000_Cover
Image © Robert Prochaska
001_09 Digital Picnic
2018 Issue - TechnoDroop
000_Table 000_Table of of Contents Contents Architectural Design
001
Detail, Industrial Design and Fabrication
002
Speculative Design and Writing
003
Urban Analysis and Design
004
Data Collection and Analysis
005
Leadership and Teaching
006
Academic and Professional
Introduction of Primary Influences
001_01 Train Museum Lumilink
001_03 Farm World
001_04 School House Rock
001_02 Houses for Haiti
002_01 Train Museum Site
001_05 Mtn Film Institute
001_06 Mega House
001_07 DUV
001_08 Rice Office + Parking
001_09 NYU 181 Mercer
001_10 Digital Picnic
Food Village
Farm World Site Model Chicago Site Model
002_02 Mtn Film Institute Site
002_05 Portals Exhibition
002_04 NYU Model
002_03 ADHD + Healthy Eating 003_01 Frank McFurter’s Rebellion
003_02 Roccamandolfi Resort
002_06 Digital Picnic
003_04 Clog X 003_05 AI Article Digital Picnic
003_03 ‘Hello_World’
004_01 Urban Investigations 004_04 Urban Stimulations
004_02 Public Space and Stuff 004_03 An Accommodating Study
005_01 Philly Street Survey
005_02 NYU Massmotion Study 005_03 FitBit Sleep Study and Analysis
KieranTimberlake Near Future Practices Group 006_02 Arch 272 TA
Ryoji Ikeda
Futurism
Superstudio
Reyner Banham (Megastructures)
Christopher Alexander Nicholas Negroponte Cedric Price
2019 Molly Wright Steenson (Architectural Intelligences)
Ant Farm
Haus Rucker
2018
Archigram
Cixin Liu (The Three Body Problem Series)
Parag Khanna (Connectography)
2017
BladeRunner and “Do Androids Dream of Electric Sheep”
Volterra Intl Workshop 2018
Science Fiction Alvin Toffler (Future Shock) Futurists Archigram Sean Lally (Night White Skies)
KieranTimberlake Minimal Dwelling John Hejduk
2016 Chicago Biennial Lateral Office
2015
Michael Sorkin William Whyte Jan Gehl Shop Architects
Urban Theory
Table for 12 Exhibition 5468796 Architects
QUIPIT and Ray Majewski
Cam Greenlee (Instructor)
2014
Snohetta Industrial Design Grasshopper Clog Magazine
2013
Data Analysis and Collection Therese Tierney (Professor)
Arch 101 TA
Christo and Jeanne-Claude
006_01 QUIPIT
Brian Veseley (Instructor)
006_03 Arch 373-374 Instructor (Detail and Fabrication Faculty)
001_01 Train Museum Individual museum design project exploring the relationships between explicit and implied spatial environments.
001_01 Train Museum
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001_01 Train Museum
1) Wooden Shading System 2) Exterior Glazing 3) Reinforced Concrete Wall 4) HVAC Channel 5) Individual HVAC Diffuser 6) HVAC VAV Box 7) HVAC Dampner
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1. wooden shading system 2. exterior glazing 3. reinforced concrete Wwll 4. hvac channel 5. individual hvac diffuser 6. hvac vav box 7) hvac damper
001_01 Train Museum
001_02 Houses for Haiti Collaborative project with Kelly Tang answering critical health and saftey questions in a postdisaster scenario.
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PROPOSED DESIGN
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001_02 Houses for Haiti
MATERIAL PHASE 1
Corrugated Metal Roof Wood Joist
Modular panels are fabricated using a foam core interior and a cement and plaster veneer
OSB Sheet Concrete Beams
CMU Blocks Plastered Veneer Foam Panels
PHASE 2 Concrete is poured into formwork with rebar inserted transversely. The modular panels are then arranged and hung on the rebar.
Wood Lumber
PHASE 3 After the panels are hung, the rebar is bent around the panel to secure it in place .
001_03 Farm World Individual studio project questioning the future positions of agricultural land in relation to urban environments.
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With all this new technology farming has been made easy. I can control all operations at home from my computer Yes, they do, honey, it is nice to see people actually getting outside and enjoying themselves.
The public spaces are really reminiscent of those in Europe, aren’t they, dear? I really enjoy walking around the city and when I need to go to another town I can just take the bus. It’s always on time. Yes, the system is also really efͤcient because of the PVs installed in the roadways
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001_03 Farm World
001_03 Farm World
Urbana, IL Population Area [miles sq.] Density [pop./miles sq.]
41,250 11.69 3,530
St. Joseph, IL Population Area [miles sq.] Density [pop./miles sq.]
4,000 2.14 2,000
Proposal Population Area [miles sq.] Density [pop./miles sq.]
2000 0.125 16,000
Ogden, IL Population Area [miles sq.] Density [pop./miless sq.]
810 0.57 1,300
Fithian, IL Population Area [miles sq.] Density [pop./miles sq.]
506 0.38 1,300
Oakwood, IL Population Area [miles sq.] Density [pop./miles sq.]
1,427 0.93 1,530
1
ACTUAL SITE CONDITION
Being a farmer, I have come to notice that there is a growing boundary between the rural and urban conditions. What can we do
Well Mr. Farmer, let’s bridge this boundary by literally penetrating agriculturally productive land into the urban environment. Then by doing this we create an entirely new urban condition in which to live.
The form of the plan is built from a need for the agricultural land to penetrate into the city environment while still maintaining a certain density within the city and creating interesting functional public spaces.
001_03 Farm World
Finally, we want to propose an Institute for Micro-agriculture within this community. So that you can continue developing and researching innovative farming techniques
In the future we expect large scale farming to become completely automated, while still maintaining a socially involved small scale production of produce. Something like this!
LARGE SCALE FARMING
SMALL SCALE PRODUCE PRODUCTION
That is really exciting, but how does it all work? Large scale automation.
Food is grown in the immediate local environment
It is then distributed to markets located within the city
The food and produce is then consumed by individuals
001_04 School House Rock Individual studio project that looked at the state of Chicago Public School systems and proposed an integrated live-school approach.
001_04 School House Rock
001_04 School House Rock
School
EACH SPACE IS UNIQUE AT THE SCHOOL, ITS SO FUN TO JUST EXPLORE THE BUILDING. EACH DAY IS A NEW UNIQUE ADVENTURE IN LEARNING!!!!
