Student Portfolio by chereth hines

PORT STUDENT

FOLIO CHERETH HINES CHANNER

architect

"An must have, the creativity of a designer, the awareness of a sociologist, the practicality of a business person and the timing of a choreographer." -Howard A. Freidman

design

METHODOLOGY This is the methodology used when starting the different design projects. The steps I use and how to approach to the problem given, the design. The methodology in a way is the clear reflection of my way of thinking.

developing the concept in a project

designer

creativity

choreographer

sinthesis desgin development ďŹ nalization

timing combination of discilpnes

"the art of designing" solution to a problem

what is

architecture

Practicality

business person

Awareness

sociologist

representation methods of expression sketches

case studies and references

INDEX The arrangement of this portfolio is based on the methodology in the previous page

CREATIVITYdesigner meditation spots pg.10

G&Y house pg.16

anticipating suspense pg.20

lamp Design pg.24

AWARENESSsociologist

PRACTICALITY business

TIMING choreographer

concrete garden

leisure tower TAU

sketches and ideas

pg.28

pg.42

house Max Bola単os Thom

magazine article pg.34

critical typological

pg.58

mock ups

pg.48

renders / 3D models

apache store design pg.36

pg.60

pg.52

pg.62

structual details pg.54

CREATIVITY of a designer

MEDITATION

SPOTS

DOF workshop (Design optimization and fabrication)

Meditation spots, is a Pavillion located in the lagoon at the Metropolitan Park, La Sabana. The design involves a “bridge” which creates a link between water and earth. A place where .the person is “In between” sensations Created in a strategic point, since this metropolitan park is considered to be a “breather” for the city. Among many urban places, this is a place to breathe and relax. Created with a concept of 3s in mind, which involves three elements in nature, light, wood, and water, a combination of this is what helps the person find their true-self internally and create a direct .bond with their environment A place created where people can relax and practice some sort of relaxation exercises, .near the water The concept of this meditation spots was to create a place as natural as possible, creating a direct relationship with nature. The materials involved in the pavilion’s design where mostly .wood and its accessories

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concept design formation in multiples of

LIGHTstability and brightness WATER order and equilibrium WOODproportion and materiality

FUNCTIONING

WOOD

LIGHT

equilibrium

order

WATER

proportion FORM concept design based on the golden section which gives proportion between the geometric ďŹ gures and nature.

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Pavillion Section View

Pavillion Floor plan

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G&Y

HOUSE

Urban and City Planning Workshop

The design concept of the G&Y house it to create a space that articulates its interior and exterior spaces. By creating different connections and paths which will try to connect all of the houseâ&#x20AC;&#x2122;s .spaces Creating a dynamic path to the different places inside the house. This house had a particular characteristic, which was that the house involved particular activities for the different members of the family. The design was to create spaces that involved Zen and relaxation, depending on these different activities, the house was specially de.signed to fit them

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1 SO CE

SEMI-PRIVATE SPACE

CONVERGENCE

SEMI-PRIVATE SPACE

CONVERGENCE

PRIVATE SPACE

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ANTICIPATING SUSPENSE Zaha Hadid Workshop

The purpose of the workshop was to find interaction between structure and the environment. The main idea was to explore new alternatives for suspended and adaptable systems of pri.mary connectivity, in a three weeked course Section of the model The goal was finding a symbiotic relationship between the different materials and their interaction in the environment, to see the effect of these structures on the costarican environment. In a future this could result as a possible .prototype depending of their main usage The first step was to explore the different materials and their different reactions with the al.tered variables The idea of the workshop was an exploration with the fabrication on the prototypes having in account a different set of variables and the will Total section views change the dynamic and the functionality of the .model The goal was to seeing a functioning system in a living environment such as the forest to see .its interaction The installation of the prototype is a major part of the functionality of the model, since it will de.termine the performance of the model Three models where actually constructed to determine their functionality, and they where .constructed in site Modeling of the prototype using Rhinoceros

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CASSETTE LUMINAIRE The purpose of the clasee was to generate a lamp design using a specific concept to create a direct bond between the concept and the final idea of the lamp. The concept I used was Tranquility, and equilibrium in space. The idea I had in mind, was to create a lamp that when turned on, it would create tranquility in a room. The materials used were old cassette tapes, using the wholes as patterns to create equilibrium and distribute the light throughout the space. The function of this lamp is to serve as a pacifier, to bring calmness inside a space, this done with the circular patterns in the cassettes.

