Portfolio Interior Architecture
Christian Hinojosa 951/775 5345 - chinojosa53@gmail.com
CONTENTS
13
3 RESUME
STUDIOS II - IV
4 2
MASTER’S PROJECT
OTHER
20
planning and the 3 1/2 years in the Master of Interior Architecture Program, I processed and produced several projects, ranging from residential /commercial adaptive reuses, to large mixed-use projects under a rigorous and fast paced schedule. These included working directly with clients, consultants, government
officials,
and
other professionals.
Angeles, California
Engaged in the day-to-day operation of the design firm.
Bachelor of Science in Urban and Regional Planning, CalPoly
Assisted designers with organizing for projects, conceptual
Pomona, California
imagery and research.
Associates of Arts, Riverside Community College, Riverside,
Hand sketched floor plans, space planning and details.
California
University of California, Los Angeles, California Teaching Assistant Teaching Assistant for Elements of Design I & Design Communication I in the Architecture & Interior Design Program. Work focused on the development of perceptual skills, sensi-
tivity, creative awareness, and the technical ability necessary to handle a variety of design media. Riverside County Planning Department, California July 2005-12 Project Urban Regional Planner III
Software proficiency in AutoCAD, SketchUp/SU Po-dium, Revit/BIM, Adobe Creative Suite, and Microsoft Office. Proficient in physical model building and product or material research. Fluency in Spanish. Natural problem solving skills that create both practical and
Reviewed and commented on formal applications, develop-
agreeable solutions.
ment proposals, site plans, specific plans, and applications for compliance with appropriate regulations and policies.
Excellent verbal and written communication skills.
Assessed and commented of environmental documents such
Strong skills for teamwork and coordinating individual efforts
as environmental assessments, environmental impact reports and EIR and/or SP resolutions.
were to make sure my team was on track and met
Prepared and coordinated of large land use projects and
Strong project management and organizational skills.
milestones with a collaborative group dynamic. My
subdivisions environmental impact report documents such as initial studies, notice of preparations, notice of completions and notice of determinations.
and Microsoft Office. As you will see from my resume and portfolio, I have built my career from a variety of industries and roles; I am continuously adapting to different environments; where I take on multiple responsibilities. I am thrilled by the possibilities of being part of a team devoted to designs shaping the human experience.
I N T E R I O R S
SketchUp/SU Podium, Revit, Adobe Creative Suite
C O M M E R C I A L
and management software including AutoCAD,
ACTIVITIES AND HONORS Member Representative, Society of Interior Designers (ASID),
Answered routine public inquiries regarding zoning ordinanc-
April 2013
Los Angeles
es, laws, regulations, policies, and procedures governing land use and transportation planning development.
to Present
Representative, American Planning Student Association (APSA), Cal Poly Pomona
Prepared staff reports and presented to Planning Commis-
Member Representative, American Planning Association
sion and Board of Supervisors related to Land Use Plans, Parcel and Tract Maps, Change of Zones, General Plan Amendments and other Planning related cases.
Spring 2005
(APA)
– June 2013
Analyzed existing plans and identified deficiencies in policy or legal authority. Case management of projects and applications. Prepared and reviewed Standard Operating Procedures (SOP’s) for various tasks within the department.
3
Spring 2002
TECHNICAL & DESIGN EXPERIERENCE
team player, responsibilities
experiences include a broad range of design
Spring 2005
Sp/F 2014
to achieve group goals with a broad range of audiences including architects, engineers, applicants, regulatory agencies, and the public.
As a committed
Spring 2016
Provided management & mentoring to Planning Assistant staff.
P L A N N I N G
complexity and detail. During the 7 years in urban
Master of Interior Architecture, UCLA/CalPoly Pomona, Los
R E G I O N A L
problem solver with a passion for design quality,
Summer 2015
U R B A N
that I am a self-managing and a high-performing
Joan Behnke & Associates, Beverly Hills, California Interior Architecture Intern
EDUCATION
Toastmasters International, Inland Empire Chapter CIDA Accreditation Site Visit, UCLA/CalPoly Pomona, con-
Spring 2003 – Fall 2004
Fall 2008/09 May 2014
tributed 6 project examples Presidents List, Cal Poly Pomona
Spring 2005
Deans List, Cal Poly Pomona
F 02 – W 05
Traveled to Spain, Canada, Nicaragua, Mexico, and most of the continental U.S.
A R C H I T E C T U R E
My education and experience have proven
P R O J E C T M A N A G E M E N T
PROFESSIONAL EXPERIENCE
SPACE ANALYSIS A contemporary modern style with its geometric forms, smooth surfaces, & the use of material will provide a natural sense of place. The client requests for open spaces for large group meetings and to allow more natural light in. The use of natural materials and earth tone colors will provide harmonious spaces and variation. The expansion of windows & the addition of skylights will allow additional natural light and the potential for scenic exterior views. The addition of mirrors throughout the spaces will give the illusion of bigger spaces & assist in providing additional lighting. The design will approach to sustainability, & will provide a warm, quiet, bright, spacious, balanced, minimal, functional, & comfortable space to both guest & client.
