I m a g e f r o m: L a To w n (C a o Fe i )
CONTENTS 02
FROM THE FESTIVAL DIRECTOR 總監致辭
05
2016 JURY AWARDS 評審團成員
07
CVF TEAM 團隊
08
VISION TAIWAN 臺灣視野
10
2016 PROGRAMME 藝術節內容介紹
28
VENUES 藝術節場地
29
TICKETS 購票
32
PARTNERS AND SPECIAL THANKS 合作夥伴及特別鳴謝
FACEBOOK: @Chinese Visual Festival TWITTER: @CVF_London
FROM THE F E S T I VA L DIRECTOR 藝術節總監致辭
Welcome to the 2016 Chinese Visual Festival! It’s great to be back for our sixth year - we’ve continued to grow and grow, and it’s been incredibly gratifying to see audiences responding so well to our efforts in bringing independent Chinese language cinema to London and now the rest of the UK. Londoners in particular are really spoiled for choice when it comes to film and art, though I think it’s safe to say that we’ve managed to find our spot in the cultural calendar, and that our mix of independent documentaries, fiction, shorts, and experimental cinema offers something a little different. As well as all the fantastic premieres and award-winning films we’re giving our audience the rare chance to catch on the big screen, I’m particularly pleased to see a female focus in our two Chinese guests Cao Fei and Yang Lina. We’re very privileged to be again working with the Cultural Division of the Taipei Representative Office in the UK on Vision Taiwan, and it’s been great to see the series getting more and more popular each year - Thanatos, Drunk is a real personal favourite, and being able to bring Huang Shang-ho and Ado Kaliting Pacidal to London shows just how the festival has grown. With audiences becoming increasingly curious about the cultures and stories of the Chinese speaking world, our films this year deal with some challenging and intriguing topics, and we’re offering plenty that educates as well as entertains. Perhaps even more importantly, we continue to try and give a platform to filmmakers who have real stories to tell, indeed stories which need to be told, and whose works are made with real creativity and passion, and often with great personal cost and sacrifice. I think one of the reasons the festival has proved so successful is the fact that it’s not only about films and art, but cultural exchange and debate, and this year we’re again offering plenty of chances for festival goers to engage with the directors and artists, with panel sessions, Q&As and forums. Come along, have your say, and get involved... I look forward to seeing you at the festival and hope you enjoy our 2016 offering! 歡迎參加第六屆倫敦華語視像藝術節！六年來，由我們帶來的華語獨立電影受 到越來越多倫敦乃至全英國觀衆的青睞，尤其是在浸淫于濃厚藝術影視氛圍 的倫敦觀眾中，華語視像藝術節已經成为了一道融合紀錄片、劇情片、短片和 實驗影像的獨特風景線。 今年藝術節再次將多部最新獲獎華語影片帶上英國銀幕，並特別爲觀眾帶來 蜚聲國際的中國藝術家曹斐和獨立導演楊荔鈉領銜的女性作品。我們連續第 四年與駐英國代表處文化組合作推出「台灣視野」影像單元。今年的「台灣視 野」重磅推出2015年張作驥導演屢獲殊榮的《醉·生夢死》，也是我個人極爲 喜愛的影片；同時邀請到兩位台灣演員黃尚禾和阿洛·卡力亭·巴奇辣來倫敦 與觀眾面對面。今年的展映作品將帶給觀眾來自世界各地華語世界的熱議題 材和深度挖掘之作，相信觀眾在觀賞之余會對當下華語世界有更深刻的了解。 華語視像藝術節一直致力于給需要傾述的導演和藝術家打造一個國際交流平 台，這些藝術家們用激情與生命創造的作品值得讓觀眾知曉，我相信正是這種 初衷令我們的活動超越了電影與藝術，並帶來更多文化與思想的碰撞。今年我 們將仍舊推出一系列論壇、講座與導演面對面，期待您的參與！
I m a g e f r o m: A u R e v o i r ( Fr e s h Wa v e)
02
希望您喜歡本屆的作品並期待在藝術節上見！
03
WE ARE
HITCHCOCK
2016 JURY AWARDS JURY MEMBERS
評審團成員
North by Northwest
WE ARE
THE COENS
Hail, Caesar!
FUNG CHIH-CHIANG
JASPER SHARP
SWANI YIP
Fung Chih-Chiang is a Hong Kong
Jasper Sharp is a writer, curator
Swani graduated with an M A
director, screenwriter and novelist
and filmmaker. He is the co-founder,
degree in Culture, Policy and
who first came to prominence for
with Tom Mes, of the Japanese film
Management from City University,
his screenplays for Stephen Chow,
website Midnight Eye.com. His book
London. She previously worked
including Shaolin Soccer (2001),
publications include The Midnight Eye
for China Image Film Festival for
CJ7 (2008) and Journey to the West:
Guide to New Japanese Film (2003),
several years and has also been
Conquering the Demons (2013).
Behind the Pink Curtain (2008),The
involved in a number of film & TV
He has also written for numerous
Historical Dictionary of Japanese Film
content licensing projects between
Johnnie To productions such as
(2011) and The Creeping Garden:
China and the UK. She also writes
2 Become 1 (2006), Hooked on
Irrational Encounters with Plasmodial
about film, art, design and theatre
You (2007), Sparrow (2008) and
Slime Moulds (2015). He is a regular
and her work can be seen on
Punished (2011).
contributor to Sight and Sound and
cinezen.hk. When not spending
has curated high profile seasons and
her time watching obscure French
retrospectives with, among others,
films, Swani also runs an ethical
the British Film Institute, Deutches
organic f&b business.
He was nominated for Best New Director at the Hong Kong Film
WE ARE
SPIELBERG
Awards for his directorial debut, The Bounty (2012), starring Chapman To. The film screened at various film festivals, including Italy, the UK, Sweden, Brazil and Australia. He has continued to work with Chow,
Saving Private Ryan
contributing to the script of The Mermaid (2016), which is currently the highest-grossing Chinese film of all time. His upcoming musical fantastic romance - Concerto of the Bully, starring Ronald Cheng and Cherry Ngan, with original music by Peter Kam - is due to open later
WE ARE
BFI SOUTHBANK
THE HOME OF CINEMA
FROM MUST-SEE NEW FILMS TO BIG SCREEN CLASSICS GRAB A TICKET FROM JUST £6* * Subject to availability
bfi.org.uk
this year. 馮志強是一位香港電影編劇、導演、小 說作家。編劇作品包括周星馳的《少林 足球》《長江七號》《西遊．降魔篇》《 美人魚》；杜琪峰的《天生一對》《每 當變幻時》《文雀》《報應》；無線電 視劇《創世紀》等。
Filmmuseum and the Cinematheque Quebecois. Between 2010 and 2014 he was the director of Zipangu Fest, a London-based festival dedicated to showcasing Japanese independent cinema. He has been the Artistic
葉琳畢業於倫敦城市大學，曾任英國萬 像電影節策劃，並促成多項中英影視版 權交易。於電影、藝術、設計、劇場多有 涉獵，並曾發表相關文章。電影以外， 她參與創辦了倫敦一家有機食品品牌。
Director of the Asia House Film Festival since 2014. His first feature, The Creeping Garden, a documentary about slime moulds co-directed with Tim Grabham, will be released by Arrow Film later in 2016. 演員、影展策劃及導演。他與Tom Mes創 辦了日本電影網站Midnight Eye.com， 曾出版多本電影相關著 作包括《New Japanese Film》《Behind the Pink Curtain》《The Historical Dictionary of Japanese Film》《The Creeping Garden: Irrational Encounters with Plasmodial Slime Moulds》，並定期為英國《視與 聽》雜誌撰寫文章，曾為英國電影機構、
首部導演作品《懸紅》獲提名香港電
德國電影博物館、魁北克電影資料館策
影金像獎最佳新導演，並入圍烏甸尼、
劃專題展映。在2010至2014年間，擔任
倫敦、瑞典、巴西、悉尼等各地影展，
關注日本獨立電影的Zipangu Fest節目
本年最新導演電影是鄭中基、顏卓靈
總監。2014年始，擔任倫敦亞洲協會電
主演，金培達原創配樂的音樂奇幻愛
影節藝術總監。他與Tim Grabham合導
情電影《大樂師．為愛配樂》。
的首部長片作品紀錄片《The Creeping Garden》將於2016年公映。
05
E S U O H C O D A M A E N H I T C BERDOCUMENTARY Y THE
R U B S M O LO B N O Z AT CUR
CVF TEAM Festival Director: JAMES MUDGE 藝術節總監：詹姆士 James Mudge has been the CVF Festival Director for several years, working on all aspects of the festival. For the past fifteen years, James has been a prolific film critic, writing for Eastern Kicks and Yesasia, and has been interviewed regularly by the mainstream press on Asian cinema. James is also the cofounder of The Next Day Agency, a film consultancy specialising in film representation and communication in China and the UK. 詹姆士作為華語視像藝術節總監，多年
UNLOCK
TH JUN EXT - 10 INVADE N WHERE TO
IN
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HE A R
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Y A D Y R E DOCS EVernational docnseapnldace
in o t int The besst releases all the late @INTHEDOCHOUSE FB/INTHEDOCHOUSE
WWW.DOCHOUSE.ORG
College London and one of the world
Cen Qiu has been working in PR and
leading scholars in Chinese cinema
Marketing in the creative industries for
studies. His work centres on Chinese
over 6 years, in the areas of art, design,
cinema, including those of the People’s
fashion, film and more in both the UK
Republic, Hong Kong, Taiwan, and
and China. Cen also works for The
diasporic China, and has been extended
Next Day Agency, a film consultancy
to cover Chinese television, independent
specialising in film representation and
video documentary and new media,
communication in China and the UK.
queer Asian cinema, and more. He has
邱岑有超過六年的公關和營銷從業經驗，
published some of the most quoted
領域涵蓋藝術、設計、時尚、電影等創意
books in independent Chinese cinema,
產業，效力過多個中英優質機構。去年加
including Chinese New Documentary
入華語視像藝術節以來，她負責了2015年
Film Movement.
藝術節的營銷和媒體活動。邱岑同時也就
裴開瑞是全球著名的中國電影學者之一，
職於電影顧問公司翌日事務所，該公司主
目前任倫敦大學國王學院電影系教授。他
要業務涵蓋中英之間的電影代理、公關和
出版過多部廣為引用的學術專著，包括《
營銷。
中國新紀錄片運動》。
Festival consultant: ANDREW HESKINS 藝術節顧問:ANDREW HESKINS
影和影人，幫助藝術節發展壯大。在過去
Andrew Heskins launched easternKicks.
的十五年間，詹姆士是EasternKicks和
Victor Fan is Lecturer at the Department
com in 2002 to spread his passion
Yesasia的特約撰稿人。他常受邀在主流
of Film Studies, King’s College London.
