Program Book - CSO for Kids: Sound Waves

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CHICAGO SYMPHONY ORCHESTRA kidsbook

CSO for Kids: School Concerts

May 10, 2024 | 10:15 & 12:00

CSO for Kids: Family Matinees

May 11, 2024 | 11:00 & 12:45

This concert features marvelous music to help us explore the world of water. Join us as we ride on waves, boat on rivers and dive deep into the ocean. Then, grab an umbrella and float up to the clouds and inside raindrops as the members of the Chicago Symphony Orchestra use sound to convey the source of life.

PERFORMERS

Chicago Symphony Orchestra

Tania Miller conductor

ON THE PROGRAM

Selections from

WAGNER Das Rheingold

SAINT-SAËNS The Carnival of the Animals

SIBELIUS Symphony No. 1

TCHAIKOVSKY Waltz from The Sleeping Beauty

MENDELSSOHN The Hebrides Overture

MILLER Under Sea, Above Sky

SMETANA The Moldau from Má vlast

HOLST The Planets

STRAVINSKY Suite from The Firebird

CSO for Kids: 2

4 5
Sound

Wav es

*answers on page 6

ACROSS*

3 a body of water completely surrounded by land

5 a group of notes played one after another the bodies of water that cover 70% of the Earth’s surface

8 a flowing body of water that empties into a sea or ocean

DOWN*

1 frozen bodies of water

2 a person who writes music

4 a group of notes that make a tune

6 a member of the brass family

3
2 1 3 6 8

As you listen to Das Rheingold by Richard Wagner, notice that it starts with a single note, just like the beginning of life on Earth.

In Tchaikovsky’s Waltz from Sleeping Beauty, you can really hear the waves of sound washing over you. Listen as the music changes and flows, moves up and down and creates all kinds of shapes, just like water.

After a few billion years, the oceans begin to teem with fish. The Aquarium, by Camille Saint-Saëns, gracefully portrays schools of fish swimming in the ocean by using two pianos playing running arpeggios, while the flute sings the melody.

Just as the ocean continues to evolve today, the same is true for music. Today, Symphony No. 1 sounds different than its first performance because Jean Sibelius, the composer, revised it. You could say he had an evolution in his thinking.

CSO for Kids: SOUND WAVES 4

We used to think that water was only found on Earth, but NASA’s Rover discovered that there was once water on Mars. Think about where else water might be found in the universe as you listen to Mars by Gustav Holst.

Music and water both have moods and emotions. In fact, Felix Mendelssohn was so moved when he saw Scotland’s Hebrides Islands that he immediately wrote the opening theme to The Hebrides Overture. Do you hear the furious ocean waves crashing into the cave?

Bodies of water can take many forms, and The Moldau, by Bedřich Smetana, is about a river in the Czech Republic. This music flows and changes and takes us on a magical journey down the river.

Jared Miller composed Under Sea, Above Sky as an ode to planet Earth. Inspired by the songs whales sing to communicate with each other, Miller uses the instruments of the orchestra to represent these majestic animals.

5

Life as we know it would not exist without water, and The Firebird, by Igor Stravinsky, beautifully captures the importance of this unique natural resource. Listen as the piece begins with a single note played by the horn. Then, the flute, the strings and the brass join in until the orchestra creates a sound wave that unites us all together like single drops of water in the vast ocean.

Meet the

tania miller

Tania Miller is music director emerita of the Victoria Symphony in Victoria, British Columbia, Canada, and was recently named interim principal conductor of the Rhode Island Philharmonic Orchestra.

Tania has appeared as a guest conductor in Canada, the United States and Europe with such orchestras as the Toronto Symphony, Seattle Symphony and Bern Symphony Orchestra (Switzerland), among many others.

Raised in Saskatchewan, Canada, Tania began studying piano and organ at age 8. She became the organist and choir conductor at her church when she was 13.

As associate conductor of the Victoria Symphony, Tania was the first woman appointed to lead such an orchestra.

ANSWERS FOR PAGE 3: 1-

Glaciers, 2-Composer, 3-Lake, 4-Melody, 5-Arpeggio, 6-Horn, 7-Oceans, 8-River
CSO for Kids: SOUND WAVES 6

Chicago Symphony Orchestra

Klaus Mäkelä Zell Music Director Designate • Riccardo Muti Music Director Emeritus for Life

