Cöidé

COÏDÉ James [Jacques-Joseph] Tissot (1836-1902), known also as ‘Coïdé’

‘His work can hardly be called caricature; for the sketches were rather characteristic and undoubtedly brilliant drawings of his subjects’ (Sir Leslie Ward)

Though best known as the French painter of English society, James Tissot also produced insightful caricatures. These appeared in Vanity Fair, under the name ‘Coïdé’, in the period from 1869 to 1873, alongside those of ‘Ape’ and before the arrival of ‘Spy’. The second of four sons of a prosperous linen merchant, James Tissot was born in Nantes, on the River Loire, on 15 October 1836. He was educated at Jesuit colleges in Brugelette, Belgium; Vannes, Brittany; and Dôle, Franche-Comté. He considered becoming an architect and then an artist. Moving to Paris by 1856, he studied at the Ecole des Beaux-Arts, under Louis Lamothe and Hippolyte Flandrin. While there, he befriended James McNeill Whistler and Edgar Degas. Exhibiting at the Paris Salon from 1859 and at the Royal Academy, London, from 1864, he soon abandoned medieval subjects in favour of the elegant, polished, often complex, contemporary scenes for which he is best known. In 1869, he also began to produce his rst caricatures for Thomas Gibson Bowles’s society paper, Vanity Fair, signing them ‘Coïdé’, ‘perhaps because they were a collaboration between Bowles’s notions and Tissot’s draughtsmanship, thus “co-idée”’(Richard Thomson, in Anna Gruetzner Robins and Richard Thomson, Degas, Sickert and Toulouse-Lautrec. London and Paris 1870-1910, London: Tate, 2005, page 20). Following the outbreak of the Franco-Prussian War in 1870, Tissot fought in the defence of Paris, but ed to London a year later. Through the auspices of Bowles, he made many professional and social connections, and his work gained rapid popularity. He lived openly with his Irish mistress, Kathleen Newton, in a house in Grove End Road, St John’s Wood. However, this sojourn came to an end in 1882 when, having contracted tuberculosis, she committed suicide at the age of 28. Tissot returned to France, and soon turned to religion, both as a way of life and a subject for his art. He even made two visits to the Holy Land, in 1886-87 and 1889, which inspired a large series of watercolour illustrations of the Bible. These drawings were exhibited at the Doré Gallery on his return. On 8 August 1902, he died at the Château de Buillon, Doubs, Franche- Comté, which he had inherited from his father in 1888. His work is represented in numerous public collections, including the National Portrait Gallery and Tate; Musée d’Orsay; and Brooklyn Museum (New ork) and the Minneapolis Institute of Arts. Further reading:

Willard E Misfeldt, ‘Tissot, James [Jacques-Joseph] (b Nantes, 15 Oct 1836, d Château de Buillon, Doubs, 8 Aug 1902)’, Jane Turner (ed), The Dictionary of Art, London: Macmillan, 1996, vol 31, pages 29-31

32 GENERAL TROCHU, ‘THE HOPE OF FRANCE’ Ink and watercolour with pencil and chalk 11 ¾ 7 INCHES Illustrated: Vanity Fair, 17 September 1870

Louis-Jules Trochu (1815-1896) had served with distinction in the French armed forces during the Crimean War. During the Franco-Prussian War, he was appointed Governor of Paris and Commander-in-Chief of all forces responsible for the defence of the capital. The leadership he demonstrated during the Siege of Paris saw him named President of the Government of National Defence, the de facto head of state, on 4 September 1870.