媒體上評論亞洲電影，並發表不少影評文
Fan graduated with a Ph.D. from the
章。2015年，詹姆士成立了自己的電影顧
Department of Comparative Literature
問公司翌日事務所，業務涵蓋中英之間的
and Film Studies Program at Yale
電影代理、公關和營銷。
University, and an MFA in Film and
Film Curator: XIE JINGJING 影展策劃：謝晶晶
Television Productions at the University
Xie Jingjing graduated with a MA degree
Cinema Approaching Reality: Locating
in English Language and Literature
Chinese Film Theory, and is also a
from Guangdong University of Foreign
filmmaker and composer.
Studies. She is the co-founder of
范可樂是一位學者、導演及作曲家。目前
Chinese Visual Festival. Before moving
任倫敦大學國王學院電影系講師。他於
to London in 2009, she worked as the
耶魯大學比較文學系及電影研究課程獲
Screening Programmer for the only
得博士學位，以及南加州大學影視學院
national Chinese documentary festival,
取得美術碩士學位。去年出版《逼真：尋
Guangzhou International Documentary
找中國電影理論》一書。
Festival.
HM OG - 20T T OF A D
Chris Berry is a professor of King’s
Marketing and Communication Manager: CEN QIU 營銷和溝通经理：邱岑
Festival Consultant: VICTOR FAN 藝術節顧問：范可樂
間往返於全球各地為藝術節尋找優質電
H JUNE GE - 14T G T HE CA
Festival Consultant: CHRIS BERRY 藝術節顧問：裴開瑞
畢業於廣東外語外貿大學，曾任中國(廣 州)紀錄片大會展播策劃。華語視像藝術 節創辦人之一。 Art Curator: ZHAN XUHUA (SYLVIA) 藝術策展：湛旭華 Zhan is the founder and artistic director of China Culture Connect (UK), and co-founder of Chinese Visual Festival. Zhan now works on ar t exhibitions, artist liaisons, publications, education programme, collection management
of Southern California. He is the author of
Festival Consultant: SWANI YIP 藝術節顧問: 葉琳 Swani graduated with an MA degree in Culture, Policy and Management from City University, London, and has been involved in a number of film & TV content licensing projects between China and the UK. She also writes about film, ar t, design and theatre and her work can be seen on cinezen. hk. When not watching French films, Swani also runs an ethical organic
and conservation.
f&b business.
湛旭華是中國文化連線（英國）藝術總監
葉琳畢業於倫敦城市大學，曾任英國萬像
及創始人，也是華語視像藝術節和文化遺
電影節策劃，並促成多項中英影視版權交
產保護研討會的創辦人之一。現從事藝術
易。於電影、藝術、設計、劇場多有涉獵，
策展，教育項目策劃、出版、研究、藏品征
並曾發表相關文章。電影以外，她參與創
集與保護等業務。
辦了倫敦一家有機食品品牌。
for Asian film. The site has gained a reputation as one of the best sources of information on Asian film, now supported by a global network of nearly 40 contributors. When not found in darkened cinemas and screening rooms, Andrew also runs a successful graphic design company. Andrew Heskins對80、90年代香港和第 五代中國電影的喜愛，讓他在2002年成立 easternKicks.com。該網站迅速成長為 包括日韓電影等大東亞地區電影愛好者 聚集地而發展壯大。目前，EasternKicks 有來自全球各地將近40名的撰稿人，並作 為亞洲電影的信息的最佳來源之一獲得了 良好的聲譽。Andrew還成功經營著一家 平面設計公司。 Festival Consultant: LUKE ROBINSON 藝術節顧問：陸克 Luke Robinson is a Lecturer in Film Studies in the Depar tment of Media and Film, University Of Sussex, UK. He is the author of Independent Chinese Documentary: From the Studio to the Street, and various book chapters and ar ticles on Chinese language feature film, animation, documentar y, and film festivals. 陸克目前任蘇薩克斯大學電影系講 師。 他 近 期出版了《中國獨 立 紀 錄 片：從 攝 影 棚 到 街 頭 》一書，還曾發 表 過 多篇關 於 各 類 型華語電 影 和電 影 節的文 章。
07
London Taiwanese aboriginal actress,
Zhou Hao from the Mainland and
television host, songwriter and singer
Tammy Cheung from Hong Kong.
Ado’Kaliting Pacidal, who will be at
Needless to say, our audience loved
the BFI to present her big screen
化組合作，我們創辦的「台灣視野」單元
her films, and she found her London
debut, the wonderful Panay (Lekal
也成功地進入了第三個年頭。
visit tremendously productive and
Sumi, Cheng Yu-chieh, 2015) as the
pleasurable. Because of her active
festival’s Closing Gala. In addition to
很高興能連 續四年和駐 英國代 表 處 文
「台灣 視 野」是 由 華 語 視 像 藝 術 節 發
Within the Chinese-speaking world,
I am very pleased to say that 2016 marks
promotion, over half of our entries
this, CVF will also be holding the UK
Taiwan’s films have always held an
the fourth year of our collaboration
for 2014 came from Taiwan, and
premiere of Tom Lin’s award-winning
important position in contemporary
with the Cultural Division of the Taipei
we invited director Chen Yin-yen to
and highly personal Zinnia Flower
王學院電影系合作推出，展示台灣優秀
culture. The viewpoints expressed in
Representative Office in the UK and
screen and introduce his film The Way
(2015).
影視藝術作品的項目。它可以被看成是
Taiwanese independent productions
the third edition of our highly successful
We Are (2012).
and documentaries are some of the
Vision Taiwan unit.
起，駐英國代表處文化組與倫敦大學國
一個為台灣獨立導演和藝術家而設的「 We cannot realise all these without the
most open-minded and vivid in world
In 2015, we continued to receive
generous help from the Cultural Division
節中節」，旨在加深觀眾對台灣社會與 文化的了解。在展示來自台灣的各類型
cinema. Whether boldly told stories
V ision
o r iginall y
enthusiastic responses from Taiwan
of the Taipei Representative Office in
or keenly observed fact, they always
conceived by Chinese Visual Festival
filmmakers and producers, and were
the UK, and I would like to thank them
leave a lasting impression on the
(CVF) as an annual collaborative
very proud to present five spectacular
for their unconditional support and
嘉賓與觀眾面對面，增進他們與觀眾間
viewer.
project with the Cultural Division of the
screenings of highly visionary films
tireless effort! I hope you all enjoy our
的互動和溝通。「台灣視野」的佳作 也
Taipei Representative Office in the UK
including The Rice Bomber (Cho Li,
Vision Taiwan unit this year.
2014), Mountain Spirits (Singing Chen
參與了藝術節與英國電影學會(BFI)合
and the Department of Film Studies at King’s College London to showcase
and Chiang Kuo-liang, 2014), Unveil
both emerging and established
the Truth II: State Apparatus (Kevin
independent filmmakers and artists.
H.J. Lee, 2013), Meeting Dr Sun (Yee
It can be considered a‘festival within
Chih-yen, 2014), and a number of
a festival’, which aims at engaging
short films. In addition, we also held
our audience in a creative dialogue
a panel discussion of the current state
臺灣的電影在華語世界中一直扮演領先
with the cinema of Taiwan, and
of Taiwan independent cinema at
且重要之地位，尤其獨立製片以及紀錄
fostering deeper understanding of
King’s College London. With the help
Taiwan society and culture. We do
of the Cultural Division of the Taipei
片的敘事觀點更是多元且活潑，不論在
so not only by screening the most
Representative Office in the UK, we
cutting-edge documentary, fiction,
were able to invite directors Singing
and experimental films from Taiwan,
Chen and Yee Chih-yen to join us.
Through collaboration with the Cultural Division at the Taipei Representative Office in the UK, the Chinese Visual Festival, and King’s College London’s Film Department, the Ministry of Culture (MOC) has been bringing Taiwanese films to the UK for four years now. This year Vision Taiwan is entering its third year, and the films submitted to be featured are both greater in number, and contain more wide-ranging and boundarypushing content. This year’s line-up includes the feature films: Thanatos, Drunk, Tomorrow Comes Today, Wawa No Cidal, and Zinnia Flower. Through the annual hosting of Vision Taiwan at the Chinese Visual Festival, we hope to be able to attract even more exciting Taiwanese films for British audiences to enjoy. In addition to our screenings, this year we are delighted to welcome actor, Shangho Huang, from Thantos, Drunk and actress, Ado Kaliting, from Wawa No Cidal to join the festivities. Vision Taiwan welcomes you to attend, and we hope that everyone will enjoy these films as much as we do. CULTURAL DIVISION Taipei Representative Office in the UK 08
能戳的秘密：國家機器II》和易智言導演
discussion with our guest directors
Tai w an
w as
DR VICTOR FAN Lecturer in Film Studies, King’s College London
藝術呈現或是觀察角度，常常會帶給觀 影者全新感受。
This year, Vision Taiwan continues to
and participate in panel discussions.
go from strength to strength, and we
In 2014 and 2015, selections from
are immensely proud to be screening
Vision Taiwan were also featured in
a selection of the very best and most
the Chinese New Year programme,
acclaimed recent films from Taiwan.
響，到今年「臺灣視野」單元進入了第3
a collaborative project between the
We are delighted to be hosting the
年，申請參加的影片更多，內容涵蓋範圍
British Film Institute (BFI) and CVF,
UK premiere of the internationally
也更廣更多元，令人期待。同時，我們也
including Wu Wuna’s Let’s Fall in
acclaimed
Love (2009), Adiong Lu’s Crazy
Thanatos, Drunk (Chang Tso-chi,
Calligraphy (2012), and Shen Ko-
2015), which will be presented by the
shang’s A Rolling Stone (2012).
