CHRISTINA
ST.JOHN SELECTED WORKS
CORNELL UNIVERSITY B.ARCH 2010
C H R I S T I N A J O Y C E S T. J O H N
EDUCATION
EXPERIENCE
Cornell University College of Architecture, Art, and Planning, Ithaca, NY Bachelor of Architecture, May 2010 Cumulative GPA: 3.75
Handel Architects LLP, San Francisco, California Architectural Intern
Cornell AAP in Rome, Rome, Italy Coursework focused on architectural history and design
Fall 2008
Latin America II, Argentina, Brazil, Chile, Ecuador, Peru Extensive travel and study of South American Architecture
Summer 2008
Cornell In Greece, Crete, Greece Observation of Greek culture and language through emersion
Summer 2006
HONORS / AWARDS
Summer 2009
Designed and modeled a structural scheme for Rosewood Abu Dhabi outdoor bars • Produced marketing floor-plans for web-based advertising • Contributed to residential development landscape design, completing construction specifications and communicating directly with the contractor • Constructed digital models (Rhino, SketchUp) for various projects CU Green Architectural Designer/ Executive Team Member CU Green (interdisciplinary sustainability team)
Spring 2008
Developed a passive cooling housing model for the Palamanui development plan (Hunt Development and Charles Schwab), reducing project energy consumption up to 30% • Designed and presented a comprehensive presentation for developers, architects and environmental lobbyists involved in the project
Cornell Tradition Fellow (scholarship awarded for merit, community service, and work)• Deans List (all semesters)• Edward Palmer York Memorial Prize 2006 (design competition)
LSC Design, York, Pennsylvania Architectural Intern
SKILLS
3D Printing and Plotting TA 2009-Present Send student files and assist with Z Corporation 3D prints • Assist students with PDF file preparation and printing to plotters
3-D Programs Rhino, Grasshopper, Rhino Paneling Tools, V-Ray, SketchUp 2-D Programs AutoCad, Adobe (Photoshop, Illustrator, InDesign, Acrobat Professional), Microsoft Office Machinery 3-D printing, CNC milling, Wood shop, Laser cutting Other Design Graphic design (logo design for Tuff Designs and CU Green), Freehand sketching, pen and ink, digital photography
Summer/ Winter 2007
Improved schematic design of a local church project and contributed to the oversight of changes in construction documents • Constructed physical and digital models • Carried out and assisted in CAD drafting
Entrepreneur 2004-Present Pen and ink home portrait business Leveraged personal relationships to create a consistent clientele for commissioned pen and ink home portraits • Expedited marketing strategies • Delivered professional packages
ACTIVITIES AAP Dean’s Student Council Fall 2009 Student representative to the Dean • nominated by the Department of Architecture B.Arch Student Representative Fall 2009 Student representative to the Architecture Chair • elected by the student body Director of Publicity and Advertising Alpha Phi Fraternity 2006-present
2007
SELECTED WORKS
TA B L E O F C O N T E N T S 01_
C O M B I N AT O R I A L F O R M advisors: Thom Mayne, Val Warke, Andrew Batay-Csorba FALL 2009
05_
09_
P R O G R A M PA R K
advisor: Andrea Simitch FALL 2008 - Rome, Italy
P R O M I S C U O U S PAT T E R N S : C r y s t a l C a n o p y advisor: Paul Anderson - collaboration: Courtney Song (‘10) FALL 2007
13_
V I B R O -W I N D F U N N E L S advisor: Dana Cupkova - collaboration: Jamie Pelletier ('10), Sebastian Hernandez ('12), Ian Janicki ('12) FALL 2009
17_
AGGREGATION advisors: Michael Chen, Kari Andersen
21_
THE VARIENT advisor: Martha Bohm - collaboration: Timothy Liddell (‘10)
25_
STRUCTURE MODELING advisor: Mark Cruvellier
27_
BRIDGE DESIGN advisor: Jurg Conzett
01
COMBINATORIAL FORM: The production of organizational systems, capable of maximizing differentiation, commensurate with the complexity of 21st century programmatic demands and situational contingencies. SITE: 3:10 boundary condition PROGRAM: undefined PROBLEM: based on the Morphosis ASE Design Center project, combinatorial technique is employed to create re eate an architectural space within the given boundary. COMBINATORIAL COMPONENTS (original components of ASE Design Center): line as boundary, line as void, o oid, line as line, solid as object STRATEGY: The four components are strategically manipulated and combined based on intuition to create archia tectural form. Through various stages of trial in technique, the original four components begin to take on newly ew wly defined characteristics within the greater combinatorial form.
