Appendix

Additional Grounding (pages following).

i Brief text on James Turrell’s “Within Without,” as visited in Canberra in August 2014. ii Brief text on the first tests of ‘Light Mapping.’

In the Box.

iii Five photo books on Extraordinary Spatial Practitioners: Louis Kahn, Peter Zumthor, Le Corbusier, Santago Calatrava, James Turrell. iv Four photo books on my own Resonating Influences in the field of grand experience.

On the iPads.

*See instruction card for navigation to the following:

Nine Grounding Films:

v 1 x “Within Without” Research Expedition Film vi 1 x “Light Map” Film Showing Initial interrogations of Light in precedent works. vii 3 x “Looking Up,” “Looking in,” and “Looking Out” films investigating each mode of experience viii 4 x “Interrogation Series” Films Showing ‘Ring of Sky,’ ‘Oculus,’ and ‘Combined’ films

ix The Manuscript App

x Final Composed Design Film: “Astonishment in Architecture.”

On Disk.

xi Spherical Projections to be shown at the final presentation in HIVE

‘Within Without’ Case Study.

In the formative weeks of this research (August 2014), to gain deeper understanding of the concept of Looking Up, and of James Turrell’s work, I studied and filmed the experience of his extraordinary space, Within Without, in Canberra. (see Appendix v). The oculus, as a perfect circle vertically above the observer, has a great power to silence the mind; many visitors sat in quiet awe of the oculus, staring up at it and the sky beyond, for a long time, as the room changed colour around them. Looking Up removes distraction, and connects the eye to something greater, beyond us.

Light Mapping.

When ‘Light’ was first elicited as a tangible to extraordinary presence in architecture, a series of drawings were made that analyse the quality of light, and dark, in photographs of key spaces of the practitioners studied. The digital drawings classified levels of light, or darkness, in the image and colour-coded them in a spectrum; dark blue is blackness, light yellow is white. With levels on separate layers, the images were then distilled to; darkness only, bright light only, or mid-tones only. This enabled me to see the balance of light as a tool used by the practitioners. While these drawings provided good insight into the use and power of light, due to their photographic origin, they may not be accurate representations of the space, and thus inaccurate drawings. They are still, however, the basis for the studies of Light in this dissertation, and influenced the use of light and shadow in the final interrogations, particularly in the Foyer space. See Appendix vi for further light mappings shown through film.

First tests of Light, mapping the light in photographs. This image of Louis Kahn’s Philips Exeter Library Atrium. Original image (Rykwert 2001).

References.

Boulton, J. T. ed. 2008. Edmund Bourke: A Philosophical Enquiry into the Sublime and Beautiful. 2nd Edi tion. New York: Routledge. Bloomberg. 2013. Artist James Turrell: New Guggenheim Installation. Online Video, 24:10. http://www. bloomberg.com/video/artist-james-turrell-new-guggenheim-installation-HVlYYS38SPa~Tn1Gw CGeqw.html Cohen, J.L. 2013. Le Corbusier: An Atlas of Modern Landscapes. New York: The Museum of Modern Art. Davies, K. F. 2005. “Admiration and Awe: David Stephenson and the Photographic Sublime.” In Visions of Heaven: The Dome in European Architecture, edited by David Stephenson, (7-28). New York: Princeton Architectural Press. Emporis. 2014. Buildings in New York City. http://www.emporis.com/city/newyorkcity-ny-usa/all-build ings/highrise (Accessed 5.11.14). Gimenez, C. and N. Trotman. 2013. James Turrell: Guggenheim. New York: Guggenheim Museum Publica tions. Goldthwait, J. T. 1960. Immanuel Kant: Observations on the Feeling of the Beautiful and Sublime. Los An geles: University of California Press. Goodman, J. 2008. Le Corbusier: Toward An Architecture. London: Frances Lincoln Ltd. Govan, M. and C.Y. Kim. 2013. James Turrell: A Retrospective. California: LACMA. Guggenheim. 2013. Guggenheim Conversations with Contemporary Artists: James Turrell with Michael Govan. YouTube video, 1:25:55. https://www.youtube.com/watch?v=ox00pFnKS7g. Jodidio, P. 2007. Calatrava. New York: Taschen. Kahn, L. 1969. Silence and Light. Zurich: Park Books. Kahn, N. 2003. My Architect: A Son’s Journey. Vimeo Video, 1:55:57. http://vimeo.com/9418890 McCarter, R. 2009. Louis I. Kahn. New York: Phaidon Press Inc. Ngo, D. 1998. Louis I. Kahn: Conversations with Students. Texas: Rice University School of Architecture. Pallasmaa, 1982. “The Place of Man: Time, Memory, and Place in Architectural Experience.” In Encounters 1: Architectural Essays, edited by Juhani Pallasmaa, (72-85). Estonia: Rakennustieto. Pallasmaa, 2007. “The Aura of the Sacred: Architecture, Art and Existential Sacredness.” In Encounters 2: Architectural Essays, edited byJuhani Pallasmaa, (106-119). Estonia: Rakennustieto. Rykwert, J. 2001.New Photography by Robert Schezen. New York: H.N. Abrams. Tzonis, A. 2004. Santiago Calatrava: The Complete Works. New York: Rizzoli International Publications. Van Meeuwen, R. 2014. Comment on ‘Visual Spoliation’ at Dr. Annette Condello’s lecture Contemporary Architecture in Southern Italy, for the University of Western Australia’s ALVA Seminar Series. Weber, N.F. 2012. On Le Corbusier for UCD School of Architecture. Youtube video, 51:38. https://www. youtube.com/watch?v=OKXuO_G6teQ Wogenscky, A. 2006. Le Corbusier’s Hands. Massachusetts: MIT Press. Zumthor, P. 2006. Atmospheres. Basel: Birkhauser. Zumthor, P. 2010. Thinking Architecture. Basel: Birkhauser.