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AWARENESS

of a sociologist

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CONCRETE GARDEN The idea of this project was the creation of an artificial concrete garden for a marginal commu.nity in Barrio Nuevo Barrio Nuevo is a slum in the middle of the urban .city of San JosĂŠ, Costa Rica The idea was to create a space that reflected and produced light since the major problem in their community was their lack of light in the area. The space designed was a concrete garden, which offers light and a place where children can play, while being close to their mothers (since it is a problematic neighborhood) and a place where the same mothers could unite. A recreational meeting space for the community of Barrio Nuevo was created. The concrete garden offers a safe space in the community, and it offers a space of interaction and social connec.tion, which is needed in Barrio Nuevo

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Transversal section

Human Centered Design Methodology

HEAR

CREATE

DELIVER

Desgin concept: The creation of a recreational patio, which will activate the dynamics of the environment, creating a healthy place for the citizens of the neighborhood to start developing in healthy ways. Based on the methodology called:

IDEO

, a mechanism which follows a process of Hear, Create and Deliver, will help organize the different ideas and serve as a concrete strategy for the organization of the site.

Foudation section view

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MAGAZINE Concrete Garden magazine design

Según repetidas visitas al sitio, y aplicando la metodología IDEO y -------------------------- en las entrevistas y métodos de recolección, análisis y síntesis de información se determinaron nueve puntos a intervenir los cuales (según sendas y puntos) fueron desglosados y estudiados a detalle seleccionando así el comedor de los niños como el punto crítico de intervención. También entendiendo que las visitas son de vital importancia, para la sustracción de información y comportamientos generados por los asentados.

A Project designed for the community of Barrio Nuevo

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ARTICLE

The purpose of this excersie was the correct usage of the program indesign. To create a magazine article, that would resemble a real one. The picture taken was got from the internet: www.google.com. The text and the design were done by me, with the purpose of resembling the colors magazine, from United Colors of Benetton.

agree. To be different, aact different and look different. Is it to bad to be me?

MAGAZINE

AM I DIFFERENT BECAUSE OF THE WAY I LOOK Is it that bad to have a voice, an opinion of my own. To disagree while other

Colors Magazine

“I am Unique”

t care”

“I am different, i don’

By: Chereth Hines

www.google.com

Even though we are in the year 2012, in some ways it doesn´t seem that way. There has been advances in medicine, technology, science as in other fields, but the must important one, society seems to be falling behind. People say society has progressed but personally it doesn´t seem that way. We are witnesses of a new era. It seems to be that the year 2012 is all about change, a change in society in how people think, live, dress or even look. This change in society appears to be a physical change, it does not transcend the superficial. People try too hard to look, seem, think and appear different to others. When the truth is, they are just followers of this new trend. “I am different” that is the new motto nowadays. But when difference is really showed, they are ostrasized. You might think the young generations have a whole new and different concept about on multicultural aspects, but the truth is their opinion depends on what the masses think. “Everybody laughs at people that are different” But is being different really a crime? No! the crime is trying

to fit to a mold society made for you and not even questioning it. We live in a prejudice society, and the reality is that everything enters through our eyes. “ If we don’t like what we see, then we don’t like it at all”. We all look the same, act the same and think the same. But do we really all want to be the same? The new trend is have a similar look, and act a certain way, but people do not question beyond the obvious, the looks and physical. People treat you a different way if you do not fit a certain a mold society made for you. Diversity is beautiful, the uniqueness of each and every individual is what makes them differ from the rest. “The world is a field full of different flowers, with different colors, shapes and sizes”, a beautiful place. What would the world look like if we were all the same. We are all different, we have different colors, shapes and sizes, and that’s a world with color, a world with life.

Counter Culture

119

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CRITICAL

TYPOLOGICAL The objetives of the course included the design of a magazine, that included everything viewed in the course. The course consisted in generating criteria in the students, so these would create their personal opinion and defend it on their own perspective in architecture. This is done using examples in our everyday environment, examples we see are used to seeing, we are know analyzing them and generating criteria from an architectural point of view.

