PORTFOLIO
Interior + architecture + multidisciplinary design
Phyo Kyaw Kyaw | 段振森 (Chase Duan) pkk.chaseduan@gmail.com +66-09-32168331 JULY 2022
Prologue
Phyo Kyaw Kyaw | 段振森| (Chase Duan) has a passion for poetic, holistic approach, and experimental approach in interior + architecture + multidisciplinary design. The spaces, environments and objects shall encourage different dimensions of living, experiences, and possibilities. Recently, he is also intrigued in tropical Asian architecture and living possibilities.
“ Design is everything we make, but it’s also between those things, it’s a mix of craft, science, storytelling, propaganda, and philosophy” _Erik Adigard
Phyo Kyaw Kyaw | 段振森 | Nickname : Chase Duan Male | Single January.25.1993 pkk.chaseduan@gmail.com +66-09-32168331 Burmese Chinese, Myanmar Based in Bangkok, Thailand
Language
English (Fluent)
Burmese(Fluent)
Chinese(Fluent)
Thai(Beginner)
Education Aug 2020 - July 2022 School of Architecture and Design (SoA+D), King Mongkut’s University of Technology Thonburi (KMUTT) Bangkok, Thailand Master of Science (Architecture, Design and Planning) G.P.A 3.83
Dec 2015 - Dec 2016 Yangon School of Interior Design, Yangon, Myanmar Diploma in Interior Design 2nd-prize
Nov 2015 - Nov 2019 Technological University, Mandalay, Myanmar Bachelor in Engineering (Electronic) C.G.P.A 4.85
WORK Experiences Nov 2021 - Jul 2022 (8 months) BioArchitek, Bangkok, Thailand (Part-time) Architectural designer + lighting designer Working on residential renovation architectural project, hospitality design lighting, architectural facade lighting, experience lighting and public area lighting
Jun 2021 - Aug 2021 (2 months) HAS Design and Research, Bangkok, Thailand (Internship) Architectural intern
Working on residential, commercial physical model makings, visualizations, presentation
Nov 2019 - Dec 2020 (1 years) Freelance Interior Designer, Yangon, Myanmar (Part-time) Working on residential interior renovation project and site coordination
Sep 2017 - Nov 2019 (2 yrs-3 months) M.ID M Interiors, Yangon, Myanmar (Full-time) Junior Interior designers + Junior lead designer Handling Hospitality/retail/F&B/Residential/Event design projects from site visits,
conceptual design, Tender documentation, Material specification/BOQ, site management, client/ contractors coordination, Site inspection, styling, dressings
Dec 2016 - Mar 2017(4 months) Space iD, Yangon, Myanmar (Internship) Interior designer May 2016 -Jul 2016 (3 months) Muse & Wittiness Design and Engineering, Yangon, Myanmar (Internship) Design Coordinator Sep 2015 - Feb 2016 (6 months) Mitsubishi Elevator, Yangon, Myanmar (Full-time) Engineer
Skills Autocad (Advanced)
Photoshop (Advanced)
Vray (Advanced)
Sketchup (Intermediate)
Illustrator (Intermediate)
Enscape (Intermediate)
3dmax (Beginner- Intermediate)
Adobe indesign (intermediate)
SPSS (Beginner-Intermediate)
Rhino (Beginner-Intermediate)
Adobe premiere pro (Intermediate)
GIS/QGIS (Beginner)
Revit (Beginner-Intermediate)
Lumion (Intermediate)
Microsoft office (Advanced)
Workshops, Exchange , Extracurricular & International Experiences Nov 2021
“Asia Nightscapes Now and Future”, Enlighten Asia Japan, IALD (Participant)
Feb 2021
“Healing Architecture on-line workshop”, Virtual School of Architecture (Instructor)
Jul 2021
DRIA Competition 2021, Designing Resilience in Asia (Participant)
Aug 2020
Experimental Photography Workshop & Exhibition (Participant)
June 2019
Condition Surveys for Heritage Buildings Training Workshop (Participant)
May 2019
Historic Decorative Finishes Training workshop (Participant)
Aug 2014
Youth-Lead ASEAN Youth Exchange Program (Participant)
May 2014
Mekong Friendship Project, Cambodia/Laos/Thailand/Vietnam/Myanmar (Participant)
May 2012
IDEA Asia Youth Forum 2012, Bangkok, Thailand (Participant)
Dec 2012
World Universities Debating Championship, Berlin, Germany (Participant)
2012-2014 Future Youth Debate Club, Technological University Mandalay, Myanmar (Vice-president) 2012-2014
Future Youth Association, Technological University Mandalay, Myanmar (Volunteer)
CONTENTS Architecture/Interior projects 1. Lane of Memories (2020) 06-17 2. Namtaothong/ The One/ Mega Villa
(2021)
18-25
3. Art in Clay Museum & Clay Creative Institute
(2016)
26-35
