ARC 107 BINGYU CHEN PORTFOLIO

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PORTFOLIO

BINGYU CHEN

THE OBJECT HERE IS MY COMPUTER, THE USING OF DETAILS IS THE HIGHLIGHT IN THIS DRAWING. WAIT.. IT DROPPED OFF FROM MY HAND.. THE DRAWING IS DESCRIBING A MOTION OF PICKING THE LAPTOP OFF FROM THE TABLE AND CARRY IT BY HAND. EXERCISE 1 Animate Inanimate “A line is a dot that went for a walk” — Paul Klee PART A: Dissection PART 2: Animation
AND 45 DEGREE
THE
EXERCISE 2 MAPPING SPACE ":WHAT IF WE THINK OUTSIDE THE BOX? "
MAKE THE CUBE
THE CUBE
DETAILS OF THE INSIDE STRUCTURE OF THE CUBE. UNROLL SURFACE
VIEW OF
CUBE THE CUBE WAS DESIGNED TO LOOK LIKE A FRAME WITH CRYSTAL GROWING INSIDE OF IT.
STEP1:
STEP2:REDREW
EXERCISE 3 FORM PART A: PRIMITIVE IMAGE "LEARN TO COMMUNICATE WITH IMAGE" PART B: INTERPRETED FORM "PYRAMID" "TOWER" "DISC" "BOX" "PYRAMID" "TOWER"
"DISC" "BOX" PART C/D: REINTERPRETED FORM "PYRAMID" "TOWER" "DISC" "CUBE"
PROJECT 1 pavalian design PART1: LEARNING FROM EXPERIENCE "YOU ARE DESIGNING AIR" TEAM WORK PHOTO OF ERNIE DAVIS BUILDING. PART2: LEARNING FROM OBJECT I CHOOSE CORVETTE C7 AS MY OBJECT, A AMERICAN SPORT CAR. THE ORIGINAL IDEA OF THE PAVILION WOULD BE A TRACK AND A MINIATURE SET REPRESENTING MIDDLE WEST ENVIRONMENT. PART3: LEARNING FROM RULES THERE ARE THREE DRAWINGS TO SHOW HOW THE PUBLIC WILL INTEREACT WITH THE OBJECT (THE CAR).

PLANS

SECTIONS

IT WAS SO IMPORTANT TO ME TO REALIZE THAT THE MOST IMPORTANT PART IN A PAVILION IS NOT THE STRUCTURE, BUT THE PUBLIC. WITHOUT THE PUBLIC, A PAVILION WOULD BE A STORAGE...

DESIGNING
PART4:
THE AIR

PROJECT 1 pavalian

design

PART4: DESIGNING THE AIR

THE FINAL WORK PUT MORE FOCUS ON THE RELATIONSHIP BETWEEN THE SPACES AND HOW THEY INTERACT WITH EACH OTHER, IN ORDER TO LEAD THE PUBLIC INTO THE PAVILION.

DIFFERENT VOLUMES ARE DIFFERENT FROM SIZES AND PLACEMENT, SERVING FOR DIFFERENT PURPOSES. FOR EXAMPLE, THE LOWEST ONE IS FOR MORE PEOPLE TO GET INSIDE OF IT.

THE SCREENS INSIDE THE VOLUMES ARE PROVIDING VISUAL EFFECTS TO THE PUBLIC INSIDE THE PAVILION.

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