Jessie Montgomery Mead Composer-in-Residence • Hilary Hahn Artist-in-Residence

violins

Robert Chen Concertmaster

The Louis C. Sudler Chair, endowed  by an anonymous benefactor

Stephanie Jeong Associate Concertmaster

The Cathy and Bill Osborn Chair

David Taylor Assistant Concertmaster*

The Ling Z. and Michael C. Markovitz Chair

Yuan-Qing Yu Assistant Concertmaster ‡

So Young Bae

Cornelius Chiu

Gina DiBello

Kozue Funakoshi

Russell Hershow

Qing Hou

Matous Michal

Simon Michal

Sando Shia

Susan Synnestvedt

Rong-Yan Tang

Baird Dodge Principal

Danny Yehun Jin Assistant Principal

Lei Hou

Ni Mei

Hermine Gagné

Rachel Goldstein

Mihaela Ionescu

Sylvia Kim Kilcullen

Melanie Kupchynsky

Wendy Koons Meir

Joyce Noh

Nancy Park

Ronald Satkiewicz

Florence Schwartz

violas

Catherine Brubaker

Youming Chen

Sunghee Choi

Wei-Ting Kuo

Danny Lai

Weijing Michal

Diane Mues

Lawrence Neuman

Max Raimi

cellos

John Sharp Principal

The Eloise W. Martin Chair

Kenneth Olsen Assistant Principal §

The Adele Gidwitz Chair

Karen Basrak

The Joseph A. and Cecile

Renaud Gorno Chair

Loren Brown ‡

Richard Hirschl

Daniel Katz

Katinka Kleijn

Brant Taylor

basses

Alexander Hanna Principal

The David and Mary Winton

Green Principal Bass Chair

Alexander Horton Assistant Principal

Daniel Carson

Ian Hallas

Robert Kassinger

Mark Kraemer

Stephen Lester

Bradley Opland

Andrew Sommer harp

Lynne Turner

flutes

Stefán Ragnar Höskuldsson Principal

The Erika and Dietrich M.

Gross Principal Flute Chair

Yevgeny Faniuk Assistant Principal

Emma Gerstein

Jennifer Gunn

piccolo

Jennifer Gunn

The Dora and John Aalbregtse

Piccolo Chair

oboes

William Welter Principal

The Nancy and Larry Fuller

Principal Oboe Chair

Lora Schaefer Assistant Principal

Scott Hostetler

english horn

Scott Hostetler

clarinets

Stephen Williamson Principal

John Bruce Yeh Assistant Principal

Gregory Smith

e-flat clarinet

John Bruce Yeh

bassoons

Keith Buncke Principal

William Buchman Assistant Principal

Miles Maner

horns

Mark Almond Principal

James Smelser

David Griffin

Oto Carrillo

Susanna Gaunt

Daniel Gingrich

trumpets

Esteban Batallán Principal

The Adolph Herseth Principal Trumpet Chair, endowed by an anonymous benefactor

Mark Ridenour Assistant Principal

John Hagstrom

The Bleck Family Chair

Tage Larsen

The Pritzker Military Museum & Library Chair

trombones

Jay Friedman Principal

The Lisa and Paul Wiggin

Principal Trombone Chair

Michael Mulcahy

Charles Vernon

bass trombone

Charles Vernon

tuba

Gene Pokorny Principal

The Arnold Jacobs Principal Tuba Chair, endowed by Christine Querfeld

timpani

David Herbert Principal

The Clinton Family Fund Chair

Vadim Karpinos Assistant Principal

percussion

Cynthia Yeh Principal

Patricia Dash

Vadim Karpinos

James Ross

librarians

Justin Vibbard Principal

Carole Keller

Mark Swanson

cso fellows

Gabriela Lara Violin

The Michael and Kathleen Elliott Fellow

Jesús Linárez Violin

Olivia Reyes Bass

orchestra personnel

John Deverman Director

Anne MacQuarrie Manager, CSO Auditions and Orchestra Personnel

stage technicians

Christopher Lewis Stage Manager

Blair Carlson

Paul Christopher

Ryan Hartge

Peter Landry

Joshua Mondie

Todd Snick

* Assistant concertmasters are listed by seniority. ‡ On sabbatical § On leave

The CSO’s music director position is endowed in perpetuity by a generous gift from the Zell Family Foundation.

The Paul Hindemith Principal Viola, Gilchrist Foundation, and Louise H. Benton Wagner chairs currently are unoccupied.

The Chicago Symphony Orchestra string sections utilize revolving seating. Players behind the first desk (first two desks in the violins) change seats systematically every two weeks and are listed alphabetically. Section percussionists also are listed alphabetically.

INSTRUMENTS OF THE ORCHESTRA

THE STRING FAMILY includes violin, viola, cello, bass and harp. These instruments are made of wood and strings and are played by vibrating the strings using a bow, or plucking or striking the strings with the fingers.

Violin

Viola

Cello

THE WOODWIND FAMILY includes flute, oboe, clarinet, bassoon and saxophone. These instruments all have the same basic shape: a long tube with a mouthpiece at one end. The flute is played by blowing across a mouthpiece to create a vibration. Oboe, clarinet, bassoon and saxophone are all played by blowing air into a single or double reed attached to the mouthpiece, creating a vibration that results in sound.

Bass Harp

Oboe

Clarinet

THE BRASS FAMILY includes horn, trumpet, trombone, euphonium and tuba. Brass instruments make a sound when the players vibrate their lips inside a mouthpiece, which is fitted into the instrument. The players can change pitch on a trumpet, horn or tuba by pressing on valves. Trombone players change pitch by moving the slide back and forth.

Flute Trombone

Bassoon

Saxophone Tuba Horn

THE PERCUSSION FAMILY includes snare drum, bass drum, gong, triangle, xylophone, timpani and piano, among many others. Percussion instruments are struck, scraped or shaken.

Timpani

Snare Drum Xylophone Cymbal

Support for Chicago Symphony Orchestra Association programming for children and families is provided by Abbott Fund, John D. and Leslie Henner Burns, John Hart and Carol Prins, JPMorgan Chase & Co., Kinder Morgan, The Negaunee Foundation, PNC, Courtney Shea, Megan and Steve Shebik, Michael and Linda Simon, the Walter and Caroline Sueske Charitable Trust and an anonymous family foundation.

Piano

Youth Education Program Sponsor

CSO for Kids concerts and CPS Partnerships Corporate Sponsor

Kidsbook© is a publication of the Negaunee Music Institute. For more information, call 312-294-3410 or email institute@cso.org.

Content for Kidsbook was created by Katy Clusen with graphic design by Shawn Sheehy.

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