4. Moe Kaung Villa, Residential project
(2019)
36-41
5. Mane Office
(2019)
42-47
6. Victor Residence (2020) 48-51 7. A Sense of Home (2022) 52-59 8. Reclaimed Wood Workshop (2019) 60-63 9. Details (NA) 64-65 10. Other Projects (Interior + architecture)
(2016-2022)
66-67
11. Site Coordination & Management
(2016-2019)
68-69
Multidisciplinary projects
(Lighting design + Visual communication + Urban strategies) 1. Sky Park & Kadeejeen Riverfront
(2020)
70-73
2. Poetic Dialogue Chair (2022) 74-77 3. Resilient & Connectivity (2021) 78-83 4. Other Projects (Experimental) (2015) 84-85 5.Other Projects (Lightings) (2022) 86-87
Sketches/Drawings/Photography 1. Sketches/Drawings (NA) 88-89 2. Photography (NA) 90-91
LANE OF MEMORIES
CENTER OF PHOTOGRAPHY & MUSEUM Category Year Type Location
: Academic work (First semester) : 2020 : Pubic space & Museum : Bangkok, Thailand
6 | LANE OF MEMORIES | 2020
7 | LANE OF MEMORIES | 2020
Context/Brief The hub of train station in Bangkok, The bangkok station (Hua Lamphong Station) is a total appxo. 190,000sqm land plot which has been used 104 years for transportation across the country. Recently, the state railway of Thailand plans to move the hub of trains to new station “Bang Sue” and redevelop “Hua Lamphong Station” as creative district. “Lanes of Memories” is a program proposal for the architecture design for development studio, KMUTT. Connecting with existing one Depot building, an existing building in the station is where the trains are being repaired, and maintained daily. The depot building can be seen as a warehouse/factory prototype architecture with the distinctive roof. Proposal Program The hub of train station is a point of meetings and departure, story of communities and city of Bangkok. In a way Hua Lamphong station is witnessing and recording from historical events to daily life of the Bangkokian and visitors. So, as a metaphor, It is just like a camera. Lanes of Memories representing memories of Hua Lamphong and SRT vision in general.
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8 | LANE OF MEMORIES | 2020
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01/ Collage Ideas/ Concept 02/ Site Location
9 | LANE OF MEMORIES | 2020
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10 | LANE OF MEMORIES | 2020
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S- CC
S- AA
S- BB
06/
S- CC
S- AA S- BB
03/ Exploded Site Location 04/ Concept Diagram 05/ 1st Floor Plan 06/ 2nd Floor Plan
11 | LANE OF MEMORIES | 2020
S- CC
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S- AA
S- BB
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07/ Roof Top-Floor Plan 08/ Section-AA 09/ Section-BB
12 | LANE OF MEMORIES | 2020
13 | LANE OF MEMORIES | 2020
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10/ Section-CC
14 | LANE OF MEMORIES | 2020
15 | LANE OF MEMORIES | 2020
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16 | LANE OF MEMORIES | 2020
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11/ Interior Render 12/ Interior Render 13/ Exterior Render
17 | LANE OF MEMORIES | 2020
NAMTAOTHONG/ THE ONE/ MEGA VILLA Category Year Type Location
: Internship (Credit to HAS design and research) : 2021 : Residential, Commercial : Bangkok, Thailand 18 | NAMTAOTHONG, THE ONE, MEGA VILLA | 2021
19 | NAMTAOTHONG, THE ONE, MEGA VILLA | 2021
01/
Project Brief Namtaothong, is a commercial tea shop located in the Chinatown of Bangkok, Thailand. In this project during my internship, I contributed to making of the physical model of the interior and exterior of the building and edited the photograph of physical model. In addition, helping to create graphical visual rendering of the elevations, and section images based on internship office’s graphical presentation style/mood. 20 | NAMTAOTHONG, THE ONE, MEGA VILLA | 2021
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01/Namtaothong physical model 02/Front elevation
03/Side elevation 04/Longitudinal section
21 | NAMTAOTHONG, THE ONE, MEGA VILLA | 2021
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Project Brief The one villa , is a residential project located in Bangkok, Thailand. In this project during my internship, I contributed to the physical model making of the project. In addition, helping to create 3D and the rendering.
