16 -21 selected portfolio
Ying-Hua Wang 2016 2 0 2 1
Person al Po r t f o li o
T K U Arc hi t ec t rur e
作品 集
王映華
Name Phone Email LineID
0 9 75070895
c h ri sti n e wan g584@gmai l.com c h ri sti n e s h ad y
Related Experience 2021
淡江建築
畢刊組
2020
淡江大學USR
街角博物館-社區營造
2020
林務局東眼山
森林木十人【懸森】-組長
2019
淡江大學USR
清水街87號-社區營造
2019
左營眷村創生計畫
協助競圖獲第一名
2018
Christian Dior
活動攝影師
2016
淡水海關碼頭
竹構造實作【漁僂】
Skills Rhino · Autocad · Lumion · Illustrator · Photoshop · Lightroom · Indesign · Imovie · word · Excel · Powerpoint·Clip Studio·Sketch Up 2009-2015
2012-2015
2015-2021
高雄市道明中學
高雄市鳳新高中
淡江大學建築系
0 1 \ L i m b o S p a c e Ta i p e i
0 7 \ L e t ’ s Sw i n g I n T h e Fo re s t
15\CO-Art Village
21\Sharing Tree House
2 7 \ R e a d y P L AY E R O N E ?
35\Museum RE-generation
41\Qingshuiyan brochure
L i m b o S p a c e Ta i p e i
賭信 會 所
T U TO R : 鄭 晃 二 EA5-Humanity Social Fiction(Graduate Design)
#人性史詩 / Humanity Social Fiction #異質交集 / Intersections #建國玉市 / Jianguo Jade Market
2021 por tfolio by Ying-Hua Wang-01
L i m b o S p a c e Ta i p e i
LUXURY PLACE (the surroundings)
HETEROGENEOUS PROGRAMS (right under the viaduct)
賭博與信仰，兩者在認知中是矛盾且相牴觸的概念，台北卻有個地方上演著賭與信一體兩面的故事 。堅信能依靠博弈、淘寶般的玉石買賣翻身的下流老人；週週參與團契絕不缺席，並盡其所能大量奉 獻，實則卻希望藉由團契帶來頭等艙效應的上流社會，究竟誰是賭徒，誰是信徒? 賭博與信仰、上流與下流的矛盾，在大安區被極大化；同時也出現了交集，人人都彷彿同時擁有賭 徒與信徒的身分。 我在大安區的建國玉市找到此矛盾與交集的縮影:該玉市位於仁愛帝寶旁，假日卻是常民進行真假參半 的玉石交易的場所，在建國橋下的玉市彷彿一條侵入上流領域的異質系統。我利用該場所特性結合論 述的賭與信，發展出設計文本，並藉由文本進行空間敘事。
2021 por tfolio by Ying-Hua Wang-02
Relationship between GAMBLING AND FAITH
THE ORGANIZATION
-HIGH-SOCIETY PEOPLE
of the ARTICULATION
INCREASE THE AMOUNT OF INVESTMENT
頭等艙效應
BANK\ STOCK EXCHANGE\ ESTATE AGENT
RELIGOUS SPACE
START POINT
START POINT
Wants to have spiritual satisfacation trough fellowship
Wants to have materialism satisfacation by gambling
EARN MORE MONEY DONATE BRINGS TO DONATE HIGHER SCIAL STATUS
賭信會所
-UNDERPRIVILEGED PEOPLE END POINT LOTTERY SHOP\ GAMBLING HOUSE
GO GAMBLING!
RELIGOUS SPACE
END POINT
The opportunity to earn much money is tiny, but can still have spiritual satisfaction through the process
After the gambling catalyzed by the field , only satisfied MATERIALISM desire in the end
PRAY FOR LUCK
MATERIALISM SATISFACATION
SPIRITUAL SATISFACTION
ISSUES STONE GAMBLING SPACE
STARTING SPACE
GROUP PRAYER SPACE
1’
1
2’
ROUGH STONE INSPECTION
2
3
ROUGH STONE AUCTION
3’
ENTRANCE
TRANSITION SPACE
PRAYER SPACE 7 EXIT 4
STONE CUTTING 5’
GROUP PRAYER SPACE PROCESSING STUDIO
5
6’
THE PATH BACK TO REALITY 7’
EXIT
6
JADE BAZZAR
PORTOTYPE1
S TA R T I N G S PA C E
PORTOTYPE4
PORTOTYPE2
ROUGH STONE AUCTION
PORTOTYPE5
PORTOTYPE6
STONE CUTTING
PROCESSING STUDIO
PORTOTYPE7
PORTOTYPE1’
EXIT
PORTOTYPE3’
P E R S O N A L P R AY E R S PA C E
PORTOTYPE3
ROUGH STONE TESTING
ENTRANCE
PORTOTYPE4’
G R O U P P R AY E R S PA C E
2021 por tfolio by Ying-Hua Wang-04
JADE BAZZAR
PORTOTYPE2’
T R A N S I T I O N S PA C E
PORTOTYPE4’
T H E PAT H B A C K T O R E A L I T Y
The machenism of it is based on kind of misunderstood of the 2 contradictory spaces,People came for fellowship will see a towring vollume with light,and Will go through a water curtain symbolizing “the baptism”while guilding by the devine light.From the other side,the towring volume was actually a rough stone testing place to people who came for stone gambling,they will be watching the stone testing proces behind a one way glass wall.
