Artslink THAILAND

Page 1

August 2017

Charnwood

RTSLIN Thailand

K 1


Above Photo: Family Dots, Maitree Siriboon


Contents

Maitree Siriboon 4 Wijit Apichatkriengkrai 20 Muangthai Jirawongnirandon 32 Nunthicha Direkwattananukul 48 Voraprada Voratananchai 58

Front Cover: Untrue Blue, Muangthai Jirawongnirandon

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‘

Bringing different things to the same place, can create a new thing in some way.

‘

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Maitree Siriboon

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Writer: Panutcha Taweekaew Photos: Courtesy of the artist

Artist: Maitree Siriboon Save Thai Buffalo Maitree Siriboon was born in 1983

Later, Maitree turned his attention

in Ubon Ratchatani, a province in

to work on the topic of buffaloes, an

the northeast of Thailand, which is

iconic working animal in Thailand.

a region of the country many call “Isan”.

As time passes and technology

His works were influenced by his

evolves, buffaloes have become

Isan childhood, a rural life, village

more of a decoration for the land

environment, traditional agriculture

and a reminder of the past.

and buffaloes. He used art to draw people’s

attention

to

Thai-Isan

identity and culture.

He established performance art by painting an actual buffalo with the colours of the rainbow, entitling

In 2009, Maitree had a photographic

the photos “Mondrian Buffalo”,

exhibition, the “Isan Boy Soi 4” series.

“Rainbow Buffalo” and later on with

In this series, he showcased how

the “Series of Save Thai Buffalo”,

some of the local Isan people were

which includes “The Kiss”, “Pink

adapting to life in Bangkok.

Miro”, and “Family Dots” in 2015.

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His work has been shown around

Exhibitions include:

Southeast Asia as well as in Brazil,

- The Guangzhou Triennial, 2011

the United States, Japan, France,

- Young Artist Project South Korea

China, Italy, the UK, and the

(YAP), 2011

Netherlands.

- The 3rd Biennial of World Images in Paris (Photoquai), 2011 - Art Stage Singapore, 2012 and 2013 (Project Stage) 7


Interview with the

Artist

• How did you start your career as an

• Do you have other hobbies as

artist and when did you begin?

activities?

I have studied art since I was in primary

I usually take photos of people in the

school. At that time, I just loved to study

villages around my home area. I also

art but was not a professional at all.

teach art to children on Saturday-

My teachers sent me to participate in

Sunday and for adults as a form of art

various art contests. In some contests,

therapy.

I got awards, but sometimes I didn’t get anything.

• What is the story behind the “Save Thai Buffalo” series?

After that, I moved to live in Bangkok to study at Silpakorn University as I

It started in 2012. I was interested in

wished to be an artist in the future. The

the identity of Thailand. Many Thai

turning point was after I graduated

people pay more attention to Thai

from the university in 2006. I did a solo

symbols that represent Thai culture in

exhibition for the first time, which made

terms of meaning, colour or arts.

me feel like I was an artist already.

Thailand has many diverse cultures that

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are a mix from every part of the country.

There are a lot of technological advances

We have never been colonised. So, I think

nowadays to help farmers to do agriculture.

the identity of Thailand can be expressed

Where are the buffaloes? What are they

through the arts and artists in this country.

doing right now? At that moment, I took one photo where I sat on a buffalo’s back.

I would like to create artwork that reflects

I called the photo ‘Albino Buffalo and

myself in every step of my life.

Green’. This photo was selected to show in an exhibition in Italy.

The story of Save Thai Buffalo began when I went to paint the buffalo in a

After that, I got the idea to create a certain

village. I started asking myself about the

kind of artwork, which eventually became

time period.

the Save Thai Buffalo series in 2015.

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• What is your inspiration and purpose

I hope that by painting colours on

for the series?

their bodies will make people look at them in a new and different way.

