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Contents 55th International Art Exhibition Venice Biennale 4 Yuri Ancarani 16 Officina Delle Zattere 22 Diego Fazio 32 Ghisa Art Fusion 38 Ester Roi 44 Oltre La Visione 52 Photo: Venice Biennale
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The Encyclopedic Palace is an exhibition about obsessions and the power of imagination.
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55th International Art Exhibition at the Biennale
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T
he 55th international art exhibition is now underway, running from the 1st June to 24th
November 2013. It takes the form of an exhibition trail which begins in the gardens of the central pavilion and runs to the ‘Arsenale’. The curator of this exhibition is Massimiliano Gioni, who has chosen ‘il Palazzo Enciclopedico’ as its main theme. This name comes from ‘The Encyclopaedic Palace’, an exhibition which was planned by the Italian-American artist Marino Auriti in the 1950s but never completed.
This kind of exhibition needed more
The central idea was to host all of
space, so it was housed in a huge
mankind’s knowledge and most
area of the monumental Arsenal.
important discoveries, hence the
In the years since then, the desire to
name.
put contemporary artists in contact with the artists of the past has grown.
Since 1998, the exhibitions of the
In this period the emphasis on the
Biennale have not only been
relation between the works and the
organized in national pavilions with
viewer has also increased, searching
separate curators and projects.
out the emotions of and a dialogue
In that year, a new international
with the artworks.
exhibition was introduced, overseen
This interest in relations between
by a curator elected to the role.
artists through time and space and
Above: Photograph by Marino Auriti (1950) Right: Photograph by Christopher Williams
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for dialogue between the artist and the viewer, has inspired the exhibitions ‘Fare Mondi’(Daniel Birnbaum 2009) and ‘ILLUMInazioni’ (Bice Curger 2011). Continuing in this way, the 55th International Exhibition of Art has created a great deal of interest. ‘Il Palazzo Enciclopedico’ (Encyclopedic Palace) sets out to reflect on the creativity of the artist. The interest of the curators is in looking for relations between different worlds. The exhibition begins in the Garden’s Central Pavilion with a presentation of ‘Libro Rosso’(Red Book) by Carl Gustav Jung. Inside the huge spaces of the Biennale, the exhibition is arranged to go from natural forms to artificial ones. There are many works and figurative expressions such as films, photographs, videos, labyrinths, encyclopedic boards, performances and installations, including the complicated building of the Encyclopedic Palace itself. There are 88 participant nations in the historical pavilions, and this year there are 10 countries taking part for the first time: Angola, the Bahamas, the Kingdom of Bahrain, the Ivory Coast, Republic of Kosovo, Kuwait, Maldives, Paraguay, Tuvalu and the Vatican City. A significant innovation is the participation of the Vatican City with an exhibition held in ‘Sale D’Armi’, one of the spaces that the Biennale is refurbishing as a permanent pavilion.
Lynette Yiadom Boakye
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‘Vice Versa’
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he Italian Pavilion at the Biennale features a project designed as an ideal journey through Italian
contemporary art called ‘Vice Versa’. This is a journey that tells us tales and shows us landscapes - real and imaginary – exploring Italian art and culture. The exhibition takes place in seven venues, six rooms and one garden, each hosting the work of two artists connected through themes, ideas and understanding. The themes are: view/place, sound/ silence, perspective/surface, familiar/ extraneous, complete/fragment, drama/comedy. The Biennale also conducts educational activities and guided tours for many different groups, including schools. The Biennale ‘session project’ will be taking place for the fourth consecutive year. This is an initiative for institutions working on art research such as the Art
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Roberto Cuoghi ©
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Universities and Academies of Fine
with which to express their own
Arts.
interpretation of reality.
This initiative offers a three-day tour
This exhibition takes place in a large
for students and teachers, with
fireproof marquee where crews
inexpensive accommodation, and
perform every week.
the opportunity to attend seminars.
The performances go on for 48 hours,
During the summer months of the
from Saturday morning until Sunday
exhibition, open seminaries are also
evening each weekend from the
held, called ‘Meeting on Art’.
June 1st to December 1st, 2013.
The Biennale exhibition also has 47
The work will also be illuminated and
additional events; one of which is
shown during the night throughout
‘Back to Back to Biennale - Free
the week until the following Friday.