film’s star, actor Huang Shang-ho. As
臺灣影片，包括：《醉·生夢死》、《你的
well as taking part in a Q&A session
今天和我的明天》、《百日告別》、《太
In 2013, we invited director Wu Wuna
with the audience, Huang will also be
陽的孩子》提供英國觀眾欣賞。
to show her works at CVF, including
attending a rare UK screening of his
Let’s Fall in Love. In addition, she
earlier work, Tomorrow Comes Today
also conducted highly engaging Q&A
(Ming Lang Chen, 2013). We are
sessions and participated in a panel
also very excited to be welcoming to
award - w inning
年和2 015年我們分別放映了吳汰 紝導 演的《尋情歷險記》(20 09)，盧彥中導
導演的《築巢人》(2012)。
2 0 13 年，我們 邀 請了台灣 紀 錄 片導演 吳汰紝來訪，策劃了她個人的小型回顧 展，她更和來自中國大陸的周浩和香港 的張虹一同參與關于三地獨立紀錄片創
from Taiwan to attend our screenings
and
作的春節華語紀錄片展映活動，在2014
演的《瘋癲狂書道館》(2012) 和沈可尚
文化部透過駐英國代表處文化組，與華
but also by inviting guest filmmakers
精彩作品同時，我們還邀請台灣導演和
語視像藝術節及倫敦國王學院電影系合 作引進臺灣影片已有4年，前年首次嚐試 開闢「臺 灣視野」單元，獲 得不錯的迴
希望能夠透過每年定期在華語視像藝術 節的「臺灣視野」單元，引進更新更多的
「臺灣視野」歡迎 您的參與，希望各位
的《行動代號孫中山》。在駐英國代表 處文化組的協助下我們也能夠邀請到陳 芯宜和易智言兩位導演來倫敦，參與一 系列觀眾見面和台灣電影論壇等活動。
今年的「台灣視野」單元將更 爲精彩， 我們 很 高興能 推出去年 在台灣本 地 和 國際上呼聲最高的《醉·生夢死》一片， 並 邀 請 到主 演 之一黃尚禾先生參加 英 國首映。黃先生還將帶來他早期出演的 旅美導演陳敏郎作品《你的今天和我的 明天》。我們也非常榮幸能邀請到台灣 阿美族演員、歌手和電視主持人阿洛· 卡力亭·巴奇辣，她的首部大銀幕作品 《太陽的孩子》將在英國電影學會南岸 中心舉行全英首映，她本人也將出席放 映及其後舉行的藝術節閉幕式。除此之 外，林書宇導演感人至深的悼念亡妻之 作《百日告別》也將在藝術節上首度與 英國觀眾見面。
「台灣視野」的成功離不開駐英國代表 處文化組的大力支持，我希望在此感謝 該組同事們的熱忱協助與辛勤努力。希 望大家能喜歡今年的「台灣視野」。
作的論壇，她的作品受到了藝術節觀眾 的高度好評。也正是因為此次圓滿的倫 敦之行，吳導演回到台灣後向許多台灣
范 可樂博士 倫 敦 大學國王學院 電 影系講 師
影人推薦了華語視像藝術節，接下來的 一年，藝術節收到的報名作品中有一半 來自台灣。2014年我們也得以邀請陳穎 彥導演來參加他的作品《起風的樣子》 英國首映。
去年的第五屆華語視像藝術 節上，「台 灣視野」共 放映了九部台灣作品，許多 都是在台灣叫座又叫好的新作，包括卓 立導演的《白米炸彈客》、陳芯宜和梁 國棟導演的《山靈》、李慧仁導演的《不
也能和我們一樣喜歡這些影片 駐 英國代 表 處 文化組 09
About Cao Fei
曹斐
20:00 BFI Southbank, NFT3 Cao Fei: It’s a Game! 90 mins / Cao Fei From avatars to hip-hop and zombies, Chinese artist Cao Fei’s digital video work is steeped in pop culture aesthetics. In conversation with Chinese Visual Festival Art Curator Xuhua Zhan and Chris Berry of King’s College London, Cao Fei presents a selection of her work which highlights her seriously playful engagement with
Cao Fei (b. 1978, Guangzhou) is a
contemporary Chinese and global culture.
Beijing-based Chinese artist. She is one of the most important and
18:00
90 mins / Cao Fei
影像 珠三角 90 分鐘 / 曹斐
the Pearl River Delta north of Hong
城 市廣 州 是曹 斐 的 家 鄉，這 裏 是 中國
also the most avant-garde of its digital and video culture. Co-curated by Cao Fei and Chinese Visual Festival Art Curator Xuhua Zhan, this programme features a range of innovative work by key artists involved in the Southern China video art movement including Chen Shaoxiong
emerged on the international scene
音、裝 置 及 短 片的 創 作引起 學 界 的 關
位 於 香 港以 北的珠 江 三角洲及 其中心
economy and internationalisation, but
90 分鐘 / 曹斐
她 跨 戲 劇、攝 影、錄 像、劇本 寫作、聲
Guangzhou, Cao Fei’s home region, Kong, not only pioneered China’s market
innovative young artists to have
從 虛擬人生、嘻哈文化到喪屍，曹斐以
BFI Southbank, NFT3 Pulse Of The Pearl River Delta
曹斐 :一場遊戲!
發展市場經 濟及8 0年代開始的對外開 放 和 國 際 化 的 前 沿 地 带，作 為 南中國 的 先 鋒 藝 術 發 源 地。這 次’影 像 珠 三
注，她的創作游刃有餘地在地方和街頭 文化、文化 場景和圖像之間自由轉換， 作品中充溢流行文化美學；在這次與華 語視像 節 藝 術 策 展人 湛旭華及倫敦 大 學國王學院裴開瑞教授的對談中，曹斐 將展示她一系列展現當代中國及全球文 化碰撞、認真而又玩味的作品。
角’展 映由曹 斐 與 藝 術 策 展 人 湛 旭 華 共同策劃，聚 焦 9 0 年代 末 至千禧 年的
Chinese and their strategies for overcoming and escaping reality. She mixes social commentary, popular aesthetics, references to Surrealism and documentary conventions in her films and installations. Her works reflect
頭一 個十 年南中國先 鋒 影像藝 術 的 發
Guangzhou (2003), Cosplayers (2004),
Zhou Tao (1, 2, 3, 4, 2007-2008), Qin Jin
）及黃小鵬（《我的那顆紅色的和明亮的
i.Mirror (2007), East Wind (2011), Same
(Nine Days, Eight Months and Twenty
心》，2011）的影像代表作。
Old, Brand New (2015).
Tate Modern (London), Guggenheim
網絡項目《人民幣城寨》(2007-2011) 分別
Museum, the International Center of
在Deutsche Guggenheim (2010)、日本東
Photography, MoMA, MoMA P.S.1 (New York), Centre Pompidou and Palais de Tokyo (Paris).
京Shiseido Gallery (2009)、倫敦蛇形美術 館 (2008)和橫濱三年展 (2008)展出；作品 曾參與一系列國際雙年展包括第15屆及第 年展(2007)、第50屆及第52屆威尼斯雙年
Hugo Boss Prize finalist in 2010. She
展(2003、2007)。作品曾在倫敦泰特美術
received the Chinese Contemporary
館、古根漢美術館、國際攝影中心、紐約現
Art Award’s (CCAA) Best Young Artist
代藝術博物館與P.S.1當代藝術中心、巴黎
Award in 2006.
龐皮度中心及東京宮展出。
曹斐，1978年廣州出生，現工作及生活
2010年獲 Future Generation Art Prize
在北京。曹斐是在國際上是最具代表性
2010 及Hugo Boss藝術獎提名；2006年
及創造力的中國青年藝術家之一，擅長
獲頒CCAA（中國當代藝術獎）最佳青年
以多媒體創作探討中國年青一代的失落
藝術家獎項。
Cao Fei’s 2016 projects include her
Her recent film La Town (2014) was on
、秦晉（《二十九年八個月零九天》，2009
主題館「全世界的未來」展出。
She has also exhibited video works in
17屆悉尼雙年展(2006、2010)、莫斯科雙
at Vienna Secession, Austria in 2015.
Hu Xianqian (Blue Flags Waving, 2006),
作品《La Town》在第56屆威尼斯雙年展
(2007) and Venice (2003 & 2007).
Generation Art Prize 2010 and was a
景-2》，1996）、歐寧、曹斐、黃偉凱（《
Work: Chain Reaction (2000), Hip Hop
納分離派美術館舉辦個展「錦繡香江」；
(2005), Shanghai (2004), Istanbul
Cao Fei was a nominee for the Future
exhibition Splendid River took place
，2006）、周滔（《1,2,3 ,4》,2007-2008）
他近期展覽包括：2015年在奧地利維也
Sydney (2006 & 2010), Moscow
are occurring in Chinese society.
展，展示來自代 表藝 術家陳劭雄（《風
and Huang Weikai (San Yuanli, 2003),
个回顧展和BMW藝術汽車＃18. 曹斐其
international biennales including in
on the rapid and chaotic changes that
BMW Art Car #18. Cao Fei’s solo
三元里》，2003)、胡向前(《藍旗飄飄》
(My Red and Bright Heart, 2011).
explore the lost dreams of young
first retrospective at MoMA PS1 and
(Landscape-2, 1996), Ou Ning, Cao Fei
Nine Years, 2009), and Huang Xiaopeng
from China. Her multimedia projects
works have featured in a number of
display at the 56th Venice Biennale: All the World’s Futures. Her online project RMB City (20072011) has been exhibited in Deutsche Guggenheim (2010); Shiseido Gallery,
放映作品：《鏈》 （2000） ，《嘻哈廣州》
Tokyo, Japan (2009); Serpentine
（2003），《角色》 （2004），《中國翠西,
Gallery, London (2008); and Yokohama
我 . 鏡》 （2007），《東風》 （2011） ， 《樂
Triennale (2008). Cao Fei’s previous
理想，以及他們對抗和逃避現實的方式， 她的影像和裝置融合了社會評論、流行 美學、超現實主義和紀錄片等手法，從中 折射出當今中國社會急速嘈雜的變化。
Cao Fei programme support: NCAF 項目支持：新世紀藝術基金會
曹斐的2106項目包括MoMA PS1展出首
舊.圖新》 （2015）
10
chinesevisualfestival.org
chinesevisualfestival.org
11
OPENING GALA
12 MAY THU
About 簡介 YANG LINA楊荔鈉 Yang Lina is a s e l f - t a u g h t
13 MAY FRI
filmmaker recognised as one of the most remarkable and talented independent directors to have emerged from China during the last two decades, and a rare female voice in the male-dominated world of Chinese cinema. Born in 1972 in Jilin, China, Yang trained and worked as a dancer, in theatre and as a television presenter for the first 10 years of her career, before
she
began
making
documentaries in 1996. Her 1999 film Old Men won top prize at a long list of festivals around the world,
18:00
King’s Safra
King’s Safra La Town * 42 mins / Dir. Cao Fei / Art, Experimental / China, 2014 / In Mandarin with English subtitles Cao Fei’ s La Town is a live action film
detail, there’s an enchanting beauty here, the love affairs, politics, life, demons and disasters of La Town being woven into a complex and poetic viewing experience.
that takes place in a mythical city that has travelled through a wormhole from Europe to Asia, and where time stands still. It is stuck in endless night, where an apocalypse has happened or is
watch. As well as starring in Jia
Home Video *
Zhangke’s Platform in 2000, she
61 mins / Dir. Yang Lina / Documentary / China, 2001 / In Mandarin with English subtitles
wor ks such as H ome V ide o
Home Video is a deeply personal work from Yang Lina which explores her own traumatic experiences with her family. Comprising interviews with her mother,
went on to make other acclaimed (2002), Let’s Dance Together (2007) and The Love Life of Lao An’(2008), all of which cemented her reputation as a creative and highly-accomplished director. As a skilled storyteller, in 2013 Yang filmmaking with Longing for the
after a series of award-winning
attempting to uncover the reasons
Rain, a challenging exploration of
documentaries, Longing for the Rain is
female sexuality in modern Chinese
a challenging and unconventional look
division and space between the film
alternate reality created through the
臨未臨，人們 ——如果他們還可以被稱
and the filmmaker.
