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Artist Biographies
Paolo Bortolameolli, conductor
These performances mark Paolo Bortolameolli’s first appearance with the Charlotte Symphony.
Currently Associate Conductor of the Los Angeles Philharmonic, Chilean-Italian conductor Paolo Bortolameolli has a bustling concert schedule across the Americas, Asia and Europe. In addition to his post in Los Angeles, he is also Music Director of the Orquesta Sinfónica Nacional Esperanza Azteca (México) and Principal Guest Conductor of Filarmónica de Santiago (Chile).
Having conducted every significant orchestra in his Chilean homeland and been awarded prizes four times by the Arts Critics Association as Symphonic and Opera Conductor of the Year, Paolo has regular conducting relationships across Latin and North America, Europe and Asia, including with the Houston Symphony, Cincinnati Symphony, Detroit Symphony, Hong Kong Sinfonietta, Orchestra della Toscana (Italy), Gulbenkian Orchestra (Portugal), Polish National Radio Symphony Orchestra, Orquesta Sinfónica Simón Bolívar (Venezuela), Orquesta de las Américas, Orquesta Clásica Santa Cecilia (Spain), Orquesta Filarmónica de Buenos Aires (Argentina), Orquesta Sinfónica del SODRE (Uruguay), Orquesta Sinfónica de Minería (México) and Orquesta Filarmónica Joven de Colombia in addition to the Los Angeles Philharmonic.
Paolo’s relationship with the LA Phil will continue through the 2021/22 season, when he will conduct subscription concerts and increase his engagement with the Judith and Thomas L. Beckmen YOLA Center designed by architect Frank Gehry. Paolo has conducted concerts at both the Hollywood Bowl and Walt Disney Concert Hall every season since his arrival in LA, including a landmark new production of Meredith Monk’s inventive opera ATLAS, performed at Walt Disney Concert Hall in Los Angeles in 2019. Also in 2021/22, Paolo will work with other top orchestras in North America: Kansas City Symphony, San Antonio Symphony and Charlotte Symphony, as well as orchestras and opera houses at the highest level across Europe.
Paolo is passionately committed to new music and audiences. He is currently Artistic Director of the Esperanza Azteca National Symphony Orchestra as part of an educational residency run by the Fundación Azteca de Grupo Salinas in Mexico. Paolo has also developed innovative projects such as “Ponle Pausa,” a project that seeks to rethink the concept of music education through the implementation of short videos and concerts targeting social network users. In 2018, he was a guest lecturer for a TED Talk in New York, and in 2020, he released his first book: RUBATO Procesos musicales y una playlist personal.
Paolo holds a Master of Music degree (Yale School of Music, 2013), a Graduate Performance Diploma (Peabody Institute, 2015), a Piano Performance Diploma (Universidad Católica de Chile, 2006) and a Conducting Diploma (Universidad de Chile, 2011).
Christine Lamprea, cello
These performances mark Christine Lamprea’s first appearance with the Charlotte Symphony.
Christine Lamprea, Cellist and 2018 Sphinx Medal of Excellence Winner, is an artist known for her emotionally committed and intense performances. Upon her Carnegie Hall debut as soloist in 2013, she has since returned to Carnegie, as well as performed with orchestras such Costa Rica National Symphony, Detroit Symphony, Houston Symphony, National Symphony of Michoacan, New Jersey Symphony, San Antonio Symphony, Santa Fe Pro Musica, and toured with the Sphinx Virtuosi across the U.S. As a recitalist, Ms. Lamprea has appeared on prestigious series at Illinois’ Krannert Center for the Performing Arts, Florida’s Kravis Center for the Performing Arts, Pepperdine University, the Los Angeles County Museum of Art, and the Washington Performing Arts Society. In demand as a chamber musician, she performs regularly with the Jupiter Symphony Chamber Players, and has performed with such musicians as Shmuel Ashkenasi, Sarah Chang, Itzhak Perlman, Roger Tapping, and Carol Wincenc.
Ms. Lamprea strives to expand her musical boundaries by exploring many genres of music and non-traditional venues for performance and teaching. Her Songs of Colombia Suite includes arrangements of traditional South American tunes for cello and piano or guitar, and have been performed at the Colombian Embassy and Supreme Court of the United States for Justice Sonia Sotomayor. She has worked with members of Baroque ensemble Les Arts Florissants, and studied sonatas with fortepiano with Audrey Axinn. She has premiered several works by composers of today. In recent years, she commissioned cadenzas for the Haydn D Major Concerto by Jessie Montgomery, and premiered Jeffrey Mumford’s cello concerto “of fields unfolding...echoing depths of resonant light” with the San Antonio Symphony.
Ms. Lamprea is on the cello faculty at the Longy School of Music of Bard College, serves as substitute faculty at the Juilliard School, and served as Lecturer of Cello at the Texas Christian University School of Music for the 2018-19 academic year. Ms. Lamprea has given masterclasses for the Vivac-e Festival, Idyllwild Arts Academy, Wintergreen Summer Music Festival, among others. She has worked with Ecuadorian youth in the cities of Quito and Guayaquil, as part of a residency between The Juilliard School and “Sinfonia Por La Vida,” a social inclusion program modeled after Venezuela’s El Sistema program. Christine Lamprea is the recipient of a Paul and Daisy Soros Fellowship for New Americans, which supported her studies at the New England Conservatory, and a Sphinx MPower Artist Grant, which supported her study with acclaimed cellist Matt Haimovitz. She studied with Bonnie Hampton at The Juilliard School and holds a Master’s degree from the New England Conservatory, where she studied with Natasha Brofsky.