CHUNG, HO HIN ARCHITECTURE PORTFOLIO 2022

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W I L L I A M CHUNG

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Master of Architecture (MArch) Admissions 2022-23

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S E L E C T E D

W O R K S

A C A D E M I C

01

SUBCULTURE HUB Headquarter Office

02

EPHEMERAL GLIMPSED Mesuem of Glass

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03

LA RIVIÈRE Co-Living Complex

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3

PROFESSIONAL PRACTICE

04

ALKF+ /HKGGA Headquarters /HKU Students Residence

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01 SUBCULTURE HUB

Headquarter Office Tower for VANS The presevation of subcultures "House of Vans" Tower is a high-rise headquarter office for Vans. The initail idea is 'preservation of subcultures'. Subcultures, like graffiti and tattoos develop their own norms and values. They are immersed in the society while keeping their specific characteristics intact. However, it can be perceived as negative due to their nature of criticism to the dominant society standard. Subcultures are being neglected by the universal values. The architecture creates opportunities to recall what is truly precious in this city.


VANS TIMELINE A BRIFE HISTORY OF THE BRAND

CO-FOUNDER

#PUAL VAN DOREN #JIM VAN DOREN

SINCE1966

#THE FIRST SHOP #44 AUTHENTIC

1976

1978 #38 SK8-HI

#95 ERA

1977

#36 OLD SKOOL

1995X

BM #MUSIC TOUR #

1982 #98 SLIP ON

Vans is a company which plays the leading role in the industry that promoting and saving the subcultures, “Off the wall” is a rallying cry for self-expression. In the form of skateboarding, art, music and street culture, showcasing and inspire people with passion and creativity. House of Vans is a place where the imagination is let loose over multiple facets, it gathers and inspires everyone who participate. This is the experiential hub for people to come together and embrace the “Off the wall” sprite.


DESIGN PROCESS CULTURE

SITE CONTEXT

2 Friday’s Tattoo CO.

3 Canton Barber Shop

4 Handsome Factory CO.

LANDMARK

SHOP

1 BOTO Barber Shop

5

5 Ink Mark Tattoo


DESIGN CONCEPT MUSIC

DJs

BANK

PRODUCTION

CRAFTMAN

PIPE

DESIGN

=

STAIR

ARTIST

BOX

FASHION

HIPSTER

PAD

AREA

ZONE

15.8%

HOUSE OF VAN

7%

SUBCULTURE HUB

28%

HEADQUARTERS

23.7%

COMMUNAL

18.5%

RENTAL OFFICE

3.5%

EXHIBITION

3.5%

RETAIL

COMMERCIAL HEADQUARTERS PLAY

ART

PUBLIC

MULTI + FUNCTION HALL

PUBLIC

FUNCTIONS GRAND SKATEPARK PLAYHOUSE CONCERT SPORT

SKATEPARK COMPETITION GYM OFFICE CONFERENCE DESIGN PRODUCTION MANAGEMENT

RESPRITE LEISURE SOCIAL OFFICE CONFERENCE BRAND ART HISTORY TECHNOLOGY FLAGSHIP STORE

SKY GARDEN

THEATRE MUSIC

SUBCULTURE HUB

CREATIVE

+

CATALOGUE BOWL

PUBLIC

SUBCULTURE HUB COMMUNAL SPACE

HEAD QUARTERS

OFFICE OFFICE

OFFICE REFUGE FLOOR PODIUM GARDEN RENTAL OFFICE RENTAL OFFICE RENTAL OFFICE LOBBY LOBBY LOBBY VIEWING DECK

COMMUNAL

USER STREET ARTIST

ATRIUM

PROGRAMME STREET CULTURE

PROGRAMME USER CATALOGUE

EXHIBITION SPACE EXHIBITION SPACE CAFE FOYER RETAIL 6

COMMUNAL


MASSING DEVELOPMENT 01

02

VOLUME

03

SET BACK

04

JOURNEY

05

VIEW

SEPARATION

SITE RESPONSE TO CREAT THE

SET BACK FROM THE MAIN STREET

CONNECT THE “OLYMPIC BRIDGE”

CUTTING THE MASSING FOR

TO FIT WITH URBAN FABRIC

PRELIMINARY MASSING

TO CREATE NOISE BARRIER

AND CIRCULAR BRIDGE THRU PODIUM

OTIMISING VIEW FROM VICTORIA PARK

AND CREATE VOID FOR ATRIUM

06

07

08

09

10

ACCESS

SKYLINE

RAMPS

CONSOLIDATE

REFERENCE TO THE

REFERENCE TO THE ELEMENT

REFERENCE TO THE CONCEPT OF VANS:

