CHIA CHI CHANG interior design portfolio
Chi Chi Chang 949.423.4651 cc.chang.design@gmail.com chiachichangdesign.com
Academy Of Art University Course: IAD450 Portfolio Preparation Instructor: Chamindri Wijemanne
Photography: Google, Pinterest Fonts: Mr Eaves Mod OT, Soleto, Georgia, Fira Sans Softwares: Photoshop, InDesign, Illustrator Printer & Bindery: Blurb
COPYRIGHT © CHIA CHI CHANG 2017 All rights reserved. No part of this book may be reproduced or used in any manner without written permission of Chia Chi Chang.
Biography about me Born in Taiwan, Tainan city. My name is Chia Chi (Nicole) Chang. I studied and graduated from Interior Architecture and Design major in San Francisco. Being an interior designer does not only change my life, but it also changes how I see things. My favorite part of interior design is to create spaces for people to enjoy and relax. I am passionate in hospitality and commercial design. I love to pay attention to the sustainability aspect of design. I believe there is always room for improvement. I am looking forward to continue learning and improving myself to be a better designer.
this book Contains select academic works during my time attending interior architecture and design school in San Francisco and the select work in the IIDA Design Charette. Additionally, a small part of it is dedicated to show different skillsets in graphic design that compliment my interior design knowledge.
what I can do Autodesk Revit
Archicad
Autodesk 3Ds Max
Vectorworks
Adobe In Design
MS Office Suite
Adobe Photoshop
SketchUp
Adobe Illustrator
Hand Drawing Skills
c o nt e n t s
Ki n de r g a r t e n
C o r po r a t e
AU ST IN INT ACADEMY
NATIONAL GE O GRAPH IC
10
56
Ho sp i t a l i t y
Res i dent i a l
LIV SENIOR HOSING
M AR IOT TO R E SI DEN C E
16
74
R et a i l
C o m pet i t i o n
MARKE T BEYOND
I I DA DE SIGN C H AR E T TE
36
90 C o ns t r uct i o n D o c
R E SI DEN TI AL 96
/Hospitality/
/REMODEL/
AUSTIN INT. ACADEMY
82
Backpack D esign 12
LOGO / BRANDING
Uni f or m
Befo re Re m o deli ng
Af t e r Re m o deli ng
Ske t ch up re nderi ng
Before / After
13
f ront e nt ra n ce
14
front entrance design
Res t ro o m D es i g n
Kid restroom design
15
/Hospitality/
LIV SENIOR HOUSING
17
/Hospitality/
LIV SENIOR HOUSING I want to remind them their happiness is coming their way. At the same time, I want to also incorporate the life cycle of crane into this project which starts with nothing throug learning how to talk and walk.
Mar in a D is t r ic t , San Fran c is co, CA
19
Cra ne
DESIGN CONCEP T
Crane My concept behind the design is incorporating
home. I want to remind them their happiness is
the bird crane. The crane is a symbol of long life,
coming their way. At the same time, I want to
prosperity and luck. Also, it thought to be a symbol
also incorporate the life cycle of crane into this
of freedom. They can walk on the earth and swim in
project which starts with nothing throug learning
the sea as humans do, but they also have the ability
how to talk and walk. Then, we start dreaming
to soar into the sky. Birds are free to roam to earth
for our own future and try to grow mature until
and the sky. Many cultures believe that they are a
we find a partner that we want to spend the rest of
symbol of eternal life; the link between heaven and
our life and building the family together. Last but
earth.
not least, we accomplish our job and everything
For this senior housing project, I want the resident
goes back to the beginning.
who lives in the house can feel warm like their
21
design development The basic idea of what is good for elderly care
70” so I want to design a place which fits that wise
(aside from living at home as long as possible)
saying. First I look at the name of place “LIV”.