The machenism of it is based on kind of misunderstood of the 2 contradictory spaces,The red part is for rough stone auction,but from the other side(the yellow part),who came for fellowship will guide by the light from the auction,although he will misunderstand it as a divine light.
2021 por tfolio by Ying-Hua Wang-05
The lower part is the stone cuttin group prayer area ,but if people er area,they can see what happen acted to gambling,he can decide area,if his not,he can choose to l
ng area,and the upper part is the stands in the center of the prayns down there,if a person is attrwhether to enter the gambling leave.
The lower part is the stone cutting area,and the upper part is the group prayer area ,but if people stands in the center of the prayer area,they can see what happens down there,if a person is attracted to gambling,he can decide whether to enter the gambling area,if his not,he can choose to leave.
This is the way not entering the gambling erea,but for the true believers to back to the reality,it will pass through a higher place of the whole construction,and let the believers realized what happened previously,and than they will get to the entrance area.
2021 por tfolio by Ying-Hua Wang-06
ENT RAN CE
WATE RCUR
TAIN
T he operato r of the j ad e marke t in te n ds to e xpan d th e or i g i n a l ja d e re t a i l bu s i n e s s to JA D E G A M B L I NG i n ord er to o b tain m o re p rofits. In o rde r to attract m ore we a l t h y a n d u pti g h t pote n ti a l c u s tom e r s , th e o per a tor dec ided to inte grate a fe l l o w sh i p space i n to th e bu i l d i n g . T h os e wh o c a m e f or t h e f e l l ows h i p c an freely decidew heth e r to e n te r th e gamb lin g fie l d or n ot. I f th e y c h oos e to l e a ve , a l l th e y e x pe r i e n c e will be an o rdinar y f ell o wsh ip space .
dn
so th e ar tic ulatio n is to cre ate an in te r se ctio n of f a i t h a n d g a m bl i n g , g a m bl e r s a n d be l i e ve r s . I d efin e 12 t yp es of space fro m th e p ro ce ss of j ad e g a m bl i n g a n d f e l l ows h i p, a n d g a ve th e e a c h space a def inat io n wit h scal e , l i gh t an d p e rce p tio n . th a n I m a d e th e m i n to 1 2 prototype s , a n d be c a u s e th e pu r p o s e is to c reate i n te r se c tio n s, so I u se th es e 1 2 por t a l type s to d e ve l ope 5 i n te r s e c ti on s , w i c h will be a intergratio n wi th o n e gamb l i n g space an d on e f e l l ows h i p s pa c e .
th an I m ad e them into 1 2 prototypes (the c onc ept .p2 ), and be cau se the pur pos e is to create inter sec t ions, s o I u se th e se 1 2 por taltypes to develop e 5 in te r se ctions (inter s ectionds -index), wich wil l be a intergr ation w ith on e g am bl i n g s pace and one fellow s hip spa c e.
2021 por tfolio by Ying-Hua Wang-10
Let’s Swing In The Forest
森 林 木 十 人 \ 懸 森
T U TO R : 郭 恩 愷 EA4-DESIGN+BUILD STUDIO
2020 por tfolio by Ying-Hua Wang-11
Let’s Swing In The Forest
Enjoy the scenery
Adventure
[WITH TREES]
without
>p r o vid e d if f er ent ver t ical visio n >save t he t r ees >p r o vid e a chanc e t o int er ac t wit h t r ees
> single vision > the structure can not assimilate into the envirome nts
2020 por tfolio by Ying-Hua Wang-12
Let’s Swing In The Forest
[MOULD STUDY-THE ARCH]
|po r totyp e 1 |
|por totype 2 |
|ent i re b end ing |
|single side be nding|
|met atyp e 1 |
|me ta type 2 |
f ol iloi obby yY Yi ni ngg- H - Hu ua aWW - 19 3 2 20 02 20 0ppo or tr ft o a an ngg- 3
Let’s Swing In The Forest
[STEAM BENDING] | met at y p e 2|
| w i t h t re e |
| p u l l t he la ye r s a pa r t |
2020 por tfolio by Ying-Hua Wang-14
Let’s Swing In The Forest
2CM
1.6CM
4CM
THE PROCESS
THE UNIT
2分小螺栓
沖孔鋁片
2mm洗槽
2020 por tfolio by Ying-Hua Wang-15
Let’s Swing In The Forest
2020 por tfolio by Ying-Hua Wang-16
2021 por tfolio by Ying-Hua Wang-17
CO-Art Village
Kaoshiung dependent village renovation
T U TO R : 劉 欣 蓉 EA4-URBAN design project
2020 por tfolio by Ying-Hua Wang-19
CO-Art Village
M IN-DE
dependent village is located to Zouying,Kaoshiung.Due to the urban renewal program of the goverment,most of the origin residentshad move out,the area one hadrich collectional memories now become e m p t y.