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PRACTICALITY of a business person

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LEISURE TOWER

TAU

Urban and City planning workshop

The TAU Leisure tower has the same concept as a mall, but its developed in altitude as a tow.er it was designed as a place for relaxation in the middle of the city's urban movement. It is located in Barrio La California, in San Jose, Costa Rica. This location is known for having a large .amount of commerce and in`dustry This tower will allow the people to practice a new kind of activity in the urban area, and since its main activity is leisure, the whole tower is composed of spaces where people can choose .just to have fun and relax

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TAU

TORRE DE AMENIDADES URBANAS LA CALIFORNIA

COMERCIO

AMENIDAD

CULTURA

URBANO

RECORRIDO

PROYECTO

CIUDAD

ENTRETENIMIENTO

INCLUSIVO

CIUDAD VERTICAL

TAU

LA CALIFORNIA CONEXIÓN DIRECTA

CONEXIÓN DIRECTA

INTENCIÓN VOLUMETRICA

INTENCIÓN

CONEXIONES CON EL CONTEXTO COMERCIO

CINEMATECA BARES BARES COMIDAS AMENIDAD COMIDAS CULTURA COMERCIO COMERCIO GALERÍA

DISTRIBUCIÓN PROGRAMA ENTRETENIMIENTO

INCLUSIVO

RECORRIDO

URBANO

EL PROYECTO DE UNA TORRE DE AMENIDADES EN LA CALIFORNIA, LA CUA RECORR ABARQUE UNA CANTIDAD DE PROGRAMA DIVERSO EL CUAL SEA CAPAZ D ATRAER A TODO TIPO DE USUARIO, DESDE BARES, CAFETERIAS Y RESTAURANTES, HASTA GALERIA Y CINEMATECA. EL PROYECTO SE PLANTEA APARTIR DE LAS CONEXIONES CON SU ENTORNO INMEDIATO YA QUE SE ENCUENTRA EN MEDIO DE IMPORTANTES LUGARES CULTURALES DESPLAZAMIENTO_RELACIÓN DIRECTA ASI COMO LUGARES DE ENTRETENIMIENTO NOCTURNO, ADEMAS DE DESFASE_CONEXIÓN ESPACIOS PROYECTO CONEXIÓN ENTRE CIUDAD CONTAR CON UNA LOCALIZACIÓN CENTRICA. POR LO QUE SE PLANTEAN ALTERNAR ESPACIOS = CONEXIÓN INTERNA DINAMISMO_PUNTOS DE ENCUENTRO ESPACIOS DOS VOLUMENES LOS CUALES CUENTEN CON VISUALES A DIFERENTES PUNTOS TANTO INTERNOS DEL PROYECTO, COMO DEL ENTORNO, LOS CUALES SE DESFAZAN ENTRE ELLOS PARA SIEMPRE CONTAR CON UNA VINCULACIÓN, TANTO FISICA, POR MEDIO DE LOS PUENTES DE PLAZA CIRCULACIÓN ENTRE AMBOS VOLUMENES, COMO VISUAL ENTRE CADA ESPACIO INTERNO. VERTICA

CIUDAD VERTICAL

CONEXIÓN INDIRECTA

UG.1

CHERETH HINES_INGRID LING

CONEXIÓN DIRECTA

INTE

ARQ. SEBASTIAN ALFARO_ARQ. SERGIO ÁLVAREZ_ARQ. CARLOS AZOFEIFA C U LT

E JE E JE

CONEXIÓN VISUAL CU

TET

LT U

EN IM

IEN

TET

EN IM

GALERÍA

CONEXIÓN INDIRECTA

CONEXIÓN VISUAL

IENEJE TO

CONEX VISUAL CONEXIÓN DIRECTA

CULTURAL ENTRETENIMIENTO

CONEXIÓN DIRECTA

CINEMATECA BARES BARES COMIDAS COMIDAS COMERCIO COMERCIO

CONEXIÓN DIRECTA

E UR JE AL

CONEXIONES CON EL CONTEXTO

NCIÓ

INTENCIÓN

INTENCIÓN VOLUMETRICA

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CASA MAX BOLAﾃ前S

Render and 3D modeling design for a house in Zurquﾃｭ

The job consisted in the 3D modeling and render design of a house for a couple in San Josﾃｩ, Costa Rica. I was in charge of the image design and visualization of the house. The model was made first in the program, autocad 3D and was later incerted in another program, Vectorworks 2008, where the model was perfected and there was an incorporation of light and texture. Later on the images where exported from this program, and the details like the people and vegetation where placed using photoshop CS6. This was done to get a complete view of what would the house look like. The job was done working with Paradoxe Arquitectura, a company in Escazﾃｺ, Costa Rica.

