CHIH-HUNG SHAO Portfolio
Theatre Lighting Design
2014-2018
2
Sometimes, we cannot see things in brightness but get a whole view in the dark.
3
Chih-hung Shao Born in Taichung, Taiwan. Graduated from the Department of Theatre Arts at National Sun Yat-Sen University in 2015. Specialized in Theatre design.
4
LIGHTING EXPERIENCE As a Lighting Designer 2018 The Mousetrap
Director: Chen, Guan-wei Location: Pier-2 Arts Center
2017 Xinsui Station
Director: Lotus Hung Location: Kaohsiung Main Library Small Theatre
2017 Weeds
Director: Li, Bo-liang Location: Chih-hsin Theatre
2014 A Gang of Con-artists
Directors: Wu, Ying-xuan, Yang, Xin-yuan Location: Pier-2 Arts Center
2014 Statue of Broadway
Director: Wu, Ying-xuan Location: Kaohsiung Municipal Social Education Center
2014 The Dark Fantasy of a Formosan
Director: Yang, Chih-xiang Location: 219 Experimental Theatre
2014 Net Pal
Director: Zhou, Yu-xian Location: 219 Experimental Theatre
As an Associate & Assistant Lighting Designer 2017 Poetic Space in Music Lighting Designer: Sung, Yong-hung Location: Jhih-De Hall (Assistant) Pingtung Performing Arts Center (Associate)
As an Master Electrician 2014 The Priest Under the Sunset Lighting Designer: Sung, Yong-hung Location: Hualien County Indigenous Museum New Taipei City Hall Da-Dong Arts Center
Related Skills
AutoCAD, SkethUp, basic Adobe Photoshop,basic Adobe InDesign, ETC consoles, painting, model building, photography
5
1
CONTENT
The Mousetrap
3
Xinsui Station 6
2
W e e d s
5
4
A Gang of Con-artists
Other Works Photography Paintings Model Making
6
Undergraduate Teaching Assistant 7
1 8
The Mousetrap
ABOUT THE PLAY The murder of a woman named Maureen Lyon is broadcasted from the radio in Monkswell Manor. The place is recently converted to a guest house and run by a young couple, Mollie and Giles Ralston. After hosting all the booked guests (Christopher Wren, Mrs. Boyle, Major Metcalf and Miss Casewell) and one unexpected guest(Mr.Paravicini), Mollie gets a call from the police. Shortly afterwards, Detective Sergeant Trotter arrives and informs the group that he believes the murderer in Mrs. Lyon's case is on the way to the hotel due to the note left at the crime scene. When Mrs. Boyle is strangled to death, they realize that the murderer is already there. Ten minutes later, the investigation held by Trotter puts everyone into suspect. To prevent the third murder from happening, Trotter asks people in the house to reenact the second murder. Eventually, the murderer who is beyond everyone's expectation shows up but fails to make the third-kill. By tradition, the killer's identity could only be the secret between the play and the audience.
ABOUT LIGHTING DESIGN The setting of the play is in a snowstorm which led me to create a strong contrast between the warmth inside the guest house and the freezing-coldness outside the window. In addition to the fireplace and lamps on stage, I also took the top wash as key light in the room. In order to create an old-time and rustic atmosphere, I choose Chocolate colour filter as the wash color. I had never seen a snowstorm ; therefore, I did lots of research by watching videos and pictures, and asked some of my friends who had experiences. Besides the realistic snowing scene, I visualized the inner side of the plot by using branch gobo patterns and mixed color filters in different scene. To realize the fire, I used non-theatrical lights: flame lights and LED light strips, which turned out to have a good condition. Creating natural lights is my priority and by using different kinds of lighting materials, I have a greater amount of opportunities to explore the possibility of lighting design.