Expression’
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Contemporary art, from the
The Encyclopedic Palace is an
postwar to today, has shown that
exhibition about obsessions and
there are many different ways to
about the power of imagination.
express oneself. ‘Writers’ represent a
The exhibition has many examples
phenomenal artistic movement that
of works and figurative expressions
has its roots in a strongly urbanized
that show different ways of seeing
society, where the suburbs are
knowledge through representations of
regarded as ghettos and where
abstract concepts and manifestations
urbanization is seen as a big palette
of the supernatural.
Pawel Althamer
Shinichi Sawada
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Yuri Ancarani
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Yuri Ancarani was born in Ravenna
I was interested in artvideo and
in 1972. He is a video artist and
in a new kind of cinema called
Italian film-maker. His works have
cyberpunk. I graduated and then
been shown in lots of national and
I started working as a videomaker.
international exhibitions and museums
Once my technique reached a
and now at the ‘55th international
mature level, in 2000, I started to
art exhibition - The Encyclopedic
produce films.
Palace - The Biennale Of Venice’, also the ‘Fondazione Sandretto Re
Where and how have you exhibited
Rebaudengo’, Torino, ‘Maxxi National
your work?
Art Museum Of XXI Century’ Rome, ‘ R.Solomun Guggenheim Museum’
I’ve exhibited my work in various
New York USA, ‘Biennale di Praga
settings, including art, cinema and
5’ Praga, Polonia, ‘XIV Biennale
music.
Internazionale Di Scultura’ Carrara, ’14 Media Art Biennale Wro’ Wroklav,
Can you explain what is the reason
Polonia, ‘Galleria ZERO’ Milan, ‘T.I.C.A
you decided to display in “Biennale
Tirana Institute Of Contemporary Art’
di Venezia”?
Tirana, Albania. He has also shown his works in many festivals like: ’67, 68
My video work ‘Da Vinci’ is a story
Festival Del Cinema Di Venezia’.
about a surgical approach. The surgeon uses a long distance joystick
When did you start your artistic
to control the robot without touching
career? And how?
the patient directly. The movie is to introduce this robot’s journey inside
I graduated from an Art Accademy, I was drawn to video by chance...
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the human body.
“Da Vinci” is the final episode of a
How does it relate to the title of the
trilogy which was centered on the
exhibition ‘Encyclopedic Palace’?
theme of work, which returns as a
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common element of the relationship
Placed towards the end of the
between humans and machines.
path of the International Pavilion,
The first episode ‘The Cape’ talks
immediately after the light space of
about a major quarry operated with
Otto Piene, ‘Da Vinci’ is the future:
a dredging machine.
the future as possible, the future past
The second episode ‘Platform Moon’
present and future. Immediately
is a story about the protagonists
after he opens the room fills with the
who are living under the sea in a
monitor of Dieter Roth and projections
hyperbaric chamber. This hyperbaric
of Bruce Nauman. That makes me
chamber keeps them alive.
think of a time of reflection and
preparation for the unknown, the
The project impossible - to contain
golden road of Walter De Maria.
human knowledge...in effect, could not be a robot.
What is’ the meaning of the title of his film “Da Vinci”?
You told us you presented a film
Da Vinci is the name given to the
at the Venice Film Festival entitled
manufacturer of the robot. Printed as
‘Platform Moon’. What is it about?
a logo and reported on each side of the machine.
It’s the second episode of the trilogy, in which six divers live for
What do you think of the title of the
weeks between the bottom of the
55th international exhibition of the
sea and the hyperbaric chamber
Biennale, ‘Encyclopedic Palace?’
in a maintenance operation in gas
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extraction platforms in the Mediterranean. As in the other two films, I wanted to tell a little known aspect of reality, and as a blue collar job that is not so common, it was right for me to talk about it. I found it interesting and wanted to shed some light. The protagonists of my films are always ordinary people, but in my opinion they are the heroes in real life today.
How did you find that?
For 3 days I have been living together with different people in their living cells, under pressure and breathing helium, to follow their work. has been a truly strong act.
Do you plan more movies?
Yes, and they are always quite difficult to achieve.
How does it feel, after days of work, to see your work realized and exhibited in important exhibitions at international level?
Having the opportunity to show the work to audiences, more than insiders, gratifies me a lot, except that the finished work sare already projected into the next.