Thai

people

have

a

negative

perspective on buffaloes. The new

• Did you have to train or practice

generation does not realise that

before you worked with buffaloes?

buffaloes are animals that have to be trained to work in agriculture. Nor

Actually, it is not that serious. I just

do they know that, in the past, the

have to make them feel comfortable

buffaloes were indispensable working

to stay with me by talking with the

animals that helped Thai people to

owners and stay with them for a while.

do rice-farming. In the present day, buffaloes are known as animals that are used for

“The beginning of photography is to record memories.”

entertainment and tourism. I think in the art field, buffaloes are not that popular in Thailand. Not many people

• What are the factors that made you

or artists create art related to Thai

interested in this kind of art?

buffaloes. I would like to change their identity by creating artwork so

In terms of photography, I am not a

that people rethink the issue and ask

professional photographer. I am not

questions about buffaloes because

that proficient but I just think that

they are iconic symbols of our past. I

I am good at this kind of technique

want to increase buffaloes’ value by

as a storyteller. In the past, I created

painting on their bodies in order to

artwork that was mosaic art. The

change their negative identity as dirty

beginning of photography is to record

animals with black bodies.

memories.

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It is a very easy method. Actually, I do

about this. I just thought about my

not want to keep it as a documentary

limited budget and how I could

but I am interested in recording

create meaningful work. So, I think

memories in the way I would like to

Isan

remember. I want to record stories

Thailand), my region, is unique in our

and I don’t think I can represent

country. We have a rich culture. Art in

it well in another way better than

Isan has not been presented enough

photography. So, I took this route to

in our society.

(North-eastern

province

of

take pictures in order to make my work more accessible.

Another thing is that I am interested in

the

contrast

between

local,

• Why did you present Isan and Thai

international and modern art. I love

buffaloes as your core idea?

to work with local people in local places. In the end, it is because Isan

At the time, I did not think anything

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is my home.


• What are the factors to choose an

the second year in the rainy season.

area for work? • How have you developed your For Save Thai Buffalo, I thought

artwork?

about and imagined the landscapes I wanted and sketched it on paper.

I will imagine the image first and ask

Then I thought about where I have

myself a lot of questions. Sometimes, I

seen these landscapes before.

have no idea. It might take time to think about it. I would like to deliver photos

• How long has this series taken from

that are similar to realism, but also look

the beginning until it found success?

like a dream. One barrier is the weather because it is not stable. Furthermore,

It took around two years for the Save

working with buffaloes is quite difficult.

Thai Buffalo series. In the first year, I

Once in a while, I will not get any pictures

took photos in summer, but I got only

because it feels uncomfortable when I

five good photos. So, I did it again in

paint on their bodies.

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• What is the background and aims of

• How does your work relate to current

your project, Isan Dream Homestay?

culture or society?

It is about the contrast between

Most importantly, it is about identity

art in the past and the modern

and faith. The visual identity that we see

movement.

new

issue

for

is that buffaloes are one of the things we

that

they

are

need because they are useful animals.

contemporary

They helped our country to become

art since it is very different from art in

the Thailand like it is at this moment.

their area. Bringing different things to

They help farmers to plant rice.

local

The

people

unaccustomed

is to

the same place can create a new thing in some way. For Isan Dream

So, I would like to change the image

Homestay, it is a studio, a homestay

and change the way people look at

and artist residency in my hometown,

buffaloes. It might not affect everybody,

which can bring modern art into real

but at least some people may read my

life and bring art closer to us than

articles and rethink the matter. I want

before.

to give an opportunity to the buffaloes.

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I want to make people open their

• How do you navigate the art world?

mind and look at buffaloes in a positive way by creating a new

I think art should be diverse and unique.

image for buffaloes. It might be

If you focus on Southeast Asia, Thailand

hard to change people in the older

is one of the countries with its own

generations,

sure

particular identity. Thailand is separated

the new generation can change

into four big parts that are Northern,

because the internet world will

Southern, Eastern, Central. Each region

connect everything together.

has a distinctive style. As I am an Isan

but

I’m

quite

person who is a combination between • Who are your biggest influences?

Thai-Laos, I think it creates our own unique identity. From my perspective, I

It is very hard to say. There are many

don’t think we should call ourselves Thai

people who have inspired me. I see a

artists. I feel like I want to create work

lot of artwork. For example, the work

that represents who I really am. I want

of Michael Shaowanasai is inspiring,

to present contemporary Isan style to

but I like the work of many people.

contribute to the Thai art industry. 17


“The

arts

will give good things back to you when you grow up for sure.” • What do you think about Thai art? There are many artists in our country. The study of art does not involve teaching artists to work for everyone. They

teach artists to create work

for themselves. Sometimes, people do not understand all the artwork. It depends on each person to decide how

much

they

can

get

from

their education in art class. In Thai education, art is like the last subject to study. I think the future of Thai art is not clear at all. It is not moving forwards or

backwards. It is a

bit

stuck. • What do you want to say to the new

For example, when we go to see

generation that is interested in art?

artwork, we feel like we can escape from the real world for just a few minutes.

