TRANSLUCENCE SELF INTERIORISATION THROUGH ABSENCE CHARLES CHADWICK
A1759275
CONTENTS
4
PLACE
10
IDEA
18
26
FORM
MEDIUM
Elevations and Signifigance Shadows, Light and Circulation
Metaphor Form Progression Form Concept
Plans Sections Section Details
Medium Medium and Precedents Atmosphere
Light Study: Luminosity
Light Study: Reflection
Light Study: Opacity
Light Study: Filtration
PLACE The Math Lawns, are a large lawn space located directly in front (to the east) of the Barr Smith Library. The space inbetween the ..... and.... is the allocated site of which
ELEVATION SOUTHERN the design needs to occupy. Trees and lamp-posts line the grass area providing shade, light and aesthetics. The lawns absorb heat and cool down the area.
ELEVATION NORTHERN
SITE PLAN
THE LIBRARY
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Due to its heritage listing, the Barr-Smith Library is an important fature to the site and cannot be significantl obstructed by any forms to the east.
ELEVATION WESTERN
SUMMER
SHADOW, LIGHT AND CIRCULATION
WINTER
Shadow....
Ambient light....
Summer
reflected light
Winter
shadow and diffuse
AMBIENT LIGHT PHOTO AMBIENT LIGHT PHOTO
Grass can be seen as an obstruction by passers-by. the edge of the lawn creates a barrier that one must have justification to cross. Due to this, the paths are heavily used in comparison and the only paths across the lawn exist when the resultant vector is significantly more efficient.
AMBIENT LIGHT PHOTO
Luminosity
A Light Study
Luminosity: What is light? Light is a form of radiation that is interpreted by our eyes to perceive space. Luminosity is a measure of the emission of light radiation, the more
luminous quality, the brighter something is. Variables like heat and particles affect the behaviour of luminosity creating varying qualities. These qualities can create an experience of warmth, wonder, space and texture. Often derived from cultural and emotional experiences.
A Philosophical Standpoint... In the past, light has been interpreted in a number of ways, commonly in a religious sense that symbolises divine beings and life.
Plato recognised that light is a way of perceiving the world related light to wisdom and truth. In these comparisons light is seen as a figure to guide us to understanding the world. Light therefore is the medium of which we design for it is not the object that is seen but its light perceived.
Luminosity in architecture. Zaha Hadid experimented with complex curvatures that blended light in a way to create sharpness and fluidity. Spaces in the Heydar Aliyev Centre contrast with one-another to create a juxtaposition of colour and materiality. The white corridors are elegant, the stairs flow into the walls, light doesn’t have the ability to create dark spaces and creates an atmosphere of infinite volume. Concert areas however embrace the darkness the steps create, this builds a sense of depth.
WHO ARE WE?
IDEA
TRANSLUCENCE
LIGHT AS A JOURNEY OF SELF INTERIORISATION Light is the object by which we perceive space and judge one-another. By removing the vague notion of space and transcending the judgment of others, we find peace within ourself.
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How do we identify ourselves when we are just empty shadows walking along a road? The path of translucence is a curved labyrinth that guides us to the prejudices and judgement of our subconscious, what do you see when that faceless figure walks past you? The shell represents ourselves as we go on this journey of self-discovery, we unfold soft translucent layers, one at a time, and we occasionally see others on their own journey, although hidden by a white mist. As they get closer, we see the form of that person. But do we see the person underneath, or the shadow that lies upon their surface?.
FORM PROGRESSION
BUBBLE DIAGRAM What spaces do we need to incorporate and how important are they?
CONVERTED TO FLOOR How much space dowe need for each room?
PLAYING WITH FORM (PLAN) How to create interactive geometries?
CONCEPT SKETCHES TOO BIG! Needs to be much smaller
JUMBLING THE PIECES... Arranging the Previous floor plan to achieve a compressed design
THE PRIMITVE FORM Cleaning up the previous ‘jumble‘ the plan unveils itself...
GEOMETRY CONVERTED 3D Although Being small enough, the structure obstructs sight of the library
UPDATED CONCEPT Due to the previous forms obstruction of Barr-Smith Library, the form needs to be updated to be partially or completely submerged. In my early design concept (to the left), the lecture halls are partially submerged which is something lost in the following form. Using the primitive
floor plan, (bottom left), and applying a slope, the space could be partially submerged, but how to incorporate translucence? Perhaps by creating translucent skylights and allowing people to roam ON THEM, the original concept can be retained.
REFLECTION A Light Study
3D VIEW 1
PLAN LOCATION (ELEVATION)
PLANS & CIRCULATION The plans (to the right) show the oientation and scale of the site. the sub-terranean structure lies both beneath the grass space and the pavers yet the translucent skylights are only located between the
pavements. The form is completely hidden from the eastern view of the Barr Smith Library. The floor plan is reminiscent of my previous attempts and carries their memories through its structure.