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Officina Delle Zattere
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T
he ‘Officina Delle Zattere’ exhibition venues are in the same ‘cultural quarter’ that also includes the Academy’s
Gallery, the Peggy Guggenheim Collection, ‘Punta della dogana’, ‘Fondazione Vedova’, ‘Magazzini Del Sale’ and the ‘Palazzo’. The building, built in the 1950s, housed young orphans, rescued from the street and taught the professions of the blacksmith, turner and cobbler. At that time it was originally the workshop of the ‘Artigianelli’ (little craftsmen) Institute. Later, it housed classrooms and the educational and craft workshops of the nearby Academy of Fine Arts. Its new use is an example of how historical architecture is able to adjust itself to the contemporary period. Despite being situated within the heart of historical Venice, the locations are both modern and well appointed. ‘Officina Delle Zattere’ includes an area of about 600 square meters, consisting of: - eight exhibition rooms and galleries: - two rest areas, research and Internet point areas; - office spaces - store rooms.
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o host sculpture exhibitions
The concrete floor of the building
or works that don’t need
allows heavy work to be exhibited on
protection from the weather,
the first floor.
there is a partly covered outdoor
‘Officina delle Zattere’ is managed
space of about 100 square meters.
by Arte Eventi, whose art director
Works may be brought to the
is Marco Agostinelli and whose
‘Officina Delle Zattere’ by means of a
commercial director is Germano
nearby waterway.
Donato.
How did ‘Officina delle Zattere’
national pavilion. In 2009 and 2011
decide to participate in the 55th
I contributed to the management
international art exhibition at the
of two ‘fringe’ events, finally
Biennale in Venice?
inaugurating, with my members, the exhibition space ‘Officina delle
G.Donato: I started my experience
Zattere’. It was natural for me to
with Biennale in 2007, taking on the
continue to collaborate and organise
organizational management of a
exhibitions at the Biennale.
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We know that the exhibition
the first includes the ‘Officina Delle
programme evolves in three stages:
Zattere’, the church of ‘Santa Maria
the first one is in your headquarters.
della Visitazione’, the ‘Tiziano’ room
Which spaces are being used by the
and the ‘Santa Agnese’ field; the
‘Officina Delle Zattere’ and which
second is Ca’ Bovicini and the third is
artists are being exhibited?
‘Palazzo Widmann’. ‘Officina Delle Zattere’ is the hub of
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M.Agostinelli: the stages are
the Bangladesh National Pavilion and
in geographical rather than
houses ‘Supernatural’, curated by
chronological order, gathered in
Francesco Elisei and Fabio Anselmi.
three explanatory compounds:
The artists included are: Rahman,
Zamal, Zahidul Mustafa, Karmaker,
of Unreality’ with Biao Zhong and
Rukh Selim, Kumar Karmaker, Al
the ‘Iziano’ room is the centre of
Mamoon, Jahan Nupur, Rain,
Croatia’s pavilion with ‘Between the
Meggiato, Charpit School.
Sky and the Earth’, curated by Branko
On the first floor there is ‘The
Franceschi. The artist is Kata Mijatovic.
Metamorphoses of the Virtual - 100
The ’Santa Agnese’ field is hosting
Years of Art and Freedom’ with Pia
the ‘fringe’ event ‘Back to Back
Myrvold, Orlan, Miguel Chevalier and
to Biennale’ featuring artists’
Anne Senstad.
performances with writers and street
The church of ‘Santa Maria Della
art.
Visitazione’ is hosting ‘The Universe
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Where is the second stage being held
Which part of the exhibition is housed
and which are the main works?
in the third stage?
G.Donato: ‘Ca’ Bonvicini’ is hosting
Donato and Agostinelli: Last but not
the Costa Rica National Pavilion with
least, there is ‘Palazzo Widmann”
‘Democracy and Dream’, curated
with ‘Wunderkammer’ curated by
by Fabio Anselmi and Francesco
Antonio Nardone from Brussels. This
Elisei. The artists are: Priscilla Monge,
is an exhibition which will make a
Esteban Piedra, Otton Solis, and
big impression thanks to excellent
Cinthya Soto. We have called the
direction and international artists,
pavilion ‘Condominio dell’arte’
including Pascal Bernier, Wim
(The Apartment of Art) because on
Moerman, Marcello Carra’, Charley
the other three floors we have six
Case, Eric Croes, Laurence Delvaux,
exhibitions which are not part of the
Olivia & Yves Dethier Droeshaut,
Biennale but are very interesting.
