com George redhawk ph. Noora Yau aalto.fi sixnfive.com Pag.34 eu.galvanlondon.com queenwoodstudio.com Pag.35 Ela Bialkowska oknostudiophotography.com hauserwirth.com shaharlivnedesign.com sixnfive.com Pag.36 barbaramedo.com kiwibravo.com marlandbakus.com Milan Radisics ph. milan.hu

Pag.37 Uv Zhu behance.net

instagram.com Uv Zhu behance.net

Pag.38 daanveerman.nl

Pag.44 alissanienke.com daanveerman.nl Uv Zhu behance.net riveroshan.com

Pag.39 adorno.design bejamin-swanson.com lucasmunoz.com Uv Zhu behance.net Pag.40 ambergriffiths.info bejamin-swanson.com uauproject.com yrurari.com Pag.41 daanveerman.nl Yu-Mei Huang instagram.com elisabethpicard.com ferreiradesa.pt Pag.42 paola-paronetto.com Uv Zhu behance.net Pag.43 alissanienke.nl julibd.com

Pag.45 Uv Zhu behance.net barbaramedo.com undercoverism.com Pag.46 daanveerman.nl Kirin by Peggy Gou hbx.com Pag.47 daanveerman.nl galerie-biesenbach.de lemanoosh.com benjaminbenmoyal.com Pag.48 alissanienke.com benjamin-swanson.com sixnfive.com preenbythorntonbregazzi.com davehakkens.nl

INSPIRATION MOODBOARDS FW 2021-22

CENTOPERCENTOTREND

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CENTOPERCENTOTREND

NOTE This book is meant to be a visual description of the future trends and it is distribuited and sold for private consultation only. The contents, such as for example, illustrations, samples, text, etc., are in copyright and cannot be used for any purpose if not expressly authorized by the publisher or by the copyright holder. CENTOPERCENTOTREND refuses whatever liability for the improper employment of the aforesaid artwork. Some origin and identity of the sources behind the reproductions presented could not be verified. Not part may be reproduced. We are not responsible for mistakes, misprints and discrepancies in the texts and in the mentioned names, which might be caused by transposition, typing or printing errors. Creator : Antonella Moro centopercentotrend.com - info@centopercentotrend.com Graphic & fashion designer : Cecilia Baroni ceciliabaroni.it