22 | NAMTAOTHONG, THE ONE, MEGA VILLA | 2021
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01/Namtaothong physical model 02/Front elevation
23 | NAMTAOTHONG, THE ONE, MEGA VILLA | 2021
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Project Brief The mega villa , is a residential project located in Bangkok, Thailand. In this project during my internship, I contributed to the physical model making of the project. In addition, helping to create graphical rendering for elevation.
24 | NAMTAOTHONG, THE ONE, MEGA VILLA | 2021
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01/Namtaothong physical model 02/Front elevation
25 | NAMTAOTHONG, THE ONE, MEGA VILLA | 2021
ART IN CLAY MUSEUM & CREATIVE INSTITUTE Category Year Type Location
: Academic work (Interior architecture diploma) : 2016 : Renovation, Public, Museum, Interior : Yangon, Myanmar 26 | ART IN CLAY MUSEUM & CREATIVE INSTITUTE | 2016
27 | ART IN CLAY MUSEUM & CREATIVE INSTITUTE | 2016
Context/Brief Art in Clay Museum and Clay Creative Institute is a final graduation project of 3rd batch Yangon School of Interior Design under the category “Public space”. In Myanmar, potteries stuck in the unnoticeable corner at every household, and clay only associates with the lower income families, which most people do not recognize the value of the craft. Thus, this project try to create a new kind of space and engage interactions within the building in and out.
Location The site location for the project had been chosen at over 120 years old colonial building located at Insein, Yangon, formerly it was Government Technical Institute (GTI). The school opened in 1985, and shut down in 1996 for political crisis in the country. Therefore, in this project, the existing building is used to imagine new program and give a new interpretation for the development of the city, and experiences. Concept The wave, curve come from the relationship of movement and connection of hand and clay, which welcome the visitors with unexpected experience and walk along with the line. Inside, a storyline program are structured, and Outside, recreation space and area are provided with a merging extruded dome. Ground Floor spaces are provided for museum and story-telling whereas 1st floor spaces provide spaces for institute and trainings for long-term sustainable eco-system. A conceptual renovation design for a symmetrical colonial building, inserting curve and fluidity in the existing building provides groundbreaking and controversial approach for breaking the norms of typical approach to old colonial building and giving a bold manifestation for modern Myanmar.
28 | ART IN CLAY MUSEUM & CREATIVE INSTITUTE | 2016
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01/Site Photography 29 | ART IN CLAY MUSEUM & CREATIVE INSTITUTE | 2016
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30 | ART IN CLAY MUSEUM & CREATIVE INSTITUTE | 2016
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S- AA
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S- AA
02/ Concept Reference 03/ Concept Models Exploration 04/ Final Concept Model
05/ Conceptual Ground Floor Plan 06/ Conceptual First Floor Plan
31 | ART IN CLAY MUSEUM & CREATIVE INSTITUTE | 2016
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S- AA
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32 | ART IN CLAY MUSEUM & CREATIVE INSTITUTE | 2016
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07/ Conceptual Roof Plan 08/ Physical Model 09/ Courtyard Area Render 33 | ART IN CLAY MUSEUM & CREATIVE INSTITUTE | 2016
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10/ Section AA
34 | ART IN CLAY MUSEUM & CREATIVE INSTITUTE | 2016
35 | ART IN CLAY MUSEUM & CREATIVE INSTITUTE | 2016
MOE KAUNG VILLA Category Year Type Location
: Work projects (Credits to M.ID M Interiors) : 2019 : Residential, Interior : Yangon, Myanmar
36 | MOE KAUNG VILLA | 2019
37 | MOE KAUNG VILLA | 2019
Project brief Modern contemporary tropical infusion, which address simplicity in luxury, with welcoming entrance, brass see-through partition connecting the spaces in between, open kitchen with island focal point, a simple custom made comfy bed, furthermore introducing cozy corner for readings and entertainments.