use of plastic buildings and small
為人的話——活在恐懼、慌亂與無止的
figures, La Town is atmospheric and
縱樂中，他們或許能逃出La Town，但
家庭 錄 像帶 *
International Film Festival.
mesmerising, filled with intense music
La Town將永遠活在他們心中。迷醉的
61 分鐘 / 導演：楊荔鈉 / 紀錄片 / 中國
1972年生於中國吉林，自學導演，近
and haunted, whispered narration, Cao
音樂與影像，在平庸、古怪與 墮落之間
(2001) / 語言：普通話 ; 字幕：英文
二十年來中國最受注目的獨立導演之
society. The film was nominated for prizes at International Film Festival Rotterdam, the Taipei Golden Horse Awards, and won a Special Mention at the Hong Kong
反映出真實；受阿倫雷奈《廣島之戀》
父母親多年前突然決定離婚，不在場的
一，以女性身份在男性主導的中國電
heady mixture of the mundane, the
的啟發，曹斐挪用《教父》《惡夜30》等
楊荔鈉對真相無從稽考，在這部非常私
影圈中發聲。少年學習舞蹈並 成為舞
bizarre and the corrupt. Influenced
的電影、流行文化及當代藝術元素，使
密的作品中，她以導演的身份重新審視
by Alain Resnais’1957 Hiroshima
這個陰暗敗壞之地看來與我們生活的世
自己以及家庭中的創傷，鏡頭下父母與
界幾乎無二；曹斐的豐富想像力與對細
弟弟對 往事的敘 述 及理 解 均有著巨大
節的準確把控使作品散發奇異之美，愛
的落差，當回憶 成了眼下的真實，時間
情、政 治、生命、魔鬼及 災 難交織出複
是否能如願洗去傷痛？
pop culture and contemporary art references, including The Godfather (1972) and 30 Days of Night (2007), deftly blurring the line between our
合而具詩意的觀影經驗。
world and this shadowy, ruined realm. At the same time, thanks to Cao Fei’s imagination and incredible eye for
Yang Lina’s first foray into fiction
Lina turned her talents to fiction
中的虛構 城市。永恆的黑夜中，末世將
Mon Amour, La Town is filled with film,
95 mins / Dir. Yang Lina / Fiction / China, Hong Kong, 2013 / In Mandarin with English subtitles
often startlingly open film sees Yang
decision to divorce, blurring the usual
Fei darkly reflecting reality through a
Longing for the Rain *
42 分鐘 / 導演：曹斐 / 藝術, 實驗片 / 中國 (2014) / 語言： 普通話 ; 字幕：英文
behind her parents’seemingly sudden
cruel hedonism. A brightly coloured
BFI Southbank, NFT3
father and other family members, the
描述了一座穿越歐亞、靜止在時空蟲洞
call them that, react with fear, panic and
18:10
La Town *
這部以微形塑膠人物和場景建構的電影
about to happen. The people, if you can
12
quickly marking her as a talent to
* Followed by Cao Fei and Yang Lina Q&A and discussion. * 放映後曹斐與楊荔鈉將出席相關講座
chinesevisualfestival.org
蹈演員及 節目主持人，19 9 6年開始 從事紀錄片工作，1999年的首作《老 頭》獲得多個國際影展獎項並受到廣 泛關注，20 0 0年出演賈樟柯的《站 台》，其後一系列作品包括《家庭錄 像帶》、《一起跳舞》、《老安》使她
春夢 * 95 分鐘 / 導演：楊荔鈉 / 劇情片 / 中國, 中 國 香港(2013) / 語言：普通話 ; 字幕：英文
at female sexuality in modern Chinese
中產少婦方蕾（趙思源飾）有最完美的
society. Despite having a comfortable,
老公和女兒，在北京的高樓公寓裏過著
affluent life with her husband and
標準的現代化生活。她有一個不為人知
daughter, housewife Fang Lei is
的煩惱，白日長 晝難遣，忙碌的老公無
sexually frustrated and dreams about
法滿足她對情欲的渴求，逃遁到夢中的
making love to a mysterious man.
她 與 神 秘 男子日夜 纏 綿，愛 欲 漸 變 依
Finding fulfilment with her dream lover,
戀，成了完美生 活中的裂痕，女兒落水
she becomes obsessed, and when her
的意外使夫妻失和，無處可告的方蕾來
life starts to fall apart she turns to a Taoist monk for help. Bringing the same strong sense of character to fiction that she displayed in her documentaries, Yang Lina’s direction is experimental and unconventional, seamlessly mixing social issues and the supernatural, and
紀錄片導演的身份受到認可；2013年
the film pushes the boundaries with its
首次創作劇情長片《春夢》，以具挑
sexual content in a manner rarely seen
釁性的手法探討了當代中國女性的性
in Chinese cinema.
到滿天大雪中的寺廟，見盡女信徒的苦 難與狂亂，在師父的告誡下欲望本已升 華成 救 贖，卻又搖身一變，找到了另一 個替身。以紀錄片見長的導演楊荔鈉首 次拍攝劇情片，從女性角度剖析商品化 時代下的身體與情欲，布紐爾《青樓紅 杏》的當代中國演繹。
* Followed by Yang Lina Q&A. * 放映後導演楊荔鈉將親臨現場交流
意識，入圍鹿特丹影展「金老虎」競賽 單元、獲台灣金馬獎「最佳女配角」 提名及香港電影節「特別關注獎」。
chinesevisualfestival.org
13
14 MAY SAT
Middle Kingdom 81 mins / Dirs. Huang Ruixin, Guo Lin/ Documentary / China, 2015 / In Mandarin with English subtitles
About 簡介 FRESH WAVE鮮浪潮
Huang
Lin’s
The Hong Kong Arts Development
Kingdom
Council (ADC) launched the Fresh
focuses on the Dragon Pavilion in
Wave Short Film Competition in
Kaifeng, the capital of China for six
2005. It sought to promote local short
dynasties. People from far and near
films and support young film talent
gather at the pavilion, considering
at a point when the Hong Kong film
it a holy place where they offer
industry was rapidly declining from its
worship to heaven, communicate
height in the 80s and 90s. It selects
with gods and practice various types
aspiring filmmakers aged between
of martial arts. Filmed over several
18 and 35, who receive a subsidy to
years, Middle Kingdom captures the
produce a short film of between five
hustle and bustle of modern China
and 25 minutes. The filmmakers also
and the constant stream of changes
get support, professional advice and
a sweeping the country. The Dragon
guidance from film experts invited
Ruixin
documentar y
and
Guo
Middle
Pavilion makes for a fascinating backdrop to the chaotic tide of humanity flowing before it, reflecting the present and future as it questions our links to history– can it truly be
12:00
said that the more things change, the more they stay the same?
King’s Safra
have included Chan Hing-kai, Gypsy Chang, Mabel Cheung, Jimmy Choi,
Fresh Wave 2015 Selection *
2015年鮮浪潮獲獎作品精選 *
107 mins / Dirs. Chan Sheung-shing, Chan Ka-chun, Chan Kam-hei, Lam Hei-nok, Jane Leung / Fiction / Hong Kong, 2015 / In Cantonese with Chinese and English subtitles
107 分鐘 / 導演： 陳上城、陳家浚、陳淦 熙、林希諾、梁子瞳 / 劇情片 / 中國香港 (2015) / 語言：廣東語 ; 字幕：中英文
Regarding Lambs in the City 40 mins / Dir. Zhao Xu / Documentary / China, 2015 / In Mandarin with English subtitles
talented young filmmakers, we’re proud to bring a selection of the very best
A
Fresh Wave Competition to London,
short films from the Hong Kong 2015
highly creative and visually
to act as mentors, which in the past
King’s Safra
Now celebrating 10 years of showcasing
暨香港提拔鼓勵青年導演項目鮮浪潮十 周年之際，我們很榮幸能與鮮浪潮合作 帶來他們2015年最新獲獎作品精選，部 份導演也將應邀出席。本次播放的作品 有《安琪兒》（陳上城）、《我看見老闆 娘與奸夫鬼混》（陳家浚）、《若男》（
together with the filmmakers who
陳淦熙）、《錯著》（林希諾）以及《別來
made them. The films include Chan
無恙》（梁子瞳），五部題材不一、風格各
中
Sheung-shing’s Angela, Chan Ka-
異的影片，展現了香港年青一代令人眼前
chun’s Au Revoir, Chan Kam-hei’s
一亮的創意。
film depicts the often strange uses
81 分鐘 / 導演：黃瑞欣,郭林 / 紀錄片/ 中國 (2015) / 語言： 普通話 ; 字幕：英文
Conditioned, Lam Hei-nok’s In
of space as everyday people adapt
開封龍亭為六個朝代的皇宮遺址，龍亭正
Silence and Jane Leung’s See You
to their changing environments.
門午朝門前，千年石獅佇立迄今。這裡是
Once Again. Covering a wide range of
來自四面八方「跑功」人的一方聖土，他
contemporary topics and themes, the
King’s Safra
stunning documentary, Zhao Xu’s Regarding Lambs in the City explores the chaos that follows in the wake of China’s intense urbanisation. The
It follows a shepherd couple who herd sheep around the city while the
關於城 裏的羊
short films are a great showcase for
Lawrence Lau, Herman Yau, Yau Naihoi and Ying Liang. Now celebrating its 10th anniversary, the Fresh Wave has seen several filmmakers go on to forge successful careers in the industry, such as Flora Lau, Kiwi Chow and Wong Chun. 2005年，香港藝術發展局首次舉辦「 鮮浪潮」短片競賽，致力推動香港本土 電影創作，為具潛質的年輕電影創作人 提供資助、學習及展示作品的平台。為 促進香港與國際間的電影文化交流，同 時拓展年輕電影創作人之國際視野，「 鮮浪潮」自2010年起增設國際短片展， 與不同海外影展或機構合作放映各地 短片。 競賽接受18至35歲人士報名，經評審 面試後便可正式獲得拍攝資助，製作 一齣5至25分鐘的短片，其間亦為參賽
40分鐘 / 導演：趙煦 / 紀錄片 / 中國(2015) / 語言： 普通話 ; 字幕：英文
們或常駐或暫留，在此間與上蒼接應，
一對養羊的夫婦每天在城市周圍放羊，
上始終有一位老者的身影。這部攝制經
政府為了蓋樓房想把他們從平房趕走；
年的作品捕捉了當代中國在沸沸揚揚、
一個修自行車的大爺每天在路邊放的士
川流不息中急速變遷的城市面貌，龍亭
劉國昌、羅啟銳、曾翠珊、邱禮濤、游乃
高，周圍的居民投訴他擾民；一個男人
成了變幻的潮流中不變的主體，連接起
海、應亮及往屆鮮浪潮得獎者。
養了一只羊做寵物；一個打扮成羊模樣
我們對過去、現在、未來，以及歷史與傳
of these individuals into an at times
的男子在城市周圍游蕩。幾條線索相互
統之間的思索。
absurd tale of the changing modern
交錯，一個個荒誕的場景，勾勒出城中
landscape of China.
