Recent design for performance June 2009 – March 2010
It Felt Empty When The Heart Went At First But It Is All Right Now By Lucy Kirkwood for Clean Break
“A memorable theatre-cum-installation that makes the audience complicit by turning us into voyeurs and then taking us on a journey right inside Dijana's head. It's both brutally real (we see her with her invisible client, being flung around like a rag doll) and bizarrely surreal, as Dijana escapes from the reality of a detention centre and the touchy-feely Gloria (Madeline Appiah) by retreating into an Alice in Wonderland world.” THE GUARDIAN, Lyn Gardner, 20 10 09
Lost in brighton
The Detention Centre
Dijana’s past
The Kreutzer Sonata Leo Tolstoy / Adapted by Nancy Harris The Gate Theatre
“I admired Natalie Abrahami's penetrating direction and Chloe Lamford's mysterious set. The world of the train is monochrome but we can see – through a glass brightly – life, beauty, engagement on the other side of the window.” * Kate Kellaway The Observer, Sunday 15 November 2009
War and Peace Sergey Prokofiev Scottish Opera / Glasgow Theatre Royal
“Chloe Lamford’s sliding-panel set is transformed from Soviet lecture-hall to Tsarist ballroom and then to a battlefield overrun by charging soldiers and pitchfork-wielding lasses.” THE TIMES, Richard Morrison, 25/01/10
This Wide Night By Chloe Moss for Clean Break Soho Theatre (revival)
“…designed with a keen eye for translucence and insolidity by Chloe Lamford” Dominic Cavendish, THE TELELGRAPH, 30/11/09
Women on the Verge of HRT Derby Theatre Act one
Act two
For more images + information, see www.chloelamford.com