Stimulation through music, films, reading, painting
The word is Swedish which means “life”. Live In
and other cultural activities also plays a role in
Vitality that is what I want for seniors we live at this
well-being. This is increasingly recognised in
establishment. The reason I choose Swedish word
elderly care homes where many people engage
is because Sweden is ranked the best for elderly
in at least one such activity every day. These are
care which is what I will model after. This place will
some of my concepts behind the my senior housing
provide the best care for all the seniors who will
project. To start, People usually associate seniors
live here. I believe I can provited a design project
with dying in body, spirit or mind or simply put it
where seniors’ life are to be live in vitality, life will be
lifelessness. But why does it have like that? There
prolonged in meaningful ways.
is a saying in Chinese “ life starts at the age of
23
T he path o f li f e
5
1. The begning of the life Lobby
5
2. Early Childhood Kids Care 3.Late Childhood
Top Floor
6
1st Floor Gym 4. Adolescence 1st Floor public cafe area 2n Floor Community area 5. Middle Adulthood Roof Garden Public BBQ Area 6. Late Adulthood 1st Floor Assiceted Units
4
6
2nd Floor
2nd Floor Independent Unites
1 4 3 24
2 Building Floor Plan | LIV Senior Housing
1st Floor
Assist ed Bedroom Balcony Living Room Area Assisted Design Bed ADA Kitchen Design Closet
ADA Bathroom Extra Storage
Indep endent Bedroom Balcony Living Room Area Bedroom Pantry
Closet
Kitchen Bathroom
Unit Floor Plans | LIV Senior Housing
25
Lobby | LIV Senior Housing
27
Coffee shop | LIV Senior Housing
29
30
Independent Unit | LIV Senior Housing
32
Assisted Unit | LIV Senior Housing
/Retail/
MARKET BEYOND
/Retail/
37
MARKET BEYOND
/Retail/
A new multifunctional retail space that includes restaurant, market, coffee shop, and prepared foods in Mission Bay San Francisco.
Mis s ion B ay, San Fran c is co, CA
39
DESIGN CONCEP T
porcupine Porcupine is a very unique animal which has all
the quills protruding to protect themselves. At
the principles design element that a good interior
the same time, the quills are easy to fall when
design needed. First, Porcupines have soft hair,
touched. In the design term, it means we can
but on their back, sides and tail usually mixed
transform the same space very easily. Last but
with sharp quills which create a great contrast
not least, because this animal has a unique shape
between soft and sharp into the space. Second,
which associated with minimalism, simple, and
at the back of the quills create a very nice
clean lines. It allows the designer to minimize the
repetition. Once we apply design into the space.
design, but at the same time it helps the product
The atmosphere of the space becomes more unity
become a focal point and create a nice balance
and harmony. Next, usually the quills typically
for the entire space.
are flat until they feel dangerous. They will have
41
design development Tony Riviera is the client for this project. He owns
food. At the same time, they also need to have
and operates over 100 restaurants. Now one a
some displays for the prepared food and the produce
place that he purchased is under construction.
section, and some shelving for the groceries. He needs
He wants to open a market which combining a
one office that allows 2-3 people to working in.
restaurant and café area into the space. It will be
The goal for this market is to catch young, foodie
a casual restaurant which serve breakfast, lunch,
hipsters which around 20-30 years old. Last, he
and dinner. It will also include a marketplace for
wants this place is not only serve very high quality
customers to buy groceries and prepared food.
products, but also a comfortable environment for
The restaurant required an open kitchen with a
their customers.
pizza oven where they can cook for the prepared
43
44
Space Planning | Market Beyond
Progra m 1. Prepared Food Meat / Sea Food / Sushi Cases
1
2
3
Cafe togo Area Kitchen-Pizza Oven Seating Area Grab n Go 2. Cafe Order Pick up Checkout Seating 3. Market Display For Find Food Window Display Office Checkout Area Wine Area
Floor Plan | Market Beyond
45
Prepared Food | Market Beyond
47
48
Cafa | Market Beyond
50
Market | Market Beyond
1
Top View
3
2
Front View
Side View
Custom shelve | Market Beyond
51
52
Cafe Elevations | Market Beyond
Branding | Market Beyond
53
54
Prepared food elevation | Market Beyond
Sketches | Market Beyond
55
/Corporate/
NATIONAL GEOGRAPHIC
57
/Corporate/
NATIONAL GEOGRAPHIC Corporate office headquarter design for the National Geographic. Laid on two stories, the program consists of an exhibiton space, shop, and coffee bar in addition to the designated office spaces.