9
61
72 74
26 36
NC
36
L200
LED Fire 小太陽
27 210cm
34
35
34
26
36
26
75 76 77 73
Roller
25
70cm
L117
L143 50
BD
BD L205
門外
26
26
L161
29
28
55
L205
38
50
36
33
雪
90
73
L117
36
L161
L202
30
L143/L180
L117
37 36
BD L161 雪 L161
L119
L119
32
32
71 110 39 L202
NC
24 17 L200 BD
24
9
1
53
BD L156
50
L117
17 L200 BD
10
2
BD L156
11
L117
53
50
3
18
L117
L200 BD
BD L156
54
R119
L117
50
50
52 L200
21
L200
5
13 NC
L205
41
36
19
21
L200
6
14
L156
23
NC
42
36
18
L200 36 BD
19
22
4
40
BD L156
NC
43
36
20
L156 L200
NC
44
36
20
L200
NC
45
36
L117
51
50
100
100
46
36
47
36
48
36
NC
NC
NC
NC
NC
49
36
71 40
22 8
16
L156 L200
NC
L202
L200
7
15
L156 L200
12
31
50
L202
50
階梯
50
L117 19
51
NOTES
KEY PROFILEs 19
ETC S4 19° 750W
26
ETC S4 26° 750W
36
ETC S4 36° 750W
50
ETC S4 50° 750W
FLOODs CYC FLOOD 1000W
36
PAR64 Wide 1000W PAR64 Medium 1000W PAR64 Narrow 1000W PARNel LED Strip
EFFECTS & SUNDRIES HZ-500
紙花機
LEGEND 12
Channel NO. Template Color NO.
Purpose
《捕鼠器》 海籽劇團
Lighting Plot
LED PAR
10
1. LED PAR. LED STRIP 接外接電。 2. 紙花機為110V ，請接變壓器。 3. 各壁燈、桌燈務必確認為220V燈泡。 4. 小太陽架設在壁爐內上方，色紙為L105。 LED 燈條放置木柴下方，火焰燈放木柴中。
ROLLER GOBO
Venue: Pier-2 Art Area, Kaohsiung Experimental Theatre Date: 5th.January.2018-7th.January.2018
Director: Chen, Guan-Wei Set Designer: Tsai, Pei-Yin Lighting Designer: Shao, Chih-Hung Programmer: Wu, Ping-Han Stage Manager: Kao, Mei-Tzu Lighting assistant: Wang, Yung-Ju, Wang, Hsuan-Yu Chu, Tzu-Fu, Yeh, Ying-Hsuan Scale:1:100 Unit:CM Drawn by: CH Shao Date:30th. Dec. 2017
62
63
64
《捕鼠器》
LIGHTING MAGIC SHEET P.1 HIGH CROSS Up Stage
WASH L156
LED PAR
LIGHTING MAGIC SHEET P.2 LED Strip
L200
1
2
3
4
9
10
11
12
5
6
7
8
13
14
15
16
17
17
18
18
19
22
19
20
22
Gobo MIX Gobo
20
Roller 37 L161
36
NC
26
L200
27
75 76 77 74 73
61 62 63 64
Audience
L200
21
LED Fire 小太陽
72
73 71
71
HIGH CROSS Down Stage
21
Lamp
L202 L205
L143
Gobo
25
28
29
38
34
100
110
36
L161
33
L119
L119
32
L202
NC
39
24
NC
40
40
31
24
34
L161
32
30
35
HAZER
L202
L202 L205
23
Front
NC
Wall Gobo L117
41 42 43 44 45
52
55 53
54 51
46 47 48 49 50
51 2017/12/31 Drawn by:CH SHAO
11
RESEARCH
The materials of the fireplace: I put flame lights in the middle of the pile of firewood which is surrounded by LED light strings to make a fire effect.
12
Gobo pattern for the window scene The branch looks like long, bony, and creepy fringers which gives me the idea to use this pattern in the murder scene.( Scene1, Act2)
13
Photo credit: Hemingway Zhan
By using a mixed color, Dark Lavender and Pale Navy Blue, I want to create a freezing-coldnight window scene.
14
Lighting Design: Chih-Hung Shao Photo credit: Hemingway Zhan
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A clear view of the stage Lighting Design: Chih-Hung Shao Photo credit: Jessie Hon 16
I add gobo patterns on walls to make some mottles. Photo credit: Jessie Hon 17
To make the difference between inside and outside of the house, I take Pale Navy Blue as key color and add Slate Blue with gobo pattern to enrich visual effect.
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Photo credit: Hemingway Zhan
I take lamps and fireplace as the key light and add a cold top wash in this corner. Photo credit: Jessie Hon
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Lighting Design: Chih-Hung Shao Photo credit: Hemingway Zhan
20
Trotter turns off the light to simulate the act of murder.
