ESDCTA MAGAZINE
COLLECTIVE REMARKS
WWW.ESDCTA.ORG December 2020
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Table of Contents
President’s Message
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A Year of Growth on a Journey That’s Just Beginning
9 Western Dressage
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News from Outside the Ring
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Brain Training for Riders
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The Amateur Dilemma
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Horse Treats
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Business Members
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President’s Message Happy December and I hope everyone enjoys the holidays, although they may be celebrated differently than past years. Because we engage in an outdoor activity, we have been fortunate to be less affected by Covid-19 restrictions than many others. For the most part, we’ve been able to continue enjoying our horses and engaging in our favorite activities. There was much I was grateful for this past Thanksgiving that was unlike any others. Looking ahead to next year, which is right around the corner, things may not be all that different to start out in the spring, but at least we now have protocols in place that will allow us to return to a more normal schedule for many of our shows and other activities. The Year End Awards virtual “luncheon” for 2020 will be taking place sometime in February 2021. Those who were able to get out there and show deserve to be celebrated to the fullest extent, but an in-person event will just not be possible. Be on the lookout for all the information – date, time and how to access the virtual meeting – and even if you are not getting an award, please participate. It will still be a fun time. I hope everyone has a Happy New Year, and that 2021 brings a decline in the virus, an effective vaccine, and more people returning to their jobs and being able to see family and friends without worry.
Holly Cornell President
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Board of Trustees OFFICERS
Phone only before 9 p.m. please
President
Holly Cornell
president@esdcta.org
732.208.8715
Vice President
Ellen Brindle-Clark
vicepresident@esdcta.org
609.351.1054
Secretary
Ruth McCormick
secretary@esdcta.org
201.240.4505
Treasurer
Betty Audduci
treasurer@esdcta
610.564.9169
3340 Curley Ct, Mullins SC 29574 Executive Board Dressage at Large
Jena Rondinelli
datlargeMAL@esdcta.org
732.814.1117
Eventing at Large
Jennifer Duelfer
eatlargeMAL@esdcta.org
732.598.3077
Dressage Competitions
Dr. Lisa Toaldo
dressage@esdcta.org
201.874.0373
Eventing Competitions
Janice Pellegrino
eventing@esdcta.org
Marketing
Erin Gale
marketing@esdcta.org
Membership
Tamara Purdy
membership@esdcta.org
Membership
Heidi Lemack
membership@esdcta.org
609.306.8221
Finance
Gary Maholic
finance@esdcta.org
215.489.1557
Education
Victoria Shilton
education@esdcta.org
6093511054
Youth
Stephanie Warner
youth@esdcta.org
NJEAB Representative
Carolyn Montgomery
crunner141@comcast.net
Awards
Becky Kuc
awards@esdcta.org
Calendars/Activities
Mia Zimmerman
activities@esdcta.org
Grants
Vacant
grants@esdcta.org
Equipment
Wilma Pfeer
dressage@esdcta.org
Newsletter
Meredith Rogers
newsletter@esdcta.org
Nominating
Eliza Banks
nominations@esdcta.org
Omnibus
Mia Zimmerman
calendar@esdcta.org
Show Results
Jean Goetz
results@esdcta.org
OFF BOARD COMMITTEE CHAIRS
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CROSS COUNTRY... News Across Our Region COMMUNITY NEWS
Milestone
If you’re reading this, you are probably a member of ESDCTA, but I’m sure you know of someone who rides dressage or events who is not a member. You know all about the wonderful things offered like educational programs, clinics with big name trainers, horse shows, year-end awards, and not least, that sense of being part of a community of likeminded people. The more members ESDCTA has, the better the programs we can offer. Our membership numbers are also important considerations when state and local governments decide on legislature that affects us (like open space), and we advocate for our sports (we’re working on better footing at the HPNJ). Please reach out to your equestrian buddies and tell them about all of the benefits of membership and have them sign up. The more the merrier!
Please Contact Linda Marciante if you know any ESDCTA members who have achieved any Milestones. Success at a show, regional/national/international award, new horse, or anything else you want to celebrate.