void
boundary
line
object
03
05
PROGRAM: master plan>> residential housing, commercial retail, business offices SITE: Pigneto region of Rome, Via del Pigneto To accommodate the needs of the area, a master plan development was created as a continuous park. Varying park proro roo ourrurgrams were applied to the site, the buildings lifting from the ground and retaining the applied park activity on a sloped surwit w ithin ith hiin h n face. Residential program was developed in a vertical manner of shifting surfaces, providing a more private existence within the park while addressing the plane of the elevated highway and surrounding buildings. The master plan provides a continuntttinu nti inu uu ous landscape within a dense city. Initial site analysis focused on the shift of the city grid. Volume of built program was introduced to address the shift, providing vid g visual access from surrounding buildings into the park.
site analysis: site inserted within a shift of the city grid through observation of the shift if plan, views from adjacent buildings were documented. volume was lifted from the ground, considering the views of adjacent buildings. required program was inserted underneath, and park conditions were applied above. surrounding buildings retained views directly into the green space
garden
skate
picnic
playground pool
theater
01 7
residential program
commercial and business program
application of park program
ground-level commercial retail
garden
skate
picnic
playground pool
theater
09
PROGRAM: suburban housing unit SITE: undefined INITIAL PROJECT OBJECTIVE OBJECTIVE:: Create a suburban housing unit following new urbanist design ideals beginning with the development of s sophisticated wall paneling system. NEW URBANIST CHARTER: CHARTER: principle 7. “Cities and towns should bring into proximity a broad spectrum of public and private uses to support a regional economy that benefits people of all incomes. Affordable housing should be distributed through the region to match job opportunities an avoid concentrations of poverty.” OBJECTIVE: to disrupt established perceptions of wealth STRATEGIES: suppress the facade; introduce unusual relationships concerning lot size, lot ownership, housing type, house size
SOLUTION underground community creating an opulent landSOLUTION: scape of highly articulated canopies providing diverse interior environments of lighting and programmatic distribution.
INITIAL PANELING SYSTEM STUDIES: ridge rate determines potential opportunity for natural light (through implemented porosity) and water filtration
Flat to ridge rate: --->30%
Flat to ridge rate: --->50%
Flat to ridge rate: --->90%
Potential of panel for gradual light and shadow variation through very slow rate of change from dark to light, as well as from flat to ridge
Potential of panel for water filtration system through pathways carved through the more pronounced ridging towards the top of the panel
Distributions of porous regions allow for consistent pattern on natural light sources
ROOF PANELING SYSTEM:
11 SOLUTION underground community creating an opulent landscape of SOLUTION: highly articulated canopies providing diverse interior environments of lighting and programmatic distribution. RESULT: interior square footage, lotsize and housing type become ambiguous from the exterior of the subterraean neighborhood STRATEGIES:: suppress the facade; introduce unusual relationships conSTRATEGIES cerning lot size, lot ownership, housing type, house size
TYPICAL HOUSING TEPLATE vs. applied ATYPICAL HOUSING TEMPLATE typical suburban housing template .16 5+<'
.16 190'45*+2
*175' 6;2' 5+<'
.#4)'
+0&+8+&7#.
5+0).'Ä(#/+.; .#4)'
5/#..
5*#4'&
5+0).'Ä(#/+.; 5/#..
010Ä':+56'06
010Ä':+56'06
/7.6+Ä(#/+.; 70+65
RESIDENTIAL PROGRAM APPLICATION: based on VISUALL ACCESS high porosity ---------------------------------------------------------------------------------low porosity
Outdoor space – living room – kitchen – formal dining – formal living – office – bedroom – bathroom – storage
(applied) atypical housing template: introduces unusual relationships to discourage typical perceptions of wealth
.16 5+<'
.16 190'45*+2
*175' 6;2' 5+<'
.#4)'
+0&+8+&7#.
5+0).'Ä(#/+.; .#4)'
5/#..
5*#4'&
5+0).'Ä(#/+.; 5/#..
010Ä':+56'06
010Ä':+56'06
/7.6+Ä(#/+.; 70+65
13
PROJECT FOCUS: understanding the recent development of vibro-wind technology, create a facade skin or free-standing structure capable harvesting the kinetic energy resulting from wind acceleration. VIBRO-WIND TECHNOLOGY: TECHNOLOGY: considering vibration resulting from wind colliding with blunt objects, vibro-wind technology employs piezoelectric material to collect and convert kinetic energy resulting in oscillation to usable energy. SOLUTION: taking advantage of the structural properties of the voronoi system, an aggregation of funnels was produced to accelerate wind speed. The design calls for oscillators to be placed within the funnels at points of optimal wind conditions. SYSTEM PROPERTIES: PROPERTIES: the structure can take on various properties based on scale and application. Interstitial spaces are capable of taking on heating and cooling properties while providing required storage for piezoelectric hardware. The structure may become inhabitable at large scales, and provide shading at smaller scales.
