Portfolio_Chaowei Fang

Page 1

P O RT F O L I O Chaowei Fang Selected Works 2016 - 2019



CONTENTS

01

CANAL RENAISSANCE

01

02

VC GARAGE

13

03

3D PAINTING

23

04

MULTIPLIED SEASONALITY

33

05

REASSEMBLING HOPE

43

06

PRACTICAL & RESUME

55

Personal Research | History Museum Design

Team Work | Co-Working Space Design

Thesis Project | Rural Complex Design

Academic Work | Visitor Center Design

Workshop | A Self-Rescue Manual after Earthquake

Professional Experiences and Others


01


01 CANAL RENAISSANCE A HISTORY MUSEUM & WATER BUS STATION FOR CITY Project: 2017 Study and Design of The Grand Canal Site: Hangzhou, China Instructor: Yutian Wang Category: Individual Work

The Beijing-Hangzhou grand canal is the largest-engineering and longest-mileage ancient canal in the world, is also one of the oldest canal. It is a great project created by China's ancient working people, is one of the symbols of Chinese culture status. It has great significance not only in ancient economic, social and political aspects, but also brought rich cultural heritage to modern people. Besides, a variety of lifestyle patterns were formed along the canal. They have been cultivated unique canalside culture. However, in morden times, with the development of technology and science, people often forget the importance of this cannal and how it brings flourish to our city. In addition, the culture cultivated by the canal is impressive, myriad of cultural heritage should be preserved for fear that be destroyed or forgotten by people. The bridge plays a crucial role in whole canal channel. It not only serves the city as transportation infrastructure but also embraces intimate commercial and cultural life along the bridges. Bridge is studied and understood as a new architectural typology that has its own way of adaptation in various sizes and forms in relation to surrounding buildings. The design takes Hangzhou which is the terminal of the great canal, as a test ground to examine the possibility of integrating bridge with architectural and programmatic approach, and see how it forms an urban landscape that conveys new meaning based on the old. Based on the consideration above, I am trying to interpret the function of bridge by using morden architectural language. Meanwhile, I am also attempting to find a coherence point bridging the cultural heritage and canal life. I am looking forward the impending possibilities when the architecture is given to a new carrier.

02


4.5km

3km

1.5km

0

Site

The Great Canal

1.5km

3km West Lake

4.5km

6km 3km

1.5km

Existing water bus station New water bus station

03

0 30°17'12.48"N 120°09'E

1.5km

3km


1

-2.000 FLOOR 1. Waterbus Station 2. Tea House 3. Lecture Hall 4. Relic Laboratory 5. Book Bar 6. Religion Hall 7. History Theater 8. Exhibition Hall 9. Shop&Workshop 10. Office Area

9 8

7

6 5

4 3

2

+6.500 FLOOR

8

10

8

8

8

+11.000 FLOOR 04


There used to be 4 waterbus routes passing by Wulinmen Dock, which caused this small dock often full of people. The new waterbus station will be a distraction from the population pressure at Wulinmen Dock.

GONGCHEN BRIDGE

05


Wa terb

us N

o.4

Rou te

te

sN

u

b ter Wa

o.2

te

u Ro

u Ro

sN

bu

r ate W

o.5

te

us

b ter Wa

.1 No

u Ro

NEW LANDMARK OF THE GRAND CANAL

ARCHITECTURAL BRIDGE

Used to as the mark of the end of the canal, Gongchen Bridge is a traditional arch bridge structure. It is wide at two sides, and narrow at middle. Inspired by this, I made a series of attempts to find the most suitable form for architectual functions. Narrow at two sides, wide at middle, and the twinbridge form, all of these cater to the demand of building function and contrast with the Gongchen Bridge. Make the project become the new mark of the end of the canal. 06