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APACHE RACE

STORE The job consisted in doing the design and the 3D modeling for an athletic store in the Arena Trek Gym, in Escazu, Costa Rica. I was in charge of the desgin of the store and later on of the representation and 3D visualization of it. The program used for the modeling of the store was Vectorworks 2008. The model was done, then an incorporation of light and texture was later added. The concept of the store was an underground urban store, since it's theme idea was the concept of Maxx Energy, the energy drink. The store followed the same idea. The job was done working for PCP Promotora, a sports venue company in Santa Ana, Costa Rica.

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DETAILS

0.05 0.3 0.05

Estante de melamina de 5cmts de grosor

0.05

0.3

0.9

Tubo de aluminio de 6cmts. de diámetro.

Enchapado de madera teca de 2x10cmts. 0.2

0.3

The idea of this section is the drawing and representation of details and designs. Using the computer tool. The drawings were done using the Vectorworks 2008 program.

Vista Frontal Esc 1:10

Vis

Esc

1.7

0.3

Enchapado de madera teca de 2x10cmts. Madera de regleta de 5x10cmts puesta vertical. Estructura que soporta el enchapado Granito blanco de 5cmts de grosor.

Estante de melamina de 5cmts de grosor

BTubo de aluminio de 6cmts. de diámetro.

Enchapado de madera teca de 2x10cmts.

Granito blanco de 5cmts. de grosor

Estante de melamina de 5cmts de grosor

0.05

0.3

0.05 0.3

0.9

0.3

0.05 0.3

1.4

Tubo de aluminio de 6cmts. de diámetro.

0.9

0.05 0.3 0.05

0.05

0.3

0.1

0.2

0.4

Madera de regleta de 5x10cmts puesta horizontal.

Granito blanco de 5cmts de grosor.

0.2

Estructura de la isla vista en planta

Esc 1:10

0.05 0.05 0.05

Estr

Esc

0.1

0.02

0.2

Enchapado de madera teca de 2x10cmts.

0.3

Vista Frontal Esc 1:10

Vista lateral derecha

0.1

Esc 1:10

0.05 0.05 0.05

Estructura de madera, sección 5x10cmts.

0.1

0.9

Detalle de la sección B-B Esc 1:5

Estructura de la isla vista frontal

Esc 1:10

Puesto de manera vertical

Madera de regleta de 5x10cmts. para soportar estructura. Puesto vertical. Unión entre maderas: clavado 0.1

0.3

Granito blanco de 5cmts. de grosor

Estructura de la isla vista en planta 0.02

0.3

1.4

Esc 1:10

Granito blanco de 5cmts. de grosor

Unión entre maderas: clavado Puesto de manera horizontal Enchapado de madera teca de 2x10cmts.

Madera de regleta de 5x10cmts. para soportar estructura. Enchapado de madera Sección 2x10 cmts. Puesto horizontal

0.9

0.3

0.2

0.1

0.4

Madera de regleta de 5x10cmts puesta horizontal. B

0.1

Madera de regleta de 5x10cmts puesta vertical. Estructura que soporta el enchapado

0.2

0.05

0.1

0.3

Enchapado de madera teca de 2x10cmts.

Estructura de madera, sección 5x10cmts. Puesto de manera vertical

0.1

0.4

0.1

1 1.7

STRUCTURAL

Granito blanco de 5cmts de grosor.

0.05 0.2

Vista en Isométrico

Vista lateral derecha

Esc 1:10

1 0.4 0.1

Enchapado de madera teca de 2x10cmts.

0.05 0.3

0.9

0.05 0.3

Estante de melamina de Estante 5cmts de melamina grosor de 5cmts de grosor

0.2

Enchapado de madera Enchapado teca de 2x10cmts. de madera teca de 2x10cmts.