村在城市化的急速進程中的變遷面貌。
government tries to demolish their home to make way for a construction project, a bicycle repair man whose constant playing of disco music annoys everyone, and a man who wanders the city dressed as a lamb. Zhao Xu weaves the stories
14
14:30
與神明溝通。七年來，廣場內一塊石礅
Contemporary Visions chinesevisualfestival.org
up and coming talent from Hong Kong.
者提供各種支援，包括邀請業界專家 擔任指導師，為參賽者提供專業意見及 指引。本屆的指導師包括陳慶嘉、張玉 梅、張婉婷、蔡甘銓、馮慶強、黎子儉、
* Panel discussion with Fresh Wave filmmakers after screening. * 放映後 部分導演將出席相關講座
chinesevisualfestival.org
15
14 MAY SAT 17:30
你的今天和我的明天 83 分鐘 / 導演： 陳敏郎 / 劇情片 / 台灣 (2013) / 語言： 國語 ; 字幕：中英文
King’s Safra
旅居美國的台灣導演陳敏郎首部長片，
Tomorrow Comes Today 83 mins / Dir. Ming Lang Chen / Fiction / Taiwan, 2013 / In Mandarin and English with Chinese and English subtitles Written and directed by Ming Lang Chen, Tomorrow Comes Today is a witty cross-cultural comedy about identity
and
masculinity,
starring
Huang Shang-ho as a Chinese food delivery boy who spends his spare time travelling New York City looking
Comes
Today
has
a
likeable,
engrossing flow in its adventures and personal
relationships.
Winningly
depicting two men in search of connections in a confusing modern metropolis, the film also recalls the
默方式探討了人在紐約的身份、文化及 性別認同的多重議題。黃尚禾飾演的台 灣男孩，在城市間穿梭送外賣順便找媽 媽，但他拿的卻是三十年代女星瑪琳黛 德麗的相片；男孩的白人鄰居以清潔公
works of Edward Yang in its subtle
用電話維生，某個深夜在街頭邂逅雙生
homosexual yearning, gender images
姐妹花，卻分不清愛的究竟是姊姊或妹
and the loneliness of the urban space.
妹。看似毫不相干的二人，命運卻若有若 式的孤獨母題，又兼有楊德昌對都市男女
One of the most internationally
的細膩觀察。
acclaimed Taiwanese films of the last
independent cinema that’s more than
few years Thanatos, Drunk swept the
worthy of its accolades.
his neighbour. Although it explores
Today and the presence of Huang
existential solitude in a manner that
Shang-ho are made possible with
recalls Tsai Ming Liang, Chen shows a
support from the Cultural Division of the
《你的今天和我的明天》一片及黃尚禾
light touch throughout, and Tomorrow
Taipei Representative Office in the UK.
先生之行由駐英國代表處文化組贊助。
and starring in his first film in 2013, Ming
1983年出生的台灣男演員，在美國取得表
Lang Chen’s Tomorrow Comes Today,
演藝術碩士後開始在紐約累積劇場、電視、
for which he was nominated at the 15th
電影等經驗；2013年回台後憑藉在《你的今
Taipei Film Festival for Best Actor and Best
天和我的明天》中的表演入圍第15屆台北
Newcomer. Since then, he has gone on
電影節的最佳新人及最佳男主角；曾參與
to star in a number of television dramas
劉偉強和馬田史高西斯監製的黑幫片《青
the Green Dragons, directed by Andrew
About HUANG SHANG-HO黃尚禾
Lau and Andrew Loo, and produced by Martin Scorsese. Chang Tso Chi’s acclaimed Thanatos, Drunk is his latest
Thanatos, Drunk *
無的彼此牽引，隱隱呼應蔡明亮存在主義
The screening of Tomorrow Comes
of Youth, and the 2014 film Revenge of
19:15
King’s Safra 107 mins / Dir. Chang Tso Chi / Fiction / Taiwan, 2015 / In Mandarin and dialect with Chinese and English subtitles
for his mother while bonding with
such as A Touch of Green and The Best
16
這部黑色風格的跨文化喜劇以獨特的幽
boards at the 2015 Golden Horse and Taipei Film Awards, as well as winning top honours at Berlin, Tokyo and other festivals around the world. The film stars Huang Shang-ho and Lee Hong-chi as two brothers on the fringe
The screening of Thanatos, Drunk and the presence of Huang Shangho are made possible with support from the Cultural Division of the Taipei Representative Office in the UK.
of society trying to survive, while also
醉·生夢死 *
looking for themselves and longing to find a foothold in life. A stunningly
107 分鐘 / 導演： 張作驥 / 劇情片 / 台灣 (2015) / 語言： 國語 ; 字幕：中英文
unconventional portrait of outsiders
在市場賣菜的小混混老鼠百無聊賴，與援
trying to keep afloat in a modern
出以及極具衝突的角色個性，都讓人對他留
交啞女的一段純純愛戀是他生活的全部
Taiwanese society that shuns them,
下深刻的印像；接下來，將參與黎明首度執
寄託；長年酗酒的母親死後，赴美讀書的
Thanatos, Drunk is a fascinatingly
導的電影《Z計劃》。
complex film, with a fractured narrative
哥哥(黄尚禾飾)回到台北，自我壓抑的同
龍》；2015年在張作驥導演的電影《醉·生 夢死》中，大膽演繹同志角色，大尺度的演
that intermingles the past and present
Born in 1983, Huang Shang-Ho is a
feature, and he will soon be seen in Leon
Taiwanese actor. After graduating from
Lai’s Project Z.
New York Columbia University with
The presence of Huang Shang-ho is made
a Master of Performing Arts, Huang
青》及《燦爛時光》中都能看到他透過小
possible with support from the Cultural
is packed with moments of quiet
Shang-Ho continued to act on stage and
Division of the Taipei Representative
螢幕刻畫大時代真摯情感的演出。
poignancy, visual poetry and strong
in television, before returning to Taiwan
Office in the UK.
電影以外，黃尚禾也投入參與電視劇的演 出。2015年，台灣公視的年度大戲《一把
chinesevisualfestival.org
in engrossing fashion. Beautifully shot, the constantly-surprising film
性欲望只能在夜場的放浪形骸中得到釋 放，兄弟二人加上寄居的表姐及牛郎男 友碩哥，形成微妙的相依關係。在愛欲、 親仇中糾纏的一群邊緣人，面對揮之不去 的過去，死亡是解脫，還是重生的辦法？
performances, marking it as a bold
《醉·生夢死》一片及黃尚禾先生之行由
and uncompromising piece of fiercely
駐英國代表處文化組贊助。
chinesevisualfestival.org
* Huang Shang-ho Q&A after screening * 放映後主演黃尚禾將親臨現場交流。
17
15 MAY SUN 16:30
12:00
King’s Safra
King’s Safra 二十二
Twenty Two 112 mins / Dir. Guo Ke / Documentary / China, 2015 / In Mandarin and dialect with Chinese and English subtitles
Two offers a look at the current situation
112 分鐘 / 導演： 郭柯 / 紀錄片 / 中國 (2015) / 語言： 普通話及方言 ; 字幕： 中英文
and lives of these 22 elderly women.
在日本侵華戰爭的八年期間，二十萬中國
restrained and careful approach, Twenty
Guo Ke’s searching and highly moving
Quietly humanistic, the engaging and
documentary Twenty Two focuses on the
challenging film follows the subjects as
subject of Chinese‘comfort women’
they go about their daily lives, listening
during World War II. At the time of
to them talk about their experiences and
filming, only 22 of the 200,000 Chinese
their own perspectives on life, including
victims forced into sexual slavery during
both suffering and happiness.
World War II remained alive. Through a
87 mins / Dir. Yang Lina / Documentary / China, 2008 / In Mandarin with English subtitles Character-based documentary The Love Life of Lao An focuses on the 90
婦女被迫淪為日軍的性奴隸。在影片開拍
year-old Lao An, a ballroom dancing
之時，中國內地僅剩二十二位慰安婦倖
fanatic who falls for his considerably
存者。當光陰慢慢劃過，時間撫平傷口，
younger dance partner Xiao Wei
這些經歷了常人無法想像的磨難的老人
despite being married to a long-
們，如今又身在何處，過著怎樣的生活？
suffering wife. Dancing with the also-
電影用鏡頭打撈歷史的碎片，將行將逝 去的事實鐫刻成永久的紀念。
14:00
King’s Safra
19:00
King’s Safra Zinnia Flower
百日告別
95 mins / Dir. Tom Lin / Fiction / Taiwan, 2015 / In Mandarin with English subtitles
95 分鐘 / 導演： 林書宇 / 劇情片 / 台灣 (2015) / 語言： 國語 ; 字幕：英文
married Xiao Wei daily in the gardens
Zinnia Flower is a deeply personal and
一場連環車禍中，育偉與心敏同失愛侶，
of Beijing’s Temple of Heaven, Lao An
emotionally intense offering from Tom
在一百日的喪期裏，他們從失序的現實
takes her with him as he goes to the
Lin, who made the film as an attempt
中重塑生活的模樣，以各自的方式哀悼
market and visits the hospital. Intimate
to deal with the death of his own wife. On the same day and in the same
死亡、孤獨與生命裏失落的可能性。百日
and humanistic, Yang Lina and her camera act almost as confidants for
accident Wei (Shih Chin-hang) loses his
Lao An, following him everywhere and
pregnant wife and Ming (Karena Lam)
capturing the ups and downs of his life
loses her fiancée, leaving their worlds
and his changing relationships with his
empty. No matter how they choose to
family and Xiao Wei.
mourn, their pain and sorrow remain.