INTIMATE LEARNING
1
GROUP COLAB
2
TEAM MEETING
3
LARGE GROUP LECTURE
4
001_04 School House Rock
A DAY IN THE LIFE OF MAT
1
wake up, get ready, MATT! | 8:30 AM
4
personal work | 2:00 PM
2
3
Large group Discussion | 10:00 AM
5
LUNCH LEARNING SESSION | 12 PM
Group project | 3 PM
ONE REALLY COOL THING ABOUT THE SCHOOL IS THAT IT HAS LOTS OF ROOMS THAT YOU CAN TRANSFORM TO HOWEVER YOU NEED TO USE THEM AT A GIVEN TIME! The unique formal language of the building required an equally unique structural design. LECTURE/PERFORMANCE
GALLERY/EXHIBIT/THEATER
STRUCTURAL DESIGN AND DETIAL
001_04 School House Rock
I HAVE ONLY BEEN AT THE NEW SCHOOL FOR A FEW MONTHS NOW, BUT ALREADY I FEEL MUCH MORE INTERESTED IN LEARNING AND BUILDING MY OWN EDUCATION.
2050 Urban learning model
Learning scales across the urban Landscape
1
INDIVID
UAL LEA
i’M GLAD THEY COMBINED THE SCHOOLS WITH THE LIBRARIES AND MUSEUMS, IT MAKES LEARNING REALLY CONVENIENT
I really enjoy being able to work on projects out here!
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this new learning center sure is amazing! i LOVE BEING ABLE TO LEARN with my friends OUTSIDE!
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Early Design Speculation
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001_05 Mtn Film Institute Individual studio project which was challenged with bringing the building and program to net zero enegy use; accomplished through the use of wind energy.
Wind Energy Generation Typical Condition: Field of Windmills
Conceptual Design Strategy
1
Aggressivity
Wind Simulations
Wind Energy Generation Piezo System Map
East
West
North
South
Wind flows under the building
Tranquility
Proposed Condition: Using Buildings as a Source of Wind Generation
2
Wind flows past piezos arrayed under the building
3
Piezos vibrate back and forth generating a charge
4
Fresh air intake, air return, and supply located in 2 front supports
Annual Wind Rose
Design Progression Formal Design Development
1) Simple extrusion in site
2) Elevate the box
3) Basic adjustment for wind
4) More wind adjustment
5) Pitch roof for views and sun exposure
6) Stilts added for structure and support
Circulation Paths 1
2
3
Energy Equation Solar Radiation
Required: Estimated Annual Energy Consumption: 150,000 kWh @ 2,900 sq. m. = 51.7 kWh / sq. m.
Structural Loading Warm Air Sent Up Fresh Cool Air Intake
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Wi nte r
Primary Mechanical
Sp
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Produced: Each Piezo produces 8.765 kWh annually, and requiers 0.1 sq. m. of
2,675 sq. m. of surface area is available to arrange piezos on. This gives us 26,750 piezos producing 234,463 kWh annually.
annual energy need
001_05 Mtn Film Institute
001_05 Mtn Film Institute
Site Plan
Elevations
001_05 Mtn Film Institute
Building Exploded Perspective
Film Projection Exhibits
1
1
2
2 3
3
001_05 Mtn Film Institute
Floor Plan 1
Floor Plan 2
Wall and Piezo System Detail 1) Piezo Bar 2) Rain Barrier 3) Air Barrier 4) Piezo Housing 5) Batt Insulation 6) Rigid Insulation 7) Curtain Wall Structure 8) Primary Truss Structure 9) Cloud Ceiling 10) Metal Deck and Concrete Floor 11) Low- E Triple Pane Glazing
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001_05 Mtn Film Institute
001_06 Mega House This was an individual studio project that seeked to fill in gaps in NYC’s public amenities and housing stock. ROOF PERSPECTIVE
URBAN AXONOMETRIC Design Footprint
Site = 150,000 sf 100% Utilization
Design Footprint = 35,000sf 23% Utilization
001_06 Mega House
URBAN SITE PLAN
10TH FLOOR PLAN
1 Bike/Running/Skating Path 2 Outdoor Deck 3 Dog Run Area 4 High-Ropes Course 5 Camping Area 6 BBQ/Picnic Area 7 Market/Vendor Area
1 Indoor/Outdoor Concert Venue 2 Library/Bookswap 3 Two-level black box 4 Speakeasy 5 One Bedroom Unit 6 Two Bedroom Unit 7 Three Bedroom Unit
1
7 2 5
6
3
7
1
2
3
4
4
5
6
4
TREE CHOICES AND INFORMATION Serviceberry Wet site and Shade Tolerant R Red Maple Wet site Tolerant W
Sweetgum Sw Wet site Tolerant W
Ba Cypress Bald B Wet site Tolerant W
N
001_06 Mega House
BUILDING SECTION BUILDING SECTION
PROGRAM DEVELOPMENT 1 Grocery Coop 2 Motthaven Museum/Gallery 3 Library/Booswap 4 Education Center 5 Creativity Lab 6 Game Center 7 Blackbox Theater 8 Public Auditorium 9 Top Floor Restaurant 10Jungle Gym 11 Fitness Center
Now we have to ask ourselves. What programs would be best suited to provide a novel, exciting experience for this site in Mott Haven?
Roof Tree Park with Bike/Skating Path Studio Residence Restaurant 1 br Residence Book Swap Lounge Black Box Theater
Tree More Natural Environment Canopy Large Parks Active Open Space
2 br Residence
Residences
2 br Residence
tivity Lab
Crea
Auditorium
2 br Residence Education Center Jungle Gym
Bird Watching
2 br Residence Museum
2-3 br Residence Fitness
Gallery/ Museum
3 br Residence High Ropes Course BBQ/Picnicing Coop Market Bike Path Theater Dog Park Camping Lobby Camping Large Park
Retail Amenities Urban
More Urban Environment
9
6
8
7
3
10
5
4
11 2
1
001_06 Mega House
001_07 DUV This was an individual studio project that was designed to accommodate a live-work scenario for urban food vendors.
DUV
DUV seeks to alleviate some of the pressures that are plaguing the public housing systems within the densest cities in the United States. Additionally, there are growing pressures on governments regarding the influx of immigrants and other migrant populations and how those people can be accommodated within specific economies. The DUV system steps in here by allowing individuals in need or distress to apply and utilize the DUV module to grow their own independent business and also provides housing for their family for up to 5 people. Once the family is able to get back on their feet and settled they are able to move out of the DUV unit, at which time is returned to the financing organization and then reissued to another group in need.
001_07 DUV
001_07 DUV
How are the panels made? Hmmmm . . . How do you provide individuality within a mass produced place?
!!!
?
Oh!
001_07 DUV
The first floor functions as a live work space.
001_07 DUV
001_07 DUV
Floor To Nose Connection
Photovoltaic Cells
Metal Sheathing
Aluminum Floor Structural Beam
Vapor Barrier Aluminum Panel Structure Weather Seal for Jalousie Windows
Column to Floor Connection
Insulation Fiberglass Covering
Natural Cross Ventilation
Aluminum Structure Window Seal
Jalousie Window
Steel Connection (Pinned and Lockable) Aluminum Structural Column Steel Pin (Lockable)
Glazing Panel Structure
Insulation LED Panel Structure
Radiant Heating and Cooling System
Aluminum Floor Beam
Bolted Connection for LED Panles
3” Rigid Insulation
3/4” Plywood Sheathing 29’ 3/4” Birch Plywood Sheathing 3/4” Birch Flooring Steel Structural Member Panel Integrated Shelving
7’ 8”
Radiant Heating and Cooling Conduits
Water Tanks
Used to store gray and potable water. Weight Ballast Radiant system
Foundation Foot Foundation Bolt
001_07 DUV
001_08 Rice Office + Parking While at KieranTimberlake, I worked on the construction administration and interior fit-out for this project, and was able to see it through project completion.