P re s id io, San Fran c is co, CA
59
DESIGN CONCEP T
growing process of mushroom There are so many things that you can do with
and converted it to something else. In terms of
Fungus such as food, medicine, textile, fiber,
the client, the most important thing to National
packaging materials, and biofuel. What I found
Geographic is to deliver the world issues to their
the similarity about the client and Fungi are both
audience and giving the community the right
have many different uses. By applying Fungi to
knowledge about the new solution.
the design we can create very interesting pattern, texture, and color. Those elements can bring the design of the interior more alive and interacting with the visitors. One of the most excited part about fungus is that it has this potential to unlock the biological material that’s a waisted product
61
design development National Geographic is a global organization that
high quality photographs, their real quality lie on
involves in many things related to exploring and
the honesty in them that connect with the viewers
protecting our planet. Some of the things that
and tell a story about the wonder of our planet, or
they do are exploration, education, conservation,
a message of the reality happening in our planet. In
museum exhibitions, visual media (magazines,
this project, we would cover three different things:
movies, books), sustainability, and photography. I
exhibition, workspaces, and store.
feel that the most special thing about them is their approach in presenting their images. They present far more than simply high quality and stunning photographs. Among many other stunning and
63
Small Meeting
Exhibition Private office Lobby Work Space Store
Cafe
Conference Room Restroom
Restroom
Public Space
Copy/Print RM Reception Coffice Kitchen Office Space
Light Connection Medium Connection Strong Connection Private Connection
64
Space Planning |
National Geographic SF HQ
First Floor / Floor Plan
First Floor / R.C.P.
Second Floor / Floor Plan
Second Floor / R.C.P
Floor Plans, RCP | National Geographic SF HQ
65
Lobby | National Geographic SF HQ
67
Cafe,Kitchen | National Geographic SF HQ
69
70
Break Room | National Geographic SF HQ
/Residential/
/Residential/
MARIOTTO RESIDENCE
75
/Residential/
MARIOTTO RESIDENCE A single occupant apartment unit at the Laurel Heights neighborhood in San Francisco. The unit is located in a three story residential building and offer a beautiful view of San Francisco from uphill.
Laurel He ight s , San Fran c is co, CA
77
Inter section
DESIGN CONCEP T
intersection
The design concept is inspired by the client himself who works in several different industries and businesses at once, as if he is in the middle of intersecting roads. Intersecting lines and dots that represents them cleanly is the main elements in the design approach. They are translated into many different interior elements, such as ceiling, room divider, as well as characters of the furniture that are chosen in this project.
79
design development The basic idea of creating this interior is using lines and dots to create simple shape. Each area has different line elenments. I used white marble throw out the whole space for the main material.
81
Master Bedroom
Master Bathroom Dining/Kitchen
Closet
Restroom
Livingroom
Meeting Area
Work Space Light Connection Medium Connection Strong Connection Private Connection
82
Space Planning | Mariotto Residence
Material Library
Mariot t o's Up p er Uni t Dining Area Master Bathroom Master Bedroom Kitchen
Bathroom Closet Living room
Home office
Meeting area
Material Library
Floor Plan | Mariotto Residence
83
84
Living Room | Mariotto Residence
Dining room | Mariotto Residence
87
88
Master Bedroom | Mariotto Residence
/Competition/
2016 DESIGN CHARETTE
89
90
2016 Design Charette
/Competition/
WESTERN REGION STUDENT DESIGN CHARETTE Screen Printing is a printing method where colors are applied one at a time to produce a multi-colored image. each color is essential, similar to show each individual in the office takes part in the collaboration. To produce innovative design solutions, the office for proof combines this old technique of screen printing, and the evolving workstyles / technology to create a dynamic, collaborative space.
Int e r ior Archit e c t ure , Seat t l e , WA
94
2016 Design Charette
/Competition/
INTERNATIONAL STUDENT DESIGN CHARETTE This raw space will be transformed into a flexible environment that highlights the city and the diversity within it. Taking inspiration from the stunning view within the space, the phint at the market will evolve into a hub for local retail, tourism information, and a unique event space.