《百日告别》一片由光在影像提供，駐英
Elegant, poetic and moving, Zinnia
國代表處文化組贊助。
老安 *
Flower sees Lin avoiding the usual
87 分鐘 / 導演：楊荔鈉 / 紀錄片 / 中國 (2008) / 語言：普通話 ; 字幕：英文
clichés about bereavement while never shying away from pain and heartache. Anchored by two exceptionally strong
在這裏他結識了舞伴小魏。儘管有著年齡
lead performances, it’s a powerful and
差距，又各有家庭，二人互生好感，在舞池
deeply moving film that confirms Lin as
Li Wen at East Lake
man, hearing legends about the Dragon
117 mins / Dir. Li Luo / Documentary, Fiction / China, 2015 / In Mandarin and dialect with Chinese and English subtitles
李文漫遊東湖
King and discussing his fear of castration
117 分鐘 / 導演： 李珞 / 紀錄, 劇情片 / 中國(2015) / 語言：普通話及方言 ; 字 幕：中英文
北京九旬老人老安熱愛到天壇公園跳舞，
Wen at East Lake is a surprisingly funny
中年便裝警察李文奉命在東湖附近搜捕
外的生活中亦彼此照顧，更惹來老安老伴
one of Taiwan’s most talented directors.
film that boldly weaves the real, the
到處散播謠言、妨礙社會穩定的瘋子，鏡
的不滿。老安生病住院，起初小魏常去探
fictional and the imagined into a sharp
頭跟隨他的腳步，漫遊即將隨著填湖改造
望，後來卻不再出現，老安出院後才得悉
Zinnia Flower screens courtesy of
and multi-layered picture of modern
而消逝的東湖，與之一同訪談居民、收集
她已因突發腦溢血去世了。在小魏墓前，
Chinese society, and shows again why
The screening of Zinnia Flower is
龍王傳說、結交關注環保的大學生、與女
他悲痛不已。而生活仍要繼續，鏡頭跟著
Li Luo is being hailed by many as one
made possible thanks to support
性主義者辯論佛洛伊德的閹割焦慮、鑒藏
of the most exciting directors working
老安，又回到了天壇的露天舞場，與新識
from the Cultural Division of the Taipei
文革老照片、醉心油畫，不意竟為建國神
的舞伴共舞。
Representative Office in the UK.
Li Wen at East Lake combines fiction and documentary, revolving around the connections of various people with East Lake in Wuhan, a scenic area which became the subject of controversy after property developers began to transform it into apartments and an amusement park. The film later shifts its focus to a cynical police officer who wanders the area searching for a mentally unstable
18
The Love Life of Lao An *
with a gender studies student. Mixing politics, art and personal exploration, Li
in China today.
期滿，揮之不去的傷痛融入生活，引領他 們前行。導演林書宇從喪妻的自身經驗出 發，邀請觀者與之一同走過自我療愈、洗 滌的歷程。
International Sales Agent Ablaze Image.
話找到了文化脈絡；政經制度下個人的情
Contemporary Visions
趣和品味，是無可無不可，抑或是人自我
* Yang Lina Q&A after screening
身份的體現？正如電影巧妙揉合真實與虛
* 放映後導演楊荔鈉將親臨現場交流
構的攝制手法，混然天成，亦無跡可尋。
chinesevisualfestival.org
chinesevisualfestival.org
19
16 MAY MON Umbrella through the Lens
17:00
117 分鐘 / 導演： 陳耀成、鄧卓儒、林子 穎、陳芊憓、李偉 / 紀錄片 / 香港(201516) / 語言： 廣東話; 字幕：中英文
King’s S-3/20 (3B20)
13:00
Umbrella through the Lens
King’s Lucas Road not Taken * 76 mins / Dirs. Nora Lam Tze Wing, Samuel Wong Chun Long / Documentary / Hong Kong, 2016 / In Cantonese with Chinese and English subtitles documentary charting the recent Umbrella Revolution in Hong Kong, which made news headlines around the world and which has fundamentally changed the way the younger generation of Hong Kongers see the city and their future. The film was shot during the student strike, the end of which was not known at that time, and was an attempt to document the stories of those involved, recording student committees, leaders and other groups of young people who were involved.
15:00
King’s Old Committee Room
雨傘運動改變了不少香港年青一代對城 市及未來的想像，這部紀錄片始攝於運 動之初的罷課，其時事態及終局尚是未 知之數，通過影像留下參與者的故事。 片中記錄學生會罷課委員、學生領袖、 普通參與佔領的大學生、本土勇武派年 輕人，如何盡自己的一分力量以改變他 們所在的社會。
圓桌會議：電影節研究在香港 講者：香港大學Gina Marchetti教授、林子穎
Film Festival Studies is a new and
discussion, we have the opportunity
booming area of academic film studies.
learn more from the Hong Kong teaching
But how should it be taught? Recently,
experience.
公民上街表達支持民主普選的信念；事
at Hong Kong University. Her own
件中參與者展現的文化活力及創意，令
film Midnight in Mongkok challenges
人留下深刻印像；這次展映的短片既
allegations that the protestors in
是為事件本身作紀錄，亦是為行動作
Introduced by Nora Lam Tze Wing and
makers. Other films include Evans
About NORA LAM TZE WING 林子穎 Nora Lam Tze Wing is a current HKU student and a former director in Campus TV, HKUSU. She now works on independent productions
Mongkok were gangsters and trouble-
林子穎的《旺角黑夜》直面對旺角示威
progress) and Tang Cheuk Yu’s When
者是黑社會成員或乘亂鬧事者的指控，
Who can forget late 2014’s momentous
September Ends, which take us back
並提出反駁；資深獨立導演陳耀成的《
pro-democracy Umbrella Movement
to the beginning, when the students
撐傘（預告片）》把雨傘運動置於全球及
in Hong Kong? The movement, which
took over the movement and decided
歷史的視野上；鄧卓儒的《廣場志》從頭
saw the streets of Admiralty, Causeway
to occupy public space. Nate Chan’s
細數事件的起始，罷課當晚學生及群眾
Bay occupied for almost three months,
Do You Hear the Women Sing? records
是如何決定衝入並佔領廣場的； 陳芊
was celebrated for its extensive and
the experiences of women protestors, while Jerry Lee’s No Sense captures
憓的《傘不走的女聲》中，參與示威的
innovative cultural component, which also included documentary filmmaking.
its final moments.
This programme takes us back into the thick of those momentous events and to
of documentaries. Her previous
reflect on their consequences.
documentary Midnight in Mong
Director Nora Lam Tze Wing originally
Nomad Film Festival in Taipei and was a finalist of the 21st ifva Awards Open Category.
The presence of Nora Lam Tze Wing and Gina Marchetti is made possible with the assistance of the King’s College London Worldwide Partnerships Fund.
同志三分親 * 101 分鐘 / 導演：大京、舒琪及林知陽 / 紀錄，劇情，實驗片 / 中國及中国香港 (2015) / 語言：廣東話、普通話；字幕： 中英文
interests. Meanwhile, filmmakers in Hong Kong, facing increasing official
of the King’s College London
pressure
參與專業紀錄片製作，紀錄片《旺角
local
history,
actively use cinema as a means
Cinema Comrade *
Kong’s queer history as a site where
對來自中國的同性獨立電影人來說，他 們的作品不但是藝術創作，更是參與社 會行動的方式，旨在為LGBTQ群體、尤 其是被商業集團及國家利益聯盟邊緣化
the local, national, and the global
的女性發聲；而香港的電影人，在持續受
101 mins / Dirs. Dajing, Shu Kei, Tony Zhiyang Li / Documentary, Fiction, Experimental / China, Hong Kong, 2015 / In Cantonese, Mandarin with Chinese and English subtitles
intersect in the context of colonialism
到官方意圖使之忘卻本土歷史、將香港
and China’s political crisis during
的政經身份融入宏大的民族國家的壓力
the twentieth century. The session
下，主動用電影來重新發現及肯定香港
includes I am Going to Make a
的酷兒歷史，以之作為一個在二十世紀
Lesbian Porn and Death of Lesbians
的殖民主義及中國政治危機下，本土、
by Dajing, Shu Kei’s Thin Dream
國家及全球區域交錯的所在。本次播放
Bay, and A City of Two Tales by Tony
的作品有大京的《我要拍女女色情片》
Zhiyang Lin, covering a wide range of
和《女同之死》，舒琪的《海濱薄夢》以
topics and cinematic styles.
及林知陽的《雙城記》，從題材與風格上
of Hong Kong which combined theory
課程應該如何設計，又如何向學生講授？
and practice. As part of the course,
最近，香港大學的Gina Marchetti教授設
students such as filmmaker Nora Lam
計了一個融會理論和實踐的課程，與林子
林子穎之行由倫敦大學國王學院全球
Tze-Wing have curated mini-festivals on
穎等一眾學生在校園內策劃小型電影節，
Queer independent filmmakers in China
合作基金贊助。
campus, such as the Umbrella through
包括我們今年展映的Umbrella Through
see their work not simply as art, but
the Lens screenings we are also showing
the Lens短片選；在這次圓桌會議中，兩
in this year’s CVF. In this roundtable
位講者將向我們引介在香港的教學經驗。
also as an act of sociocultural activism
chinesevisualfestival.org
forget
King’s Lucas
影展 - 雨傘運動短片輯」並入圍第21屆
Contemporary Visions
to
to rediscover and reassert Hong
黑夜》曾參展2015年「台灣城市遊牧 ifva 獨立短片及影像媒體比賽公開組。
林子穎與 G i n a M a r c h e t t i 之行由倫
women-who are marginalised by the
is made possible with the assistance
監，曾製作多條紀錄片及新聞節目並
林子穎將為觀眾引介展映短片
of the LGBTQ communities - especially
The presence of Nora Lam Tze Wing
香港大學學生，前校園電視新聞部總
放 映 前，G i n a M a r c h e t t i 教 授 及
敦大學國王學院全球合作基金贊助。
liaison between corporate and state
19:00
女性親述心路歷程；李偉盛的《不傘》 則為事件的最終時刻留影。
Kok was screened in the 2015 Urban
Worldwide Partnerships Fund.
後繼反思。
Chan’s Raise the Umbrellas (work in
電影節研究是近年學術界的熱門領域，但
festival studies course at the University
20
76 分鐘 / 導演：林子穎、黃頌朗 / 紀錄片 / 中國香港(2016) / 語言： 廣東話；字幕： 中英文
Teaching Film Festival Studies in Hong Kong: A roundtable discussion with Professor Gina Marchetti and Nora Lam Tze-Wing of the University of Hong Kong
Professor Gina Marchetti pioneered a film
curated this programme for a class
University
未竟之路 *
地，發生持續三個月的街道佔領行動，
117 mins / Dirs. Evans Chan, Tang Cheuk Yu, Nora Lam Tze Wing, Nate Chan, Jerry Lee / Documentary / Hong Kong, (2015-2016) / In Cantonese with Chinese and English subtitles Professor Gina Marchetti of Hong Kong
Road Not Taken is a feature-length
2014年，香港金鐘、銅鑼灣、旺角等
that seeks to give a voice to members
* Q&A after screening * 放映後將舉行相關講座
chinesevisualfestival.org
都各自精彩。
21
19 MAY THU
18 MAY
17 MAY TUE 19:00
King’s Lucas
King’s Lucas
Tharlo * 123 mins / Dir. Pema Tseden / Fiction / China, 2015 / In Tibetan and Mandarin with English subtitles
18:30
Tharlo is the latest work from acclaimed Tibetan writer director Pema Tseden.
