2 minute read
ELEVATIONS + DIAGRAMS
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Bolles + Wilson’s Suzuki House speaks for itself, using a collage of forms to fully realise its condensed urbanised context in a highly digital era; 1990s Tokyo Japan.
The iconography of the ninja reflects the surface level views of Japan during this period.
Images of the house surrounded by a web of powerlines and similarly harsh objects inspired me to depict it in a comic book style, primarily driven by the rawness of ink brushes, pens and faded markers.
The house shape is a product of its context: condensed The house’s shape is a product of its context: Tokyo urbanism. condensed Tokyo urbanism.
The house shape is a product of its context: condensed Tokyo urbanism.
Design elements of the house allude to the cluster of digital information swarming Japan in the 1990s.
Design elements of the house allude to the cluster of digital information swarming Japan in the 1990s. Design elements of the house allude to the cluster of digital information swarming Japan in the 1990s.
A dynamic form moves over the facade, “a house glanced by a passing ninja”. (AA School of Architecture 2015, 35:03.
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Design elements of the house allude to the cluster of digital information swarming Japan in the 1990s.
Spatial restrictions result in exciting, multipurpose innovations.
A dynamic form moves over the facade, “a house glanced by a passing ninja”. (AA School of Architecture 2015, 35:03. A dynamic form moves over the facade,
A single set of cabinetry unites the house’s many small floors.
Flourishes of red integrate the car into the house, embracing design within contextual restrictions. Flourishes of red integrate the car into the house, embracing design within restrictions.
A single set of cabinetry unites the house’s many small floors.
Spatial divide, with focused moments of pause opposite condensed urban living.
Flourishes of red integrate the car into the house, embracing design within contextual restrictions.
Living area windows frame distinct views, and allow magical moments of flooding light.