IIDA Headq uar t e rs , Chic ago, IL
/residential/
CONSTRUCTION DOCUMENTS
89
GENERAL REQUIREMENTS:
GENERAL NOTES:
PROJECT INFORMATION:
1A. GENERAL: THESE DRAWINGS AND SPECIFICATIONS ARE WRITTEN TO DESIGNATE CERTAIN PRODUCTS AND METHODS OF EXECUTION BUT ARE NOT INTENDED TO BE COMPLETE AND COVER ALL ITEMS OF CONSTRUCTION. THE CONTRACTOR SHAL USE REGIONALLY RECOGNIZED STANDARDS AND PROCEDURES IN HIS CONSTRUCTION UNLESS OTHERWISE SPECIFICALLY CALLED FOR. IN CASE OF QUESTION, NOTIFY ARCHITECT.
1). FINISHED GROUND SURFACES SHALL BE GRADED TO DRAINAGE THE FINISHED SITE PROPERLY. FINISHED GROUND SLOPE WITHIN FIVE FEET OF THE BUILDING OR STRUCTURE SHALL SLOPE AWAY AT A 5%. ALL EXTERIOR HARD SURFACES (INCLUDING TERRACES) SHALL BE INSTALLED WITH A 1% MINIMUM SLOPE AND SHALL DRAIN AWAY FROM THE BUILDING. DRAINAGE SWALES SHALL HAVE A MINIMUM SLOPE OF 1.5%. MAXIMUM ALLOWABLE GRADED SLOPE IS 3 HORIZONTAL TO 1 VERTICAL (33%)
OWNER: ADDRESS:
1B. CODES: ALL CONSTRUCTION SHALL CONFORM TO THE UNIFIED BUILDING CODE AND SHALL BE COMPLETED IN STRICT ACCORDANCE WITH ALL LOCAL AND STATE BUILDING CODES AND REQUIREMENTS.
2). LOT GRADING SHALL CONFORM AT THE PROPERTY LINES AND SHALL NOT SLOPE TOWARD PROPERTY LINES IN A MANNER WHICH WOULD CAUSE STORM WATER TO FLOW ONTO NEIGHBORING PROPERTY. HISTORIC DRAINAGE PATTERNS SHALL NOT BE ALTERED IN A MATTER TO CAUSE DRAINAGE PROBLEMS TO NEIGHBORING PROPERTY.
1C. ERRORS AND OMISSIONS: THE CONTRACTOR SHALL NOT TAKE ADVANTAGE OF ANY UNINTENTIONAL ERROR OR OMISSION IN THE DRAWING OR SPECIFICATIONS. THE CONTRACTOR SHALL BE EXPECTED TO FURNISH ALL NECESSARY MATERIAL AND LABOR THAT ARE NECESSARY TO MAKE A COMPLETE JOB TO THE TRUE INTENT OF THE CONSTRUCTION DOCUMENTS. THE CONTRACTOR IS RESPONSIBLE TO BRING ANY DISCREPANCIES TO THE ATTENTION OF THE ARCHITECT IN WRITING. 1D. DIMENSIONS AND SCALE: THE CONTRACTOR SHALL BE RESPONSIBLE FOR VERIFYING EXISTING CONDITIONS, DIMENSIONS AND ELEVATIONS PRIOR TO START OF CONSTRUCTION. WRITTEN DIMENSIONS ARE TO TAKE PRECEDENCE OVER SCALED DIMENSIONS AT ALL TIMES. SIMILAR DETAILS SHALL APPLY AT SIMILAR CONDITIONS. LARGE SCALE DRAWINGS ARE TO TAKE PRECEDENCE OVER SMALLER SCALE DRAWINGS. NO DEVIATION FROM THE DRAWINGS SHALL BE MADE EXCEPT WITH THE CONSENT OF THE ARCHITECT. 1E. CONSTRUCTION OBSERVATION/ REVIEWS DEFINITION: CONSTRUCTION OBSERVATION AS USED IN THESE SPECIFICATIONS MEAN VISUAL OBSERVATION OF MATERIALS, EQUIPMENT AND CONSTRUCTION WORK ON AN INTERMITTENT BASIS TO DETERMINE THAT THE WORK IS IN SUBSTANTIAL CONFORMANCE WITH THE CONTRACT DOCUMENTS AND ITS DESIGN INTENT. SUCH OBSERVATION DOES NOT CONSTITUTE ACCEPTANCE OF THE WORK NOR SHALL BE CONSTRUED TO RELIEVE THE CONTRACTOR IN ANY WAY OF HIS RESPONSIBILITY TO PROVIDE AND INSTALL ITEMS AS CALLED OUT IN THE DRAWINGS AND SPECIFICATIONS. 1F. GUARANTEE: ALL LABOR, MATERIAL AND EQUIPMENT SHALL BE GUARANTEED FOR A MINIMUM PERIOD OF (1) ONE YEAR FROM DATE OF ACCEPTANCE AGAINST DEFECTS IN WORKMANSHIP AND/OR MATERIALS, UNLESS OTHERWISE STATED OR NOTED, WHERE THE STATUTE OF LIMITATIONS APPLIES, IT SHALL TAKE PRECEDENCE.