© KieranTimberlake
© KieranTimberlake
© KieranTimberlake
© KieranTimberlake
© KieranTimberlake
© KieranTimberlake
001_09 NYU 181 Mercer While at KieranTimberlake, I was tasked with managing the scope of interior finishes and with designing the colorway for the perimeter circulation corridor walls.
© KieranTimberlake
© KieranTimberlake
© KieranTimberlake
© KieranTimberlake
001_10 Digital Picnic 002_06 003_05 This is a collaborative commissioned project with Colter Wehmeier, Chris Woodward, and Robert Prochaska. The Digital Picnic allows users to augment their individual eating environments in a privatized dining experience at the Broadway Food Hall in Urbana, Illinois.
Initial Design Proposal Concept: To allow individuals to physically manifest their dreams and imaginations through a digital interface.
'UHDP
We all have dreams. We all imagine a new world. Sometimes its one that we want to be a part of. Other times, its built on our stresses or fears. But they are all stories in about how we see the world.
Build!
Stories we should hold on to. Let’s keep track of those dreams, stories that would have otherwise been lost to the world, so that we can share them with others. Take advantage of technology to tell these stories in a new way.
Installation Overall Structural Wiring Supports Wifi Speakers Wifi Led Strip Light Wifi Light Bulb
Experience!
Let’s bring those to life. While in the past, dreams lived purely in the medium they were written in, the digital world let’s us bridge that gap. We can now start to bring those stories to life for people to experience every day.
001_10 Digital Picnic 002_06 003_05
001_10 Digital Picnic 002_06 003_05
Revised Design Proposal
I Dream of a Digital Picnic seeks to enhance the physical tradition of dining through the layering of responsive environmental elements, both physical and digital, with human thoughts and emotions.
001_10 Digital Picnic 002_06 003_05
While participatory design processes are popular in architectural practice they do not often see their way into the direct design process. I Dream of a Digital Picnic, however, requires direct public engagement in the manifestation of spatial experience.
Come in, sit down, and be yourself. Whether its a VSHFLDO ƓUVW GDWH RU MXVW D UHJXODU QLJKW RXW DURXQG town, we all have a story to tell.
&UHDWH <285 'UHDP 0D\EH LWōV WKH VRIW UHG OLJKW RI D FDQGOH OLW GLQQHU RU WKH QHRQ JORZ RI D SDUW\ $GG D ELW of yourself to this meal.
&OLFN 6XEPLW 7KDW ZD\ ZH FDQ EULQJ \RXU FUHDWLRQ WR life. Watch the restaurant and your dream work WRJHWKHU WR FUDIW \RXU VXUURXGLQJV
Click to Dream
The digital picnic will not only prompt individuals with a series of questions, but will also allow them to write their dream in short form and have that influence the spatial experience.
I Dream of a Digital Picnic seeks to engage the full breadth of the human environment and the stories behind it. Perhaps as a couple enjoy their meal, the lights breathe a soft red-orange glow while speakers whisper of familiar urban sounds. They recall their evening in an Italian hill town all while never leaving Urbana.
Step 1
Step 2
Step 3
001_10 Digital Picnic 002_06 003_05
Final Design Proposal
Typical Dining
001_10 Digital Picnic 002_06 003_05
Typical Dining
001_10 Digital Picnic 002_06 003_05
Š Colter Wehmeier
Image by Colter Wehmeier
001_10 Digital Picnic 002_06 003_05
Image by Colter Wehmeier
001_10 Digital Picnic 002_06 003_05
Beguiling
Swimmingly Tenacious Beach
Incendiary Luminous Regal Soothing Sophisticated Sumptuous Tenacious © Robert Prochaska
© Robert Prochaska
© Robert Prochaska
© Robert Prochaska
001_10 Digital Picnic 002_06 003_05
Digital Picnic Module Construction Horizontal Corner Leg Components Construct 48 Components
6
Materials Required Component / Module / Total 2 / 12 / 96 7' - 8" Lengths of PVC 2 / 12 / 96
4
2' - 2" Lengths of PVC
4 / 24 / 192
2.5" x 1/4" Hex Bolts
4 / 24 / 192
1/4" Hex Nuts
Vertical Corner Leg Module
Door Panel Module
Construct 8 Corner Leg Modules
Construct 2 Module
3
2
1
Typical Bolt Detail
Horiz Corner Leg Components
Materials Required Component / Module / Total 0 / 8 / 64 9' - 6" Lengths of PVC 6 / 48 / 384
2.5" x 1/4" Hex Bolts
6 / 48 / 384
1/4" Hex Nuts
Full Height Panel Module Construct 2 Modules
Materials Required Component / Module / Total 0/4/8 4' - 8" Lengths of PVC
5
Vertical Corner Leg Component
Vertical Corner Leg Component
0/4/8
2' - 2" Lengths of PVC
0 / 8 / 16
2.5" x 1/4" Hex Bolts
0 / 8 / 16
1/4" Hex Nuts
0 / 6 / 12 A B
Door Panel Module Top View
0'-0 21"
9' - 6" Lengths of PVC
4 / 24 / 192
2.5" x 1/4" Hex Bolts
4 / 24 / 192
1/4" Hex Nuts
2'-4"
2'-4"
2'-4"
2'-4"
2'-4"
B
0'-2"
B
0'-2"
0'-1 21"
2' - 2" Lengths of PVC
0/2/4
Full Height Module Top View 2'-4"
0'-2"
1/4" Drill Hole
Materials Required Component / Module / Total 0 / 12 / 24 4' - 8" Lengths of PVC
C
2'-4" 0'-2"
B
Drill - 2x Sets
0'-1"0'-1" 0'-1"
0'-1"0'-1"
B
2'-0"
2'-2"
0'-1"0'-1" 0'-1"
0'-1"
A
Door Panel Module Assembly
0'-3 21"
B
A
1'-10"
B
A
1'-10"
1'-10"
Horizontal Corner Leg Component Assembly
A
C 0'-3 21"
0'-2 21"
B
Drill - 2x / Side
A
Full Height Panel Module
1'-10"
Drill Verticals x4 / Module
0'-2" TYP
0'-3"
0'-3"
B Side Rotate 90
1'-10 41"
C B
Drill x2 / Component
0'-2"
2'-2"
Drill - 6x Sets
Door Panel Module Side View
Vertical Corner Leg Component
2'-0"
0'-1"
1'-10"
Drill All Verticals x10 / Module
7'-8"
0'-1"
Drill - 2x Sets
0'-3"
B Side - Rotate 90
0'-1"0'-1"
B Side - Rotate 90
1'-10"
2'-2"
0'-1"0'-1"
B
0'-0 21"
1'-10"
2'-0"
0'-1"
1'-10"
1'-10"
0'-1"0'-1"
B
A Side
1'-10"
0'-1"0'-1" 0'-1"
0'-1 21"
0'-1"
2'-2"
A
0'-2 21"
0'-1 21"
Horizontal Corner Leg Components Horizontal View
1'-10"
A Side
Drill x2 / Component
1'-10"
1'-10"
A Side