Tonghui Canal Segment

The Begining of the Canal

Beijing

Tongzhou

North Canal Segment

Tianjing

The City of Kong Fu

South Canal Segmment

Cangzhou

Dezhou Linqing

The City of Water

Liaocheng

The City of Culture

Huitong Canal Segment

Jining Taierzhuang Grand canal in Sui Dynasty

Xuzhou

Middle Canal Segment

Qingjiang Huaian

The City of Transport The City of Trade

Huaiyang Canal Segment

Yangzhou Zhenjiang Changzhou

The City of Manufacturing

Suzhou

Jiangnan Canal Segment

Huzhou

The End of the Canal

Hangzhou

35km 0

35km

CANAL LIFE & CULTURE HERITAGE The grand canal gave birth to a lot of important cities in China. And the buildings on the side of the canal, such as the hall, the port, the pier, the bridge, the lock and the Caoyun government, are all built for use in actual production. These special types of buildings are born from the canal, and they reveal the true face of the canal life. However, many types of buildings are disappearing because of the historical changes in the role of the grand canal. This design not only hopes to preserve the canal's historical relics through the exhibition hall, but also to carry on the lifestyle of the canalside through the specific space functions. 07


1-1 Section

2-2 Section

3-3 Section On all 1-1, 2-2, and 3-3 section, the 'floors' are blurred, different levels of connectivity among different altitude are shown. Architecture and urban infrastructure are mutually penertrated and transformed into intergrated entity. The architecturalized bridge innovatively inherits the infrastructural role of bridges as well as brings new meaning in it.

08


Dock For transport

Granary For storage

Guild Hall For activity

Academy & Library For learning

Shop front & Workshop rear For trade

Tea house For rest

Theater stage For amusement

Temple For religion

URBAN PARK LOCAL THEATER

RESIDENTIAL AREA CITY LANDMARK

Grain Transport

War

Sightseeing Trade

Military Govern

Agriculture

486 B.C. Start digging

09

Pre-canal era

1293 Complete

1294 Boom

Canal era

Public Transport Cargo Transport

1842 1843 Off-stream Decline

Post-canal era

21Century Reborn


WA L K I NG F RO M M O R DEN TO ANC IE NT The project has two lobbies, on the either side of the building. According to the course of history, I set the former as 'Morden', the later as 'Ancient'. This design is for visitors to have the experience from morden to ancient. There are three exhibition halls in the 'Morden' side, as 'Agriculture', 'Trade', and 'Govern', they are functions of the canal in modern times. And 'Transport' and 'Millitary' are functions of the canal in ancient times, so they are in 'Ancient' side. Visitors can have a more comprehensive understanding of the canal through this way. And totally different style of the two lobbies make visitors have a richer space experience. 10


LEISURE PLATFORM

STEEL STRUSSES

STEEL COLUMNS

GLASS CURTAIN WALL

EXHIBITION HALL

LOCAL THEATER TEA HOUSE

RELIGION HALL

OFFICE AREA

SHOP & WORKSHOP

LECTURE HALL

COMMUNITY LIBRARY

URBAN PLAZA WATERBUS STATION

URBAN PARK

STEEL TWIN BRIDGES The whole structure is a giant steel box supported by two steel constructions. As the program on the river is redefined, a sense of transparency is what I want to exaggrate. With no interior columns, the space is flexible and neat, functioning as the city's platform, a place for displaying the history and culture of the Grand Canal. As the same time, this steel box is viewed as a landmark, having a conversation with old bridge-- Gongchen Bridge, which is the former 'end of the grand canal'. The new is not only a derivant of the old, but also a transformation. 11


12


13


02 VC GARAGE A CO-WORKING SPACE FOR START-UPS Project: 2019 Spring UCLA M.Arch II Mobility Studio Project— IDEAS OFFICE Site: Los Angeles, California Critic: Greg Lynn Category: Team Work Team Member: Chaowei Fang, Zhikun Liu