CLIENT PROFILE Eckhart Tolle is a 66 year old successful spiritual author of the modern age. Tolle is a Germanborn resident of Canada, best known as the author of The Power of Now & A New Earth. Eckhart is a very humble, and a self confessed “reserved” person, who loves being in solitude. He loves nature and is known to recommend nature as the greatest spiritual teacher. He believes one "could develop organically.”
4
STUDIO II: RESIDENTIAL
ECKHART TOLLE ESSENCE BOARD
5 VIEW LOOKING INTO SOCIAL LOUNGE
FLOOR PLAN & RCP DEVELOPMENT VIEW LOOKING INTO SOCIAL EATING
STUDIO II: RESIDENTIAL
VIEW LOOKING INTO MEDITATION
6 STUDIO II: RESIDENTIAL
DESIGN CONCEPT
CONSCIOUSLY MADE FURNITURE - BIODEGRADABLE SOLUTIONS FOR ANY SPACE
7
The design concept will incorporate the “cube,” a polygon, at a human size scale and a subtle disintegration theme aesthetic. The concept will achieve a contemporary organic/modern style with its geometric and organic forms, plywood and /or OSB surfaces, and the use of exposed materials to provide a clean, organized, and natural sense of place. The use of reclaimed and exposed materials, and using earth tone colors will achieve the client’s requirements. The design will approach to sustainability in topics such as equity, economy, and ecology as the foundation for a well designed, green project.
STUDIO III: COMMERCIAL
G R E E NMODERN STUDIOS
8 STUDIO III: COMMERCIAL
EXTERIOR VIEW LOOKING INTO DISPLAY AREA
9 VIEW LOOKING INTO EMPLOYEE LOUNGE
STUDIO III: COMMERCIAL
VIEW LOOKING INTO DISPLAY AREA
VIEW LOOKING INTO OPEN PANTRY
The client, Organic Crate, is a company that specializes in the sales of organic and natural foods. A place for local farmers to sell their seasonal crops directly to customers. Organic Crate is the grocery shopping experience that makes healthy living easy and affordable. The stores offer fresh, natural and organic foods and products at affordable prices.The business will operate during regular retail hours and consists of approximately 20 employees. The client acquired the subject property for its ideal location in a medium high-density transitional urban area where pedestrian traffic is not an issue. The company’s main goal is to achieve revenue sales, provide a sense of place where people can shop & meet in a harmonious environment to aid from the bustling street and transitional neighborhood.
DESIGN CONCEPT The design concept will incorporate the “wood crate” and a subtle rustic theme aesthetic. The concept will achieve a contemporary rustic style with its geometric & organic forms, plywood and/or OSB surfaces, and the use of exposed materials to provide a clean, organized, and natural
10 10
sense of place. The use of reclaimed and exposed materials, and using earth tone colors will achieve the client’s requirements. The design will approach to sustainability in topics such as equity, economy, and ecology as the foundation for a well designed green project. DIAGRAMS ESSENCE OF DESIGN
MIXED-USE RETAIL - FARMERS MARKET & CAFE
DIAGRAM - LINEAR
STUDIO IV: COMMERCIAL
STUDIO IV: COMMERCIAL
11 STUDIO IV: COMMERCIAL
Plants are not only a key to the global ecosystem, but are also crucial to human health. Through "integrated site design," a comprehensive approach to sustainable building and site design, sustainable commercial landscape architecture practices can not only improve water & energy efficiency, but also use plants to eliminate chemical fertilizers, produce food onsite, and provide clean air. Benefits of Plant Systems: Adding indoor plants to improve air quality and human productivity. Creating commercial composting systems for efficient waste removal. Using plants as food sources within a commercial site . For example, the hydroponic-farming system grows plants in rotating rows, one on top of another. The rotation gives the plants the precise amount of light and nutrients they need, while the vertical stacking enables the use of far less water than conventional farming. By growing upward instead of outward, vertical farming can expand food supplies without using more land.
12
STUDIO IV: COMMERCIAL
PRODUCTIVE PLANT SYSTEMS
PROJECT SITE
PROJECT SITE
13
MASTER’S PROJECT STUDIO
VICINITY MAP
14 MASTER’S PROJECT STUDIO
15 MASTER’S PROJECT STUDIO
16 MASTER’S PROJECT STUDIO
MASTER’S PROJECT DOCUMENTS
114'-7" 11'-5"
16'-3"
5'-10"
22'-11"
121
24'-3"
2'-9" 2'-9"
4'-5"
6'-3"
UP
C TYP.
