Interior Architecture Portfolio - Christine Maysaud

INTERIOR ARCHITECTURE PORTFOLIO

Christine Maysaud

ABOUT ME

Fourth year Interior Architecture student minoring in Psychological and Brain Sciences at George Washington University born and raised in Northern Virginia. Super hardworking, good with organization, and has experience in different types of digital media. Aspire to make a change in design by creating unique experiences using natural forms, colors, and materials.

CHRISTINE MAYSAUD

571-732-9933 christinemaysaud@gmail.com LinkedIn

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EXPERIENCING BOSTON’S AIR CURRENTS: STEELCASE NEXT ROBOTICS OFFICE

Studio 4

The NEXT: Robotics office is located in Boston, known for its proximity to seaports and its variable weather patterns. Boston has variable weather patterns due to its location on the Gulf of Maine, where cold air currents from Canada and hot air currents from the Gulf of Mexico interline. The key problem in creative office space design is the lack of visual experiences for the user, which is essential for better productivity in the workplace. By emphasizing the movement of air currents using organic shapes and natural materials, users are able to work more productively while appreciating the nature of Boston.

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Reception Rendering

1 Reception 2 Large Meeting Room 3 Private Offices 4 Project Rooms 5 Workstations 6 Home Office Lab 7 Wellness Room 8 Resource Center 9 Phone Rooms 10 Work cafe 11 Team Spaces 12 Inclusive Design Lab 13 Retail Mockup 14 Product Storage 15 Mothers Room 16 Viewing Space Main center of energy where hot and cold currents combine, Gulf of Maine Custom Viewing Space SECTION Finishes AXON 4 PLAN PROCESS Collab areas Private areas Most circulation

Workstations Rendering

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Custom Viewing Space Rendering

Home Office Lab Rendering

Work Cafe Rendering

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FLORENTINE LOVE: HOSTEL PROJECT

Studio 4

The Florentine Love Hostel is located on Piazza della Signoria, one of the best sites in Florence for its breathtaking views and architecture that take you back to the Renaissance. Guest rooms are catered to couples to appreciate the history of Florence while having a getaway experience. Each room includes a gorgeous balcony view that looks over the city. The hostel will include art and architectural elements from the Renaissance. There are curated spaces in the hostel for intimate experiences. To appreciate the romanticizing aspect of Florence, there is a gallery that talks about Florence and the inspiration of creating the hostel. Natural finishes, red and purple colors are used throughout the space.

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Bar Rendering

Custom Dining Booth Custom Bunk Bed Finishes B O H K t c h e nLevel 1 B O H Level 2 B O H L a un d r y Level 4 B O H Mezzanine Level B O H yrdnuaL Level 3 SECTIONS PLANS 8

Custom Pods Rendering

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ELEVATION

Lobby/Dining Rendering

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Retail Space Rendering

NEW ORLEANS CASUAL FIVE-COURSE MEAL PROJECT

Studio 4

The Five-Course Meal Project was a collaborative project. Including a group of five people, each person had to choose a meal based on the theme and type of course i.e. appetizer, entree, or dessert chosen from the group. Choosing to create Mac & Cheese as an appetizer dish, orthographic drawings were created to represent the process of creating the meal graphically. Once all final dishes were created, all group members took part in creating the final table setting.

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Elbow noodles Milk Milk pepper Paprika cups tbsp Salt 8 Elbownoodles High Low 8:00 Milk High Med 1tbsp 1tbsp 1tbsp 1/2 High Med O 1/2 Sharp cheddar Parmesan Salt 05:00 Sharp cheddar Parmesan Water High O 05:00 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 250 F 30:00 Low Paprika 350 F 30:00 17 18 19 20 21 22 23 24 25 26 27 12

Graphic Commuications

The Field-Grid was first inspired from creating grid patterns using guides on InDesign. It then transitioned to using text to create shapes and lines that further developed as a background for the Toss-Up. The Final Toss-Up “Two Worlds” was created by using the shapes overlayed by newspaper text from Moholy-Nagy’s art piece, Konstruktion Z VII. The Final Toss-Up was then further developed on Illustrator and Photoshop using two colors.

13 [Christine Maysaud], IA 2125 P01c-gridA2 O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O CCCCCCCCCCCCCCCCC CCCCCCCCCCCCCCCCC CCCCCCCCCCCCCCCCC CCCCCCCCCCCCCCCCC CCCCCCCCCCCCCCCCC CCCCCCCCCCCCCCCCC CCCCCCCCCCCCCCCCC CCCCCCCCCCCCCCCCC CCCCCCCCCCCCCCCCC CCCCCCCCCCCCCCCCC CCCCCCCCCCCCCCCCC CCCCCCCCCCCCCCCCC CCCCCCCCCCCCCCCCC CCCCCCCCCCCCCCCCC CCCCCCCCCCCCCCCCC CCCCCCCCCCCCCCCCC CCCCCCCCCCCCCCCCC CCCCCCCCCCCCCCCCC CCCCCCCCCCCCCCCCC CCCCCCCCCCCCCCCCC M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M CCCCCCCC CCCCCCCC CCCCCCCC CCCCCCCC CCCCCCCC CCCCCCCC CCCCCCCC CCCCCCCC DDDDDDDDDDDDDDDDDDDDDDDDDDDDD CCCCCCCCCC CCCCCCCCCC CCCCCCCCCC CCCCCCCCCC CCCCCCCCCC CCCCCCCCCC CCCCCCCCCC CCCCCCCCCC CCCCCCCCCC CCCCCCCCCC IIII III IIII IIIIIIII IIII III II CCCCCCCCC CCCCCCCCC CCCCCCCCC CCCCCCCCC CCCCCCCCC CCCCCCCCC CCCCCCCCC CCCCCCCCC CCCCCCCCC CCCCCCCCC A A A A A A A A A A A A A A A A A A A A A A A A A A lllll lllll lllll lllll lllll lllll lllll lllll lllll llllll llllll llllll llllll llllll llllll llllll llllll llllll Christine Maysaud, IA 2125 P03a

Text

TOSS-UP

Figure-Ground

RECONSTRUCTION FIELD/GRID AND

Hybrid Texture Toss-Up “Two Worlds”

O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M M D CCCCCCCCCC CCCCCCCCCC CCCCCCCCCC CCCCCCCCCC CCCCCCCCCC CCCCCCCCCC CCCCCCCCCC CCCCCCCCCC CCCCCCCCCC CCCCCCCCCC I CCCCCCCCC CCCCCCCCC CCCCCCCCC CCCCCCCCC CCCCCCCCC CCCCCCCCC CCCCCCCCC CCCCCCCCC CCCCCCCCC CCCCCCCCC A A A A A A A A A A A A A A A A A A A A A A A A A A lllll lllll lllll lllll lllll lllll lllll lllll lllll llll llll llll llll llll llll llll

14 Konstruktion Z VII Moholy-Nagy

TEMPLE OF PORTUNUS ANALYTIQUE Sketching

The purpose of choosing the front elevation, detailed two-point perspective right-side view, the floor plan, and zoomed-in view of an attached column in plan of the Temple of Portunus was to illustrate the importance of the columns and the ionic features the structure possesses. There are Greek and Etruscan features that make the structure stand out but emphasizes the transformation of architecture over time.

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HARBIN GRAND THEATRE ANALYTIQUE Sketching

Yansong hoped that when creating this architectural building, there is appreciation and celebration of culture from Harbin, China by playing with public and private, creating multifunctional areas, and connecting to nature in a way that illustrates movement and fluidity from exterior to interior. I created my composition to focus on the fluid components of the building.