The VC Garages is an architectural response to the spatial and working dynamics of today's venture capital ecology. This is due to the spatial texture; the perimeter circulation of the light mobility ramp; and the central towers of amenities. The VC Garage houses 1000 FTEs (full time employees) in a variety of configurations from one company to 80 companies. The Spatial Texture of the garage is capable of housing up to 80 small companies in as many garage units. Each unit has the ability to partition off its own outdoor yard for assembly, testing or working. These units and yards are organized in clusters that allows them to combine to accommodate later stage companies of larger teams. Because all of these garage and yard clusters are organized around an open vertical courtyard the entire building works for a single company. All of the units and all of the circulation wraps around the perimeter of the complex giving every company and function its own address. The frontage has large rolling shutters and double doors for moving objects of a variety of sizes and allows for high degrees of openness and transparency when walls are rolled away. All circulation moves to the perimeter to encourage communication and awareness among companies and teams. Everyone needs conference rooms, a gym, daycare, a dog park, recreational gardens and kitchens no matter if they are in a startup or late stage company. These services are located in towers and accessed from the perimeter so their adjacency is equal to everyone and encourages circulation around the outer frontage of the garages.

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Our selection of multiple garage sizes hosts teams from 6 up to 20 members which categorized as Small, Medium and Large garages.

STARTUP GARAGE INNOVATION PROCESS

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16


17

SPATIAL TEXTURE

AMENITY TOWERS

The spatial texture of the garage is capable of housing up to 80 small companies in as many garage units.Each unit has the ability to partition off its own outdoor yard for assembly, testing or working.

Everyone needs conference rooms, a gym, daycare, a game room, and kitchens no matter if they are in a startup or late stage company. These services are located in towers and surrounded by gardens.

LIGHT MOB

All of the units and to are accessed form t autopilot machines bikes or scooters go


BILITY RAMP

owers of the complex the perimeter where s and people riding oes for circulation.

Programs

Outdoor Space

Circulation

GENERAL CIRCULATION: Around Courtyard

VC GARAGE CIRCULATION: Around Perimeter

All circulation moves to the perimeter to encourage communication and awareness among companies and teams. And it makes entire vertical courtyard becomes a ideas incubator where people can see what the other startup teams doing.

EXPERIENCE ENVELOPE

ETFE ROOF

The human experience of moving on the ramp is enhanced by changing the position and size of the openings on the facade. And also these openings provide a unique view for the people on the street.

ETFE material was used on the roof of the building for lighting and shelter the interior from rain , as well as to become a kind of urban wonder in the plains of Los Angeles. 18


10 am: Moring Meeting

Technology

Health

Transportation

Retail

Hospitality

Media

Energy

Construction

Finance

CO-WORKING COMMUNITY This co-working space can hosts different types of industries that compete or promote each other. By placing circulation on the perimeter, the entire courtyard becomes an "ideas incubator".

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6 pm: Off Duty

Bikes

Scooters

Robots

ENHANCED EXPERIENCE The human experience of moving on the ramp is enhanced by changing the position and size of the openings on the facade. And also these openings provide a unique view for the people on the street.

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In year 1, the entire building hosts 60 individual startups with their respective attached yards that occupy Singular Units.

STORYBOARD from YEAR 1 to YEAR 3

21

In year 2, accelerated startups are fo the other ones move out. Now each for multiple d


ormed into 9 cluster companies and h cluster has a shared common yard departments.

In year 3, when the entire building serves as a headquarter for one company where all departments are spread across the building.

Companies like Andreessen Horowitz are a new kind of Venture Capitalist who are more active in the companies they finance, more like Hollywood agents than investors. They find synergies between companies and as some fail their teams are absorbed by those that succeed.

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03 3 D PA I N T I N G A RURAL COMPLEX FOR TOWN Project: 2018 Undergraduate Thesis Project— The Artistic Conception of Chinese Landscape Painting Embodied in Architectural Space Site: Hangzhou, China Critic: Xiaoyang Nan Category: Individual Work