WHAT’S YOUR TALENT?? Let us know what you would like to help us with in 2021. All skills and interests wanted. Have an idea? We want to hear about it. Remember, this club is what YOU make it. Contact president@esdcta.org if you are interested.
NEWSLETTER COMMITTEE
Have a great article that you would like to share? Please send article to: Meredith Rogers: newsletter@esdcta.org All submissions are due by the 15th of the month. Due to space considerations, the editor reserves the right to edit submitted articles. If necessary, articles will be edited and returned for your review. AND YOU GET VOLUNTEER HOUR FOR EACH STORY!
e-mail: lindalbbf@gmail.com
MEMBERSHIP QUESTIONS For membership questions including updating physical or e-mail addresses please contact: Tamara Purdy membership@esdcta.org
2020 ADVERTISING RATES
MEMBER NON-MEMBER FULL PAGE $100 $130 HALF PAGE $65 $85 QUARTER PAGE $40 $60 BUSINESS CARD $20 $30 CARD FOR 3 MONTHS $45 $65 CLASSIFIEDS $10 $15 Deadline: 15th of prior month Email: newsletter@esdcta.org Please have electronic ads in Adobe PDF or .jpg format
You will receive an invoice for ad via email. Send Payment to: Betty Adduci 266 Betty Lane Gilbert, PA 18331 Email: treasurer@esdcta.org
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A Year of Growth on a Journey That’s Just Beginning By Paige Zimmerman
Can you believe it’s the last month of 2020?! Another year is coming to an end, and it’s amazing how much has changed for me in just the short amount of time since the pandemic began. At this juncture, I feel that I should wrap up this extraordinary year by speaking about how both my riding and my attitude towards my riding, as well as my goals have developed and changed and probably matured. Due to the fact that I have had more “spare” time now that I’m in college and I can customize my class schedule to mornings and late afternoons, and because currently all my classes are being delivered online and I have no in-person on-campus obligations (yet), I’ve been fortunate enough to be able to ride nearly every day since March. These circumstances have enabled me to experience so much more than if I was only able to ride over the summer and on weekends during the school year. It truly has been rewarding and fascinating to be able to work with Olivia every day over this period of time and see the horses in her program blossom first hand. I am especially impressed and excited by the development shown by Ducati, Brenda Curnin’s Hanoverian gelding, with whom we have been working together for two years now. He just keeps getting better and better and I am very grateful to be learning the art of training a horse from knowledgeable, seasoned professionals every day. It’s really rewarding and exciting to learn not only how to ride movements but how to teach a horse to do those movements correctly. I feel that this is something incredibly important especially for youth dressage riders who want to progress in the sport. It’s important and certainly fun to learn how to ride from a schoolmaster who can also lay down a good test at a show, but I want to go on to bring my own horses to the top of the sport someday. Riders really need to learn tact and “feel” and how to be able to train horses in sympathetic, encouraging, and diverse ways. If you can do that, you can make any horse better. That’s the art of dressage. For me, that’s the most rewarding part.
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I don’t feel like the easier school horses I’ve ridden have taught me nearly as much as those that were challenging. Working through challenges expands your toolbox and improves your understanding of throughness, which is nearly the key to everything else. In my experience, on easier horses, it has been very tempting to become complacent and “just sit there” or to use aids that are not as effective or efficient as they could be. It is easy to fall into the trap of thinking that every horse should respond to the same aids and that they need to react in the exact same way when, in reality, every horse is different (just like people). Individuals need different teaching methods even if you are trying to teach the same concepts (ie, movements/skills). This is what I have discovered working with Olivia and Ducati so closely and intensely this year, and I am so glad for it! I still remember the first time that I asked Ducati to do a leg yield 2 years ago. I put my leg on and he practically lost his mind-- he threw his head up, stopped, and got very upset. I wasn’t sure why that had happened since I wasn’t pulling on him and I had only put my leg on briefly. Olivia explained to me that I had the wrong timing and that I had put my leg on while his right side was tight. Rather than just releasing and moving over, he became confused and got even tighter. So, we spent part of the lesson working in the walk and encouraging him to move sideways without getting worried while also working on my timing and tact. By the end of the session, we produced several lovely leg yields, and now Ducati has no problem doing leg yields and half passes all the way across the arena! My point with this
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story is to show that the difficult horses can tell you what you are doing wrong and it’s our job to use their feedback to make ourselves better riders so that we can help them learn. In my personal opinion, I believe it is especially important for US dressage overall, if we want to prepare for the future and really have a string of great riders to put on the podium, that we learn how to improve our horses (ie, teach them) versus just learning to perform movements and get through tests. I have heard many times that the Grand Prix horses are not easy‌ they’re hot and require a lot of tact and understanding. I aspire to ride the big movers, the sensitive geldings, the opinionated mares, the strong stallions, etc. We are producing a lot of high-quality horses in America and we will need riders to train them properly and help them to the podium someday. I hope that one of those riders can be me!