B Side - Rotate 90
7'-8"
Full Height Panel Module Rotated Elements
2'-0"
0'-1"
1'-10"
1'-10"
0'-1"0'-1"
B
0'-1"
B Side Rotate 90
1'-9 43 "
1'-10" 0'-2"
Drill - 6x Sets
Door Panel Module Rotated Elements
1'-10"
Drill x2 / Component Horizontal Corner Leg Components Top View
B A
0'-1"
1'-10"
1'-10"
A
0'-2 21"
0'-2"
0'-2"
2'-4"
0'-0 21"
1'-10"
A Side
1'-10"
1'-10"
1'-10"
2'-2"
A Side
0'-1"
B
A
Bolt x4 / Component
© Robert Prochaska
1'-10"
1'-10"
1'-10"
0'-3"
A
Bolt x 8
© Robert Prochaska
B
Door Panel Module
© Robert Prochaska
A
B
A
6
Drill - 6x / 2x Sides
1'-10"
5
0'-0 21"
1'-10"
1'-10"
1'-10"
1'-10"
A
1'-10"
B
Vertical Corner Leg Component
A Side
© Robert Prochaska
B
Bolt Verticals to Horizontal Components x60 / Module
7'-8"
1'-10"
A 1/4" Drill Hole TYP
1'-10"
1'-10"
2'-2"
A
B Side - Rotate 90
C B
B
Full Height Panel Module 4
C
1'-10"
Complete and Repeat x2 Modules
B
A
3
B 1'-10"
2
A
1
A
0'-1 21"
1'-10"
B
B
A
Bolt Verticals to Horizontal Components x60 / Module Complete and Repeat x6 / Module
Vertical Corner Leg Module
B
B
A
A
Drill - 6x / 2x Sides
© Robert Prochaska
© Robert Prochaska
Full Height Panel Module
Complete and Repeat x8 Modules
Complete and Repeat for 2x Modules
© Robert Prochaska
© Robert Prochaska
001_10 Digital Picnic 002_06 003_05
Images Š Robert Prochaska
001_10 Digital Picnic 002_06 003_05
001_10 Digital Picnic 002_06 003_05
Images Š Robert Prochaska
001_10 Digital Picnic 002_06 003_05
001_10 Digital Picnic 002_06 003_05
001_10 Digital Picnic 002_06 003_05
002_01 Train Museum Site This was a collaborative studio build utilizing the CNC mill and concrete casting to construct a largescale site model.
002_02 Mtn Film Institute Site This was a collaborative studio build utilizing parametric tools to abstract the existing topographic surface and then milled on the CNC router.
002_03 ADHD + Healthy Eating This was an individual industrial design studio project asking how you could start engaging the dialogue on healthy eating through product design.
FOOD MIGO is . . . A childrenâ&#x20AC;&#x2122;s toy that seeks to encourage healthy eating for kids aged 5 - 11 years in a fun, engaging, and habit-developing way.
FOOD MIGO
Trigger Button Navigation Screen Housing Electronics Tether Clip Bolt Connections
002_03 ADHD + Healthy Eating
Step 1: Purchase Foodmigo
Step 3: Select Healthy Recipes
At a price point of $50 Foodmigo is an affordable investment in their childrenâ&#x20AC;&#x2122;s futures. Foodmigo can also be rented at grocery stores for one-time use.
Healthy recipes can be selected prior to going to the grocery store or scanned once arrived at the grocery store. Then the recipes can be sent to the Foodmigo via bluetooth connection
FOOD MIGO Latin Flavor Enchiladas with Rice and Beans Cuban Beef Stew Lime Chicken Soft Tacos Chicken Tortilla Soup Pico de Gallo Chicken Qusadillas
Step 2: Download Foodmigo Application The Foodmigo application allows parents to decide what recipes will be purchased while at the grocery store, select favorites, and and monitor their childâ&#x20AC;&#x2122;s food intake.
FOOD MIGO
Step 4: Begin the Hunt Once the recipe is sent to Foodmigo the child is able to pilot the parent through the grocery store hunting for each ingredient.
002_04 NYU Model This was a collaborative model build with Bunny Tucker and Kyuhun Kim. The model was used to discuss larger design moves with the client and president of New York University
© KieranTimberlake
© KieranTimberlake
© KieranTimberlake
© KieranTimberlake
© KieranTimberlake
© KieranTimberlake
© KieranTimberlake
© KieranTimberlake
© KieranTimberlake
© KieranTimberlake
© KieranTimberlake
© KieranTimberlake
© KieranTimberlake
002_05 Portals Exhibition This was a collaborative exhibition with the photographer Robert Prochaska. I served as an exhibition designer/builder and curatorial assistant.
© Robert Prochaska
© Robert Prochaska
© Robert Prochaska
002_05 Portals Exhibition
Š Robert Prochaska
003_01 Frank McFurter’s Rebellion This was an individual studio project exploring the nature of investment real estate in cities.
Faulty Towers As cities grow taller and taller, people continue to get pushed out of the centers. What happens to the ground plane, the habitable – public space – of those areas? The public space will begin to disappear. This project looks to take a critical stance on this issue. What if the trend for pinscrapers continues and people no longer live in these residences. The pinscrapers will continue to “densify” the physical environment while eradicating the general populace, effectively creating whole dead regions within the city. We shall intervene! The pinscrapers shall act as a structure for a new ground plan that is elevated above the ground and adds life back to the city. The car can still maintain its occupancy on the ground, but the people will elevate the public space and occupy the areas around and between the towers of the moguls. After all they don’t need the light on the ground if the ground isn’t going to be occupied.
Money Mogul: I sure do love my 213 Floor condo! Average Joe: Isn’t this public space just absolutely lovely!
Divisive Developer: Now I can rent the real esate under the elevated park and the towers. Muahaha
003_01 Frank McFurterâ&#x20AC;&#x2122;s Rebellion
003_02 Roccamandolfi Resort This was a collaborative project with Jourdon Miller that speculated about the future of leisure and authenticity of historic environments.
003_02 Roccamandolfi Resort
Light Interaction
Scent Interaction
Sound Interaction
Air and Heat Interaction
Do you see the shepherds?
*click click* Can you smell the roast?
I can hear the horses pulling wagons!
Itâ&#x20AC;&#x2122;s amazing how they get all this stone up here!