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38 | MOE KAUNG VILLA | 2019
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01/ Furniture Layout Plan 02 Exterior renders 02/ Family Room Interior Render 03/ View from Greeting Area, Render 39 | MOE KAUNG VILLA | 2019
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01/ Master-Bedroom 1 Render 02/ Kitchen Render
03/ Site Photo 40 | MOE KAUNG VILLA | 2019
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41 | MOE KAUNG VILLA | 2019
MANE OFFICE Category Year Type Location
: Work projects (Credits to M.ID M Interiors) : 2019 : Office, Interior : Yangon, Myanmar 42 | MANE OFFICE | 2019
43 | MANE OFFICE | 2019
Project brief Mane office is a group of teams specialized in flavors and fragrance, which the office space includes working station, labs, pantry, dinning and meeting area. Design wise, boutique partial home-office environment is proposed. Picture glass partition is used, with welcoming circular rotating sculpture, along with earthy tone, and inlay brass in the cement flooring, which highlight the details, simple, modern stylish, which aligns with the office branding.
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44 | MANE OFFICE | 2019
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01/ Furniture layout plan 02/ Interior Perspective Render 1 03/ Interior Perspective Render 2
45 | MANE OFFICE | 2019
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04/ Excerpt from Conceptual Presentation Slide 05/ Site Photo
46 | MANE OFFICE | 2019
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47 | MANE OFFICE | 2019
VICTOR RESIDENCE Category Year Type Location
: Work projects (Personal freelance project for a friend) : 2020 : Residential, Interior : Nay Pyi Taw, Myanmar 48 | VICTOR RESIDENCE | 2020
49 | VICTOR RESIDENCE | 2020
Project brief
A home for a client, a friend who adores classical feature, so the proposal evolves in modern classical, which offers classical details,and modern living which is also fit for the budget friendly in production and building.
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01/ Furniture Layout Plan 02/ Living Room Perspective Render 1 03/ Living Room Perspective Render 2 04/ Master Bedroom 1
50 | VICTOR RESIDENCE | 2020
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51 | VICTOR RESIDENCE | 2020
A SENSE OF HOME Category Year Type Location
: Academic : 2022 : Residential renovation, Interior : Yangon, Myanmar 52 | A SENSE OF HOME | 2022
53 | A SENSE OF HOME | 2022
Context/Brief A sense of home is the research project and design proposal, which studied the walk-up apartment housing units in Yangon, Myanmar. In the Yangon urban landscape, one could not help, but notice old buildings from the colonial period along with condominium developments recently, and many walk-up apartment buildings to accommodate the urbanization, growing population and social-economic status of Myanmar people. Walkup apartments were built and popular after the British colonial period (around 1950s) and are still built up to today due to its cost-effectiveness and to accommodate low to mid-income residents in the metropolitan Yangon. Approximately 90% of apartment buildings are walk-up apartments. The common impression of walk-up apartments in Yangon appears to be old rectangular box shape, homogeneous envelope and limited square feet dull interior small space. In other words, the buildings are full of constraints, lack of good user experiences, and they are not well-fitted in the modern days. Therefore, the resident suffers consequently many years, some may live in the apartment their entire lives. Thousands of people living in the walk-up apartment on a daily basis are being shaped by the space and its inadequate quality of living. Can it be called “Home” by the dwellers or is the place a temporary shelter? Online semi-structured interviews of 15 apartments’ residents and on-line questionnaire surveys of 70 apartment residents are conducted using descriptive analysis and observation to understand the particular patterns of perception of Sense of Home . This research aims to explore what makes “Home” “A sense of Home” for walk-up apartment users in Yangon, Myanmar by studying subjective responses shaped by the interior and experience of the spaces in apartment to understand the perception of the residents and improve the quality of living. The result reflects the priority level of important factors in relation to the sense of home framework. Research objective 01/Perception of sense of home in walk-up apartment 02/ Recommendations for creating better sense of home Research question 1/What are the attributes of a sense of home for walk-up apartment ? 2/What is the current perception of the sense of home in the existing walk-up apartment ? 3/What are the recommendations for creating a better sense of home in the walk-up apartment ?