104
5'-5"
EXHIBITION
3
106
EXHIBITION B
107
616'-0"
121
4'-4" A 15
10'-1"
3'-11" 2'-6" 2'-1" 4
LINE OF CEILING ABOVE
101
C 16
EXISTING ATRIUM OPEN TO ABOVE
18'-6"
ENTRY
108
1
6'-9"
11"
11"
TYP.
MOUNUMENTAL SEATING UNIT W/ STAIR, STAGE, & STORAGE 109
UP
14'-10"
5'-10" 1'-9" 5'-10"
3'-8"
3'-8" 3'-10"
°
10'-1"
E
1
B 14
WOMEN
3
3'-11"
103
105
11'-0"
RECEPTION
.0°
149.0
OPEN TO ABOVE
D
4'-8"
7'-9"
6'-2"
14'-4"
24'-2"
102
OPEN TO ABOVE
6'-6"
MEN WINDOW DISPLAY
24'-9"
8'-2"
2'-0"
2
2'-11"
.0°
0"
5"
9'-7"
4
A 13
1'-6"
31'-3"
TYP.
0"
" 0'-1
8'-10"
3'-0"
8'-8"
4'-4"
9'-6"
9'-6"
4'-7"
6'-5"
1'-9"
11"
2'-11" 5'-1"
1'-6"
4'-0"
1'-9"
.0° 121 23'-0" 5'-4"
9'-8"
"
1'-5
46'-11"
0"
34'-
4'-2"
FERNANDO DE MORAES COURSE :
UCLA/CPP MASTERS PROJECT INTERIOR ARCHITECTURE DOCUMENTS
THE ATRIUM
LOADING/ UNLOADING
ARTIST-INRESIDENCE COMMUNITY
119
° " 152.6 7'-0
29'-7"
INSTRUCTOR :
4"
°
1.0
12
1'-9"
"
3"
"
SEATING/ EXHIBITION PEDESTAL
CHRISTIAN HINOJOSA
5'-5
16'-1" 14'-
1'-9
3"
.0°
TYP.
11'-4"
7'-10"
"
10'-
6'-0
0°
9.
14
117
A
2'-11" 2'-9"
"
"
7'-8
3'-10"
113
1'-9"
WORK SPACE 118
B 15
7'-3
8'-11"
DRAWN BY :
PROJECT INFORMATION :
2
" 3'-7 2'-3"
"
6"
21'-
5317 Noble Street Riverside, CA 92508 951 775 5345 chinojosa53@gmail.com
SPRING 2016
17'-
2
3'-8
"
2
8'-6"
SEATING/ EXHIBITION 9'-3" 1 PEDESTAL
WORK SPACE 116
UP
NEW ATRIUM 117 OPEN TO ABOVE
" 1'-0 '-1" 5
9'-9
°
114
TYP.
EXHIBITION
149.1
WINDOW DISPLAY
21'-7"
4'-10"
1"
20'-
4'-0"
E 16
design studio
1
°
149.0
8'-0" TYP.
110
"
112
EXHIBITION
3'-1
EXHIBITION CHANGE 111 IN MATERIAL REFER TO " 3'-1 FLOOR " 7 FINISH '7 PLAN
EXHIBITION D 16
"
2'-6
4'-7
24'-6"
121
2'-0"
.0°
101'-3"
TYP.
modernLUX
30'-8"
3834 MAIN ST. RIVERSIDE, CA 92501
12'-4"
132'-10"
DRAWING TITLE :
CONSTRUCTION PLAN CONSTRUCTION PLAN 0'
4'
8'
16'
32'
GENERAL NOTES 1. DIMENSIONS SHOWN ON PLANS ARE TO FACE OF FINISH OR TO GRID LINES, UNLESS OTHERWISE NOTED OR DETAILED. DOORS NOT DIMENSIONED ON THE PLANS ARE 4” TO INSUDE EDGE OF JAMBS, UNLESS OTHERWISE NOTED. WRITTEN DIMENSIONS TAKE PRECEDENCE. DO NOT SCALE DRAWINGS. IN CASE OF CONFLICT, NOTIFY DESIGNER. 2. CONTRACTOR SHALL MARK PARTITION AND DOOR LOCATIONS FOR REVIEW BY DESIGNER PRIOR TO INSTALLATION. REVIEW WILL BE FOR DESIGN INTENT. SUB-CONTRACTOR SHALL COORDINATE AND VERIFY ALL DIMENSIONS TO ENSURE PROPER FIT.
17
3. ALL NEW FINISHES ARE TO ALIGH FLUSH WITHOUT EVIDENCE OF ADDITION. “ALIGN”, AS USED IN THESE DOCUMENTS SHALL MEAN TO ACCURATELY LOCATE FINISH FACES IN THE SAME PLANE.