Estructura de la isla vista lateral

Esc 1:10

Vista Frontal Esc 1:10

Vista en Isométrico

Vista lateral derecha Vista lateral derecha

Esc 1:10

Unión entre maderas: clavado Unión entre maderas: clavado Enchapado de madera Enchapado teca de 2x10cmts. de madera teca de 2x10cmts.

Granito blanco de 5cmts Granito de grosor. blanco de 5cmts de grosor.

Enchapado de madera Enchapado teca de 2x10cmts. de madera teca de 2x10cmts. Madera de regleta de 5x10cmts. Madera depara regleta soportar de 5x10cmts. estructura. para soportar estructura. Puesto vertical. Puesto vertical.

0.1

Madera de regleta de 5x10cmts. Madera depara regleta soportar de 5x10cmts. estructura. para soportar estructura. Puesto horizontal Puesto horizontal

Madera de regleta de 5x10cmts. Madera depara regleta soportar de 5x10cmts. estructura. para soportar estructura. Puesto vertical. Puesto vertical.

0.1

Unión entre maderas: clavado Unión entre maderas: clavado

Estructura de la isla en isométrico

Estructura de la isla vista Estructura frontal de la isla vista frontal

Esc 1:10

Estructura de la isla vista Estructura lateral de la isla vista lateral

Esc 1:10

0.1 Estructura de madera, sección Estructura 5x10cmts. de madera, sección 5x10cmts. Puesto de manera vertical Puesto de manera vertical 0.1

0.1 0.1

Esc 1:10

0.1

0.05 0.05 0.05

0.1

0.05 0.05 0.05 0.02

1.7

0.9

0.1

Granito blanco de 5cmts. de grosor Granito blanco de 5cmts. de grosor

Estructura de la isla vista Estructura en planta de la isla vista en planta Esc 1:10 0.02

1.7 0.05

Granito blanco de 5cmts. Granito de grosor blanco de 5cmts. de grosor

0.1

0.9

0.9 0.3

0.3

0.2

Madera de regleta de 5x10cmts. Madera depara regleta soportar de 5x10cmts. estructura. para soportar estructura. Puesto horizontal Puesto horizontal

1.4

0.3

0.9

0.3

0.1

0.2

0.2 1 0.1

0.4

Madera de regleta de 5x10cmts Madera de regleta de 5x10cmts puesta horizontal. puesta horizontal.

1.4

0.1

Madera de regleta de 5x10cmts puesta vertical. Madera de regleta de 5x10cmts puesta vertical. Estructura que soporta Estructura el enchapado que soporta el enchapado

0.4 0.1

0.1

0.2

0.1

0.3

Enchapado de madera Enchapado teca de 2x10cmts. de madera teca de 2x10cmts.

ón 5x10cmts. ra horizontal 0.4

0.1

0.05

ón 5x10cmts. nera vertical

Vista en Isométrico

Esc 1:10

1 0.4

1.7

0.05

1.7

0.05

Esc 1:10

0.1

0.3

Estructura de la isla vista frontal

Esc 1:10

Madera de regleta de 5x10cmts. para soportar estructura. Puesto vertical.

Enchapado de madera Enchapado teca de 2x10cmts. de madera teca de 2x10cmts.

Tubo de aluminio de 6cmts. Tubode dediámetro. aluminio de 6cmts. de diámetro.

Esc 1:10

n 2x10 cmts. nera vertical

Madera de regleta de 5x10cmts. para soportar estructura. Puesto horizontal

0.05

0.05 0.05 0.3 0.05 0.3

0.1

0.9

Unión entre maderas: clavado

0.3

0.9

Estante de melamina de Estante 5cmts de melamina grosor de 5cmts de grosor

para soportar estructura. Puesto vertical.

0.9

0.05 0.3 0.05

0.3

0.05 0.3 0.05

0.9

Maderadede regleta de 5x10cmts. Tubo de aluminio de 6cmts. Tubode dediámetro. aluminio 6cmts. de diámetro.

0.05

0.1

Madera de regleta de 5x10cmts. para soportar estructura. Granito blanco de 5cmts Granito de grosor. blanco de 5cmts de grosor. Puesto horizontal

s. de grosor

Vista Frontal Esc 1:10

Madera de regleta de 5x10cmts. para soportar estructura. Puesto vertical.