HONGTAO YU, YING ZHAO 36005 BETTENCOURT ST, NEWARK, CA 94560 814.470.2801, 510.585.7831 HTEN999@GMAIL.COM ZHAO5200@GMAIL.COM
SHEET INDEX ID A-1.0
Uniform Mechanical Code)
A-1.1
EXISTING / PROPOSED SITE PLAN/
• 2019 California Plumbing Code (Based on the 2018 Uniform
A-1.2
EXISTING/DEMO FLOOR PLAN
Plumbing Code)
A-1.3
EXISTING ELEVATIONS
A-1.4
PROPOSED FLOOR PLAN
A-1.5
PROPOSED ELEVATIONS/ SECTION
• 2019 California Electrical Code (Based on the 2017 National Electrical Code) • 2019 California Existing Buildings Code • 2019 California Fire Code (Based on the 2018 International
DESIGNER: COMPANY: CONTACT: EMAIL:
KAREN ZHENG, CHIA CHI CHANG SAYHOMEE DESIGN 510.316.8687, 949.423.4651 NICOLE201245@GMAIL.COM
3). NEW RAINWATER DOWNSPOUTS SHALL BE DISCONNECTED AND DIRECT RUNOFF TO A LANDSCAPED AREA. DOWNSPOUTS MAY BE CONNECTED TO A POP-UP DRAINAGE EMITTER IN THE LANDSCAPED AREA OR MAY DRAIN TO SPLASH BLOCKS OR COBBLESTONES THAT DIRECT WATER AWAY FROM THE BUILDING.
STRUCTURAL ENGINEER:
SEZEN & MOON STRUCTURAL ENGINEERING, INC
4). CONTRACTOR IS RESPONSIBLE FOR DUST CONTROL AND INSURING THE AREA ADJACENT TO THE WORK IS LEFT IN A CLEAN CONDITION.
CONTACT: EMAIL:
5). ALL DOWNSPOUTS TO BE RELEASED TO THE GROUND SURFACE, DIRECTED AWAY FROM BUILDING FOUNDATIONS AND DIRECTED TO LANDSCAPED AREAS.
PROJECT DATA TABLE:
1725 ROGER AVE, SAN JOSE, CA 95112
ENERGY COMPLIANCE NOTES: 1. HIGH EFFICACY LIGHTING MUST BE SWITCHED SEPARATELY FROM LOW EFFICACY LIGHTING. 2. ALL RECESSED LUMINARIES IN INSULATED CEILINGS. SHALL BE IC RATED, ELECTRONIC BALLAST AND AIR-TIGHT (AT).
SUPPLEMENTARY CONDITIONS:
2. THE CONTRACTOR SHALL FIELD INSPECT THE JOB SITE PRIOR TO COMMENCEMENT OF WORK AND SHALL ADHERE ACCESS, SAFETY AND THE USE OF THE FACILITIES AS SET BY THE BUILDING OWNER, BUILDING DEPARTMENT AND ALL OTHER LOCAL AGENCIES. 3. THE CONTRACTOR SHALL PROVIDE ALL WORK AND MATERIAL IN ACCORDANCE WITH ALL FEDERAL, STATE AND LOCAL CODES PER INDUSTRY STANDARDS UNLESS NOTED OTHERWISE. ALL PRODUCTS SHALL BE USED PER MANUFACTURERS RECOMMENDATION.