Art can be addictive. Art can be a

If you know that you have the ability to

healing force for people.

create art, you should practice.

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There are many kinds of art such as singing, drawing, and painting. It will make you have better concentration. You may not become an artist,

but

the practice is a good thing to do since you are young and have energy.

To learn more about his work please visit Facebook pages: Isan Boy Dream, Save Thai Buffalo, Thai Mosaic Art and Isan Homestay 19


Wijit Apichatkriengkrai


‘

‘

The nature of the artwork will reflect the natural world.

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Writer: Panutcha Taweekaew Photos: Courtesy of the artist

Artist: Wijit Apichatkriengkrai The Art Project of Ecological Aesthetic in Thai Rice Culture

Wijit Apichatkriengkrai was born on 17 January, 1964 in Sukhothai. He graduated with a BFA in Printmaking and a MFA in Painting. He earned a Ph.D in Visual Arts from the Faculty of Painting Sculpture and Graphic Arts, Silpakorn University. He has created many artworks for twenty years, from painting, visual art, sculpture, multimedia to

The project was developed to

a currently site-specific public art

be

project that enables people to

as a project as this magazine is

have more opportunities to learn

produced. Beginning with problems

and know about modern art.

in the present day, the rice culture

The

Art

Project

“Ecological

Aesthetics in Thai Rice Culture” was a part of the artist’s Ph.D thesis.

a real event and continues

in Thailand has

been changed

because of social,educational and technological concerns.


The artist learned from real case

He wants to bring Thai rice culture

studies and practised every step

back

of planting rice, from ploughing to

present society through his art and

threshing. He aims to teach and

theory design and to encourage

keep the general public aware,so

people to re-think their beliefs

that they recognise the significance

related to farmers and rice.

to

the

consciousness

of

of the country’s rice culture.

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Interview with the Artist • What is your background? I have studied art since I was young because I felt like art really suited me. At first, I studied architecture but then thought that it might not work for me. So, I decided to study art really from primary school all the way to my Ph.D

The rice culture in Thailand has been changed. Rice fields are not the same as I knew them. The truth is that rice farmers have lost their traditions. Thai farmers grow rice commercially. As a result, it has changed farmers’ lives and the rice culture has faded from the community. So, I would like to create art combined with agriculture to

• What is the inspiration and story of

address this issue.

the Art Project? It starts with work called “Art

• What do you aim to say through

for Public.” It is not public art. In

your work?

Thailand, we have issues about how to deliver art to the community with new creative activities, not just using sculptures or drawing. An activity will bring people to go out from their homes and do an activity together. In terms of art or culture, I continued with an existing idea when I studied my Ph.D I wanted to deliver Art for Public to the community.

I want people to realise that rice is important to Thailand and our history. Moreover, I want to take this opportunity to lead people who join the activities to rethink about the rice that we should have in daily life. I want to help farmers feel happy about their work and not just for the money.

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“I hope that the design and

• Why did you come up with the

processes of the Art Project of

idea of Thai rice?

Ecological Aesthetics in Thai Rice Culture will continue into the future. Lastly, I want to create a new opportunity for rice farms and all farmers.”

The main point of the problem is that the Thai rice culture has disappeared in terms of happiness, peacefulness and many kinds of art and culture. It is the most regretful thing

• What made you create this project?

because

the

chemicals

that are used in rice planting and harvesting

nowadays

damage

farmers’ health. So, I came up with

Normally, I create visual art and

this idea to change and develop

sculpture, but I don’t think it reaches

the industry.

the entire community. The work I do is quite similar because people may think that it is not stable if I change

• How important are rice and rice

my style. The most important thing is

fields, in your opinion?

to create something that can reach people. Working with many people such as young people, adults and all other age groups, I create works that refer to the problems in society.

In the past, the rice fields that I saw were better. They were beautiful and plentiful. There were many trees, fruit and animals.