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WESTERN DRESSAGE THE 2020 WDAA WORLD CHAMPIONSHIP SHOW – ONLINE. NEW FRIENDSHIPS AND BLOOPERS REELS By Joann Sarni
Recording my videos for the WDAI Battle of the Saddles (BOSS) show seemed so easy. “Team Blondie” (me, my husband, and Heidi Lemack) had the indoor arena set up for the small ring with just the right amount of lighting to do WDAA Intro Tests 3 and 4. The tripod that held my iPhone in horizontal mode was parked at C to catch every movement, including the equipment and bit check after each test. The tests were recorded, submitted, judged, and placed. Blondie and I surprisingly did quite well, placing third and second, respectively, despite a few flaws in the tests. Easy. I expected the same when recording my tests for the World Show. WRONG! The day that we chose to record was a perfect September afternoon. The arena and tripod was set up again for Tests 3 and 4, as well for the Amateur Horsemanship class. Since it was the World Show, I chose two outfits to ride in (hold my tiara please!). For my horsemanship pattern, I went with a conservative look of a Hobby Horse western blouse and black chaps. For the Intro Tests, I went all out in a cream sequenced jacket and matching cream colored chaps to compliment my palomino. A Western Dressage Queen dressed to slay the judges (hah!). We did two takes for the horsemanship pattern, because the lighting was a little dark in spots. A quick wardrobe change and onto Test 3. Blondie’s back was nice and loose as we moved through the test; however, as I was doing my free walk across the diagonal, dirt flew into my right contact lens causing me to blink too hard and move the lens off the center of my eye. The next move was to halt at A for four seconds. I THOUGHT I was at A, but the camera tells a different story. DANG!! I managed to get the lens back in place after the bit check, which Blondie, who has quite a sense of humor, refused to let go of the bit. This is no time to play tuggy, horse! Contact lens in place, cream colored chaps dusted off. Time to record Test 4. Unfortunately, Blondie started to lose steam after the first salute and test was not as good as the first. In fact my centerlines were a hot mess!