• 2019 California Historical Building Code International Building Code)
NET LOT SIZE:
8,400 SQ. FT
(E) FLOOR AREA:
1,335 SQ. FT
(P) ADDITION: LOT COVERAGE:
NO (E) FIRE-SPRINKLER
International Residential Code)
A-1.6
PROPOSED ROOF & RCP
A-1.7
GENERAL NOTE
T-24
TITLE 24
T-24
MM-1
S 1.0
GENERAL NOTES
S 1.1
HOLDOWN DETAILS
S 1.2
MISC. CONC. DETAILS
S 1.3
SWS + DETAILS
S 1.4
CONVENTIONAL FRAMING DETAILS
S 2.0
FDN. AND 1ST FLR. FRM. PLAN
S 2.1
SHEAR-WALL PLAN
S 2.2
FND. AND FLR. FRAMING DETAILS
S 3.0
FOOF AND CLG. FRAMING PLANS
S-1.4
CONVENTIONAL FRAMING DETAILS
ZHAO RESIDENCE
STORIES: USE: OCCUPANCY: ZONING: TYPE OF CONST:
92A-513-12 36005 BETTENCOURT ST NEWARK, CA 94560 1 SINGLE-FAMILY RESIDENCE R-3/U R1-6 V-B
(E) GARAGE 1. THE CONTRACTOR SHALL THOROUGHLY EXAMINE THE PREMISES AND SHALL BASE HIS BID UPON EXISTING CONDITIONS. ALL EXISTING CONDITIONS SHALL BE VERIFIED FOR COMPATIBILITY WITH HIS NEW CONSTRUCTION SHOWN HEREIN. IN THE EVENT THAT DISCREPANCIES ARE FOUND IN THE DRAWINGS, THE ARCHITECT SHALL BE NOTIFIED BEFORE WORK CAN PROCEED.
• 2019 California Energy Code • 2019 California Residential Building Code
• 2019 California Residential Code (Based on the 2018 408-871-7273 KAREN@SAYHOMEE.COM
APN #: ADDRESS:
6). PROVIDE 5% MIN. SLOPES FOR GRADE AWAY FROM FOUNDATIONS AND DRAINAGE AWAY FROM ADJACENT PROPERTY LINES.
Fire Code)
• 2019 California Green Building Standards Code, also known as CALGreen • 2019 California Building Code (Based on the 2018
ADDRESS:
NAME COVER SHEET
• 2019 California Mechanical Code (Based on the 2018
36005 BETTENCOURT NEWARK, CA 94560
457 SQ.FT
494 SQ.FT 1,335+457+494= 2,286/8,400=0.27%
MAP
SCOPE OF WORK: 1. (P) NEW A/C CONDENSOR 2. REPLACE(E) FURNACE TO NEW 3. (P) 494 S.F ADDITION ATTACH TO MAIN HOUSE 4. REDUCE FRONT ENTRACE DOOR SIZE
N
1G. CLEAN - UP: CONTRACTOR SHALL BE RESPONSIBLE FOR CONTINUOUS REMOVAL AND DISPOSAL OF ALL CONSTRUCTION DEBRIS. ALL ITEMS SHALL BE LEFT FREE FROM ALL FOREIGN MATTER. AT COMPLETION, HOUSE SHALL BE PROFESSIONALLY CLEANED.
APPLICABLE CODES: • 2019 California Building Code Volumes 1 & 2
CONTACT: EMAIL:
4. ANY PORTION OF THE EXISTING BUILDING, SITE OR LANDSCAPING DAMAGED BY THE CONTRACTOR OR HIS SUBCONTRACTORS SHALL BE RESTORED TO THE CONDITION PRIOR TO DAMAGE AT NO COST TO THE OWNER OR TENANT.