The diversity of functions and the complexity of space are the characteristics of modern public buildings.In the context of economic globalization, traditional Chinese culture is gradually leaving the city. The city is like a huge factory, and the building is mass produced in an unreachable speed on the "assembly line". People began to pursue only gorgeous appearance, the interior of the building began to lack, the space became monotonous and boring. As Wang Shu wrote in View From Section: "it seems to me that China's modern and contemporary new buildings have been Mired in an 'internal poverty' that they have no interior.If according to the traditional concept of architecture, the physical and mental connection between the internal and external space is crucial, then, without the internal, there will be no external, the building will only have an empty appearance. Chinese landscape painting is a kind of Chinese painting which mainly describes the natural landscape of mountains and rivers. It combines natural elements such as cloud, water, wood and stone in different ways.It is one of the representatives of Chinese traditional culture. The way of space construction of Chinese landscape painting may be a reference for modern architectural design, and through the inheritance of modern architecture, the revival of traditional culture. This topic hopes to learn from the principles of landscape painting to deal with artistic conception space, and integrate the complex architectural functions into an architectural framework, and form a rich spatial hierarchy with deep relationship within the building.In addition, because of the complex distribution of functions in architecture and people's different cognition of space, people's activity routes in architecture will become more diverse and their spatial experience will be richer, so as to achieve the purpose of "living and traveling" in the artistic conception of landscape painting.

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MEDIUM VIEW

Cabin

Plank Path

DISTANT VIEW

High Mountain

Low Mountain

CLOSE VIEW

Mountains

Mountain Path

3D PAINTING PROCESS The approaches of this project are similar to Chinese paintings: the three-dimensional space distinguishes itself with the two-dimensional transparency, improving the recognition of the architectural space. 25


TRANSLATE 2D DEPTH INTO 3D The elements in a 2D painting can be extracted to abstract masses. Then these masses were combined by analyzing the depth in 2D painting (relative positions of elements) to create a new 3D painting.

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Residential Area

Wetland Park

Residential Area

Jingshan Town Culture & Sports Center

Jingshan Town Government

Public Parking

27


28


29


30


9F 8F 7F

Hotel room

6F 5F

Reading Room 4F

Tea room

Gym

3F

Rehearsal Room Show room

Painting Room 2F Classroom

1F Physical Examination Center

Hotel Lobby

Indoor Basketball Court

Theater

STATIC

DYNAMIC FREE

Locals Circulation Tourists Circulation Staff Circulation

31

STATIC

ORDERED


"MOUNTAIN"

"CAVE"

"VALLEY"

"FOREST"

ARTIFICIAL NATURAL SPACE In this design, in order to increase the sense of hierarchy of spatial experience, I divided the architectural functions from north to south into three zones: "static", "dynamic" and "static". In order to avoid the interference on the streamline, I divided the building from west to east into two types of spatial forms: "ordered" and "free". In addition, by simulating the spatial effect in nature, people can have more immersive experience in space creation.

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33 23


04 MUTIPLIED SEASONALITY A VISITOR CENTER & LOCAL WORKSHOP FOR VILLAGE Project: 2016 Academic Work Site: Wuxi, China Instructor: Wei Zhu Category: Individual Work

Always, the Chinese people have a special yearning for the 'SHI WAI TAO YUAN', which means the wonderland. This longing is derived from 'Peach-Blossom Spring', written by Yuanming Tao. The village in the article is far away from the city, and surrounded by beautiful landscapes, as if this place does not belong to the world. In this project, the site is just like the village in the article, there is a lake near the site and various plants around it. The project is located in 'Chinese peach township' Yangshan Town, Taoyuan Village, where is located in the southern of Yangtze River in Wuxi. The village is small, and villagers live by planting peach trees. But due to its unique enviornment, and beautiful landscapes, the village is ideal for developing tourism. In addition, due to the lack of public places in the village, the villagers' daily life is very monotonous. As disscused above, the project is based on the creation of a unique activity center for villagers and Taoyuan Cultural Exhibition Center. And also, this is a chance for locals to develop tourism and retailing, and improve the living environment of villages, as well as the quality of villagers life. The building is located on the waterfront near the village. It adopts the styling intention of the dock to exemplify the lightness of Jiangnan architecture. In short, the purpose of the design is to create a single building with a unique geographical culture and to solve the problem of lacking spirituality of rural architecture in the most basic forms of space and technology.

34


35


The whole building is made up of several clean rectangular lap joints, the body is simple and clear, and the inner courtyard space is enclosed by the body block, and the overhead space at the bottom is also limited.

Indoor set up notice of the wrong space, all the functional rooms around this space to expand, enrich the experience of the crowd visit. At the same time, the floors are connected by a ramp, and the space on the ramp is provided for the exhibition.