SCALE: 1/8" = 1'-0"
WALL LEGEND 4. “TYP.” SHALL MEAN THAT THE CONDITION IS REPRESENTATIVE FOR SIMILAR CONDITIONS THROUGHOUT. UNLESS OTHERWISE NOTED, DETAILS ARE USUALLY KEYED AND NOTED “TYP” ONLY ONCE WHEN THEY FIRST OCCUR. 5. “SIM.” SHALL MEAN COMPARABLE CHARACTERISTICS FOR THE CONFITIONS NOTED. VERIFY DIMENSIONS AND ORIENTATION ON PLANS AND ELEVATIONS. 6. WOOD DOORS SHALL BE UNDERCUT AS REQUIRED TO CLEAR FINISH FLOOR OR THRESHOLD BY ¼”. ALL FIRE RATED DOORS SHALL BE ORDERED SO AS TO CLEAR FINISH FLOOR OR THRESHOLD BY ¼” (UNDERCUTTING NOT ALLOWED.).
EXISTING MASONRY WALL TO REMAIN TYPE A-WALLLED 2x8 WOOD STUDS @ 16" O.C. PARTITION TYPE B-WALL (AT INTERIOR PLUMBING WALLS) 2x4 WOOD STUDS @ 16" O.C. PARTITION TYPE C-WALL ONE HOUR RATED CONCRETE MASONRY WALL TYPE D-WALL
DATE :
06/13/16 SCALE :
1/8" = 1'-0"
FIXED GLAZED PANELS TYPE E-WALL SHEET #
8 OF 19
2'-10" TYP.
4'-6"
a
c
102 WINDOW DISPLAY 9'-5"
104
1'-0" 1'-10" 3'-9"
S
c
d
b
4'-5"
d
b
TYP.
7'-3"
105
d
b
a be d f e
d
d
4'-9"
S
d3'-8"
106
b
b
b
b
d
d
b
b
b
d
d
a
3'-10" a
S
d
d
d
d
d
S
TYP. d
d
d
TYP.
S
S
d
d
d
d
S
a
8'-0"
d
d
S
a
a b c d 3D 3D 3D 3D
3D
g
d
d
d
EXHIBITION 110
S
b
b
S
EXHIBITION 113
S
b
b
b
b
1'-9"
4'-6"
TYP.
b
9'-9"
SS
TYP.
9'-3"
TYP.
a
b
b
b
b
b
b b
TYP.
S
4'-6"
6'-10"
b
4'-6"
b
6'-11"
b
4'-6"
b
6'-10"
b
4'-6"
ARTIST-INRESIDENCE COMMUNITY
S
7'-0"
S
h
3D
SPRING 2016
5'-0"
8'-2" b
INTERIOR ARCHITECTURE DOCUMENTS
e
LOADING/ UNLOADING e 119
31’-0” GYP. BD P-4
b
8'-0"
2'-3"
b
UCLA/CPP MASTERS PROJECT
THE ATRIUM
OPEN TO ABOVE
WORK SPACE 118
2"
5'-5"
b
COURSE :
117
a
16'-
b
FERNANDO DE MORAES
PROJECT INFORMATION :
3'-8"
a
INSTRUCTOR :
3'-8" WORK SPACE D 116 b
SS
b
a S
3D
CHRISTIAN HINOJOSA
4'-6"
S
NEW ATRIUM b
a
3D
DRAWN BY :
3'-5"
b
8'-9"
6'-11"
S
b
9'-2"
TYP.
TYP.
6'-6"
3'-3"
14'-6"
5317 Noble Street Riverside, CA 92508 951 775 5345 chinojosa53@gmail.com
a
9'-3"
EXHIBITION 112
a
5'-10"
a S
design studio
S
TYP.
S
A 13
a
EXHIBITION 111
a
D
4'-11"
TYP.
6'-1"
g
3'-10"
2'-4"
a
g
11'-9"
LED COVE LIGHTING
a
3'-8"
TYP.
TYP.
a 3D b 3D
g
S
7'-1"
11'-1"
S
3'-8"
g
9'-2"
5'-7" 14'-6"
S
2'-8" TYP.
7'-1"
3D
2'-0"
1'-0"
1'-0"
9'-1" a
5'-2"
5'-2" OPEN TO ABOVE
6'-0"
13'-9"
MOUNUMENTAL SEATING UNIT W/ STAIR, STAGE, & STORAGE 109
108
7'-1"
1'-10"
EXISTING ATRIUM
31’-0” GYP. BD P-4
g
13’-0” WOOD WS-1
g
6'-2" 1'-11"
7'-8"
g
d d
WINDOW DISP. 114 Sa
d
b
S
7'-10"
OPEN TO ABOVE
5'-11"
d
EXHIBITION 107
f
4'-5"
1'-10"
ENTRY 101
d
3'-11"
S
S
d
31’-0” GYP. BD P-4
3D
B 14
e
WOMEN
d
d
d
b b 3D
b
b S
S
d
e
D D D
f
TYP.