LEGEND PROPERTY LINE - E - ELECTRICAL POWER LINE
- CW - COLD WATER LINE
D W
TREE PROTECTION ZONE DOOR SCHEDULE WINDOW SCHEDULE
RWL RAIN WATER LEADER (E)
EXISTING
(N)
NEW
(R)
REMODELLED
APN NUMBER
7. THE GENERAL CONTRACTOR SHALL BE RESPONSIBLE FOR ALL WORK REQUIRED TO COMPLETE THE WORK, INCLUDING, BUT NOT LIMITED TO:
- G - GAS LINE TPZ
5. NEITHER THE ARCHITECTS REVIEW OR APPROVAL OF SHOP DRAWINGS SHALL RELIEVE THE CONTRACTOR FROM THE RESPONSIBILITY FOR DEVIATIONS FROM THE INTENT OF THE DRAWINGS AND SPECIFICATIONS UNLESS AGREED TO BY ARCHITECT IN WRITTEN FORM. 6. THE CONTRACTOR IS RESPONSIBLE FOR COORDINATION OF ALL WORK IN THE FIELD TO ENSURE TIMELY COMPLETION OF THE PROJECT.
- S - SEWER LINE
DATE
i) ALL WORK REQUIRED TO PREPARE FOR NEW WORK. ii) THE REMOVAL OR RELOCATION OF ALL EXISTING PIPES, CONDUITS, WIRES, ETC. AS REQUIRED IN ORDER TO COMPLETE THE WORK. iii) ALL TEMPORARY SHORING REQUIRED DURING CONSTRUCTION TO ALLOW FOR NEW WORK. iv) THE PROTECTION OF THE WORK FROM ANY DAMAGE DUE TO FIRE, WEATHER OR VANDALISM. v) THE REMOVAL OF ALL DEBRIS AND EXCESS MATERIAL AND BROOM CLEANING EACH AREA AFTER WORK IS COMPLETED.
92A-513-12
Tuesday, May 3, 2022
PLAN CHECK
BID DATE
FINAL PERMIT
REVISIONS
PLAN PREPARED BY: SAYHOMEE 1725 ROGERS AVE, SAN JOSE, CA 95112 (0) 510.316.8687 KAREN@SAYHOMEE.COM NICOLE201245@GMAIL.COM
UON UNLESS OTHERWISE NOTED BO
SYMBOL LEGEND THIS DRAWING AS AN INSTRUMENTOF
DETAIL NUMBER 2. A1
BY OWNER
SERVICE, IS AND SHALL REMAIN THE
DETAIL CALLOUT
VIF
VERIFY IN FIELD
FF
FACE OF FINISH
AFF
PUBLISHED, OR USED IN ANY WAY
SHEET NUMBER
#DrgID #LayID
REVISION NUMBER
ABOVE FINISH FLOOR TYPICAL
WITHOUT THE PERMISSION OF THE
SECTION CALLOUT
DESIGNER.
SECTION NUMBER
COVER SHEET REVISION CALLOUT
RI
REVISED AREA ROOF SLOPE ANGLE
TYP
PROPERTY OF THE DESIGNER AND SHALL NOT BE REPRODUCED,
SHEET NUMBER
OCPI OWNER PROVIDE, CONTRACTOR INSTALL
6.5:12
SLOPE DIRECTION
ROOF SLOPE
A-1.0
NOTE: DIMENSIONS SHOWN ARE MINIMUM AND ARE INTENDED TO BE APPROXIMATE TO ALLOW FOR REASONABLE TOLERANCES DUE TO FIELD CONDITIONS. PAGE:
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construction set
acknowledgements There are so many of you that come right to my mind that undoubtedly you are part of my journey through my time completing my degree and part of my growth as a designer and as a person. I really wish I can write all of your names, but of all, I want these people to know that they are truly special to me throughout my time earning my degree. I am greateful that I had the chance to know you, learn from you, and experience kindness.
Archana Myer, Grover C, Agustin Sanders, Chamindri Wijemanne, Mark Miller, Rebecca Spiro, Christopher Guevarra, Chandler Bonney, Wu mama, Jun, Cindy, Steffie Wu, Anson Shen, Summer Fang, Nico Lam, Larissa Chang,
and finally, my parents and siblings,
Thank you.