54 | A SENSE OF HOME | 2022
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55 | A SENSE OF HOME | 2022
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01/ Walk-up Apartments, Yangon 02/ Hall-type Walk-up Apartment Photo(from semi-structured interview) 03/ 1 bed-room Walk-up Apartment Photo (from semi-structured interview) 04/2 bed-room Walk-up Apartment Photo (from semi-structured interview) 05/ 3-bed room Walk-up Apartment Photo (from semi-structured interview)
56 | A SENSE OF HOME | 2022
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06/ Existing Hall-type Layout Plan From Semi-Structured Interview Resident 07/ Existing 1 Bed-room Layout Plan From Semi-Structured Interview Resident 08/Existing 2 Bed-room Layout Plan From Semi-Structured Interview Resident 09/Existing 3-Bedroom Layout Plan From Semi-Structured Interview Resident
57 | A SENSE OF HOME | 2022
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10/ Research Framework 11/ Data Analysis Excerpt from Presentation Slides
58 | A SENSE OF HOME | 2022
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**STILL WORK ON PROGRESS FOR DESIGN PART** 12/ Flexible Design Approach Scenario Collage 13/ New Layout Proposals based on Research Outcomes 14/ Idea/Sketch 3D
59 | A SENSE OF HOME | 2022
RECLAIMED WOOD WORKSHOP Category Year Type Location
: Workshop : 2019 : Wood working : Yangon, Myanmar 60 | RECLAIMED WOOD WORKSHOP | 2019
61 | RECLAIMED WOOD WORKSHOP | 2019
Project brief 3 weeks intensive course of industrial based reclaimed wood furniture making workshop.
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62 | RECLAIMED WOOD WORKSHOP | 2019
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01/ Process 02/ Final Products ; A Stool Chair, A Rotatable Mirror, Drawing Table
63 | RECLAIMED WOOD WORKSHOP | 2019
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DETAILS Category Year Type Location
: Excerpt from different projects : NA : NA : NA 64 | DETAILS | NA
04
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01/ Cabinet Plan, Elevation, Section (Excerpt From a Spa Project) 02/ Wall Detail (Excerpt from Hotel Project) 03/ Architectural Door Detail (Excerpt from Residential Project) 04/ Detail Sketch/Idea (Excerpt from Atrium Renovation Project) 05/ Atrium Roof Detail (Excerpt from Atrium Renovation Project)
65 | Project | NA
OTHER PROJECTS Category Year Type Location
: Work projects (Some of the projects credit to M.ID M Interior, Bioarchitek ) : 2016-2022 : Commercial, Residential, Hospitality, Office, Retail, Facade renovation, Kiosk design : Yangon, Myanmar + Bangkok, Thailand
66 | OTHER PROJECTS | 2016-2019
67 | OTHER PROJECTS | 2016-2019
01/
Port Autonomy Restaurant, Yangon, Myanmar (Renovation, Design & Build), 2019 02/
Vero Office, Yangon, Myanmar (Design & Build), 2019 03/
Urban Beauty Studio, Time Link condo, Yangon, Myanmar (Design & Build), 2019 04/
Shiseido, Myanmar Plaza, Yangon, Myanmar (Project Management), 2018 05/
Pandora, Myanmar Plaza, Yangon, Myanmar (Project Management), 2018 06/
Exhibition design, the secretariat, Yangon, Myanmar (Design & Build), 2018
SITE COORDINATION Category
: Work projects (Credit to M.ID M Interior )
Year
: 2017-2019
Type
: Retail & restaurant, hospitality, exhibition, event design 68 | SITE COORDINATION | 2017-2019
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Gong Cha, T1 Yangon International airport, Myanmar (Design & Build), 2018 08/
Highland Lodge Hotel Room (Mock-up), Yangon, Myanmar (Design & Build), 2018 09/
Exhibition & Party Design, Yangon, Myanmar (Design & Build), 2018 10/
Michael Kors, Main store, The Avenue (Design & Build), 2017 11/
Michael Kors, The avenue, Junction City (Design & Build, 2017) 12/
Gong Cha Myanmar, Junction Mawtin, Yangon, Myanmar (Design & Build), 2017
69 | SITE COORDINATION | 2017-2019
SKY PARK & KADEEJEEN RIVERFRONT Category Year Type Location
: Academic work (Group project : Thosapol Chawantattansakul, Pim Parimpim, Lae Won Su : 2020 : Exterior, Landscape lighting : Bangkok, Thailand
70 | SKY PARK & KADEEJEEN RIVERFRONT | 2020
undy)
71 | SKY PARK & KADEEJEEN RIVERFRONT | 2020
Project brief The project (Sky park and Kadeejeen riverfront) is located in the junction of old town and new town of Bangkok city, Thailand. The night walk of the area are investigated. The two concepts for Sky park and Kadeejeen riverfront are proposed, (1) Starry night outdoor space, and (2) Harmonious community respectively. Design Criteria (Sky park) (1) Parallel and supporting to Memorial bridge, also highlight the curve of the existing concrete structure of sky-park bridge (2) To contribute better ambient lights and integrating new identity in the sky-park to bring in more people and attention (3) To provide urban safety, security, reduce light pollution and energy efficiency Design Criteria (Kadejeen riverfront) (1) To encourage local communities and visitors to use the pathway more in the night time (2) To provide relaxation and senses of community on the pathway while sightseeing the surroundings; Chao payer river, Memorial bridge, Wat arun, and other local attractions (3) To provide urban safety, security, and energy efficiency 01/