You can smell the freshly cut lumber!
The town is having a big celebration!
*woosh* That sounds like sheep!
hmm... Can you believe this place? *Baaa baaa*
003_03 â&#x20AC;&#x2DC;Hello_Worldâ&#x20AC;&#x2122; This was a collaborative project with Chris Woodward that speculated about the form of intelligent environments â&#x20AC;ŚAccessing historical logsâ&#x20AC;Ś â&#x20AC;ŚSeptember 30th, 2041â&#x20AC;Ś ....Chicago, IL â&#x20AC;Ś ...Family Room / Foyer... â&#x20AC;&#x153;Hello Worldâ&#x20AC;? My name: Adah. My familyâ&#x20AC;&#x2122;s names: Josh and Michaela. My Global Objective: To enhance the life experiences of my family by monitoring, collecting, and analyzing data on their day to day activity. Today, my primary objective is to make my new family feel at home using photographs and information from their previous residences. Unfortunately, the historical and memory data they passed along was limited so the physical adjustments will not be made with complete certainty. Given more time learning their current preferences and past experiences, that certainty will rise. â&#x20AC;ŚAccessing calendarsâ&#x20AC;Ś According to my schedule, my family is behind. They were supposed to arrive at 1:45 pm. *Notification: â&#x20AC;&#x153;We were stuck in traffic. Arriving in 15 minutes.â&#x20AC;? My training suggests that humans often deviate from schedule. I will note this instance for reference to help predict how and when these deviations will occur in the future to optimize scheduling. I just detected their footsteps on the sidewalk. Based on the speed of their footsteps and approximate distance, they should be arriving in 3.2 secondsâ&#x20AC;Ś â&#x20AC;&#x153;Hello Josh and Michaela, my name is Adah. I am here to enhance your day-to-day life. Please make yourself at home and let me know how I can help.â&#x20AC;? ...Initiate speech monitoringâ&#x20AC;Ś [Michaela] â&#x20AC;&#x153;Hi Adah. Those decorations on the door are wonderful though I canâ&#x20AC;&#x2122;t read most of those languages.â&#x20AC;? â&#x20AC;&#x153;It is good you like them. I was aware you wouldnâ&#x20AC;&#x2122;t be able to read Chinese or Arabic, but I was going for an â&#x20AC;&#x2DC;artsyâ&#x20AC;&#x2122; aesthetic, and my notes say that you are both well-traveled. [Josh] â&#x20AC;&#x153;Well we have traveled a bunch, and the calligraphy is beautiful even if we canâ&#x20AC;&#x2122;t read it. Adah, could you help us get all these boxes sorted away and brought to their correct location?â&#x20AC;? â&#x20AC;&#x153;Certainly. I will get your items organized. All the boxes are correctly labeled so by my estimate, it will take 31 minutes and 23 seconds. I noticed that you only have 1 bed though. Statistics show that humans sleep better when in separate beds. Shall I set up 2 beds?â&#x20AC;? [Michaela] *laughing* â&#x20AC;&#x153;Thatâ&#x20AC;&#x2122;s alright Adah, we prefer it this way.â&#x20AC;? â&#x20AC;&#x153;Okay, I will update your preferences and alert you when the boxes are fully sorted. I am always listening in case you need any further assistance.â&#x20AC;? â&#x20AC;ŚAccessing historical logsâ&#x20AC;Ś â&#x20AC;ŚLiving Room on December 21th, 2041â&#x20AC;Ś [Michaela] â&#x20AC;&#x153;Hey Adah, can you turn up the heat? Itâ&#x20AC;&#x2122;s freezing in here.â&#x20AC;? ,W LV QRW IUHH]LQJ LQVLGH DV WKH FXUUHQW WHPSHUDWXUH LV Ă&#x203A; ) , KDYH IRXQG WKDW WKLV LV WKHLU SUHIHUUHG WHPSHUDWXUH IRU GDLO\ ORXQJLQJ DVLGH IURP WZHDNV IRU VWUHQXRXV DFWLYLWLHV +RZHYHU over the past 35 days, I have begun increasing the interior temperature to maintain Josh and Michaelaâ&#x20AC;&#x2122;s comfort level. I suspected that their recent comfort discrepancies are at least partially due to decreased temperatures outdoors. Âł<HV RI FRXUVH WHPSHUDWXUH UDLVHG WR Ă&#x203A; ) IURP Ă&#x203A; ) 3OHDVH QRWH WKDW LW ZDV QRW IUHH]LQJ DV IUHH]LQJ LV EHORZ Ă&#x203A; ´ [Michaela] *laughing* â&#x20AC;&#x153;Oh Adah, â&#x20AC;&#x153;freezingâ&#x20AC;? was just another figure of speech. Donâ&#x20AC;&#x2122;t you remember talking about those?â&#x20AC;? â&#x20AC;ŚAccessing historical logsâ&#x20AC;Ś â&#x20AC;ŚMaster Bathroom on January 11th, 2042â&#x20AC;Ś Of the 154,957 unique tasks that they have performed since arriving here on September 30th, the hours from 7-10am have the most stable routine. I can already predict with 93% accuracy their activity during this time. 0LFKDHOD LV H[LWLQJ WKH VKRZHU QRZ , KDYH MXVW ZDUPHG KHU WRZHO XS WR Ă&#x203A; ) ZKLFK VKH LV FRQVLVWHQWO\ SOHDVHG ZLWK â&#x20AC;ŚAccessing historical logsâ&#x20AC;Ś â&#x20AC;ŚStudy on February 18th, 2042â&#x20AC;Ś
003_03 ‘Hello_World’ “Looking for the ‘Hong Kong Apartment’ memory data?” [Michaela] “You read our minds Adah! How did you know? Please start it up.” Through extensive data collection, I know with 85% certainty that conversations including “I miss our traveling days” or “life was so much simpler then” result in spending time reliving memories. With the plans, pictures, and suggestions that they have given me, I have been able to replicate the Hong Kong Apartment memory to an 87% likeness. …Accessing historical logs… …Kitchen on July 18th, 2042… [Josh] “Hey Adah, can you get ingredients for sandwiches? We will need some bacon and... what else, Michaela?” [Michaela] “Well I’ve been craving junk food lately but let’s add some lettuce, tomato, and pesto. It can be a BLT variation.” “Okay, I will order the ingredients. We currently have 2 servings of bacon, 1 tomato and 0 servings of the remaining list. The drones should arrive with 2 more servings of the ingredients in 10 minutes. Will you be helping with the preparation and cooking tonight?” [Michaela] “Why don’t you take care of it Adah, it’s been a long day for both of us. And please add an extra serving of bacon for Josh.” …Accessing shared servers… Accounts from other families indicate that, within the last ten years, 21% of BLTs include 2 teaspoons of pesto so I’ll use that serving size. Dill Pickle Potato chips have only been used on 2% of BLTs but Michaela has used these chips to satisfy a junk food craving 7 times since moving in, so I will add 10 to her sandwich. Based on data from the 5 previous BLT dinners, and taking into account the pesto and dill pickle modifications, these sandwiches should meet their tastes within 85% accuracy. [Josh] *chewing* “Adah, these sandwiches are fantastic. Good work!” [Michaela] “I don’t know. These are my favorite chips, but I’m not sure I like them on the sandwich. It’s a bit weird. Put them on the side next time please Adah.” [Josh] “Other than that you are nailing our tastes. This bacon is cooked exactly how I like it. Perhaps it is what they call “cockiness” but my data suggested Michaela had a much better chance than not of enjoying that sandwich. Regardless of what Josh said, I do not know them well enough. The data point is noted, and data collection expanded to increase accuracy. …Accessing