LINKAGE WITH THE LANDSCAPE SKATEPARK

ENTRANCE FOR THE FLAGSHIP STORE

SIGNATURE “VANS SIDESTRIPE”

FROM THE VANS SKATEPARK

CROSSOVER / COLLABORATE

OPEN UP MAIN ENTRANCE

TO DIFFERENTIATE PUBLIC AND PRIVATE USE

A

B

C

MAIN ENTRANCE

D

E

SLABS

CURTAIN WALL

MATERIALS

LOUVERS

COMPOSITION

IN-SITU CONCRETE SLAB

NON-STRUCTURAL MEMBER

CLADDING SYSTEM

ARCHITECTURAL FEATURES

FACADE DESIGN APPROACH

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23-26/F

AUDITORIUM

MULTI-FUNCTIONAL

PROGRAMME 23-26/F

HOUSE OF VANS THEATRE MUSIC

27/F

18-19/F

GRANDSTAIRS

26/F

COMMUNAL

25/F 24/F 23/F 22/F 21-22/F

SKATEPARK

21/F

SKATEBOARD

20/F 19/F 18/F 10-18/F

HEADQUARTERS

17/F

OFFICES

16/F 15/F 14/F 20/F

COMMUNAL SOCIAL

13/F 12/F 11/F 10/F REFUGE

2-8/F

RENTAL OFFICE

8/F

OFFICES

7/F 6/F 5/F G/F

4/F

RETAIL

3/F

FOY ER

2/F 1/F G/F

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SECTIONAL PERSPECTIVE

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SKATEPARK

ATRIUM

CONCERT HALL

10

GRANDSTAIRCASE


TECHNICAL DRAWINGS

STRUCTURAL MODEL

RC Slab 200 mm RC Core Wall 450 mm RC Retangle Column 1000 x 1000 RC Primary Beam 60 x 900D RC Secondary Beam 600 x 900D RC Cantilever Beam 600 x 900D RC Edge Beam 200 x 400D RC Tie Beam 300 x 900D

RENTAL OFFICE

HEADQUARTERS OFFICE

FACADE DETAILS

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02 EPHEMERAL GLIMPSED Museum of Glass "Order the accidental and make us reflect on the experience of seeing" Light is the medium to create the huge variety of intriguing rainbow coloured shadows and projections. By using the pearlescent ceramic panel as the façade to harness patterns of light that suggest the ephemeral glimpsed moments in the natural world. The Museum of Glasses orders the accidental and make us reflect on the experience of seeing.

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SITE ANALYSIS

AVERAGE TEMPERATURES

MAXIMUM TEMPERATURES

SUMMER SOLSTICE

W INTER SOLSTICE

solar study to show how sunlight engage with site in summer time

FIGURE GROUND urban fabrics

solar study to show how sunlight engage with site in winter time

CIRCULATION

LANDMARKS

VIEW S

PREVAILING W IND

main access

anchor buildings surroundings

Victoria Park at North-East

wind approach the site

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PRECIPITATION DAY S

PRECIPITATION AMOUNTS


CHRIS W OOD

FRAGMENTATION

POSITIVE & NEGATIVE SPACE

Conceptual Sketch 1

Conceptual Sketch 2

Spyra 1150 (2013)

The Artist @ CHRIS WOOD LIGHT

LIGHT & FLARE

Gloaming (2016)

Against The Tide (2017)

Chris Wood’s medium is light. She uses optical materials to harness patterns of light that suggest ephemeral glimpsed moments in the natural world. Wood orders the accidental and makes us reflect on the experience of seeing.

INSPIRATION

shattered elements simple geometries sharp corners

Dichroic is a colourless material that filters and reflects wavelengths of light producing varity of rainbow coloured shadow and

Conceptual Sketch 3

diverse compositions continuous spaces solid and void

01

02

refraction and reflection penetrating light iridescence

03

projections. Key concepts expressed by the artifacts:

01 02 03

iridescence / intertwine order / patterns penetration / diversity

Dynamic properties of light and how people engage with it.