Lighting Design: Chih-Hung Shao Photo credit: Jessie Hon
21
2 22
W E E D S
2017 Taipei Fringe Festival Honorable Mention
ABOUT THE PLAY WEEDS is a combination of strong emotional modern dance with simple but powerful conversation. There is a strong bond between the underlying story and the choreographer, Bo-liang Li. Until he finished his senior high school, Bo-liang lived with his family and friends in Ami tribe, the indigenous tribe located in eastern Taiwan. He used to chase with his friends in the forest and to swim in the cool and fresh stream; however, after moving to a city with hustle and bustle for further study, everything changed. The dominant ideology from the society is a chain that constrains his mind and soul. Nonetheless, he believes that there's always a place called home behind his back and a thing named love inside his heart. Just like weeds, flying away from the place we used to be, trying to find a ground to land on; eventually, the root can be found in love. It's a love with things, people and ourselves.
ABOUT LIGHTING DESIGN In the beginning of the dance, a dancer sang an old ballad with his pure voice, which gives me a vivid picture of people singing and sharing stories with each other in front of a campfire, under the moonlight. Therefore, I used a warm back light and a clear blue top-front light for this carefree moment. When it came to the depressive and struggling part of the dance, I took a bold step to use the peacock blue color and a diagonal direction from the ground. Thus, the color created an unrealistic and floating scene, and the direction of the light created a large and creepy shadow, as if the unfriendly environment was going to devour us from top to bottom. In the end, the sun in our heart comes up, and we take our past as nutrition which makes us stronger than we are used to be.
23
2
NC
L085
年台北藝穗節 演出場地 知新劇場 演出日期
L102
18
2
NC
L085
19
5~6 L115
S4抓 15
18~20
演出單位 : 夢遺少女的劇場 導演/編舞者 : 李柏良 舞台設計 : 吳亭昀 燈光設計 : 邵智鴻 燈光技術 : 周伶佳 黃議順
L115
15~17
L115
10
10
L174
L174
猜拳
14
NC
8
8 9
NC
L174
NC
6
L119
NC
12~14
摀嘴 NC
13
16
7
7 NC
NC
3
外租器材清單 : EX Cable 3m x 5 5m x 2 動力線 10m x 3 20m x 1 排插 x 1 Shin Base x 5
6
L174 NC
4
7~8
S3
S4抓 15
4
觀眾席
NOTE : 1. 地排燈皆裝L256 拉動力線至控台調光電阻 2. 同CH.用館內同Dimmer 3. 平安 快樂
S5
1
L174 NC
9~11
觀眾席
1 21~24
5
L200
英豪.歌
S5
17 NC
NC
NC
11
12
1~4
館內器材清單 ALTMAN LEKO x 13 FRESNEL x 7 CYC x 7
Drawn by: CH Shao
24
Date:2017/8/21
Back
Back
NC
1
1
2
NC
4
6
4
6
3
5
Special
NC
8
8
7
7
18
L102 S5茁壯 11
L115 15 S4抓
12
L119
SP Ground
HC
L174
10
L174
9
HS
NC
2
Front
Wash 10
L085
15
L115 S4抓
NC 14 猜拳
L115 S3
16
19 13
17
L200 英豪.歌
NC S5
NC S4摀嘴
LIGHTING MAGIC SHEET 年台北藝穗節 演出場地 知新劇場 演出日期
演出單位 : 夢遺少女的劇場 導演/編舞者 : 李柏良 舞台設計 : 吳亭昀 燈光設計 : 邵智鴻 燈光技術 : 周伶佳 黃議順
Drawn by: CH Shao
Date:2017/8/21
25
26
Lighting Design: Chih-Hung Shao Photo credit: Ting-yun Wu
The boy is singing an old ballad under the moon light.
Lighting Design: Chih-Hung Shao Photo credit: Ting-yun Wu
27
Many people tease at others but expose their weakness at the same time.
28
Lighting Design: Chih-Hung Shao Photo credit: Ting-yun Wu
We can’t speak out whatever we want.
Lighting Design: Chih-Hung Shao 29 Photo credit: Ting-yun Wu
Everything is worth celebrating, foods we eat, clothes we wear, friends we have and the love in our heart.
Lighting Design: Chih-Hung Shao Photo credit: Ting-yun Wu
30
Life will not give us sweets all the time. There is always fears and mistrusts lurking in shadows.
Lighting Design: Chih-Hung Shao Photo credit: Ting-yun Wu
We will be standing tall again cause we are built tough.
31
3 32
Xinsui Station
ABOUT THE PLAY The train rides to a mysterious place where is not only the origin but also the destination. It is Xinsui Station( 心碎車站 ), which means heartbroken station. Every passenger gets on and off the train for many different kinds of reasons and purposes. Some get off before the train arrives at the terminal station, and some cannot even get the opportunity to get on. It is a story about darkness, we need a light to lit up the path in front of us.