S
d
D D D
MEN
TYP. 4'-6" 6'-10" 2'-10"
8'-4" d
e
TYP. TYP.
7'-5"
S
d
b
3'-10"
7'-10"
5'-4" S
EXHIBITION S
d f e
TYP.
e
b
b 3D 3D 3D
TYP.
a b e
4'-6"
e
S
S
3D 3D 3D
c
OPEN TO ABOVE RECEPTION S 103
e
e
b
a c
c 3D 3D d
b
8'-7"
MASTER’S PROJECT DOCUMENTS
5'-9"
b
20'-2"
9'-7"
9'-0"
a
12’-0” GYP. BD P-1
b
19'-8"
10'-9"
b
4'-6"
2'-9"
b
3D
6'-10"
7'-2"
b 3D
S
8'-2"
4'-8"
a
4'-6"
2'-1"
4'-6"
12’-0” GYP. BD P-2 13'-10"
2'-4"
13'-1"
31’-0” GYP. BD P-4 22'-9"
modernLUX
b
h
9'-2"
31'-7"
b
4'-6"
b
6'-10"
b
3834 MAIN ST. RIVERSIDE, CA 92501
3D 3D
b h e
4'-6" 12’-0” GYP. BD P-1
10’-0” GYP. BD P-3
DRAWING TITLE :
REFLECTED CEILING PLAN REFLECTED CEILING PLAN 0'
GENERAL NOTES 1. ALL CEILING HEIGHTS INDIATED ON PLANS ARE FROM TOP OF FINISH FLOOR TO UNDERSIDE OF FINISH CEILING U.O.N. 2. REFER TO MECHANICAL DRAWINGS FOR LOCATIONS AND TYPE OF ALL DIFFUSERS, DUCTS, RETURN AIR FRILLES, SPRINKLERS AND ANY ADDITIONAL MECHANICAL EQUIPMENT. 3. REFER TO ELECTRICAL DRAWINGS FOR EXACT NUMBER AND TYPE OF LIGHT FIXTURES TO BE PROVIDED. NOTIFY DESIGNER SHOUD ANY DISCREPANCIES OCCUR.
4'
8'
16'
6. THERE SHALL BE NO EXPOSED PIPES, CONDUITS, DUCTS, VENTS, ETC., IN PUBLIC AREAS. ALL SUCH LINES ARE TO BE CONCEALED OR FURRED AND FINISHED.
SCALE: 1/8" = 1'-0"
32'
LIGHTING SYMBOL LEGEND LINEAR LED (L-1)
7. EXTEND SOFFIT FRAMING TO STRUCTURE ABOVE, AND DIAGONALLY BRACE AS REQUIRED.
18
5. SUBSTITUTIONS TO HVAC GRILLED AND REGISTERS, AND ANY OTHER ITEMS VISIBLE IN CEILING OR IN EXPOSED PUBLIC AREAS SHALL BE SUBMITTED OT DESIGNER FOR APPROVAL PRIOR TO PURCHASE.
WALL-MOUNTED LED SPOTLIGHT (L-7)
12”x12” RETURN DIFFUSER
LED SURFACE MOUNTED PANEL (L-3)
6” LED RECESSED DOWNLIGHT (L-8)
SUPPLY FLOW BAR DIFFUSER
3” SURFACE MOUNTED LED (L-4)
2” RECTILINEAR LED (L-9)
LED PENDANT FIXTURE
LED SURFACE MOUNTED PANEL
9. SPRINKLER HEADS TO BE CENTERED IN ACOUSTICAL TILE PANELS OR ALIGNED WITH LIGHT FIXTURES.
11. PROVIDE ACCESS PANELS AT POINTS WHERE MECHANICAL AND ELECTRICAL EQUIPMENT IS CONCEALED BY GYP. BD. CEILING. 12. WHERE TRACK LIGHTING OCCURS IN FRONT OF DISPLAY FIXTURES, IT SHALL BE CENTERED ON DISPLAY FIXTURES, U.O.N.
4" LED SPOTLIGHT
3" SURFACE MOUNTED LED
D
DIMMABLE SINGLE SWITCH
3D
DIMMABLE 3-WAY SWITCH
6" LED RECESSED DOWNLIGHT
2” RECTILINEAR LED
12" x 12" RETURN DIFFUSER
SUPPLY FLOW BAR DIFFUSER
RETURN FLOW BAR DIFFUSER
DATE :
06/13/16
RETURN FLOW BAR DIFFUSER
SCALE :
DIMMABLE SINGLE SWITCH
1/8" = 1'-0"
DIMMABLE 3-WAY SWITCH
FIRE ALARM LOCATION TO BE DETERMINED BY CONSULTANT S
12" x 12" SUPPLY DIFFUSER
TRACK FOR LED SPOT LIGHT
WALL-MOUNTED LED SPOTLIGHT
10. SPRINKLER SYSTEM TO BE APPROVED BY PLUMBING DIVISION PRIOR TO INSTALLATION. 4. FACTORY PRIMED ITEMS OCCUR, SUCH AS GRILLES, DIFFUSERS, METAL TRIM AND ACCESSORIES, ETC., THEY SHALL BE PAINTED TO MATCH THE ADJACENT SURFACE.