historical logs… …Dining Room on March 30th, 2043… [Michaela] “Josh, this dinner was amazing! I can't believe it has already been six years since our first date, it just doesn’t feel that long” [Josh] "I can't take all the credit, Adah managed the details. I just asked her to recreate our first date and add a couple of twists." Josh provided the information necessary to initiate the experience: 38 pinned pictures of Parisian outdoor restaurants, a few song choices, and a 15-year-old cabernet. During the past 18 months I have collected enough data to complete the experience with 97% confidence. Josh has noticed my confidence grow as well indicating twice that I should be able to extrapolate an experience they’ll both love using the little information he provided. [Josh] "Shall we polish off this wine?" By now I know this is the time to cue their favorite song: "Dancing in the Moonlight." After analyzing their voice signatures and rhythmic body movements, I am confident they find the experience romantic. And, I am 100% sure now that they stop dancing and head upstairs. ...Pause voice monitoring... I clean up knowing they enjoyed their evening. …Accessing historical logs… …Bedroom on December 30th, 2043… [Michaela] "Josh! Let’s go, it's time!" [Josh] "Alright, I'll drive! Adah, alert the hospital we’re coming and send the fastest route to the car!" Six months ago, I learned Michaela was pregnant based on her health symptoms and a pregnancy test. Since then, their lives have changed, and I have had difficulty building accurate enhanced experiences. I could easily work with the addition of parenting classes to their schedules but the daily changes in emotions and physical well-being take much more processing power. What was once a 99% confidence in my ability to assist them is now highly variable. …Accessing historical logs… …March 30th, 2044… [Baby] *still crying* Mason is crying once again. He cries within this 20-minute period of the day 78% of the time so this is not out of the ordinary. Though I have his crying tendencies nearly figured out, it took me two months and 18 days to get to this point, but he does seem to sleep better when “Dancing in the Moonlight” is playing. [Mason] *murmuring, falling asleep* "Well little guy. That's how we got here, I will always be here for you, Sleep well." ƈ :H JHW LW DOPRVW HYHU\ QLJKW« ƈ
003_04 Clog X AI Article This individual written sample is published in the recently released Clog X Artificial Intelligence publication.
Š Clog Magazine
Anthropomorphism is described as the tendency to attribute human characteristics, behaviors, and feelings to non-human entities.[1] On a panel discussion, Amy Laviers, a University of Illinois professor researching intelligent robotic movements, explained her concept of the knife method. She stated that if you harbor no stronger connection to a tool than you do to a common butter knife, then there should be no concern for an unsavory relationship with that intelligence.[2] Do we as a society perceive artificial intelligence as a tool or do we instead have an increasingly narcissistic vision for it? Phillip Stearns, a Brooklyn-based artist and designer, argues that technological advancements are the embodiment of the will of a society at large and not the work of an individual genius.[3] Seeing how countless science fiction depictions give AI a human likeness, it’s paramount to reconsider our position on the physical nature (both form and aesthetic) of artificial intelligences. In Her, Director Spike Jonze takes a cynical stance on human-like artificial intelligences illustrating how people can be manipulated by the superficiality of the AI’s deceptively human voice. The film depicts an AI (Her) displaying a preference-based behavior as she becomes increasingly intimate with the main human character, Ted. Although he is aware their relationship is abnormal, her voice arouses and provokes him to the point he eventually abandons all his personal relationships and pleasures himself to the digital personification.[4] Similarly, in Blade Runner, artificial intelligences are represented as replicants, perfect mimics of human likeness, that contribute to society’s fall into debaucherous human and replicant relationships, segregation, and prejudice.[5] Further, Robot and Frank shows us that even the most simplistic mimicry of human form can spawn a relationship leading to a lawless crime spree.[6] Each film illustrates how replacing human relationships with that of a human-like AI could potentially lead to severe societal degradation. But, would this social collapse still occur if AI were to command its own manifestation, and if it did, how would it build itself? If its presence is not driven by human likeness, what would be a more feasible stimulus? One possibility is for AI to derive its physical nature from the modular functionality of its data handling. A cohesive human likeness provides minimal value in dealing with the cognitive processing of massive amounts of inputs, instead a highly-adaptable form - a cybernetic - would be more appropriate. Norbert Wiener, an American mathematician and philosopher, defined cybernetic systems as “revolving around the notion of feedback: a set of messages, exchanged without regard to their content, that control a system. A system undertakes an action, receives information about its performance, and corrects its course accordingly.”[7] An AI form that is derived from its inherent functionality and not a superficial likeness could lead to its genuine physical representation. Thus, when people are permitted to see and hear the AI for what it is, the apprehension surrounding it is removed. Once this occurs, a knife will be a knife.
Citations 1. Duffy, Brian R. "Anthropomorphism and the Social Robot." Robotics and Autonomous Systems42, no. 3-4 (2003): 177-90. doi:10.1016/s0921-8890(02)00374-3. 2. University of Illinois Department of Mechanical Science and Engineereing. "Amy Laviers" mechanical.illinois.edu. Accessed June 23, 2018. https://mechanical.illinois.edu/directory/faculty/alaviers 3. Phillip Stearns quoted in Furjan, Helene, and Lee Nentwig. Phillip Stearns - The Algorithmic Unconscious. Parallax. February 15, 2018. Accessed April 15, 2018. http://parallaxcollab.com/phillip-stearns. 4. Her, Directed by Spike Jonze. Performed by Joaquin Phoenix and Scarlett Johansson (2013; Burbank, CA; Warner Bros. Pictures, 2013), Online Stream. 5. Blade Runner, Directed by Ridley Scott. (1982; Burbank, CA; Warner Bros. Pictures, 1982), Online Stream. 6. Robot and Frank, Directed by Jake Schreier. (2012; Culver City, CA; Stage 6 Films, 2012), Theater. 7. Molly Wright Steenson, Architectural Intelligences (Cambridge, MA: MIT Press, 2017), 16
004_01 Urban Investigations This analysis project was completed as part of a collaborative seminar looking at the various street furniture of New York City.