The content is not dependent on an

For now, it is more like a business

artist, but it points out an issue that I

than a way of life.

am interested in.

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• What are the factors that you consider

when

choosing

the

locations for work? It can be called On-site or Sitespecific. This is a cultural landscape that means we are working with nature,

the

environment,

light,

sound and animals that surround us. You can call it collaboration with nature. It is more than working in an art studio. The nature of the artwork will reflect the natural world.

• How long has it taken from the beginning until it was successful? I have researched this project for two years. It took one year for writing the report because this was part of my Ph.D thesis.

• How does your work relate to current culture or society? I think it is highly related to the present

day.

There

are

many

cultures that have been changed. “Real art for the public” means I see it like an aesthetic art, not visual art. My art is about balance, beauty 30

and usefulness.


I

call

it

‘New

Appropriation.’

For example, one of my projects, the “Long-Keak” tradition, is an activity whereby a group of farmers come together, to help each other during the annual harvest.

• How do you navigate the art world? I hope that “Art for Public” will develop

my

community

and

society. Moreover, I hope it can teach

people about art in some

way, even if they are staying at • What is your biggest motivation? I used a lot of theory from many people for this project. Most of all, I was inspired by natural works such as Relational Aesthetics by Rirkrit Tiravanija and others.

home.

To learn more about his work please visit: Facebook page: @toowijit 31


‘

‘

Something that I can see, even if it is not there.

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Muangthai Jirawongnirandon 33


Writer: Panutcha Taweekaew Photos: Courtesy of the artist

Artist: Muangthai Jirawongnirandon Muangthai Jirawongnirandon,

He is a person who produce the

a young Thai photographer, was born in 1993 in Bangkok. He graduated from

Thammasat

University

in

Journalism & Mass Communication, majoring in Film. Currently, he is working as a Project Coordinator. He used to take black and white photos; more recently he has been experimenting with colour photography.

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work from what interested him, transmitting a sense of curiosity, isolation and anxiety as shown in his photographic exhibition, the “Untrue Blue� series.


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“Nocturne”


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“Untrue Blue”


Interview with the Artist • When did you start photography? I started photography in my first year

Why

are

you

interested

in

photography?

of university in 2013. At that moment,

I am interested in the “language of

I went to travel to Singapore. I just

photography”. I like one Japanese

bought myself a camera for the

photographer, Takuma Nakahira.

first time. At first, I liked the portrait

He did a magazine, ‘Provoke’ and

style because I just thought I liked to

a book called ‘For a Language To

take pictures of people. Now, I do

Come’ which contains essays about

another style.

photography. He talked about the language of photography and that photos bring a new language to

• What are you doing in your free

the world at that time.

time? I like to while away the time by doing nothing, sitting and sleeping.

What

is

your

inspiration

in

photography? The main thing is the aesthetics.

• Can you describe your work style?

Every time I take a photo, it is like an

It is about the mood that covers an

escape. My inspiration is that I try

image that I cannot see. All of my

to take photos that communicate

photos present a mood, as in one

with me.

of my series “Untrue Blue”, which depicts a middle-class man. It is a mood of sadness that comes from my personality. Some of the things

• What types of cameras do you use?

that have happened to me, I feel

Mostly, I use film cameras. As of late,

bad about. So, it made me ask

I have been using my phone.

myself what is real sadness? 38


“Peacock” 39


“Nocturne”

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“Nocturne”


“Bulbs spark across the road and a wind blows gently. Elsewhere, apart from what I could really see, I found myself clinging to another place. Where dusky spaces could be darker and pale areas could be brighter, makes me acknowledge the dark point out of white, the white out of dark. And that’s how they compliment each other in some way. Like a romantic night scene that I can sense in the day. Then these image were made. All my past and present experiences will benefit me in the future, even though the future is unknown.” Muangthai’s explanation of the “Nocturne” series.

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“Nocturne” 42


“Nocturne”

• What do you most enjoy about

• Can you explain more about your

doing your work?

previous exhibitions?