Extended Bibliography.

Axelsson, K. 2007. The Sublime: Precursors and British Eighteenth-Century Conceptions. Bern: Peter Lang AG International Academic Publishers. Borden, I. and K, Ruedi. 2000. The Dissertation: An Architecture Student’s Handbook. Oxford: Reed Educa tional and Professional Publishing Ltd. Britton, K. C. ed. 2010. Constructing the Ineffable: Contemporary Sacred Architecture. New Haven: Yale School of Architecture. Brooks, H. A. ed. 1987. Le Corbusier. New Jersey: Princeton University Press. Chicago Manual of Style. 2014. Documentation II: Author-Date References. www.chicagomanualofstyle. org.dbgw.lis.curtin.edu.au/16/ch15/ch15_sec025.html (accessed 14.11.14). Cohen, J.L. 2012. Le Corbusier’s Toward An Architecture: from the Buildungsroman to the Manifesto.

YouTube video, 1:27:46. https:/www.youtube.com/watch?v=s_TTuOpGMzo. Crosbie, M. J. 2002. Architecture for the Gods. Victoria: The Images Publishing Group. Denis, A. 2000. Le Corbusier: Alive. Paris: Vilo International. Evans, D. P, Gruba. and J, Zobel. 2011. How to Write a Better Thesis. 3rd Edition. Victoria: Melbourne Uni versity Press. Ginsborg, H. 2013. Kant’s Aesthetics and Teleology. Stanford Encyclopaedia of Philosophy: http://plato. stanford.edu/entries/kant-aesthetics/ (Accessed 25.08.14) Hardy, A. 2007. The Architecture of India. West Sussex: John Wiley & Sons Ltd. Heathcote, E. and L, Moffatt. 2007. Contemporary Church Architecture. West Sussex: John Wiley & Sons Ltd. Hogarth, W. 1909. The Analysis of Beauty. Massachusetts: The Silver Loftus Shop. Holland, L. 2013. Rehabilitating Kant. http://onpremises.wordpress.com/2013/03/24/rehabilitating-kant/ (Accessed 25.08.14). Kausel, C. L. and A. Pendleton-Jullian. 2002. Santiago Calatrava: Conversations with Students, The MIT Lectures. New York:Princeton Architectural Press. Larson, K. 2000. Louis I Kahn: Unbuilt Masterworks. New York: Monacelli Press. Latour, A. ed. 1991. Louis I. Kahn: Writings, Lectures, Interviews. New York: Rizzoli International Publica tions Inc. Leatherbarrow, D. 2000. Uncommon Ground: Architecture, Technology, and Topography. Massachusetts: MIT Press. Merrill, M. 2010. Louis Kahn on the Thoughtful Making of Spaces: The Dominican Motherhouse and a Mod ern Culture of Space. Baden: Lars Muller Publishers. Molony, J. ed. 2012. James Turrell: Within Without. Canberra: National Gallery of Australia. Olmsted, F. L. 1928. Forty Years of Landscape Architecture. New York: The Knickerbocker Press. Plummer, H. 2013. Cosmos of Light: The Sacred Architecture of Le Corbusier. Indianna: Indianna University Press. Rauterberg, H. 2012. Talking Architecture: Interviews with Architects. Munich: Prestel Verlag. Richardson, P. 2004. New Spiritual Architecture. New York: Abbeville Press. Roman, A. 2010. The Third and Seventh. Vimeo Video, 12:29. http://vimeo.com/7809605 Roman, A. 2010. The Third and Seventh: Making Of. YouTube Video, 2:56. https://www.youtube.com/ watch?v=oqyQVxVuRnM Sbriglio, J. 2011. Le Corbusier and Lucien Herve: A dialogue between architect and photographer. Los An geles: Getty Publications. Sinnreich, U. and K. Unna. 2009. Geometry of Light. Germany: Hatje Cantz Verlag Smith, P. F. 2003. The Dynamics of Delight: Architecture and Aesthetics. London: Routledge. Wittgenstein, L. 1969. On Certainty. Oxford: Basil Blackwell. Wittgenstein, L. 1982. Last Writings on the Philosophy of Psychology. Oxford: Basil Blackwell Publisher Ltd. Yael, R. and F, Watson. 2010. Architecture and Beauty: Conversations with Architects about a Troubled Rela tionship. West Sussex: John Wiley & Sons Ltd. Zumthor, P. 2014. Peter Zumthor 1985-2013. Zurich: Verlag Scheidegger & Spiess AG.

Software Used:

[Sketchup, Lightup, Lumion 3D, Unity 3D, Photoshop, Illustrator, InDesign, After Effects, Premiere Pro] Adobe. 2014. Adobe TV: Adobe CC Indesign, After Effects and Premiere Pro Tutorials. http://tv.adobe.com/ (Accessed October 2014). Billyard, A. 2014. Lightup Tutorials. http://www.light-up.co.uk/index.php?t=resources&vc=AU&c=USD (Accessed August and September 2014). Lumion 3D. 2014. Lumion Tutorials. http://lumion3d.com/tutorials/ (Accessed August, September and October 2014). Sketchup. 2014. Sketchup Tutorials. https://www.sketchupschool.com/ (Accessed August and September 2014). Unity 3D. 2014. Unity Tutorials. https://unity3d.com/learn/tutorials/modules (Accessed August and Sep tember 2014).

Notes.

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