18:20
The film follows the titular 40 year-
Living with Shame *
Bertha DocHouse
old man who lives a quiet life alone in the Tibetan mountains with his herd of sheep, and who has a remarkable memory that allows him to recite Chairman Mao’s little red book. His
Ethnic Perspectives
life is turned upside down when he has to go to the city to have his photo taken for his first ID card and the photographer sends him to a young
*Panel session after screening *放映後將舉行嘉賓討論
25 mins/Dir. Jin Huaqing/ Documentary / China, 2007 / In Mandarin and dialect with Chinese and English subtitles
About JIN HUAQING 金華青 Jin Huaqing has directed films
A Young Patriot
Many of the world’s discarded mobile
including Living with Shame, Blossom
106 mins / Dir. Du Haibin / Documentary / China, 2015 / In Mandarin with Chinese and English Subtitles
phones, televisions and computers end
with Tears and Lament of Yumen. He
up in China, and are dumped in towns
has received more than 40 awards
where armies of workers from poverty-
A
acclaimed
at international film festivals in 18
stricken areas recycle e-waste using
documentarian Du Haibin explores
countries, most notably the UNICEF
primitive methods which harm both
passionate
Chinese
Prize in 2012. His documentaries
the environment and their own health.
have been broadcast by major media
Young
Patriot
from
patriotism
in
youths born after 1990, focusing on
The film follows migrant worker Zhang
show an interest in him, and who he
Xiao Zhao, a 19-year-old boy first seen
outlets including Al Jazeera Television,
Han trying to make a living in one such
soon becomes fixated upon. Based
waving a Chinese flag and shouting
the BBC, EBS and Fuji TV. Jin Huaqing
scrapyard to pay for the debts he ran
on his own novel and shot in stunning
”Long live China! Go China!” on the
served on the jury of the 21st Asian
up arranging his son’s wedding.
black and white, Tharlo is one of Pema
streets. The film follows him through to
International Film Festival in Vesoul
Depicting the hardships Zhang and
Tseden’s most accomplished works
his experiences as a college student
and the Student Competition in the
others like him face, the film highlights
to date, a slow burn exploration of
in the Sichuan capital of Chengdu, and
8th Russian Anthropological Film
the harsh conditions endured by those
loneliness, marginalization and the
as a volunteer teaching in Liangshan
Festival. Focusing on a variety of
on the margins of Chinese society, in
quest for identity.
Yi autonomous region. The camera
issues in modern China, Jin’s films are
sharp contrast to the comforts enjoyed
records the emotional and ideological
marked by their humanistic approach
by the newly-affluent middle class.
and social conscience, and allow
and pretty hairdresser, who seems to
Tharlo is screened in partnership with
changes Xiao Zhao undergoes during
Day for Night.
塔洛 * 123 分鐘 / 導演： 萬瑪才旦 / 劇情片 / 中 國(2015) / 語言： 藏語、普通話; 字幕： 中英文 2014年，我們曾策劃過西藏導演萬玛才 旦的的回顧展；本屆選映他的新作《塔 洛》，單純質樸的牧羊人塔洛年逾四十， 能以驚人的記憶力背誦《毛主席語錄》 ，因下山到縣城辦理身份證，邂逅一位 女孩，引發一連串的意外事件。改編自 他的小說，這部黑白攝影的電影是萬瑪 才旦至今最圓熟的作品，主角塔洛的遭 遇 反 映了當今不 少 藏 區年 輕 人心 靈 孤 獨，迷失自我及生命方向的現狀。 《塔洛》一片由Day for Night公司提供。
22
The Tibetan Girl *
King’s Lucas
少年·小趙 106 分鐘 / 導演： 杜海濱 / 紀錄片 / 中 國(2015) / 語言： 普通話 ; 字幕：中英文 二零零九年是中国共產黨建國六十年， 導演杜海濱在山西平遙遇見身穿軍服、 奮力揮舞五星旗、高呼「中國加油！」的 十九歲少年趙昶通。受小趙發自心底的 愛國熱情所吸引，杜海濱拿起攝影機， 拍下他從高考落榜，後到四川成都上大 學，往涼山州彝族自治區支教等經歷， 記 錄了他從 高中到 大學 二年 級 這 四 年
this five-year period, while at the same
瓦全 *
time capturing the restlessness and
25 分鐘 / 導演： 金華青 / 紀錄片 / 中國 (2007) / 語言：普通話、中國方言 ; 字幕： 中英文
disturbances in Chinese society as it is transformed by modernisation and the supposed ‘economic miracle’. The result is one of the most thoughtprovoking and challenging films about Chinese society in recent memory, by turns alarming, critical and even comedic, though never losing sight of the humanity of its protagonist.
間，因 理 想 與 現 實 的 差 異 及 衝 突 而生 了當下中國青 年人 正在 經 歷 的 焦 灼 與 躁動。
the experiences of Drolma, a young religious girl from Tibet trying to make her way in life. At times blurring the line between documentary and fiction, this thought-provoking short explores the experiences of Tibetans in Chinese society and the difficulties they face in reconciling their beliefs and traditions with modernity. Jin considers the relationship between Han Chinese culture and Tibet and the different ways in which it is represented and exoticised.
貢秋卓瑪 * 31 分鐘 / 導演：金華青 / 紀錄片 / 中國 (2016) / 語言：藏語、普通話;字幕：中英文 前作《花 朵》及《奔跑的黄昏》分別在 2014及2015年藝術節中獲得「最受觀 眾歡迎獎」，導演金華青今年親自帶來 新作《貢秋卓瑪》，這部紀錄短片以藏 族姑娘央金卓瑪在北京的生活及工作為 拍攝主題，表現藏人在漢族群體中的生
電腦都被送到了中國，儘管受中國政府 明令禁止，進口廢料仍屢禁不止。在一
家影展獲獎四十餘次，其中包括2012
個有著二十年廢舊金屬拆解歷史的江南
年聯合國兒童基金會大獎。曾在卡塔爾
小鎮，五萬多外來民工是拆解業的主力
半島電視台、英國BBC、韓國EBS、日
軍，目不識丁的他們用近乎原始的方式
本富士電視台播出。曾出任第21屆法國
創造了「點石成金」的奇跡，掙到了在老
維蘇亞洲國際電影節終審評委、第8屆
Contemporary Visions
Girl, a short documentary following
、《奔跑的黃昏》等，秉持人文關懷精 導中所見的中國。在世界各地十八個國
家一輩子難以掙到的錢，卻使四周環境
Jin Huaqing returns with The Tibetan
作品包括《瓦全》、《花朵》、《孤城》 神，向觀眾揭示一個有別於一般新聞報
全》是金華青的首部作品。
chinesevisualfestival.org
beyond the usual news headlines.
世上許多國家棄置的手提電話、電視及
及自己的健康付出了巨大的代價。《瓦
發的所思所感，也借由小趙的視角呈現
global audiences to see a side of China
31mins/Dir. Jin Huaqing/ Documentary / China, 2016 / In Tibetan and Mandarin with Chinese and English subtitles
俄羅斯人類學電影節（學生組）終審評 委；擔任蘭州大學創意導師、浙江傳媒 學院文化創意學院客座導師。
活經驗，以及他們如何在現代化大都市 裏堅守信仰與傳統。金華青亦關注藏族 與漢族的文化互動，當後者往往以異域 風情的方式來建構、展示前者時，他從 人文視角出發，冷静地處理這個具有不 少爭議的題材。在優美的畫面中，央金 卓瑪始終是鏡頭對準的主角，記下她生 命裏一段動人的歷程。
* Jin Huaqing and Gongqiu Zhuoma Q&A after screening * 放映後導演金華青及主人公貢秋卓瑪 將親臨現場與觀眾交流
Ethnic Perspectives
chinesevisualfestival.org
23
20:30,19 MAY King’s Lucas
20 MAY FRI
About
Perspectives on Representing Ethnic Minorities in Chinese Language Cinema, with Jin Huaqing and Gongqiu Zhuoma of The Tibetan Girl, and Ado Kaliting Pacidal of Panay. 論壇：華語文化圈中的民族政治與電影 嘉賓：金華青、貢秋卓瑪、阿洛·卡力亭·巴奇辣 White directors making films about ethnic minorities has been an explosive issue in Hollywood for a long time – at least since Kevin Costner and Dances with Wolves back in 1990. What’s the situation in Hong Kong, Taiwan, and China? In this panel with Ado Kaliting Pacidal, Amis musician, TV host and star of Panay (Wawa no Cidal), and Tibetan Girl director Jin Huaqing and his star Gongqiu Zhuoma, we examine the politics of ethnicity in filmmaking practices in the Sinosphere. Are ethnic minority audiences and critics concerned about how they are depicted in the mainstream and who does it? Are there opportunities for ethnic minority filmmakers in the industry? How can Han Chinese filmmakers work ethically with their cast and crew to produce authentic films with ethnic minority themes? The presence of Ado Kaliting Pacidal is made possible with support from the Cultural Division of the Taipei Representative Office in the UK. 在美國，白人導演執導有關少數族裔的電影向 來是一個極具爭議的議題，尤其是在90年代奇 雲·高士拿的《與狼共舞》之後；同樣的議題在 香港、台灣及中國又是怎樣的處境？本屆視像節 邀請阿美族唱作歌手、電視主持及《太陽的孩 子》主演阿洛·卡力亭·巴奇辣、《貢秋卓瑪》 導演金華青及同名主人公參與討論，檢視華語 電影制作中的民族政治：少數族裔觀眾及影評 人對他們在主流媒介中的形塑作何感想？少數 族裔電影人在行業裏是否能獲得均等機會？漢 族導演如何在合乎倫理的前提下與演員及攝 制團隊合作，制作有關少數族裔題材的作品？ 阿洛·卡力亭·巴奇辣之行由駐英國代表處文 化組贊助。
CLOSING GALA
ADO ’ KALITING PACIDAL
18:10
BFI Southbank, NFT3
阿洛·卡力亭·巴奇辣 Ado’ Kaliting Pacidal is an actress, television host, songwriter and singer,
Panay (Wawa No Cidal) *
known for works such as her highly
99 mins / Dirs. Lekal Sumi, Cheng Yu-chieh / Fiction / Taiwan 2015 / In Mandarin and Amis dialect with Chinese and English subtitles
popular album Sun and Moon. Her
Set against the idyllic rolling rice fields and the sapphire Pacific Ocean, Panay follows the ebb and flow of an indigenous community’s struggles, poetically depicting a reality that many of us face today with urban development and the gentrification of tradition. Starring aboriginal Taiwanese actress, singer and television host Ado’Kaliting Pacidal, Panay is a warm and moving film filled with genuine moments that are revelatory in their intimacy, focusing on the interpersonal encounters between characters and their own ways and approaches towards navigating this
elders gave her the name Ado’, which echoes the saying from the myths of the Amis (Pangcah) people that “we sing to make the gods happy.” Concerned about the threat her people face of having their culture disappear, Ado’ infuses her song writing with aboriginal colour. She has also turned her talents to acting, making her big screen debut in Lekal Sumi and Cheng Yu-chieh’s Panay, which captures an authentic view of the lives and predicaments of Taiwan’s indigenous communities when it comes to land rights. Her performance was widely praised, winning her a nomination for Best New Performer at the Golden Horse Awards in Taipei.
changing landscape while addressing
The presence of Ado’ Kaliting Pacidal
urgent social issues.
is made possible thanks to support from the Cultural Division of the Taipei
太陽的孩子 *
Representative Office in the UK.