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72 | SKY PARK & KADEEJEEN RIVERFRONT | 2020
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01/Site Location 02/Site Analysis, Excerpt from Presentation Slide
03/Sky Park Proposal 04/Kadeejeen Riverfront Proposal
73 | SKY PARK & KADEEJEEN RIVERFRONT | 2020
POETIC DIALOGUE CHAIR Category Year Type Location
: Academic work
: 2022 : Visual communication : Myanmar
74 | POETIC DIALOGUE CHAIR | 2022
75 | POETIC DIALOGUE CHAIR | 2022
Project brief The project, research and practice in visual communication, is to explore the actual and potential relationships between creative production-making images, objects, spaces, experiences, and so on- and research- the production of the knowledge by “Making”. I choose the interest concern on “poetic design/object/space” to understand the creation of “dialogues” in relations to poetic sensory . Concern statements I am intrigued by juxtaposing materials, forms, narrative, and nature in creation of poetic sensory experience and new dialogues in domestics spaces Investigation (Concern to questions) We eat, sleep, work, shower, cook, socialize, recharge, habitat and doing all sorts of activities in our domestic spaces, functionality and beauty of objects, spaces seems to be the decision factor to have them or not in the room. Often they are limited by the limited spaces, imagination, crave of usefulness, and easiness, production of the market, price, politic, or even skills of craftsmanship. 1. If an object or a space can contain dialogues, what kind of essential conversation we can have in this ever changing digital, virtual world ? 2. How far can we day-dreams, escape, or provide different perspective beyond our four walls through the objects, and spaces we embodied ? 3. How an object or space questions, reflect the way we live in now, the past, and give a glimpse of new way of living or thought ? 4. To breakthrough it and act as catalyst for change, how far can we go or evolve in relation to sensory poetic experiences, and dialogues in our domestic spaces ?
Process Before practice, I investigated relations to “poetics” through my personal photo library and online photo archive to understand from unconscious perspective of poetics. The relations to poetic can be contrast of emotions, connection of two different forms, stems of stories, imaginations, spaces, and different dimensions. But what exactly the poetic sensorial is ? How practice can lead me to understand poetic sensorial better ?
76 | POETIC DIALOGUE CHAIR | 2022
02/ 01/
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01/Sketches for Investigation of “Poetic” Quality
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02/Relation between Words and Poetic 03/Practice (Exploration in no direction and contexts) 04/ Final work 1 (This work explores relation between the physical (non-living) and living organism in order to question the dynamic of the chairs, and narrative of what a chair can be in a particular setting) 05/ Final work 2 (This work explores relation between words, nature, characters of the object itself)
06/ Final work 3 (This work integrates traditional of Burmese elements and modern elements to narrate a new practice of poetic interaction and visual)
77 | POETIC DIALOGUE CHAIR | 2022
RESILIENT AND CONNECTIVITY
Sustainable Peri-urban Settings and Residential Development in Klong Category Year Type Location
: Academic work : 2021 : Urban planning and strategies : Bangkok, Thailand 78 | RESILIENT & CONNECTIVITY | 2021
g Bang Prathun Community, Jomthong District
79 | RESILIENT & CONNECTIVITY | 2021
Project brief The planning communication and analysis of sustainable peri-urban settings and residential development in Klong Bang Prathun Community, Jomthong District, Bangkok, Thailand. Site location & Problem Bang Prathun Community in Chom Thong district is known for its Tangerines, poomijai garden, a lychee farm and canal life style. The local there has been associated with waterways. The place is also known for Wat Sai Floating Market and some Buddhist temple around there. It is one of the remaining area of green in the peri-urban settings as the area around the area are being occupied by the new development due to its location, city expansion and increasing population. The expansion now is starting to take over the agriculture for developing new estate, commerce places, and offices for urban city setting. 01/