ABOUT LIGHTING DESIGN The play occured in a wagon and a forest-liked place without any sets-shifting. To create a clear difference between each scene, I separated the plot of lights into three sections: the wagon, the destination, and the combined scene. In the wagon, the light from top was the main direction, mostly white with pale yellow due to the concern of reality. When Agape, the highest form of love and charity, arrives at Xinsui station, a strong and warm light shines to heal the heartbroken people. I used a wild angle light to cover two characters who were in sorrow. In the end of the play, the girl finally receives the forgiveness from the boy once hurt by her, and gets on the train back home, under the warm light from windows.
33
NC
樹
樹
2.1
NC
L013
樹
2.9
4
2.17
15
20 18
BD
BD
BD
BD
BD
BD
L202
NC
L202
NC
L202
NC
40 車站告示牌
21 L205
L136
6
BD
L202
NC
2.33
2.41
35 37
#01 文字幕 眉幕 翼幕1
20/40
39
7
8
2.49
2.57
NC
NC
NC
NC
NC
36
46
42
36
NC
48
26
NC
36
45
L200
L200
26
50
65
67
38
NC
36
31
NC
L119
L202
NC
30
36
19
BD
33
5
43
34
2.25
25 17
L136
NC
L013
3
14
20/40
翼幕2
2
24 16 20/40
#03 電動燈光吊桿1
#02 空桿1
樹
NC
#04 空桿
NC
L242
樹
1
13
20/40
NC L242
L102
29
12
20/40
110
28
11
20/40
90
翼幕3
23
10
20/40
#05 電動燈光吊桿2
22
9
27
2.65
2.73
2.81
2.89
66
68
20/40
32 L119
3
63
2
1
20/40
L202
1
2
NC
NC
20/40
20/40
55
4
NC
56 52
5
6
7
53 57
51
54
36
NC
NC
36
44
47
26
L200
L200
26
49
NOTES
Side Light
電進外接電，訊號進Isolator。 2.LED STRIP電進外接電，訊號
進Isolator。 3.霧機電進館內壁插，訊號進左舞 台Isolator。 4.Isolator放左舞台，再拉線至控台。 5.LED PAR.LED STRIP. 霧機進
58 71
KEY PROFILEs
1.LED PAR電及訊號走左舞台下，
L202
71
41
8
64
L202
NC L202
3
20/40
4
20/40
5
20/40
6
20/40
7
20/40
8
39
19
ETC S4 19° 750W
26
KUPO ERS 26° 750W KUPO ERS 36° 750W
36
NC
36
150cm
L200
26
110cm
LIGHTPLANET TH1230 ° 1000W
20/40
PORT 2
ETC S4 90° 750W
90
FRESNELs LIGHTPLANET TH1047 1000W
《心碎車站》 72
FOLLOW Iris
19
59
73
34
L202
19
19
60
L202
L202
19
19
61
100 62
73
CYC FLOOD 1000W
福氣教會
72
L202
FLOODs
PAR64 1000W
Lighting Plot Venue:高雄市-圖書館總館小劇場 Date:7th.December.2017-10th.December.2017
Director/Playwriter: Lotus Hung Set Designer: Hong, Xiao-He Lighting Designer: Shao, Chih-Hung Programmer: Wu, Ping-Han Stage Manager: Shao, Chih-Hung Lighting assistant: Ko, Ya-Yun Scale:1:100 Unit:CM Drawn by: CH Shao Date:3th. Dec. 2017
PAR64 1000W LED PAR LED Strip
EFFECTS & SUNDRIES HZ-500
LEGEND 12
Channel NO. Unit NO.
L201
ACT1
Template Color NO. Purpose
ROTATER IRIS
《心碎車站》
LIGHTING MAGIC SHEET P.1 BACK NC
LED PAR
1
2
3
4
5
6
7
8
LIGHTING MAGIC SHEET P.2 Wagon Door
11
10
9
12
65
13
NC
14
TOP WASH-Wagon NC
L202
16
15
17
22
L202
19
18
Leaves L242
Forest-GOBO
21
20
SUN
Windows L013
Wagon
L102
28
27
Wagon SP
Front #1
NC
51
54
52
53
L202
55
56
31
57
Board
40
72
72
73
73
60
35
32
36
Guitar Front NC
Side-Light
S12 Conductor NC
Side-Light
NC
L200
L119
39
Front #2 59
71
34
Trash Can
38
25
71
33
HC Meet
37
23
Birthday L205
30
L202
68
Guitar BK NC
29
Front NC
NC
110
Audience
Galaxy L136
24
66
100 67
TOP WASH-Forest
HAZER
Follow
61
L202
62
43
46
42
45 48
50
41
44 47
49
BOX Side 63 63 63
64 64 64
58 2017/12/03 Drawn by:CH SHAO
35
The conductor of the train is also the storyteller; therefore, I give her a follow spot for different character.