36


S PIR IT UAL S PAC E Because of the long-time work and the monotonous life, villagers spiritual world became scarce. However, the morden leisure places cannot adapt to the life of villagers. Villigers need a more home-like building to conduct activities. Because of that, the entire building uses the local wood materials and low-tech design strategies to solve the spiritual problems of village native architecture. The building is no longer a structure but a spiritual place. The interior space of the building sets up various types of leisure and exchange space And exhibition space, people at leisure at the same time can be a good stop to watch the surrounding landscape. 0

5

10M

First Floor

0

37

5

10M

Second Floor

0

5

10M

Third Floor


External Streamline

Internal Streamline

Building Body Mass

External Environment

Function Block

Outer Skin

F I T TI NG I NTO T H E LO C AL ENV IRO N M E NT The road generated by the building form separates the entire site, and the streamlines are generated according to people's needs. And because the road separates the green land, the whole building looks like integrated with the site. In addition, because the shape of the building is based on the local housing shape, and the building materials are also local timber. So the whole building is a very good indication of local culture, and also a good fusion of local nature. 38


NON-TOURISM SEASON

SEASONAL PEACH TOURISM Tourism Season

Tourism Season 29°C

Average Temp.

4°C

Peach Blossom Sightseeing Peach Harvest Peach Blossom Tea Making Peach Processed Food Making

Daylight Hours

14 Hours SEASONALLY CHANGING USE OF S PACE

10 Hours

Rain Fall

183mm

Jan 39

Feb

Mar

Apr

May

Jun

34mm

Jul

Aug

Sep

Oct

Nov

Dec


TOURISM SEASON

Ordinary Function Function in Tourism Season

Open space for dining and leisure use Local food restruant Peach culture gallery, staggered layer for folk exhibits displaying

Sun-drided peach blossom tea Outdoor viewing platform

Adjustable louvers shading energy saving

Peach products workshop Peach products selling

Book bar, for casual reading Information center

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Roof system

Structural system

Exterior corridor

Outdoor platform Reading space Exhibition space

Leisure

Leisure

Framework Overhead layer

WO O D F R AM ING Because the shape of the building is based on the local housing, and the building materials are also local timber. So the whole building is a very good indication of local culture, and also a good fusion of local nature.

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05 REASSEMBLING HOPE A SELF-RESCUE MANUAL AFTER EARTHQUAKE Project: 2017 Summer Workshop Project — Trash and Handicraft in Extreme Environment Site: Yingxiu Town, Sichuan, China Critic: Yuqun Gan Category: Individual Work

14:28:01, May 12, 2008. This is the time when Wenchuan Earthquake occurred. As of 137 days after the quake, a total of 69,227 people were confirmed dead, 374,643 injured, 17,923 were missing, 4,624 million were affected, and 1,510 million were urgently transferred. Mearsuring at 8.0 MS, the earthquake's epicenter was located in Yingxiu town, which is a small town in the valley. More than 60 percent of local houses were collapsed in a flash. The Yingxiu town has nearly 10,000 people before the disaster. Only 2,300 people survived the earthquake and more than 1,000 were seriously injured. In the first few days after the disaster, it was difficult for the government to carry out comprehensive and effective rescue to the disaster area. Because of that, there was only one medical team of only 41 people in first 50 hours. The serious injured were not fully transfered until 4 days after the earthquake, and all the injured were not fully transfered until 8 days after the earthquake. As disscused above, after a catastrophe, emergency relief for the injured is often the most important. In the harsh environment, injured people may not be able to get timely treatment, or even worse. Therefore, the purpose of this design is to collect available materials in the site fastly by survivors, and establish an emergency rescue station for the injured after the disaster, so as to prevent the injured from getting worse before they get the follow-up aid, and they can get treatment in the first time when medical workers arrive. In general, this project starts with the psychology and needs of the injured people after the earthquake. How do people quickly help themselves is what this project wants to talk about.