12”x12” SUPPLY DIFFUSER
LED PENDANT FIXTURE (L-2) 8. SPRINKLE HEADS TO BE FLUCH CONCEALED TYPE WITH WHITE COVERS IN GYP. BD. AREAS. COLOR TO MATCH GYP. BD. FINISH.
HVAC LEGEND 4” LED SPOTLIGHT (L-5) TRACK FOR LED SPOT LIGHT (L-6)
LINEAR LED
FIRE SPRINKLER LOCATION TO BE DETERMINED BY CONSULTANT
LED COVE LIGHTING (L-10) SHEET #
9 OF 19
LOBBY DESK DETAIL
1"
B2
D
STAIR DETAILS SCALE: 1 1/2" = 1'-0"
SAFETY NOSING TYPICAL
2" 2"
1'-5"
2"
FC-1 LIGHT POLISHED CONCRETE FILLED METAL PAN STAIR TREAD
2"
STEEL ANGLE WELDED TO STRINGER
STL-4 STEEL PLATE STRINGER
D1
STAIR SECTION SCALE: 1 1/2" = 1'-0"
3"
1" 1" 1'-8" 1"
2"
1"
4"
1'-10"
VT-1 LIGHT GREY PLASTIC LAMINATE MDF COUNTER WS-1 WHITE BRUSHED OAK WOOD FACE FRAME
8"
1" 2" 1" 3" 3" 3"
A3 --
L-10 LED COVE LIGHTING
STL-1 SATIN STAINLESS STEEL SUSPENDED CEILING PANEL
2 X 7 SILL PLATE
STL-2 SATIN STAINLESS STEEL GLASS PEDESTAL B2 --
VT-2 ASH WHITE RECYCLED GLASS COUNTER
MD-1 SMOOTH GALVANIZED STEEL MDF STUMP
8"
LOBBY DESK SECTION SCALE: 1" = 1'-0"
ARTIST-INRESIDENCE COMMUNITY 3834 MAIN ST. RIVERSIDE, CA 92501 DRAWING TITLE :
WC-1 RAISED LAMINATE PANEL
A2 --
SECTIONS AND DETAILS STL-2 SATIN STAINLESS STEEL ROUND HANDRAIL
PLYWOOD FRAMING
2'-1"
INTERIOR ARCHITECTURE DOCUMENTS
THE ATRIUM
HD-1 MONARCH ALUMINUM Z CLIPS
A1 --
B1 --
B
UCLA/CPP MASTERS PROJECT
PROJECT INFORMATION :
STL-1 STAINLESS STEEL CEILING PANEL
WS-1 WHITE BRUSHED OAK WOOD FACE FRAME
SCALE: 1" = 1'-0"
B3 --
COURSE :
SPRING 2016
SCALE: 6" = 1'-0"
LOBBY DESK ADA SECTION
B4 --
WS-1 WHITE BRUSHED OAK WOOD DESK EDGE
ELEVATOR DETAIL
7'-0"
4'-2" 3'-6"
3"
19
8"
B1 --
STL-2 SATIN STAINLESS STEEL REVEAL
1"
WS-1 WHITE BRUSHED OAK WOOD FACE FRAME
FC-4 8 1/2” x 7’-3” DRIFTED WOOD PLANKS
DATE :
06/13/16
7"
2" 2" 2" 2" 2'-7"
6"
7"
STL-3 SATIN STAINLESS STEEL 1 1/2” DIA. HANDRAIL STANCHION
A2
PLYWOOD FRAMING
2'-1"
1"
1"
VT-2 ASH WHITE RECYCLED GLASS B2 COUNTER -MD-1 SMOOTH GALVANIZED STEEL
STL-2 SATIN STAINLESS STEEL GLASS PEDESTAL
WS-1 WHITE BRUSHED OAK WOOD DESK EDGE
C
CAB SHELL BY OTHERS
SCALE: 3" = 1'-0"
2"
STL-3 SATIN STAINLESS STEEL ROUND HANDRAIL
FC-1 LIGHT POLISHED CONCRETE
ELEVATOR THRESHOLD
VT-1 LIGHT GREY PLASTIC LAMINATE MDF B4 COUNTER -WS-1 WHITE BRUSHED B3 OAK -WOOD FACE FRAME
STL-2 SATIN STAINLESS STEEL ROUND HANDRAIL
LEVEL ONE SUBFLOOR
1'-0"
U
WC-5 GLAZED PANELS
1'-1"
LEVEL ONE (STATIONARY)
TH-03 THRESHOLD
SCALE: 6" = 1'-0"
2"
ALIGN FINISHED FLOOR
ELEVATOR CAB SUBFLOOR
LOBBY DESK DETAIL
STL-3 SATIN STAINLESS STEEL ROUND GUARD RAIL
STL-3 SATIN STAINLESS STEEL 1 1/2” DIA. HANDRAIL STANCHION
ELEVATOR CAB (MOVING)
HD-1 MONARCH ALUMINUM Z CLIPS
1"
0" 1/8”
WOOD DESK PANEL
WS-1 WHITE BRUSHED OAK WOOD FACE FRAME
4"
WC-5 GLAZED PANELS
FERNANDO DE MORAES
SCALE: 1 1/2" = 1'-0" WC-1 RAISED LAMINATE PANEL
4"
1"
CHRISTIAN HINOJOSA INSTRUCTOR :