36
Lighting Design: Chih-Hung Shao Photo credit: Gege Chen
The girl stole the heart from the innocent boy and got off the train.
The girl found the guy who cheated her in a rainy day. I use Double CTB color on side light and Dark Blue from top to make a rainy day. By contrast, I give a dim light on the boy sitting in desperation.
37
At last, Agape shows up and heals everyone. I give a warm and sun-liked light to represent the strength that Agape brings to us.
38
After apologizing to the boy, the girl gets on the train to go home.
Lighting Design: Chih-Hung Shao Photo credit: Gege Chen
39
4 40
A Gang of Con-artists
ABOUT THE PLAY In 1980s, there were lots of unethical scammers around Taiwan who played tricks to make fortunes from innocent people, especially the elders. The play reveals the dark and greedy side of people who will stop at nothing to get money as much as they can. However, it's just a matter of time that the karma comes back to everyone in the play. It turns out that everyone in the play is involved in the circulation of lying, even the frauds themselves. At last, no one gets profits but loses something from themselves. It could be the trust between people, the relationship with families and the love in their heart.
ABOUT LIGHTING DESIGN I intended to create remarkable contrasts among various scenes in this play. For instance, I used a warm tone wash with haze in the sanctuary held by the fraud, and also gave a high level of intensity with color Straw to make a dramatic and ironic picture. Besides, in order to create a sexual innuendo atmosphere, I chose a peach with violet color in the back set. Moreover, in the illusion of a teenage girl who fell in love with a scammer, I used rotators with gobo patterns to make her whole world rotate and to generate bubbles which make the scene even more unrealistic. When it comes to the last scene, a cafeteria, a normal light was given because it provided a clear view of the characters' facial expression to the audience. No matter how great they are in scamming, lies are nowhere to hide eventually.
41
國立中山大學劇場藝術學系壹零肆級學期製作《我們都是金光黨》 OVERHEAD
STAGE LEFT
STAGE RIGHT
2014 國立中山大學劇場藝術學系
壹零肆級學期製作
《我們都是金光黨》 NSYSU Lighting Design Management Association
Lighting Plot - Stage 69 110V
光華堂
33
豪華套房
NC
33
NC
26
11
L119
L205
L201
36
12
13
28
14
29
15
L119
L205
L205
L119
L205
L119
L205
L103
66
L103
110V
110V
演出地點:駁二B9倉庫 演出日期:2014/6/27 (五) -19:00 2014/6/28 (六) -14:00/19:00 2014/6/29 (日) -14:00
72
L201 110V
36
NC
咖啡廳
27
63
NC
30
變型蟲 MOTOR
43
32
42
L161
37
45
37
110V
38
110V
38
110V
L079
L079
L079 流水
32
卜
45
周客
110V
L102
L079
22
7
8
23
9
24
L205
L119
L205
L205
L119
L205
L119
42
L213/L205
NC
35
L102
45
L119
62
L103
75
L063
L063
75
65
L103
110V
演出單位／國立中山大學劇場藝術學系 -劇藝壹零肆 導演／楊馨媛、吳盈萱 舞台監督／李錚錚 舞台設計／鄭智謙 燈光設計／邵智鴻 燈光設計助理／周伶佳 燈光助理／黃議順 追蹤燈執行／趙安、王思允 燈光技術助理／張心怡、何宗泰、林彥昇、 黃子祐、吳欣蓓
71
L201
110V
110V
NC
102
L205
L201
34 34
68 110V
L102 L119
35 NC
L102
21
43
NC
6
變形蟲 MOTOR
L161
44
45
48
L102
39
周/卜 L251
L102
45
110V
L079
47
46
NC
31
NC
L079
L161
MOTOR
L102
31
39
110V
L119
L213/L205
L102 NC
NC
周房
67
74
61 L201
110V
74
64
70 L201
L103
L063
L063
L103 110V
110V
110V
館方器材 父/天美第一
101
16
1
49
L119
L205
L202
50
父母
17
2
L119
L205
3
18
4
19
50
L205
L119