Jacques Dujardin, Manuel Geerinck,
Alexandra Mein Leyre, Vincent Solheid,
countries, with the power to express
Michel Mouffe, Bénédicte Van Caloen,
oneself and confront the rest of the
Patrick Van Roy, Sofi Van Saltbommel,
world, using strong expressions, body
Isabelle Blanc, Stefano Bombardieri,
art and street art…each of these is
Dani Danino and Ivan Piano.
a part of our universe, isn’t it? And obviously it doesn’t finish here.
In what ways, in your opinion, are the Biennale and ‘Officina delle Zattere’ succeeding in interpreting Marino Auriti’s ‘Encyclopaedic Palace’ project?
In our own small way we have condensed different artistic experiences, from the culture of distant
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Diego Fazio
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D
iego Fazio, in art known
Did you study through art school? If so
as DiegoKoi, was born in
where?
Lamezia Terme, Italy, in 1989.
He started drawing the ‘Carpakoi’, a
I’m completely self-educated, my
type of carp that is a symbol of love
school is the Internet. At first I studied
and friendship in Japanese popular
all day: studying the most important
culture.
artists’ works and trying to understand
Moreover, in China, there is another
every little secret about their skill.
meaning. A Chinese legend tells of a brave carp that managed to swim up
When did you realise that you have a
the ‘Dragon Gate’ waterfalls, going
gift?
beyond its limits. The Gods were surprised by its
It all began as a joke. I was drawing
courage and decided to transform
in my free time (inspired by Japanese
it into a dragon, becoming a symbol
art) and one day I decided to do a
of something not afraid to face
portrait of my sister. The result shocked
consequences.
me - in a positive way - and from
The young artist decided to insert the
that day I always try to do my best.
word ‘koi’ at the end of his name to motivate himself to have the strength
With which techniques do you express
to carry on in the same way.
yourself better?
His artistic research is focused on
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hyperrealism. DiegoKoi has been able
My fundamental technique is pencil
to inspire a lot of people, thanks to his
on paper, it is the basis of every work;
clear lines and oriental techniques.
I’ve simply perfected this technique.
Pencil drawing by the artist
Which are your favourite subjects?
How much time do you usually spend
Which could you improve on now?
on your works?
I prefer subjects which are close
That depends of the sizes and
to me because I can transmit their
difficulty of the image. Usually I spend
feelings. If I don’t know the subject
from two weeks to two months.
the work will be dull Has your passion become your job? How many exhibitions have you completed so far? These are my exhibitions until now: 2013 “Woder Works”, “The Cat Street Gallery”, Hong Kong 2013 “Sensations”, “Raffian Art”, Singapore
my full-time job.
Which drawing has satisfied you the most?
2012 “Premio Internazionel Limen”(first classified), “Palazzo Gagliardi”, Vibo Valentia, Italy
Without doubt the drawing that
2012 “Cairo Prize” (finalist), “Palazzo della Permanente”, Milan, Italy
(Sensations) because it is thanks to
2012 “Premio Internazionale Arte Laguna”, “Palazzo Correr”, Venice, Italy 2011 “Nonfermarti”, “Convento Sant. Agostino”(first classified), Cosenza, Italy 2011 “Squilibri interiori”, Feroleto Antico, Italy 2011 “Dal disegno al collage”, “Galleria Quadrature”, Lamezia Terme, Italy.
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Yes my passion about art has become
satisfied me the most is ‘Sensazioni’
this that I’m now known all around the world. In fact, after its publication my supporters increased and it was chosen for a big exhibition in Singapore.
http://www.diegokoi.it
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Ghisa Art Fusion
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G
hisa Art Fusion is a
interested in creating contemporary
contemporary art
art and cultural events.
exhibition in three sessions.
We initially wanted to do a musical
In each of these sessions there will
evening in the industrial Schio’s
be a photographic exhibition, an
archaeological spaces (old factories
influencing event and a music event.
rediscovered, now they are jewels!).
One of the three evenings will also
Eventually it became an exhibition,
feature a food-art activity.
with several events taking place
This exhibition has been organized by
on three Sundays per month from
the ‘Metamorfosi Gallery’.