Granito blanco de 5cmts Granito de grosor. blanco de 5cmts de grosor.

e 5x10cmts

0.3

Granito blanco de 5cmts de grosor.

0.1

Unión entre maderas: clavado Enchapado de madera teca de 2x10cmts.

0.1

esta vertical. enchapado

1.7

Granito blanco de 5cmts. de grosor

0.1

e 2x10cmts.

0.2

0.05

0.1

Estructura de madera, sección Estructura 5x10cmts. de madera, sección 5x10cmts. Puesto de manera horizontal Puesto de manera horizontal

Enchapado de madera Enchapado Sección 2x10 decmts. madera Sección 2x10 cmts. Puesto de manera vertical Puesto de manera vertical

Detalle de la sección B-B Detalle de la sección B-B Esc 1:5 Esc 1:5

55 63 Estructura de la isla enEstructura isométricode la isla en isométrico

Esc 1:10

TIMING

of a choreographer

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SKETCHES AND DRAWINGS

These drawings serve as a representation of my way of designing. How to approach the process of design, using drawings, and sketches. The floor plan and the sections are examples of my design method, and how the first step I take into designing is starting a sketch of how the project will look like.

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Brooklyn and Tap

These paintings are another form of selfexpression . The painting presented were done with acrylic paint. These were done outside the architecture school, but serve as a form of channelizing my thoughts into paper. This is my way of communication, and i express what i have to say through art and painting.

African Goddess

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MOCK

UPS

This section shows some of the examples of mock ups done, by having dominance over the materials used and the construction tecnique.

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Mock up exploration for the Concrete Garden

Mock up exploration for the Concrete Garden 65 63

Mock up exploration for the Concrete Garden

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Mock up exploration for Meditation Spots

The exploration in a three dimentional view through the mock ups, is also another mechanism for design expression and representation. All of the examples presented in these section were different trials of projects seen earlier in the portfolio. The mock up is a very important instrument for design process, it provides a full visualization of how the entire image conception is going to turn out. These models were all made with that purpose in mind.

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Vista Interna COCINA Vectorworks 2008

N째 REGISTRO

RENDERS PROYECTO :

PROPIETARIO:

PROVINCIA

Hospital

Natalia Arguedas Chereth Hines Cinthya Jinesta Jose Miguel Naranjo CANTON

DISTRITO

ARQ./ING.:

Vectorworks 2008

Vista Interna SISTEMA CONTRA INCENDIOS

DIBUJO:

Vectorworks 2008

PROFESIONAL RESPONSABLE NOMBRE: FIRMA.

REG. #

PROFESIONAL RESPONSABLE DIRECCION TECNICA

NOMBRE:

Design and 3D modeling with use of softwares. FIRMA.

REG. #

INFORMACION REGISTRO PUBLICO PROPIETARIO: N째 CATASTRO: SITAS:

N째 REGISTRO

CONTENIDO

ESCALA

FECHA

LAMINA 1-1

PROYECTO :

PROPIETARIO:

PROVINCIA

Hospital

The 3D modeling representation tool. These renders where done in two programs, in Vectorworks 2008 and in Sketchup. The idea of these images, is to create a simulated space look as real as possible. This done with the modeling tools.

Natalia Arguedas Chereth Hines Cinthya Jinesta Jose Miguel Naranjo CANTON

ARQ./ING.:

DIBUJO:

DISTRITO

PROFESIONAL RESPONSABLE NOMBRE: FIRMA.

REG. #

PROFESIONAL RESPONSABLE DIRECCION TECNICA

NOMBRE:

Vectorworks 2008

Sketchup

Vista Interna SISTEMA CONTRA INCENDIOS

FIRMA.

REG. #

INFORMACION REGISTRO PUBLICO PROPIETARIO: N째 CATASTRO:

Vectorworks 2008

Sketchup

SITAS: CONTENIDO

ESCALA

FECHA

LAMINA 1-1

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Vista Interna COMEDOR Vectorworks 2008

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Vectorworks 2008

a small glance at the work done in architecture school

Student Portfolio Student Portfolio