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Since it’s the World Show, with 123 entries in Test 3 and 96 entries in Test 4, I wanted to redo at least Test 4. However, scheduling the ring during height of the Fall show season was hard. I tried again the following Sunday afternoon, recruiting Heidi and her mom to be my camera crew. We managed to redo the horsemanship, but had to put off recording Test 4 because the barn was busy and people were waiting to ride. A week night would be better. During the following week I asked my husband to come out to the barn, after we logged off from work, and record Test 4 one more time. Blondie, who is usually the Felix Unger of horses, decided to get dirty that day. Great! Now I have to do hair and makeup on him too. And to top it off, the bottoms of my cream colored chaps were dirty as well. My conservative horsemanship outfit suddenly looked pretty good and became my choice for Test 4. By 7:30 pm we were ready. I managed to get enough energy out of a sleepy Blondie to get the test done. There were some flaws, but nothing glaring so when I got home that night I uploaded it along with the horsemanship test and the original Test 3 (where’s A??). All 3 videos were accepted and now the wait to be judged. The 2020 WORLD SHOW IS TRULY A WORLD SHOW When the WDAA announced that Phase 2 (video submissions) were now closed, the 15 judges would have two weeks to judge just under 2400 tests. Yes, you read that right, just under 2400 tests! Riders from all over the U.S. (including Hawaii), Canada, Sweden, and Germany had entered. This truly has become a World Show and I jumped in a big pond to swim in. (I may need a life preserver.) The scores would be emailed and posted by November 10 followed by a ZOOM awards ceremony on Saturday, November 14 at 8 pm. WDAA SOCIAL CORAL/NEW FRIENDSHIPS AND A BLOOPERS REEL CONTEST
Ever since it was announced that the World Show was going virtual, the WDAA Social Coral has been buzzing with excitement. For many, including myself, it was a dream come true as we all shared our thoughts and information about recording equipment, arena measurements, legal bits, attire, etc. The most popular conversations were about the mishaps that happened while recording the tests. Apparently I wasn’t the only one to have issues. Many of the riders had to schedule or rent their arena time to ride, even if it meant high winds, a pop up thunderstorm, wild life running near the ring (a moose in Alberta, Canada) and domestic pets entering the ring while the tests were being recorded. Cindy Butler, the President of the WDAA, joined the conversation and thought it 10
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would be fun to have a bloopers reel contest. The person with 100 “likes” or more would win a special prize. I quickly made a bloopers video that I thought was pretty funny and posted it on the WDAA page. However, it was nowhere near as funny as the woman from Canada (links to both videos below) who used Tic Toc for some of her clips. It’s downright hysterical! I had to share. All in all, I’m glad that I stepped out of my comfort zone for this experience. It has been a lot of fun. Thank you “World Show Team Blondie” (Willie, Heidi, Bernice and Jason) for your help and patience. I will share my results in next month’s newsletter. In the meantime, I hope you all can get to ride and enjoy the beautiful fall weather. Stay Safe and Happy Trails.
It’s a Wrap!
The Cream Bling Outfit WDAA Facebook Page: https://www.facebook.com/WesternDressageAssociationAmerica/ Blooper Reels: My Bloopers Video: https://youtu.be/6TcH_v6pdbs Tamara Turgeon (warning you will need Depends for this one): https://youtu.be/8f4DUOeDyy0
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News from Outside the Ring Hip Hip for Helmets! I don’t know if you’ve heard but a worldwide coalition of top riders was started to stop the Fédération Equestre Internationale (FEI) from requiring helmets. A little history… In November 2019, the FEI voted (unanimously) to require protective headgear while riding and during the marathon phase of combined driving events, beginning January 1, 2021, which is fast approaching. At the time, the USEF already required helmets at all times while mounted at their own competitions, but because FEI rules supersede USEF rules at FEI competitions, athletes could choose to wear a top hat for dressage at those events. Fast forward to the November 2020 meeting of the FEI General Assembly and a petition filed by 150 of the top riders in our sport was submitted to the FEI to retain the right to wear top hats in “senior high-level competitions”. Their argument was about keeping a tradition. It is important to note, that there were some high-level riders who were vocally against this petition, such as Laura Graves. If you want to see who wanted to risk their neck (and all the kids’ necks who would try to emulate them), see: https://dressage-news.com/2020/10/24/most-of-worlds-leading-dressage-riders-petition-fei-to-keep-top-hat-for-senior-international-competitions/. Thankfully, the FEI was having none of it. They decided not to reopen the issue– stating that the petition was submitted too late. Safety trumped fashion, but don’t expect this to die as there’s a meeting every year and maybe the group will get their petition submitted in time to be considered.