Recently,

I

a

My first solo photography exhibition

buy

was established when I graduated. I

something. I found a food warmer

went to a bar that has a gallery in the

and I looked at the top tray and

upper floor. I was drunk at the time. I

there was some blotting paper.

talked to the bar’s owner and showed

It was a space that looked like a

him my photos. Four months later, the

snowy land. I was impressed with

owner greeted me and asked me to

something that I can see, even if it

exhibit my work. I agreed. Secondly, my

is not there. It was an image in my

friend’s boss looked for photos to put

imagination and it came out of the

on the walls at their business. She was

real world.

very kind to exhibit my photos there.

convenience

went

to

store,

7-11, to

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“Untrue Blue”


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“Peacock”


• What do you like most about photography?

• What is your plan for the future? Nothing special. I just want to earn

I like the moment that I capture in

money every month. I do not want

the photos I take and sometimes

anything so that I can have a good

what I see in the subject is quite

standard of living.

unexpected, for example when I saw the snowy land in the food warmer.

How

about

your

life

as

a

photographer? • Do you think photos affect you?

I do not go anywhere just for taking photos anymore. I will go to some

The photos reflect me. I am excited

place that I have to go and if I see

when I look at them.

something interesting, I will take a photo of it. In reality, I would like to be a photographer and immerse

• Do you retouch the photos?

myself in my work, but I will not rush

I do not retouch. I bring my own

into it.

scanner and use the real colour in the photos.

Contact: mmuangthai@gmail.com

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“Untrue Blue”

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“Untrue Blue”


Nunthicha Direkwattananukul 48


In Flower Lesson

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Writer: Panutcha Taweekaew Photos: Courtesy of the artist

Artist: Nunthicha Direkwattananukul

The wonderful illustration artwork in

the In Flower Lesson inspried

by

Nunthicha Direkwattananukul,

otherwise known as May. She was born on 13 November 1993. combines art and crafts

She

together,

her main focus being flowers and nature.

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• What are you doing? I do illustration design for many things. I love packaging design in Asia zones such as Japan and

Interview with the Artist • What is your inspiration for

In

Flower Lesson?

Korea. In my free time, I think

I wanted to create a lot of artwork

about new projects and draw in

to deliver to many people to know

Photoshop. I feel like I am good

me and my work. My inspiration

at drawing flowers and everything

is all around me. I learn so many

that is based on flowers. So, that is

things from the internet. Sometimes,

my starting point. I also do product

I just imagine something and that

design.

becomes my idea.

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• How did you start your career as

• Why does your work concern

an artist and when did you begin?

flowers?

I started after I graduated from

It is because I think I’m good at this.

university. Actually, I call myself

I can adjust and manage it well.

a designer because I still work for commercial purposes.

• What are the factors that made you interested in this kind of art? When I was in the third year of university, I worked on a project about clothing patterns. I used to do hand drawing, but when I drew using a computer programme, I felt that this was my style.

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• What is your idea to create a

• How does your work relate to

concept for work?

current culture or society?

It comes from my own passion. I do

In my opinion, I think a lot of Thai

everything I want and I always find

people are interested in art. The art

new techniques to use.

world is more open. It has made me feel that my work can reach some

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special groups in society.


• How have you developed your artwork? Personally, I practice every day,

• Who is your biggest influence? Nobody in particular. I do whatever I want.

drawing as well. I always find a new opportunity to create a new thing such as drawing a typical picture to transfer to a motion animation.

To learn more about her work please visit: Facebook: In Flower Lesson Instagram: In Flower Lesson

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‘

Focusing on the real abilities more than looking at things that they cannot do.

‘


Voraprada Voratananchai 59


Writer: Panutcha Taweekaew Photos: Courtesy of the artist

Artist: Voraprada Voratananchai

‘Is an Artist’ - an art therapy project

After that, she develops their work

by Voraprada Voratananchai. She

into products with their permission

uses the creation of art to heal herself

(kids design which producr would

and others. She works with adults and

be made). The artist does this in

children in different places, doing

order to perform an exhibition for

various activities, such as drawing,

kids to show how creative they are.

painting and etc.


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Interview

• What is your inspiration?

with the

It starts with art. I feel like art is a

Artist

communication form that is neutral, non-violent and not too loud.

Another important inspiration is my • When did you start the “Is an

family, they really support me.