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“ How can we draw a balance, garden in the city ? parallel sustainability ? or others ?” 80 | RESILIENT & CONNECTIVITY | 2021
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01/Site Location Map 02/Development of Site Area (2005/2015/2021) 03/Site Photo 04/ 3.6km x 3.km Site Area, Map
Major Assumption 1. Population continue to grow and the city is expanding 2. Urbanization Project Requirement/Goal 1. Preservation of local characters; agriculture land, canal life 2. Sustainable residential development 3. Ecological resilient System Innovation/Proposal 1. WAT 10 2035 Habor-cleaning devices 2. WAT2 Water retention 3. AGR 5 Agri-tourisim 4. AGR 16 Solar Crop Pumps 5. Mix 14 Compact sustainable neighborhood 6. Mix 14 Building integrated solar PV home 7. Mix 16 Sustainable urban infrastructure 8. GRN 7 Connectivity for resiliency 9. GRN 8 Ecosystem service of green infrastructure
81 | RESILIENT & CONNECTIVITY | 2021
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EXISTING 2021
EARLY ADOPTER 2035
EARLY ADOPTER 2050
Early adopter, this scenario assume that by adopting major innovation or strategies starting from 2021, in 2035 the impact can be keeping the existing green and building up the resiliency of the region. In2050, both residential estate and neighborhood can live a life sustainable with canal oriented design/planning.
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LATE ADOPTER 2035
LATE ADOPTER 2050
Late adopter, the assumption of late adopter is if we only start taking action by 2035, large amount of green or agriculture land will already be replaced by new development by then. Only small amount of green will left in the area. The outcome in 2050 will be less effective than early adopter.
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NON-ADOPTER 2050 Non-adopter, by adopting nothing toward the issue, 75% or 80% of the area will likely to become new city development rather than building toward garden in the city in 2050. Water infrastructure Agriculture Estate development
Conservation landscape
Residential, mixed low density
Recreation
Commercial, shopping, restaurants
Education, healthcare
Transportation
Government, military institutions 82 | RESILIENT & CONNECTIVITY | 2021
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EARLY ADOPTER (SDG ASSESSMENT)
LATE ADOPTER (SDG ASSESSMENT)
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Defining spaces by shapes or pattern along with wide flower
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Defining spaces by shapes or
Canal cleaning devices
pattern along with wide flower Hand washing spaces
1. WAT 10 2035 Harbor-cleaning devices : Use water and sunlight to collect litter and debris that is flushed from city streets into the canal
PV panels and green space
Semi-shared public garden
Retail
Retention
Water retention
carpark
Waterfront walkway, connecting to canal
7. MIX 16 Sustainable urban infrastructure
6. MIX 14 Building integrated solar PV home
8. GRN 7 Connectivity for resiliency
8. GRN 7 Connectivity for resiliency
9. GRN 8 Ecosystem service of green infrastructure
05/Impacted SGDs Goal 06/Scenario A, “Early Adopter” , adopt innovation early, resulting in changes in 2035, 2050 07/Scenario B, “Late Adopter”, wait until 2035, then adopt innovations leading to change in 2050
08/ Scenario C, “Non-Adopter”, fails to adopt any innovations, allowing unplanned changes to 2050 09/ Estimation of Impacts SGD Goals 10/ Agri-tourism 11/ Isometric Diagrams for Innovation
83 | RESILIENT & CONNECTIVITY | 2021
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OTHER PROJECTS (EXPERIMENTAL) Category Year Type Location
: Academic : 2015 : Design exploration : NA 84 | OTHER PROJECT (EXPERIMENTAL) | 2015
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01/ Design Generation from Nature 02/ Design Exploration 03/ Design Generation from Narrative, Story 04/ Design Generation from Story
85 | OTHER PROJECT (EXPERIMENTAL) | 2015
OTHER PROJECTS Category Year Type Location
: Work : 2021-2022 : Lighting design : Thailand 86 | OTHER PROJECTS | 2021-2022
87 | OTHER PROJECTS | 2021-2022
SKETCHES
88 | SKETCHES | 2016-2022
89 | SKETCHES | 2016-2022
PHOTOGRAPHY 90 | PHOTOGRAPHY | 2016-2022
91 | PHOTOGRAPHY | 2016-2022
Phyo Kyaw Kyaw | 段振森 (Chase Duan) pkk.chaseduan@gmail.com +66-09-32168331
JULY 2022