Harmonic Dressage Book Gail Hoff, PhD
Ride Back to Front Master Half Halts Develop Good Feel Correct Flexion, Bending And Much More Buy a Signed Copy at wwww.LosAlamosDressage.com
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Brain Training for Riders by Andrea Monsarrat Waldo, otherwise known as “Tame That Lizard Brain” published by Trafalgar Square Books Reviewed by Ruth McCormick
Over my riding career that began at age 40, I know I am not alone in that I have struggled with confidence issues at key points, which is why I was excited to read this book. Andrea Waldo’s book explains why and how we may be fearful, and provides an amazingly useful array of skillfocused tools for riders and trainers in all disciplines at all levels. She is an eventer, trainer, and psychotherapist whose approach is called StressLess Riding. Part I of her book is about the brain and how stress and our emotions operate. It turns out we all possess what Andrea calls an “inner lizard” that is the body’s alarm system. The “lizard” lives in the amygdala section of our brain. I hadn’t studied brain anatomy in a long time, and she provided a quick refresher on key areas and the parts they play. The amygdala can trigger our “flight or fight response”. While important in life-or-death emergencies, it’s not useful when it blocks our rational brain in less serious situations. Andrea teaches us to train that lizard and improve our riding. This book has many exercises, starting with ones about why we ride and what we do when we are nervous. For me, the exercise of thinking about when we are nervous provided insight into my show experience this summer. In my test, I realize that I breathed rapidly and struggled to use my short sides well to make my trot or canter rhythmic and forward, so I wasn’t well prepared for the next movement and my score reflected that. At home I seem to have plenty of time. While reading Andrea’s book, I learned that my lizard brain was having too much of a say and blocking my rationale brain. Ideas and tools follow each exercise, which I found highly useful.
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“Don’t let the lizard hold the reins” is one of the subtitles of the book. A favorite section concerns watching my language. It’s not that I swear a lot. Rather, I do a lot of negative self-talk, such as “I always mess up my pirouettes (fill in your issue)”. Our brains, especially the lizard part, believe what they hear, true or not. The book creates awareness and teaches us how to use positive-self talk. “I was able to post the trot longer (insert your issue) than yesterday” or “my approach to the jump was straighter” or “when my horse spooked, I got him back in a couple strides and kept my focus”. One of the workers at our barn, who was unaware that I was reading the book, noticed that each day I had told her one or more things that I did better than the ride before. Telling your brain something true and positive will help you improve your skills. Who knew that we have a committee in our heads? Does your committee help or hinder you? Do you tell yourself “you really are a pathetic rider?” Who else is on this committee? Trainers, supporters, critics? Are they constructive? Andrea helps us identify who they are, how they can help or not help us, and as needed, how to replace them with better advocates. Then, Andrea identifies nine brain traps we can fall into and approaches to escape them. Part II of Brain Training gives tools for StressLess Performance. I found the “real self ” versus “performance self ” valuable. Andrea includes techniques for instructing your real self to step aside and enable your performance self to take over. There is a helpful section on setting goals for showing and for improvement. What should your goals look like? As an example, if you and your horse are showing training level, setting the goal of competing at third level next spring is probably not the right goal for you (yet). In contrast, if you are an eventer at beginner novice, setting a goal to improve one or more phases might be suitable preparation for moving to novice level. Planning a strategy includes setting steps to achieve the goal and how you can prepare and compete better. Part III deals with getting over a major confidence loss. Perhaps it was a bad fall that confirmed to your lizard brain its right to take charge. Andrea’s work as a psychotherapist informs these chapters without being overly complex or clinical. She provides insight about your “right horse” by helping you think through what “it” is and some strategies if you conclude you’re riding a wrong horse. There is a section on ‘moving on’ that is helpful for anyone in the horse dreaming or purchasing process. Finally, Part IV targets trainers. It’s useful for those who may not have experienced confidence issues but may coach riders who do. Positive coaching is a valuable section. I’ll just say that it isn’t just about giving positive feedback. An unexpected area is 14
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advice on creating boundaries in your professional lives. My goal is always to ride a little better than the last ride. Rereading Brain Training for Riders to write this review provided me further tips to make riding “StressLess”. I hope you are inspired to make the book a resource for your riding. Brain Training is an excellent companion for this journey, and perhaps, a priceless ‘gift of confidence’ for you or a rider in your life! Note: Brain Training is available from Trafalgar Square, in print or in e-book form from booksellers, Kindle, and others, as well as an audiobook from Glassboxx.