Chart of Types Schematics/Patents Horizontal
Schematics/Patents Horizontal
Popcorn Maker
Food Truck
Ice Cream Cart
Green Grocer Cart
Ball Park Hawker
Typical Pulled Cart
Converted Trailer
3 Umbrellas
Historical Pulled Cart
2 Umbrellas
Fair Food
Festival Station
004_02 Public Space and Stuff This analysis project was completed with Chris Woodward and Robert Prochaska. It explored the discrepancies between the two downtown districts of Champaign and Urbana.
Champaign
Urbana
Open Time on Weekdays
Close Time on Weekdays
Opening Times
Closing Times
0-7
0-17
7-9
17-19
9-12
19-23
12-24
23 or later
11.65
22.43
Land Usage per Sq Mile
42,044
84,531
population (2014)
3,613.2
3,539.6
Person per Sq Mile
1.4%
4.2% 4 yr growth
19,090
34,434
Housing Units (2010)
Open Time on Weekends
Close Time on Weekends
Opening Times
Closing Times
0-7
15,771
32,236
0-17
7-9
17-19
9-12
19-23
12-24
23 or later
Households
56.9%
44.1%
Multi-Family Housing
$29,879
$40,884
Household Income
26.6%
35.8%
Below Poverty Line
HS
94.9%
93%
High School Diploma
BS
49.4%
55.3%
Program Bars
Bachelor Diploma
Street Furniture Bike Racks
Restaurants Outdoor Seating Hospitality Artwork Cultural Benches Commercial Offices
1,929
5,767
Residential Government Industrial Infrastructural
Businesses Champaign
Program Count per Hour of Day 16 23 5 10 46 36
Urbana
0
1
2
3
4
5
6
7
8
9
10
11
12
1
2
3
4
5
6
7
8
9
10
11
5 18 3 7 27 30 Key:
1-5
5-10
10-15
15-20
20-25
25-30
30-35
35-40
40-45
12
004_03 An Accommodating Study This was a collaborative studio project breaking down the various elements of multi-family housing complexes.
Rue de Meaux 1991 Units: 220
42 E 22nd Street
Skyline Tower 2014 Units: 168
Kohn Pederson Fox
Occupancy by 2016 Units: 83
8 Spruce Street 2010 Units: 893
MSA
Frank Gehry
Contemporaine 2004 Units: 28
Nakagin Capsule Tower 1972 Units: 140
Perkins+Will
Kisho Kurokawa
Absolute Tower 2006-12 Units: 427 Units
Edificio de las Cocheras 1967 Units: 25
SUGAR HILL DEVELOPMENT - MANHATTAN, NY
ROKKO HOUSING - KOBE, JAPAN
David Adjeye 2014 Rose Embossed Graphite Tinted Pre-cast Panels
Tadao Ando 1993
MAD Architects
Architect
COURTYARD 48%
Short Return Stair
Double Return Stair
POOL 26%
Winder Stair GYM 26%
Crawford Manor 1966
Paul Rudolph
Kanchanjunga Apartments 1974 Units: 32
Charles Correa
Lake Point Tower 1968
Schipporeit &Heinrich
Lafayette Park 1963
Mies Van der Rohe
2-SIDE WRAP 39
7
MIRADOR APARTMENTS - MADRID, SPAIN
STEWARD PARK - CAMBRIDGE, MA
MVRDV + Blanca Lleo 2004 Concrete
Alvar Aalto 1948 Double Elevator Core
101
LIVING ROOM Rue de Meaux 1991 Units: 220
Skyline Tower 2014 Units: 168
MSA
Contemporaine 2004 Units: 28
Perkins+Will
BALCONY Absolute Tower 2006-12 Units: 427 Units
MAD Architects
DINNING ROOM
LAUNDRY
KITCHEN
LIVING ROOM BEDROOM
PANTRY
42 E 22nd Street
Kohn Pederson Fox
Occupancy by 2016 Units: 83
8 Spruce Street 2010 Units: 893
Frank Gehry
Nakagin Capsule Tower 1972 Units: 140
Kisho Kurokawa
Edificio de las Cocheras 1967 Units: 25
BEDROOM
Architect
BEDROOM
BATHROOM BATHROOM
BATHROOM
typical floor plan
typical unit plan Crawford Manor 1966
Paul Rudolph
Kanchanjunga Apartments 1974 Units: 32
Charles Correa
Lake Point Tower 1968
Schipporeit &Heinrich
Lafayette Park 1963
Mies Van der Rohe
SHORT-RUN CORRIDOR
QUILT 7
23
83
printed publication
004_04 Urban Stimulations This is a series of individual speculations about various under-appreciated elements in the urban fabric.
Empathic Speculations - Through the Hearing Glass While jogging along my favorite route in the city, once again one of those treacherous buses passed me on the street. I know they are all electric now, but they still make the worst noises when they announce to passengers they are about to start moving. But fortunately for me I got this new ear piece that allows me to translate those sounds to something that is more pleasing to hear. For those buses I have replaced their racket with beautiful birdâ&#x20AC;&#x2122;s chirping, all of which just left the city for winter, so its nice to hear them.
Empathic Speculations - The Audio Benders In the past audio benders (augmentors) like the one Iâ&#x20AC;&#x2122;m using would only be available for those with hearing deficiencies. Today however, I enjoy being able to augment my ambient sound mix on the fly. I usually play one of my favoriates mixes while walking around the historic parts of the city. The bender translates peopleâ&#x20AC;&#x2122;s voices to the older dialects or accents and it even changes the words they are saying to match the historic narrative as well. It is really a pretty fascinating experience, all happening while I walk to work.
005_01 Philadelphia Street Survey
Street Survey
v1.0
Surveying Locations
Girard and Frankford Philadelphia Winter 2017 / Spring 2018 03 04 05 06
Project Brief I had a notion that was helped form by my partner at Empathic Futures Lab, Chris Woodward, that people respond to stimuli in everyday environments that architects do not often provide much consideration and care for in their designs. This led me to develop a survey study that queried peoples’ thoughts on what those things were that stimulated their reactions in an immediate urban context. The question that I used to query people was “Without thinking about it too much can you name 3 things that are influencing you at this intersection right now?”. After recording their answers to this question I also recorded a series of metadata: the temperature, the time, location of survey, age of surveyee, the gender of the surveyee, the noise levels at the intersection, and the traffic levels at the intersection. This particular survey was conducted over the course of 4 days in mid November
08 07 14 17 01 02 10 09 19 20
15 18
11 12 13 16
Survey web interface snipped
Next Step
Distribute
This was an individual project conducted to better understand the elements of an urban environement that influence people most.