PLAN (SECTION)
FORM
Although completely inconspicous from the ground plane, the final form is a jumble of spaces below the pavements between the Math Lawns. By placing the design under the pavers instead of the grass, the site can retain its
3D VIEW 2 passive cooling design and incorporates an interactive platform for people who arent directly using the space. The design features two sloped seminar rooms, a small library with reading space, an exhibition room
and three bathrooms. The rooms are connected by a mega recepion space where all rooms are accessed from. To enter the structure, there is a shallow slope stretching down from the surface to the reception.
18
CIRCULATION
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WESTERN SECTION
NORTHERN SECTION
WESTERN SECTION DETAIL
NORTHERN SECTION DETAIL
EXPLODED ISOMETRIC ELEVATION
SKYLIGHT SECTION DETAIL
RAMP SECTION DETAIL
OPACITY A Light Study What is Opacity? Light is a form of radiation that is interpreted by our eyes to perceive space. Luminosity is a measure of the emission of light radiation, the more luminous quality, the brighter something is. Variables like heat and particles affect the behaviour of luminosity creating varying qualities. These qualities can create an experience of warmth, wonder, space and texture. Often derived from cultural and emotional experiences.
A Philosophical Standpoint...
Filtration in architecture.
In the past, light has been interpreted in a number of ways, commonly in a religious sense that symbolises divine beings and life. Plato recognised that light is a way of perceiving the world related light to wisdom and truth. In these comparisons light is seen as a figure to guide us to understanding the world. Light therefore is the medium of which we design for it is not the object that is seen but its
Zaha Hadid experimented with complex curvatures that blended light in a way to create sharpness and fluidity. Spaces in the Heydar Aliyev Centre contrast with one-another to create a juxtaposition of colour and materiality. The white corridors are elegant, the stairs flow into the walls, light doesn’t have the ability to create dark spaces and creates an atmosphere of infinite volume. Concert areas however embrace
light perceived.
the darkness the steps create, this builds a sense of depth. Zaha Hadid experimented with complex curvatures that blended light in a way to create sharpness and fluidity. Spaces in the Heydar Aliyev Centre contrast with one-another to create a juxtaposition of colour and materiality. The white corridors are elegant, the stairs flow into the walls, light doesn’t have the ability to create dark spaces and creates an atmosphere of infinite volume. Concert areas however embrace the darkness the steps create, this
MEDIUM
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MATERIALITY Filler Text, Not actual text but just some stuff to fill the gaps. Filler Text, Not actual text but just some stuff to fill the gaps. Filler Text, Not actual text but just some stuff to fill the gaps. Filler Text, Not actual text but just some stuff to fill the gaps. Filler Text, Not actual text but just some
INTERNAL SPACE 2
PRECEDENT 1
PRECEDENT 3
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INTERNAL SPACE 1
PRECEDENT 2
INTERNAL SPACE 3
PRECEDENT 4
INTERNAL SPACE 4
INTERNAL SPACE 5
INTERNAL SPACE 5
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A Philosophical Standpoint...
FILTRATION A Light Study
What is Filtration? Light is a form of radiation that is interpreted by our eyes to perceive space. Luminosity is a measure of the emission of light radiation, the more luminous quality, the brighter something is. Variables like heat and particles affect the behaviour of luminosity creating varying qualities. These qualities can create an experience of warmth, wonder, space and texture. Often derived from cultural and emotional experiences.
In the past, light has been interpreted in a number of ways, commonly in a religious sense that symbolises divine beings and life. Plato recognised that light is a way of perceiving the world related light to wisdom and truth. In these comparisons light is seen as a figure to guide us to understanding the world. Light therefore is the medium of which we design for it is not the object that is seen but its light perceived.
Filtration in architecture. Zaha Hadid experimented with complex curvatures that blended light in a way to create sharpness and fluidity. Spaces in the Heydar Aliyev Centre contrast with one-another to create a juxtaposition of
colour and materiality. The white corridors are elegant, the stairs flow into the walls, light doesn’t have the ability to create dark spaces and creates an atmosphere of infinite volume. Concert areas however embrace the darkness the steps create, this builds a sense of depth. Zaha Hadid experimented with complex curvatures that blended light in a way to create sharpness and fluidity. Spaces in the Heydar Aliyev Centre contrast with one-another to create a juxtaposition of colour and materiality. The white corridors are elegant, the stairs flow into the walls, light doesn’t have the ability to create dark spaces and creates an atmosphere of infinite volume. Concert areas however embrace the darkness the steps create, this builds a sense of depth.
A JOURNEY Walk past me. Walk over me. Walk through me. Walk with me.