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M8.0 Earthquake in Wenchuan County

Hardest hit area Disaster hit area Safe area

DAY

NIGHT

Original bottom line Bottom line after landslide Damaged buildings Large number of the injured

VALLEY TARRAIN

Road

The site is located in Yingxiu Town, the epicenter of the Wenchuan earthquake, where is surrounded by mountains and far away from the city.Because of its special valley terrain, there is little wind in the daytime and windy at night. In addition, the tempreture varies widely from day to night. Furthermore, there are often light rain in the valley. Therefore, this project focuses on the changeable weather and temprature in the valley, so as to provide more comfortable waiting areas for people after the disaster.

Refuge area Emergency rescue station

N 0

100

CHANGE THE RESCUE PATTERN ORIGINAL RESCUE PATTERN AFTER EARTHQUAKE

WHEN OUTSIDE RESCUE ARRIVES A large number of injured people died because they could not get treatment in time

THE INJURED 1000+ people Wait for rescue

Aggravated

SURVIVIORS 1000+ people

Survivors were more depressed during the long-time wait Move to refuge area

Depressed

LOCAL MEDICAL STAFF 41 people

A small number of local medical staff couldn't rescue the injured on a large scale Rescue everywhere

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Exhausted

500M


The earthquake triggered massive landslides,which caused changes in the bottom line and the reduction of safty area. In addition, because of the houses collapsed in the town, the river bank bacame the ideal refuge area for people. The emergency rescue stations could be built in these places and the number of the stations could be changed according to the number of injured in this area.

SELF RESCUE PATTERN AFTER EARTHQUAKE

WHEN OUTSIDE RESCUE ARRIVES

THE INJURED 1000+ people

The injured can stay in a comfortable environment and wait for rescue to avoid infection and aggravation

SURVIVORS 1000+ people

Survivors can rekindle their hopes of life during the search wounded and build the stations

LOCAL MEDICAL STAFF 41 people

Local medical staff only need to act among rescue stations which is quick and efficient

Emergency rescue station

Transfer quickly

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MATERIALS COLLECTION AFTER EARTHQUAKE Start materials collection

steel plate

pipe bricks

paperboard drapery battens

nylon bags

woods clothes

burglar mesh quilt tires

bottles concrete planks

wood plate

Adult Survivors collect heavy materials Young and Old Survivors collect light materials

2 HOURS Complete materials collection

Dig a hole near the river bank to use as a toilet.

4 PEOPLE 10 HOURS Finish the building

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SUBSTIUDE MATERIALS

FIRST CHOICE

ROOF Water proof steel plate

wood plate

paperboard

wood plate

nylon bag

quilt

drapery

clothes

wood

pipe

battens

steel plate

buglar mesh

wood plate

bottles

bricks

concretes

clothes

ropes

shoelaces

drapery

clothes

planks

battens

SHELTER Adjustable shading

CURTAIN Heat regulation

STRUCTURE Frame

WALL Thermal insulation

WALL FILLING Heat regulation & Psychological relief

CONNECTIONS Fixation

FLOOR Rest platform

SUPPORT Terrain adaptation tires

bricks

concretes 48


Steel plates have grooves Many pieces of paperboard

Steel plates fit together through grooves

Use knot to tie paperboard

Paperboard prevent bricks to fall

HOW TO REASSEMBLE IRREGULAR MATERIALS

Use bricks and bottles to fill gap

Stones fill the gap in tires

Use knot to tie planks Bottles

Stones covered by clothes Stones

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Bricks


1 people 200 minites can finish the 1:25 model 4 people 10 hours can finish the building

10 minites for model 0.5 hours for real STEP 1 Insert the woods into the tires

20 minites for model 1 hours for real STEP 4 Tie up the steel plate wall with woods Set up the structure

30 minites for model 1.5 hours for real STEP 2 Tie up the plank as platform Put it on the tires

40 minites for model 2 hours for real STEP 5 Set up the paperboard Tie up them and steel plates with structure

60 minites for model 3 hours for real STEP 3 Set up the burglar wall Insert them into the woods

40 minites for model 2 hours for real STEP 6 Set up the toilet and the fence Hang the curtain in the room

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HOW TO CONNECT DIFFERENT COMPONENTS

The transverse fixed wood can be used as handrail, it's convenient for the injured to use the toilet.