September to November. These events also include an art exhibition (this year, photography with Andrea
How did the idea for the exhibition
Garzotto, Giulia Pesarin and Penzo
come about?
+ Fiore). In addition, a tasting session is held in a cellar, but this year there
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The idea came from me and my
will also be an art food performance
friend and curator Anna Pezzin and
(held by ‘Panem et Circenses’, a duo
then promoted by my association
which has worked in Berlin for a long
with ‘Metamorfosi Gallery’, which is
time).
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What does the title of the exhibition mean?
‘Ghisa’ (cast iron) is an important material in the first industrial buildings (nineteenth-century bridges were made in cast iron, and today’s factory girders are made in cast iron and they look very fascinating!). ‘Art fusion’ refers to the cast iron fusion: this is what we want to do with the different subjects involved, trying to make them connect with each other - to interact and createe harmonious evenings which represent this fusion between different ways of creating art.
What is the main theme of the exhibition? The theme is ‘the other half of the sky’ (that is, the female universe), so this year ‘Ghisa’ will host women artists or show works which deal with this main theme.
All photos by ‘photo courtesy of’ 42
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Ester Roi
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E
ster Roi was born and raised
changes that water imparts to their
in Vicenza, Italy, near Venice.
shapes and colours are meticulously
Her art is characterized by
recorded. Her invention, the Icarus
brilliant colours, sharp details and
Drawing Board™, received the
an ongoing fascination with natural
‘Making a Mark 2011 Art Innovation of
objects surrounded or immersed in
the Year Award’. Her artwork can be
water. The rocks and flowers in her
seen worldwide on the latest box of
paintings are observed above and
Prismacolor Coloured Pencils
below the surface and the visual
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You were born in Vicenza, weren’t
graphic designer until I started having
you? Did you study art there? How did
children. I then became a frustrated
you begin your art career?
oil painter never having enough time for my art. In fact I did give it up for
Yes, I was born in Vicenza and raised
a while until I picked up a box of
in a small town called Cavazzale.
colored pencils. After finishing my first
I had an incredible art teacher
drawing I was completely hooked.
in junior high school. He was very supportive and inspiring. I produced
What are your favourite techniques?
an enormous amount of art in those
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three years. Professor Agostini was the
When I resolved to take my lifelong
first person in my life who appreciated
passion for art to a professional level,
and encouraged my artistic talent.
I put my oil paints aside in favor of
He even came to my house to
colored pencils. I was somewhat
convince my parents to send me to
familiar with this medium since I had
art school. Unfortunately there wasn’t
used it as a child and as a student in
one in my town. I went instead to a
college. My interest was focused on
scientific high school, which focused
a technique called ‘colored pencil
on math, chemistry and physics. There
painting’ which aims to achieve the
I also studied art history, technical
same level of color saturation and
drawing and chiaroscuro rendering.
density that is characteristic of acrylic
When I was twenty I came to the
or oil.
United States and began taking
While searching for methods that
art classes in college while learning
would facilitate the blending and
English. Eventually I worked as a
burnishing of my wax-based colored
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pencils, I decided to experiment
As my experience and enthusiasm for
with heat. I soon discovered how
the Icarus Drawing Board continued
remarkable the effect of heat was on
to grow, I embraced other wax-
my colored pencils and decided to
based media beside colored pencils.
build a heated board that I named
Oil and wax pastels and artist crayons
‘Icarus Drawing Board’. In spite of
have allowed me to work larger and
the many shortcomings of my first
faster.
prototype, I persisted and became a
The Icarus Drawing Board is a
true believer in this new technique.
portable, electric board that features
two working zones, a warm zone
2012 - Earns her Second Signature
and a cool zone. In general, I use
Status from the Colored Pencil Society
the warm zone for mixing, blending,
of America.
burnishing, and reworking; the cool zone for line drawing, layering,
2011 - Receives The Making a Mark
detailing, and finishing touches. The
Art Innovation of the Year Award for
heat helps soften or melt the waxy
the Icarus Drawing Board.
pigments so they can be easily manipulated and blended in a
2011 - Her artwork, The Three Graces,
painterly fashion. When finished, the
is featured on the latest set of
paper or canvas is mounted on a
Prismacolor Colored Pencils.
cradled board, varnished and shown without glass.