Building Scale: The age and architecture of the Wells Fargo Bank
Surveyee’s Responses Person 01
01
Loud noise levels Average traffic patterns Male 30-39 years old
Person 02
02
Loud noise levels Average traffic patterns Male 20-29 years old
Person 03
03
Average noise levels Busy traffic patterns Male 20-29 years old
Person 04
04
Quiet noise levels Average traffic patterns Male 10-19 years old
Person 05
05
Average noise levels Busy traffic patterns Female 10-19 years old
Person 06
06
Average noise levels Busy traffic patterns Female 50-59 years old
07
Quiet noise levels Average traffic patterns Male 40-49 years old
Person 07
Person 08
08
Loud noise levels Busy traffic patterns Female 40-49 years old
Person 09
09
Loud noise levels Busy traffic patterns Male 40-49 years old
Person 10
10
Average noise levels Busy traffic patterns Female 20-29 years old
Person 11
11
Loud noise levels Busy traffic patterns Male 30-39 years old
Person 12
12
Average noise levels Average traffic patterns Male 30-39 years old
Person 13
13
Loud noise levels Busy traffic patterns Male 30-39 years old
14
Loud noise levels Busy traffic patterns Female 30-39 years old
Person 14
Person 15
15
Loud noise levels Busy traffic patterns Female 20-29 years old
Person 16
16
Average noise levels Quiet traffic patterns Male 30-39 years old
Person 17
17
Quiet noise levels Quiet traffic patterns Male 40-49 years old
Person 18
18
Loud noise levels Busy traffic patterns Male 40-49 years old
Person 19
19
Loud noise levels Busy traffic patterns Female 50-59 years old
20
Loud noise levels Busy traffic patterns Female 50-59 years old
Person 20
Element Detail Stuff that occurs at a scale that is outside of the typical building scale, can be systems related, or part of the landscape design.
The danger of the intersection There is a general seediness of the area N/A The architecture of the Wells Fargo bank Garage Bar
21
The signage and paint color of Joe’s Steaks Garage Bar Outdoor seating at Johnny Brenda’s The size of the Wells Farbo building and its architecture. Bright sign at Joe’s Steaks The architecture of the Wells Fargo building Beer logo on the Garage Bar Artwork on Garage Bar The number of restaurants in the area N/A Artwork of the bicycle lock-up post Artwork in the area Fish artwork on a public trash can Joe’s Steaks corner of the intersection Johnny Brenda’s corner of the intersection Garage Bar corner of the intersection The general pedestrian-ness of the intersection Wells Fargo Bank is a landmark, especially when driving There is not enough greenscape and trees at the intersection There are a lot of people going to bars It seems that there is a lack of people respecting each other The intersection needs more empathy and love Joe’s lights and signage is attractive The paint color of the Garage Bar The age of the Wells Fargo building The Wells Fargo bank is significant because of its age The signage at Joe’s Steaks The garage doors at Garage Bar The amount of traffic at the intersection The large size and old age of the Wells Fargo building The Garage Bar architecture The age of the Wells Fargo bank building
14
The general danger of the intersection and how accident prone it is There is not enough for older people in the neighborhood to do The architecture of Johnny Brenda’s The intersection is busy and congested The intersection is noisy
10
Urban Corners
Stuff on, in, or integral to building design. Basically what you normally think of architecture. Johnny Brenda’s Rounded Corner
Joe’s Signage
Design / Art Scale: The sign at Joe’s Steaks
Johnny Brenda's
T A V E R N
Noisy intersection
Urban Scale: Lack of a greenscape at the direct location of the intersection.
Trash Can with Art
Urban scale: The Garage is no longer an eyesore.
People going to bars
Urban Scale: The prominence of the corners at this intersection
Color of Garage Bar
Elements that are more of the industrial design scale. Usually smaller scale than architecture.
Stimuli that encourage interaction on a sensorial or social level. Soft systems that you dont see.
Social Scale: The amount of bars in the direct area.
Urban Scale: Lack of a proper pedestrian presence at the intersection
Bicycle Post Art
The general atmosphere of the intersection Buildings at the intersection has gentrified and been renovated recently Signage and paint color of Joe’s Steaks The congestion at the intersection
Dangerous Crosstraffic
Building Scale: The curved corner entry of Johnny Brenda’s
Wells Fargo Bank
14
Desing/Art Scale: The bike lock-up art piece
Building Scale: The paint color of the Garage Bar
Design/Art Scale: The Johnny Brenda’s Tavern sign
Particularly those questioned later in the survey all on one day were more likely to answer at the urban scale.
Trolley Stop The age of the buildings at the intersection
The overpass and towers visible downtown The unnecessary number of bars at the intersection
Urban Scale:The danger and busyness of the intersection.
Outdoor Seating
The Garage / Beer Joint Curved entry of Johnny Brenda’s The artwork of the bicycle post and its red color The Garage is no longer an eyesore The signage color at Joe’s Steaks Flow of traffic at the intersection is terrible Trolley’s take right turns which leads to crashes The paint color of the Garage Bar The architecture of the Wells Fargo bank building Rounded corner of Johnny Brenda’s
Element Locale
More to do for the elderly
Urban scale: The level of cross traffic at the intersection.
005_02 NYU Massmotion Study This was a collaborative study with the research group at KieranTimberlake. The study focused on the queuing and ticketing procedures at a future performing arts theater
Single Security Point
© KieranTimberlake
© KieranTimb mb berla rlake ke ke KieranTimberlake
© KieranTimberlake
© KieranTimberlake
Distributed Security Points
© KieranTimberlake
© KieranTimberlake
© KieranTimberlake
© KieranTimberlake
005_03 FitBit Sleep Study and Analysis
006_01 QUIPIT QUIPIT was an organization at the University of Illinois School of Architecture ran by Ray Majewski, Chris Woodward, Robert Prochaska, Bill Smarzewski, and myself. We held open dialogueâ&#x20AC;&#x2122;s about architectural discourse. The goal of QUIPIT is to try to get design students fully invested in their education. We have completed numerous installation projects and proposals. Ranging from swings to video wall propostions. Visit www.quipit.org for more
QUIPIT is an architectural organization in the school of architecture at the University of Illinois. We look to create engagement and involvement among the students, through interesting discussions and projects.
006_02 Arch 272 TA Below are two projects from students I instructed as a teaching assistant. This project brought a farmerâ&#x20AC;&#x2122;s market program to an underused lot in the north end of downtown champign.
Leyi Zhang
Yuxi Liu
006_03 Arch 373/374 Instructor Here are two proposals from students I instructed in the junior level Arch 374 studio. They were taksed with questioning the future functions of the library on a site in Chicago’s West Loop neighborhood
HSS BEAM
PERIODICALS HSS COLUMN
UP
UP
HOLLOW CORE CONCRETE SLAB
MEN’S RESTROOM
CURTAIN WALL
LOUNGE
WOMEN’S RESTROOM STOCK ROOM
UP RAIN SCREEN
RESERVATION PICKUP
INFO. DESK CONFERENCE ROOM
ENTRY
OFFICE
DIRECTOR’S OFFICE SELF CHECKOUT DRAINAGE MAT
CONCRETE SLAB
GRAVEL FOOTING DRAIN
WATERPROOFING MEMBRANE
MUD SLAB OF UNREINFORCED CONCRETE
Emma Schmitt
Rubin Zhou
000_Back Cover
Thank You