Toilet

Terrace

River

UNIT PLAN 0

First aid area

0.5

2M

Rest area

Paperboard

Burglar mesh

ORANGE =hope

Bricks Colorful bottles with water

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PSYCHOLOGICAL THERAPY

Ropes

Many of the injured people have been cured of their physical wounds, but the trauma of the spirit can't be healed for a long time. Therefore, the project utilizes the color of plastic bottles and combines the light to bring positive psychological suggestion to the injured . Orange suggests the hope, and green suggests the happiness. Therefore, the bottles of these two colors are mainly collected in the site. In order to soften the light, a curtain was attached to the back of the bottles wall.

Curtain

GREEN= happiness


18 HOURS after earthquake " Oh my god, that's terrible... I don't know if I can live... But everyone is trying their best... I have to keep going..."

32 HOURS after earthquake " It's quaking again... Fortunately there is safe... and warm... But the wound began to hurt again... When will the rescue team come..."

48 HOURS after earthquake

" Wow, what a beautiful light ... It makes me feel better... Wish I could get out alive..."

54 HOURS after earthquake " They are coming!"

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The evaporati water absorbs precool the win

ADJUSTABLE PAPERBOARD CLOSED

OPEN

DAY: heat absorption

NIGHT: heat release 53


ion of s heat, nd.

OPEN

The dark drapery absorbs heat, warms upper air, directs air flow upward and out.

DAY VENTILATION

CLOSED

The heat from the water in the bottles during the day, will be released at night.

NIGHT VENTILATION

SHADING

The injured will not be effected because of the tilted steel plates.

The platform was elevated by tires, so it will not be affected by the water on surface.

AWAY FROM RAIN 54


PR AC T IC A L WO RK : C HI NA U N IO N PAY TO WE R A Commercial Project in gmp Location: Shanghai, China Team Leader: Yajin Sun Design Team: Davide Biselli, Lei Cai, Ralf Donner, Xiaodi Fan, Jinrui Liu, Yan Lu, Katharina Schneider, Xiaoliang Yu Work: Developing Drawings, Modelling, Rendering, Diagramming

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PR AC T IC A L WO RK : MOGA N S H A N R E S O RT A Commercial Project in Atelier XUK Location: Quanzhou, Fujian, China Team Leader: Yekai Wang Design Team: Qing zhou, Yifei Xu, Lei Zhu, Xu Zhang, Hao Chen, Chaowei Fang Work: Modelling, Developing Drawings, Diagramming

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O THER PR AC T I C AL WO RK S

ZHONGSHAN STREET A Renovation Project in ATELIER XUK Location: Quanzhou, Fujian, China Team Leader: Yekai Wang Design: Qing zhou, Yifei Xu, Chaowei Fang Work: Modelling, Drawing, Diagram

3-2 BLOCK

A Residential Project Location: Jiaxing, China Team Leader: Binghong Lin Work: Developing Drawings

SHANGHAI INVENTEC TOWER A Commercial Project in gmp Location: Shanghai, China Team Leader: Yajin Sun Design Team: Davide Biselli, Lei Cai, Xiaodi Fan, Jinrui Liu, Yan Lu, Katharina Schneider, Xiaoliang Yu, Chaowei Fang Work: Landscape Design, Modelling, Drawing, Diagramming

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CH A O WE I FA N G

EDUCATION / University of California, Los Angeles, US / Masters, Architecture / 2018.8 - 2019.6 / Zhejiang University City College, Hangzhou, CN / Bechelors, Architecture / 2013.9 - 2018.6

PRACTICE / gmp Architects, Shanghai, CN / Architectural Intern / 2017.3 - 2019.6 / Atelier XUK, Shanghai, CN / Architectural Intern / 2016.6 - 2018.8

SKILLS / Rhino, Grasshopper, SketchUp, Revit, AutoCAD / V-Ray, Lumion, Twinmottion / Photoshop, Illustrator, Indesign, After Effects / 3D Printing, Laser Cutting, CNC Modeling

CONTACTS +1 213-948-8964 cfang0811@gmail.com

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