D o n' t
want to see those warmmemories become lost, I decideto make a plan that allow the origin residents to move back tothe site;and also provide artistsaround the world a chance to settle in.
To
reach the status that the two groups can acompany ea c h o t h e r, a n d c r e a t i v e a r t t o gether，the elders can provide historical memories as a kind of resourse while the artists can teach the elders how to produce their own work.
2020 por tfolio by Ying-Hua Wang-20
22
inner spaces
24
Sharing Tree House
c o ha b i t a t i o n a c ro s s g en er a tio n s
T U TO R : 顏 亮 平 EA3-sharing house design
2020 por tfolio by Ying-Hua Wang-25
Sharing Tree House
young couples with child, who need the goverment to porvide social housing.
Single or old couples. some will hire forigne nursing workers.
Requirements
Requirements sharing resource
affordable rent\expense sharing resource
space for interest event
relaxing space
raxing\faith space
parent\child interact space
acompany\care
child care
social\interest course
social\interest course
barrier free space
2020 por tfolio by Ying-Hua Wang-26
lder
le e
sing
ple
cou
old
uple
g co
n you
ild
1 ch
uple
g co
n you
ilds
2 ch
2020 por tfolio by Ying-Hua Wang-28
GROUND FLOOR
B A
C
C
B A
SECOND FLOOR
-29-
THIRD FLOOR
FORTH FLOOR
-30-
Ready PLAYER ONE?
Re a l i t y? \ V i r tua l ?\A g a m e co m pa n y
T U T O R : J e s s y Ye h EA4-Office building design project
2020 por tfolio by Ying-Hua Wang-31
Ready PLAYER ONE?
Is it rea l o r vir tu a l? Are yo u a p la ye r o r a crea to r ? T h is d es ig n is g o in g to b rea k th e b o u n da r y of th es e th in gs . I g o in ’to m a ke th e p la yer s wo r k f o r th e g a m e co m pa n y with o u t a wa re with th e h o lo g r a p h y p ro jec tio n g a m es .
2020 por tfolio by Ying-Hua Wang-32
Ready PLAYER ONE? b’
lobby(staff )
c
c’
lobby player
a
a’ gift shop
GROUND FLOOR b 1f plan
2020 por tfolio by Ying-Hua Wang-33
Ready PLAYER ONE?
H o lo g r a p h y p ro jectio n a rea
2020 por tfolio by Ying-Hua Wang-34
Ready PLAYER ONE?
2020 por tfolio by Ying-Hua Wang-35
Ready PLAYER ONE?
2020 por tfolio by Ying-Hua Wang-36
2021 por tfolio by Ying-Hua Wang-38
Museum RE-generation
M us e um - H e a r t of th e to wn
T U TO R : 朱 慶 煌 EA4-Urban\museum design
2020 por tfolio by Ying-Hua Wang-39
Museum RE-generation
-e mfra m e d s c ene r y s pa c e -
- s cu lp tu re a q u eo u s s pa ce-
-maz e l i ke d l a nd s c a p e -
- m o u n ta in liked la n d s ca p e-
2020 por tfolio by Ying-Hua Wang-40
GROUND FLOOR
+0
dn
-0.2
-0.4 dn
+0
up
-0.4 -0.2 +0
up
SECOND FLOOR
+0 +0
dn
dn
dn
dn +1 dn
+0
up +1
dn
+1
2020 por tfolio by Ying-Hua Wang-41
dn
THIRD FLOOR
up
dn
+0
+1 dn +0
up
dn
+4
BASEMENT
up up
-4
2020 por tfolio by Ying-Hua Wang-42
Museum RE-generation
2020 por tfolio by Ying-Hua Wang-44
清水巖介紹摺頁
2 1
5
3
4
6 7
8 10 9 11
12
14 13
2020 por tfolio by Ying-Hua Wang-45
2020 por tfolio by Ying-Hua Wang-46
Legend has it that the site of Qingshuiyan Te m p l e i s v e r y g o o d : the Datun Mountain and the Guanyin Mountain in front of the temple support each o t h e r, a n d t h e D a n s h u i River is located between the two mountains, like a golden dragon entering the temple, which is the Daji Cave , This site was selected by the oracle of Qingshui a n c e s t o r. The site is like the dragon head. There is a stone surrounded by a red cloth under the big clock on the right side of the gate in the temple. People believes that this stone is a dragon eye.
College Moments
2021 por tfolio by Ying-Hua Wang-49
2021 por tfolio by Ying-Hua Wang-50