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The Amateur Dilemma By, Meredith Rogers
My very different, but both amateur-friendly, boys It came up at my barn recently the question of what makes a horse “amateur friendly”. At first the answer seemed obvious, but as we dug a little deeper, it became harder to define. We looked around at the horses in our barn. PJ is obviously an amateur’s horse. Just about anyone can get on him, walk, trot, canter, and not die. What about Leo? Well, I’m an amateur, so I would say he’s an amateur-friendly horse by definition. Any intermediate rider who didn’t mind a horse who spooks at sunlight would probably be able to walk, trot, canter, and not die. But someone who didn’t have a good seat or independent aids would most likely not get him to canter and his walk and trot wouldn’t be all that great either. He could also possibly scare, or even hurt, a timid rider who couldn’t handle a spook. Then we looked across the aisle at a big, older warmblood ridden by his amateur owner. Although he’s a schoolmaster, if you don’t know how to ask correctly, you’re not going to go anywhere, but he’s not going to do anything to hurt you, either. After considering the other horses in our barn, amateur-owned or not, we came to a few conclusions. The first is that a horse can be amateur friendly and not a schoolmaster. An untrained horse can still be an appropriate mount for an amateur. Second, there are different kinds of amateurs and some are better riders than others. Some can handle a little naughtiness, can ride bigger gaits, and/or have more experience. Lastly, the one thing all of these amateur-friendly horses seem to have in common is that they don’t panic if their rider makes a mistake. We are all prone to lose our balance, pull a little too much on the right rein or drop the contact completely, jab with our spur a little too hard, swing our whip around, or do a number of other things that make our trainers cringe. However, our horses, no matter how well trained (or not), 16
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don’t get overly worried or scared and then do something stupid. So, how does a horse become amateur friendly, or are they born that way? From my experience it seems like although both nature and nurture play a role, horses seem to be born with an amateur-friendly temperament or they are not. In addition, an amateur-friendly brain can be easily ruined with bad handling. However, I’m not sure that there is enough time and training that can turn a pro horse into an amateur horse. Of course, these distinctions are subjective and relatively arbitrary, and hopefully we’re all mounted on horses that make us happy, regardless of how we classify them.
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Horse Treats By, Meredith Rogers
Horses have been revered for centuries and have also been an integral part of various religions around the world. Epona was the Celtic Goddess of horses, and the Romans adopted her as one of their gods, as well. Her name is derived from the Gaulish word for horse: epos, which comes from the same root as both the Latin word for horse (equus) and the Greek word (hippos). Her name means “Devine Mare,” and is thought to be the root of the word pony. Shrines to her are often found near stables, as she was considered the protector of horses. There was a temple in Rome dedicated to her, and the Romans celebrated a festival in her honor on December 18. The Greeks had numerous horses in their mythology. The Hippoi Athanatoi were the immortal horses of the gods. The majority of these divine steeds, of which there were more than 30 (and one of which was Pegasus), were offspring of the four Wind-Gods (North, South, West, East) that pulled Zeus’ chariot. Because horses were only introduced to Native American culture by Europeans in the 1500s/1600s, there is not a strong mythology built around them. However, Aisoyimstan, the God of Snow and Ice who blankets the earth with frost and snow, of the Blackfoot people of Montana was said to ride a white horse. Horses were also often used to express certain qualities. The horse was thought to represent mobility, stamina, strength, and power, and in some tribes the horse was so revered that the horse also represented loyalty, love, and devotion. Horses are also the subject of legends, such as the Choctow tale of the Wind Horse, which is a story of love between boy and horse and how the horse was given to the Indian people. There is also the Yinnuwok story of the Ghost Stallion where a wealthy chief beats a poor-looking white stallion only to have the stallion transform into a beautiful beast who stole all of the chief ’s horses and sends him on a wild goose chase into eternity to find them.
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BUSINESS MEMBERS Jersey Palms Farm
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177 S. Stump Tavern Road Jackson NJ, 08527 609.213.5745 KWLYNX@comcast.net www.jerseypalmsfarm.com
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EVENT CALENDAR ESDCTA’s Calendar contains the complete and up to date list of ESDCTA’s registered shows. It also contains other activities that ESDCTA feels are important to our community. Click the link to view The Event Calendar
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