99 分鍾 / 導演： 鄭有傑, 勒嘎·舒米 / 劇 情片 / 台灣(2015) /語言：國語及阿美族方 言 ; 字幕：中英文
阿洛·卡力亭·巴奇辣是演員、電視主持，
電影以溫馨動人的方式，講述近年在台 灣廣 受關 注的土 地 運 動及可持 續 發展 議題：為了讓阿公與兩個孩子有更好的 生活，來自阿美族的Panay離開部落，
更是一位唱作歌手，以專輯《太陽月亮》 而為人所知。長輩為她取名阿洛，是呼 應阿美族神話中的「唱歌，是為了討神喜 悅」之意。這個名字彷彿注定阿洛將成為 以歌唱讓大家都喜悅的人。
獨自在台北打拼。阿公病倒讓她重返家
阿洛以阿美族人的身份為傲，對部落所
鄉，卻發現曾經的海稻田已漸變荒地，
面臨的文化流失心有所感，在音樂創作上
財團更遊說居民出售土地，興建渡假酒
注入原住民的文化色彩。從學生時代開
店。阿公憂心失去土地後，部落也會隨
始，阿洛就開創了北區原住民學生聯盟，
之消失，他的堅持啟發了Panay，她決
領著原住民大學生唱歌、說族語，希望歌
心留在部落，治理水圳，引水復耕。面對
聲能帶給都市原住民穿透鋼筋水泥的溫
族人的質疑、財團的阻撓、官員的不置 可否，Panay溫 柔而堅定地，以行動告 訴自己及孩子們：千萬不能放棄自己的 身份，要守護自己的家園。
暖。從山上的工寮，部落的深夜，一路唱 到都市的地下道、酒吧，最後更唱到世界 各地。《太陽的孩子》是阿洛應導演鄭有 傑及勒嘎·舒米之邀首次演出電影長片， 真摯的表演把台灣原住民因土地運動面 對的困境傳達出來，亮眼表現受到好評， 獲得第52屆金馬獎最佳新演員提名。
24
chinesevisualfestival.org
Creating a platform and stronger voice for independent Asian films through cinema, DVD and online releases, and special events.
Current and forthcoming titles include:
In cinemas: THARLO (China 2015) a film by Pema Tseden We’re delighted to be previewing the latest film by leading Tibetan filmmaker Pema Tseden at this year’s Chinese Visual Festival, ahead of UK release in autumn 2016
On DVD: 36 (Thailand 2012) MARY IS HAPPY, MARY IS HAPPY (Thailand 2013) 2 films by Nawapol Thamrongrattanarit Special double DVD set of the debut and second features by rising star of the independent Thai film scene
Online: LETTERS FROM THE SOUTH a collection of short films by Tsai-ming Liang, Midi Z and other filmmakers of Chinese origin based within the Chinese diaspora of South East Asia
Discover, watch, order at www.day-for-night.org
VENUES & MAPS
藝術節場地及地圖
King’s College London 倫敦大學國王學院
TICKETS
Tickets for all events are available on the Chinese Visual Festival website. 所有門票均可在藝術節官網上購買:
chinesevisualfestival.org
BY UNDERGROUND: Temple (District and Circle lines): 2 minute walk. Charing Cross (Bakerloo and Northern lines): 10 minute walk, Embankment (District, Circle and Bakerloo lines): 10 minute walk, Waterloo (Jubilee, Northern, Bakerloo, Waterloo & City lines): 12 minute walk, Holborn (Central and Piccadilly lines): 12 minute walk, Chancery Lane (Central line): use exit 4 - 15 minute walk.
BY TRAIN: Charing Cross: 9 minute walk. Waterloo: 12 minute walk. Waterloo East: 10 minute walk.
Strand London WC2R 2LS Tel: +44 (0)20 7836 5454
Blackfriars: 12 minute walk.
BY BUS: Buses stopping outside the university: 1, 4, 26, 59, 68, 76, X68, 168, 171, 172, 176 (24 hour), 188, 243 (24 hour), 341 (24 hour), 521, RV1.
British Film Institute Southbank BY TRAIN OR UNDERGROUND: The nearest stations are Waterloo (South Bank exit), Embankment and Charing Cross (cross Hungerford Bridge to reach the South Bank).
BY BUS: Routes 1, 4, 26, 68, 76, 77, 139, 168, 171, 172, 176, 188, 211, 243, 341, 381, 507*, 521, RV1
BY BUS:
購票
TICKET PRICES 票價: King’s College London 倫敦大學國王學院 Opening Reception + Screening: Standard £12, Concession £10 開幕式酒會+放映：普通票£12， 折扣票£10 Normal Screening: Standard £8, Concession £5 其它放映：普通票£8， 折扣票£5 Group Tickets for 5: £25 五人團體票：£25 Group Tickets for 10: £40 十人團體票：£40 Festival Pass (includes all events at King’s College London): Standard £50, Concession £30, Early Bird (book online before 27th April) £40 藝術節套票（通用於所有在國王學院舉行的活動）： 普通票 £50，折扣票£30，早訂票（4月27日前在網上預訂）£40 King’s Weekend Pass (includes all events at King’s College London on Saturday 14th and Sunday 15th May): Standard £35, Concession £20 國王學院周末套票（通用於5月14及15日在國王學院舉行的活動）：普通票 £35，折扣票£20
There is ample parking under Hayward Gallery, National Theatre and Jubilee Gardens.
Belvedere Road South Bank London SE1 8XT Tel: +44 (0)20 7836 5454
BY TAXI: A computer cab service is available from the Royal Festival Hall foyer.
Other Events 其他活動 BFI Southbank tickets are available via the BFI website: bfi.org.uk BFI放映門票請在BFI官網購買：bfi.org.uk
Bertha DocHouse at Curzon Bloomsbury
Bertha DocHouse tickets are available via the Bertha DocHouse website: dochouse.org Bertha DocHouse放映門票請在 Bertha DocHouse官網購買：dochouse.org
BY UNDERGROUND: Russell Square: 5 minute walk
BY BUS: Routes 1, 4, 26, 68, 76, 77, 139, 168, 171, 172, 176, 188, 211, 243, 341, 381, 507*,
For all enquiries please email us at chinesevisualfestival.uk@gmail.com 票務查詢請電郵：chinesevisualfestival.uk@gmail.com
521, RV1
BY BUS: 7, 59, 68, 91, 168, 188
The Brunswick London WC1N 1AW info@dochouse.org
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A limited number of free seats are reser ved for all events held at King’s College London (KCL) for KCL students and staff – these can be booked via the normal ticket pages on the CVF website. King’s ID required on entr y to the events. 國王學院師生及工作人員可免費參與所有在學院舉行的活動。免費座位有限，預訂請登陸藝術節官方 網站。入座時需出示國王學院學生證或工作證。
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SPECIAL THANKS 特別鳴謝: Chinese Visual Festival would like to thank all our partners and sponsors, in particular King’s College London and the Cultural Division of the Taipei Representative Office in the UK - without their support, none of this would be possible. We would also like to thank our team of interns and volunteers, who have worked tirelessly to make the festival a success, and Tony Rayns and our Taiwan-based consultant Sam Tzu-hsiang Yuan for their continuing support and advice. 藝術節在此特別感謝我們所有的合作夥伴及贊助，特別是倫敦大學國王學院和駐英國代表處文化組。我 們也在此感謝所有的團隊成員和志願者，他們的無私努力成就了藝術節。最後藝術節還希望感謝Tony Rayns和我們駐台灣代表袁支翔，他們爲藝術節提供了許多寶貴建議與支持。
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11 MAY WEDNESDAY 18:00 CAO FEI: BFI Southbank NFT3 Pulse of the Pearl River Delta
Road Not Taken (76’)
20:00 CAO FEI: BFI Southbank NFT3 It’s a Game!
16 MAY MONDAY 13:00 CONTEMPORARY VISIONS: King’s Lucas 15:00 ROUNDTABLE: King’s Committee Room
*
Teaching Film Festival Studies in Hong Kong
12 MAY THURSDAY 18:00 CAO FEI / YANG LINA: King’s Safra CVF 2016 King’s College London Opening Gala: Home Video (61’) + La Town (41’)
*
17:00 CONTEMPORARY VISIONS: King’s S-3/20 (3B20) Umbrella through the Lens (LGBTQ)
*
17 MAY TUESDAY
13 MAY FRIDAY 18:10 YANG LINA: BFI Southbank NFT3 Longing for the Rain (95’)
*
19:00 ETHNIC PERSPECTIVES: King’s Lucas Tharlo (123’)
Regarding Lambs in the City (41’) + Middle
18:20 CONTEMPORARY VISIONS: Bertha DocHouse A Young Patriot (106’)
Kingdom (81’) 14:30 HONG KONG FRESH WAVE: King’s Safra 2015 Competition Selection
*
*
19:15 VISION TAIWAN: King’s Safra Thanatos, Drunk (106’)
19 MAY THURSDAY 18:30 ETHNIC PERSPECTIVES: King’s Lucas The Tibetan Girl (31’)
17:30 VISION TAIWAN: King’s Safra Tomorrow Comes Today (83’)
*
18 MAY WEDNESDAY
14 MAY SATURDAY 12:00 CONTEMPORARY VISIONS: King’s Safra
*
19:00 CINEMA COMRADE: King’s Lucas
* + Living with Shame (26’)
20:30 PANEL: King’s Lucas
Perspectives on Representing Ethnic Minorities in Chinese Language Cinema
*
20 MAY FRIDAY
15 MAY SUNDAY 12:00 CONTEMPORARY VISIONS: King’s Safra
18:10 VISION TAIWAN: BFI Southbank NFT3 CVF 2016 Closing Gala: Panay/Wawa no Cidal (99’)
Twenty Two (112’)
*
14:00 CONTEMPORARY VISIONS: King’s Safra Li Wen at East Lake (118’) 16:30 YANG LINA: King’s Safra The Love Life of Lao An (87’)
*
19:00 VISION TAIWAN: King’s Safra Zinnia Flower (95’)
VENUES VENUES AT KING’S COLLEGE LONDON, STRAND, LONDON WC2R 2LS Lucas: Arthur & Paula Lucas Lecture Theatre (S-2.18) Safra: Edmond J. Safra Lecture Theatre, Level 0
*: Post-screening Q&A
More information and tickets available at:
Chinesevisualfestival.org
OTHER VENUES BFI SOUTHBANK: Belvedere Road, Southbank, London SE1 8XT BERTHA DOCHOUSE: The Bertha DocHouse Screen, Curzon Bloomsbury, The Brunswick, London WC1N 1AW