ELEVATOR DETAIL
2"
8"
1"
D1 --
STEEL ANGLE WELDED TO STRINGER
1"
4"
STL-2 SATIN STAINLESS STEEL DOORS
2"
2'-10"
B3
DRAWN BY :
SCALE: 3" = 1'-0"
WS-1 WHITE BRUSHED OAK WOOD DESK EDGE
STL-3 SATIN STAINLESS STEEL ROUND GUARD RAIL
FC-1 LIGHT POLISHED CONCRETE FILLED METAL PAN STAIR TREAD
SCALE: 3" = 1'-0"
A3
SHIM
SCALE: 3" = 1'-0"
METAL PLATE STAIR RISER
A1
1"
1"
5317 Noble Street Riverside, CA 92508 951 775 5345 chinojosa53@gmail.com
STL-1 SATIN STAINLESS STEEL SUSPENDED CEILING PANEL
WC-1 RAISED LAMINATE PANEL
3"
7"
ELEVATOR DETAIL
LOBBY DESK DETAIL
WS-1 WHITE BRUSHED OAK WOOD FACE FRAME
LOBBY DESK DETAIL
STL-3 SATIN STAINLESS STEEL ROUND HANDRAIL
P-5 GLOSS PAINT FINISH
1" 1"
MD-1 SMOOTH GALVANIZED STEEL
MDF STUMP
B1
HD-1 MONARCH ALUMINUM Z CLIPS
8'-1"
WS-1 WHITE BRUSHED OAK WOOD FACE FRAME
PLYWOOD FRAMING
2"
SCALE: 3" = 1'-0"
2"
L-10 LED COVE LIGHTING
3'-6"
PLYWOOD FRAMING
design studio
MDF STUMP
7"
1"
FC-4 8 1/2” x 7’-3” DRIFTED WOOD PLANKS
CAB SHELL BY OTHERS
1"
1"
1"
2'-6"
DRAWER SIDE PANEL
1"
WS-1 WHITE BRUSHED OAK WOOD FACE FRAME
2"
B4
1"
WC-1 RAISED LAMINATE PANEL
modernLUX
STL-1 STAINLESS STEEL CEILING PANEL
CAB SHELL BY OTHERS
2"
WS-1 WHITE BRUSHED OAK WOOD FACE FRAME
2" 1" 2" 2"
VT-1 LIGHT GREY PLASTIC LAMINATE MDF COUNTER 2X7 DOUBLE PLATE PLYWOOD FRAMING
1/8”
STL-2 SATIN STAINLESS STEEL BASE
1"
WS-1 WHITE BRUSHED OAK WOOD FACE FRAME MD-1 SMOOTH GALVANIZED STEEL
5"
2"
1"
1"
3"
STL-2 SATIN STAINLESS STEEL GLASS PEDESTAL
2"
2" 1"
VT-1 LIGHT GREY PLASTIC LAMINATE MDF COUNTER
5"
MASTER’S PROJECT DOCUMENTS
VT-2 ASH WHITE RECYCLED GLASS COUNTER
STL-2 SATIN STAINLESS STEEL GLASS PEDESTAL VT-2 ASH WHITE RECYCLED GLASS COUNTER
SCALE :
2 X 7 SILL PLATE
N/A A
ELEVATOR WALL SECTION SCALE: 1" = 1'-0"
SHEET #
17 OF 19
20
ELEMENTS OF DESIGN II
4” x 6” INDEX CARDS MODULAR DESIGN
MODULAR DESIGN INTEGRATED WITH SECONDARY MATERIAL ABSTRACT SCULPTURE
21 SECONDARY MATERIAL & DEVELOPMENT PROCESS
ELEMENTS OF DESIGN II 22
TWO FREESTANDING ABSTRACT SCULPTURES EACH CONSTRUCTED FROM ONE CONTIGUOUS SHEET OF 9"X12" 3 PLY BRISTOL BOARD WITH NOTHING REMOVED
23
ELEMENTS OF DESIGN II
The Active Adult Living, modern condominiums 55+, is a multiuse development in the desert that accommodates the current high demand of senior housing. The development includes parking spaces with lighting, landscape and adequate circulation, and a trail with exceptional views that includes a bridge and seating. The complex includes a residential tower, a main lobby, and a multiuse recreational bridge that connects the greenhouse and the main lobby. The design concept was inspired by modern architecture such as the Olympic Bird's Nest Stadium in Beijing, China, a library’s façade in Guadalajara, Mexico, and other modern architecture in Guadalajara.