L205
L119
L202
I
5
20
L205
L119
100
150
12/12
150 光華天尊
NC
NC
73
外加Dimmer12路給側燈
73
1. 一迴路留在左舞給背板內 LED 2. 二迴路留在左舞台給檯燈 3. 追蹤燈架設於觀眾席最後方
L201
NC
L201
NC
光華天尊
L103
L201
NC
L201
NC
3
9/12 (剩3路給Ground Par)
55
51
56
52
59
57
53
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需兩迴路 4. 館內觀眾席燈保留四迴路 5. LED條燈配Dim210.220.230.240 6. 右舞台煙機配Dim 101 左舞台煙機配Dim 102 7. 注意:AC燈請用AC扣 8. 背光為110V，務必使用串扣
54
NC
NC
NC
4/12 (2路給Follow)
40 L201/L205
NC
8 40
41
TYPICAL
41 L201/L205
I
I
91
92
L201
I
Drawn by:CH Shao
42
現有數量
使用數量
50
100
I
Date:2014/6/22
1KW PAR64(W) 1KW PAR64(M) 1KW PAR64(N) ETC 750W S4-19 ETC 750W S4-26 ETC 750W S4-36 ETC 750W S4-50 系上器材 ETC 750W S4-36 1KW PAR64(W) Intercom A梯 IRIS GOBO Holder 外加器材 Dimmer 12ch 1KW PAR64(W) 1KW PAR64(M) 250W AC64 ETC 750W S4-50 ETC 750W S4-36 LED條燈 Roller Rotator Z-1500
18 9 9 6 6 6 12 使用數量 2(含色夾) 8 (含色夾) 3 2 10 10 使用數量 1 12 5 8 2 10 4 1 2 2
18 9 4 4 0 4 12
2014 國立中山大學劇藝壹零肆《我們都是金光黨》
Wash 11
12
Wash
L205 13
14
15
26
27
HIGH-CROSS
L119 28
29
30
6
7
8
9
10
21
22
23
24
25
1
2
3
4
5
16
17
18
19
20
Diagonal
L161
GOBO 變形蟲
Diagonal
33
36
32
35
31
34
AC
L213/L205 GOBO 樹影
42
44 44
42
51
52
Front
Front 54
53
L201
59
40
40
41
41
周/卜 TOP 48
45
父/天一 45
Side Light
NC
47
46 45
45
NC
37 37 38 38 39 39
流水 L161 Motor
45
45 45
Front
L079
Special
L102 45
Motor 43
Back Light
NC
L103
父母
49
50
Side Light
L201
63
66
69
72
62
65
68
71
61
64
67
70
光華天尊 55
56
57
58
Ground
檯燈
L063
75
75
80
L063 74
74
73
73
NC
81
LED 條燈 作動PARK Follow Spot 200
L201//L205 91
R
G
B
F
MIX
House Light
Smoke
92
Dim 101
Dim 102
101
102
100
201 202 203 204 205
43 Drawn by:CH Shao
Date:2014/6/22
A sex-trap scene
Living room
44
Lighting Design: Chih-Hung Shao Photo credit: Steven Chuan-shun Huang
When it comes to the climax of the fraud’s nonsense in the sanctuary, I give a dramatic color straight to the guy and make this scene even more ridiculous.
Lighting Design: Chih-Hung Shao Photo credit: Steven Chuan-shun Huang
The naive girl thinks her prince charming will love her no matter what happens.
45
5 46
Other Works
PHOTOGRAPHY
47
Under the street light
48
The green stands out from the red.
Sky-lantern paving tile , Pingsi Township in Taipei,Taiwan.
Under the sunset
Knees-up
49
PAINTINGS
50
51
MODEL MAKING
52
Model concept: No shelters Materials: Foam paper
53
Concept from Young-chen Liu < Bring Her Some Fruit> Set Design: Chih-Hung Shao Scale: 1 : 50 Materials: Balsa wood, foam paper SketchUP Model by Chih-Hung Shao
54
6
As a Undergraduate Teaching Assiatant
Professor: Chun-yu Li Class:Lighting Design and Practice 09-2014-02/2015
55
As a teaching assistant, not only did I deal with administrative paper work, but also spent extra time to help students who was fallen behind with their studies. Professor Li believed that I can work competentlly in this position because of my patience in teaching and mindful of the needs of students. In the end of the semester, I found that I had learned many new things from Professor Li ,and also taught by the students from the question that I have never thought of. It was a great teaching-learning assistant experience.
56
(Up) Safty is priority. (Down) Focus
(Up) Class in Yat-sen Hall (Left) Focus
57
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60