Artist”? The project began after I studied art and found that art was a great

• What does your work aim to say?

remedy for mental health. So, I

From the beginning, I would like to be

went to teach it to underprivileged

a voice for underprivileged people.

children in many areas. I would say

I would like to make other people

that they taught me at the same

see their real abilities more than

time I worked with them. Thus, I

looking at things that they cannot

started to create products from the

do. Furthermore, I would like to make

pictures that they drew. In order to

them see their potential. They all

display their values to other people,

have their own stories. I want to be

I organised an exhibition that sold

their voice to communicate those

the kids’ products.

stories as much as they want to say.

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• Why are you interested in this kind of art? If you go to an exhibition, you tend to look at the art and then it is over. I think art has more meaning than that. I asked myself what more I could do about this. So I thought, If I can help others from the things I do, it may be more useful than if I did it and kept it to myself.

• How is art important from your perspective? Every process of art is very necessary. No matter if it is in life or work, art is like medicine that we can use all the time.

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• What are the factors you consider when choosing a site for a project? I prefer to go to deprived area and work with people there, in order to give them a voice. I would like to give something that they never got. Every time I went, they responded to me very well and they kept using art in their places.

• How long has the project taken from the beginning? It took around five years until this project was successful. I spent around one year at each place to spend time with the participants.

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“I would like to give something that they never got.”

• How does your work relate to

• Could you talk more about

current culture or society?

previous projects?

The point is that we do not count

Six years ago, I used to run an

some of these people as members

exhibition

of our community and so there can

Bangkok. I met Miss Aree at Sathorn.

be many problems for them. To

I stayed with her for six to eight

solve some of these problems, we

months and built a relationship. I

need to build awareness among

hoped to help her in one way or

the new generation and also for

another. This was the starting point

underprivileged people so they

of “Is an Artist”. Every group that I

support their values and enjoy

help, I always go back to check on

being creative.

them every year.

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for

homelessness

in


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• Who are your biggest influences? My family is the most influential to me. They inspire me.

• What do you want to say to people? I would like to see people have a new vision about art as it is reachable and it can be everywhere.

• What are you doing now? For now, “Is an Artist” is being reconstructed.

We

are

looking

for a newly-graduated therapist to create an opportunity for this. We might not use the name “Is an

“Living is one kind of art”. I would like to suggest that people look back at themselves and go out to help others in their own way.

Artist” anymore, but we will use those artists’ names instead. And I am also being a volunteer. I do group therapy and I also do knitting and reading.

To learn more about her work please visit: Is an Artist: https://www.facebook.com/isanartist/ https://isanartist.wordpress.com/ Instagram: is_an_artist Personal website: www.voraprada.com https://readmesometimesblog.wordpress.com/ 75


Acknowledgements Contributing: Artists:

Maitree Siriboon

Wijit Apichartkriengkri Muangthai Jirawongnirandon Nunthicha Direkwattanakul Voraprada Voratananchai Writer:

Panutcha Taweekaew

Producing Editor:

Panutcha Taweekaew

Series Editor:

Kevin Ryan

Design Assistance:

Natalie Chabaud

Project Assistance:

Terry Allen

First published in August 2018 Copyright: Charnwood Arts and Individual Authors All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, scanning, recording or otherwise, without prior written permission of Charnwood Arts.

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Charnwood Artslink International Charnwood Artslink International was born in the early 1990s through links with the Indian state of Gujarat and European twinning links between Charnwood in the UK and towns in Belgium, France, Germany and Poland. Since then we have worked with or promoted the works of artists from over 100 countries. We began this work even earlier, as since 1977, Charnwood Arts, an arts and educational charity based in the UK East Midlands, has worked with artists and organisations around the world to create scores of exhibitions, events, workshops, festivals, publications and projects. This current magazine project, initiated in the summer of 2018 is designed to involve people between 16 and 35 years of age in producing magazines about arts and culture in, or from, their home countries. Most people involved in this project have no direct experience of producing a publication before undertaking the project and with support they are thrown into the deep end of undertaking ALL aspects of originating and producing the magazine for on-line distribution. All of the young people and young adults involved in this project to date have been involved in face to face work with Charnwood Arts. www.charnwoodarts.com

Charnwood

RTSLIN International

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Nocturne, Muangthai Jirawongnirandon Barefoot 2016

Charnwood Arts acknowledges core support from Arts Council England and Charnwood Borough Council.


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