ELEMENTS OF DESIGN II
VIEWS LOOKING INTO THE ACTIVE ADULT LIVING 1/8” SCALE MODEL
24
STUDIO II: RESIDENTIAL 25
VIEWS OF CONCEPTUAL MODEL
ATRIUM CONCEPTUAL MODEL
STUDIO III & LIGHTING DESIGN OVERALL VIEW LOOKING INTO STUDIO III FINAL PROJECT MODEL
26
VIEW LOOKING INTO STUDIO III FINAL PROJECT MODEL
DECONSTRUCTED PLASTIC WALL CLOCK LIGHTING FIXTURE
27 ARCHITECTURE & INTERIORS PHOTOGRAPHY
CONTACT TREE CARD
MODEL
CARD
C C HR 95 HIN ISTIA 1/ OJ N 77 OSA HIN 5 53 O 53 @ JO 45 GM SA AIL .C OM
INSPIRATIONS
A JOS IL.COM INO A N H @GM ISTIA A53 CHR OJOS 345 5 CHIN /775 951
CHRISTIAN HINOJO SA CHINOJOSA53@GM AIL.COM 951/775 5345
OSA CHRISTIAN HINOJ AIL.COM CHINOJOSA53@GM 951/775 5345
A OM OS .C OJ AIL HIN GM N 3@ TIA A5 5 RIS OS 34 CH INOJ 75 5 CH 1/7 95
SCALE: 1/16
951/775 5345 --- CHINOJ0SA53@GMAIL.COM
FINAL CARD
CHRISTIAN HINOJOSA
C O M M E R C I A L I N T E R I O R S P R O J E C T M A N A G E M E N T U R B A N P L A N N I N G A R C H I T E C T U R E
@
.
CHRISTIAN HINOJOSA
C IN HR O IS J 0 TI S A C A N H CH 5 IN R 3 H O IS @ IN J0 T G I S A M OJ A N A O 5 IL S 3 HI @ .C A N G O O M J M A OS IL .C A O M
E R T E R ID M A
R Y P E E R T A
951/775 5345 --- CHINOJ0SA53@GMAIL.COM C O M M E R C I A L I N T E R I O R S P R O J E C T M A N A G E M E N T U R B A N P L A N N I N G A R C H I T E C T U R E
Combining triangular clean white walls w/ partnering glass windows and a 10’ x 10’ open plan, the pyramid brings an ancient building typology to modern camping architecture. The simple geometric shape creates a clean aesthetic, while remaining eye-catching due to its iconic form. The structure can be handcrafted from fiberglass and locally sourced wood. It could accommodate up to 4 people, and can be capable of accepting an electrical line for electricity and heating. A web like support system can ensure that the pyramid stays stable, and can be reached by spiral staircases that can wound around the tree trunk.
H
T A
E R ID M A R Y P E E R T A SA M OJO AIL.CO HIN AN 53@GM ISTI A CHR OJOS 5345 CHIN /775 951
SCALE: 1/16
CARD DEVELOPMENT
SA M OJO AIL.CO HIN AN 53@GM ISTI A CHR OJOS 345 5 CHIN /775 951
Inspired by the natural environment and my master’s project thesis The Atrium, an artist-in-residence community or artist retreat, the Tree Pyramid Retreat provides a habitat for the natural spirit that exists in all of us. Symbolizing bigger consciousness of strength and energy, the pyramid can be used for mystic ex0periences.
C
R
E
A
T
A TREE PYRAMID RETREAT
T
951/775 5345 --- CHINOJ0SA53@GMAIL.COM
CHRISTIAN HINOJOSA
C O M M E R C I A L I N T E R I O R S P R O J E C T M A N A G E M E N T U R B A N P L A N N I N G A R C H I T E C T U R E
C C HR 95 HIN ISTIA 1/ OJ N O 7 75 SA HIN 5 53 3@ OJO 45 GM SA AIL .C OM
SCALE: 1/16
Z FOLD TREE SECTION T O I N S E R T TO O T H E R
CHRISTIAN HINOJOSA C O M M E R C I A L I N T E R I O R S P R O J E C T M A N A G E M E N T U R B A N P L A N N I N G A R C H I T E C T U R E @
.
S C A L E : 1/16" = 1' - 0"
28
C H I N O J 0 S A 5 3 @ G M A I L .C O M 951 775 5345