2010 - Earns Signature Status at the 18th Annual Colored Pencil Society
Have you taken part in many
Convention in Santa Clara.
exhibitions? If so, where and when? 2008 - Establishes Icarus Art, Inc. to Here are some highlights of my
market the Icarus Drawing Board.
career: 2007 - Invents the Icarus Drawing 2012 - Exhibitor at the renowned
Board, a portable, electric drawing
Laguna Beach Festival of Arts for two
board for wax-based media.
consecutive months, July and August.
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An art exhibition which is bringing to Rome the most contemporary trends of both national and international visual creativity
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Oltre La Visione
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P
er Piacere is a new exhibition
The central idea is the relation
space in Rome for hosting
between man and nature that in
contemporary art in its
every work is expressed in different
different forms, from painting to
ways, for example from Massimo
photography to the work of artistic
Catalani’s creations where natural
designers. Here you can also find
elements like terrains, cinders and
jewels, ties and vines.
marble dust are used.
With this first exhibition ‘Oltre la
There are not only emergent artists
Visione’(Beyond Vision), ‘Per piacere
but also known artists of artistic
dell’arte’ is bringing to Rome the most
contemporary landscape (such as
contemporary trends of both national
Catalani, Stefania Fabrizi and Hannu
and international visual creativity. This
Palosuo - in this case he’s showing
is represented by both Italian and
two hand painted ceramics) that
Argentinian artists.
have a long career in art circles.
The exhibition is composed of 22
Particularly interesting is the work of
works, from canvases and other
the Argentinian artist Yvonne Delor,
forms of artistic expression. ‘Oltre La
who recycles objects, giving them
Visione’ predicts a path inside two
a second life and Angelo Marinelli’s
sensory rooms made for visitors to the
photographs (whose photos are also
exhibition. They will be immersed in an
shown at Biennale of Venice) that
artistic presentation that will occupy
represent his journeys in the island of
all of their senses.
Bali.
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G
iuliano Pastori’s works
chromatic technique is reminiscent of
are paintings made
photography. The exhibition runs until
with varnish and pen
September 13th.
on canvas. The artist prepares the
The artists are: Jazz Buk, Massimo
canvas with white acrylic, drawn
Catalani, Fe Cipriani, Yvonne Delor,
with pen like a sketch, creating
Stefania Fabrizi, Isabel Hooft, Angelo
atmospheres and spaces in a
Marinelli, Hannu Palosuo, Giuliano
notebook. The black and white
Pastori and Andrea Sampaolo.
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Acknowledgements Contributing: Artists: Yuri Ancrani Ester Rop Fazio Diego Art Centres & Associations: Art Exhibition At The Biennale, In Venice
Per Piacere Officina Delle Zattere
Art Exhibition
Ghisa Art Fusion Oltre la Visione
Producing Editors:
Anita Zampieri (18) Ilaria Zampieri (18)
Series Editor:
Kevin Ryan
Design Assistance: Jagdeep Ryatt Natalie Chabaud Hui-Tzu Chen Project Assistance: James Chantry Terry Allen Rebecca Abrahams
First published in September 2013 Copyright: Charnwood Arts and Individual Authors All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, scanning, recording or otherwise, without prior written permission of Charnwood Arts.
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Charnwood Artslink International Charnwood Artslink International was born in the early 1990s
through links with the Indian state of Gujarat and European twinning links between Charnwood in the UK and towns in Belgium, France, Germany and Poland. Since then we have worked with or promoted the works of artists from over 100 countries. We began this work even earlier, as since 1977, Charnwood Arts, an arts and educational charity based in the UK East Mildands, has worked with artists and organisations around the world to create scores of exhibitions, events, workshops, festivals, publications and projects. This current magazine project, initiated in the summer of 2013 is designed to involve people between 16 and 35 years of age in producing magazines about arts and culture in, or from, their home countries. Most people involved in this project have no direct experience of producing a publication before undertaking the project and with support they are thrown into the deep end of undertaking ALL aspects of originating and producing the magazine for on-line distribution. All of the young people and young adults involved in this project to date have been involved in face to face work with Charnwood Arts. www.charnwoodarts.com
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Charnwood Arts acknowledges core support from Arts Council England and Charnwood Borough Council.