Wind patterns were modeled in Virtual Wind, showing evidence of optimal acceleration within the funnels.
wi
nd
Virtual Wind simulation
initial sketches
A 1:1 model was constructed representing a selection of a complete aggregation. Built from a thin gauge stainless steel, the voronoi system provided rigorous structural integrity. Construction strategies provided efficient construction and limited hardware. 1
2
4
3
5
6
8
7
9
10 10.1
4.1
7.1
8.1 6.1 3.1
2.1
1.1
9.1
1
5.1
10.2
1.2
8.2
5.2
3.2 7.2
2.2
6.2
9.2
2
4.2
4.3
1.3
2.3
7.3 8.3
3.3 10.3
5.3
3
9.3
6.3
6.4 3.4
8.4
5.4
1.4
9.4
7.4 10.4
2.4
4.4
4 1.5
10.5
7.5
4.5
3.5 9.5 6.5
2.5
5
6.6
6
oscillating pattern as a result of the collision of wind and blunt object
15
cross section (oscillator placement)
17
PROJECT APPROACH: Through the study of digital blends, paper models were created using an aggregate unit design. The models were created to study volume, surface, and structure. Material was limited to white bristol and an staples. The final model study was successful in creating a rigid form with unique surface character and substantial volume. PROJECT DEVELOPMENT: After specific site studies, the study model was manipulated and placed on site to accommodate circulation and program. SITE: Cornell University, east ave. PROGRAM: Student Center (study space, dining,gallery, performance space)
19
expansion: formal theater
transtional space: informal>> display (gallary) to attract pedestrian traffic
overlap>> informal / versitile cafe / study
21
PROJECT DESCRIPTION: luminaire design APPROACH: considering a specific site in Collegetown (Ithaca), a luminaire is created to accommodate appropriate lighting for the space. A full-scale model was crafted to test lighting conditions. DESIGN DESCRIPTION: DESCRIPTION: the luminaire allows for varied lighting conditions as a result of adjustable strips which can be opened and closed to permit different degrees of light into a space. The strips behave functionally as well as aesthetically as the variation results in the possibility of numerous physical patterns
0
o
0
side projection:
90
o
side projection (degree) closed1 (lux) open1 0 7.7 9.5 15 10.4 20.3 35 10.5 21.2 55 13.7 17.6 75 16.3 17 90 17.4 18.5 105 16.3 17 125 13.7 17.6 145 10.5 21.2 165 10.4 20.3 180 7.7 9.5
wall mounted:
90
o
180
o
270
o
180
o
(lux) varied1 9.5 17.4 24.7 33.3 37.8 29.7 37.8 33.3 24.9 17.4 9.5
(lux)
wall mounted (degree) closed1 (lux) open1 (lux) varied1 (lux) 0 21.6 23.2 22.7 15 10.3 11.5 13 35 7.7 9.6 8.8 55 4.2 4.3 5 75 2.1 2.2 3.1 90 2.4 2.6 3.2 105 2.1 2.2 3.1 125 4.2 4.3 5 145 7.7 9.6 8.8 165 10.3 11.5 13 180 21.6 23.2 22.7 195 10.3 34.2 36.3 215 7.7 29.2 28.3 235 4.2 12.1 10.5 255 2.1 1.3 1.4 270 2.4 1.3 1.5 295 2.1 1.3 1.4 315 4.2 12.1 10.5 335 7.7 29.2 28.3 355 10.3 34.2 26.3
position of panels
23
materials: steel, bamboo, plexi glass
elevation of structure without metal strips
top, front, and side elevation of metal strips varied
25
PROJECT: 3/16 scaled structural model of the Church of the Sacred Heart in Munich, Germany. Model includes rigid frame structure, facade doors, interior wall system base MATERIALS: brass, wood DESCRIPTION:: The main structure of the building is a rigid frame construction comDESCRIPTION prised of rectangular portal frames. These frames include rigid joints (employed by the connection strategy of welding) and fixed ends. The integrity of a fixed frame transfers loads mainly by flexure. Interior loads acting against external loads include moment, shear, and axial forces. While the Church of the Sacred Heart stands over 15 meters tall, its structure is treated as a single-story rigid frame. Multiple bays occur laterally on the side elevations, but do not occur longitudinally.
27
PROBLEM: bridge design to replace the existing suspension bridge above the Cascadilla Creek Gorge on Cornell’s Campus ( > 60ft. grade change) SOLUTION: a curved, sloping bridge This sleek design was successful in its simplicity. Structurally, the curve allows the bridge to be fixed on both ends, improving rigidity. Minimal structure is required underneath, providing an elegant and unobtrusive design within the surrounding peaceful environment.