IRDENSCENCE

PATTERN 14

PENETRATION


PRECEDENTED CASE STUDY

THE CHURCH OF LIGHT

DENVER ART MUSEUM

Tadao Ando, 1989

Daniel Libeskind, 2006

Jean Nouvel, 2017

NEANDERTHAL MUSEUM Barizzi Veiga, (unbuilt)

Diffuse daylight in exposition spaces to

Multiple exhibition spaces intercept with

merge indoor with outdoor. Long view

each other to create a zig-zaag circulation

from the exhibition hallway provide visual

so as to form a wide-narrow-wide path. In

connection with surroundings. Significant

this approach, a pocket space and time is

artwork is usually put on a higher level to

give to visitors to collect their thoughts after

create sense of respect. Double wolume

the journey and prepare for the next.

in gallery provided spaces in this regard.

CIRCULATION STRATEGIES

SCHEMATIC SECTION

PROPOSED PATH FOR EXHIBITION

VISITORS EXPERIENCE

VISUAL STRATEGIES

LOUVRE ABU DHABI

LIGHTING STUDY

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FLOOR PLAN 2 2

3

3

R 1 4

4

AUDITORIUM

5

EXHIBITION HALL

1 FOYER 2 EXHIBITION HALL 3 EXHIBITION HALL 4 EXHIBITION HALL 5 TERRACE GALLERY

2

1/ F FLOOR PLAN

8

9

ARTIST STUDIO W ORKSHOP

EXHIBITION HALL

6

1

2

TERRACE GALLERY

3 7

1 4

CAFE / SHOP 5

1 FOYER 2 EXHIBITION HALL 3 EXHIBITION HALL 4 EXHIBITION HALL 5 TICKET OFFICE 6 CAFE 7 SHOP 8 STOREAGE 9 UN/LOADING AREA

GROUND FLOOR PLAN

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EXHIBITION HALL


EXHIBITION HALL

FOY ER -VIEW FROM MAIN ENTRANCE

MASSING DEVELOPMENT 01

02

VOLUME SITE RESPONSE TO EXTRUDE THE PRELIMINARY MASSING

03

FRAGMENTATION PRGRAMMES TO DEFINE SPACE FOR EXHIBITION GALLERY

04

ROTATION INTERCEPT MASSING TO CREATE POROUS ORGANIZATION

05

POSITIVE & NEGATIVE DIFFERENTIATED PROGRAM DEFINED SOLID AND VOID RELATIONSHIP

17

06

SKY LINE LEVEL DIFFERENT ECHOS TO SITE CONTEXT

07

LIGHT AND FLARE SUNLIGHT EMERGE FROM FOLDING GLASS ROOF

CONNECTION NOTIONAL PATHWAY CONNECTS WITH SURROUNDING BRIDGE


ELEVATION & SECTION

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MUSEUM OF GLASS

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03 LA RIVIÈRE

Tectonic Inquiries - Megastructure Co-living Housing Complex The design concept of this megastructure based on its geographcial location, Sheung Yu River where there are opportunies of the 15,000 sq. meter area of vacant land along the river to explore the buildability for 500 family units in the proposed site, Da Shek Wu, Sheung Shui. As in the architecture sits on the south-end of the entire master plan. The location of the river are identified as "River Source", where the river source has a relatively high privacy advantage. With Fan Kam Road on the West side, it provides a convenience traffic network for the residents. On top of this, the block of habitable wings that open toward the remain parts of the master plan in which included a commuity centre, learning centre, market, and the public housing that makes a comfy community.


CONCEPT

MASTER PLAN

SITE ANALYSIS

Collabrate w/: Jackson CHU Annie CHAN Vanessa NG Howard SIU

SITE SECTION

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DESIGN PROCESS

01

02

PROGRAMME & MASSING DEVELOPMENT

RIVER SOURCES

BEND

Volumes extruded response to site context

Create openings and views

03

04

CONNECTION

STRUCTURE

Observation deck as bridge to connect two wings

Uplift the habitable spaces

05

06

SCHEMATIC SECTION

SETBACK

LA RIVIERE

Programme arrangement

Stepping to create rhythm

The Co-Living Housing Complex

22


SITE PLAN

LA N GA DS C RD A P EN E

MO

MO

MO

MO

EXPLODED AXONOMETRIC

DU LE S

TID IO

DU LE 2

A

DU LE 2

B

DU LE FA M 23

ILY

ISOMETRIC

PLAN

ACTIVITIES


ELEVATION/ SECTION/ DETAIL

Tectonic Megastructure Private Housing Elevation Fan Kam Road

24 Tectonic Megastructure Private Housing Elevation Inner Garden


ROOM

BALCONY

COMMUNAL

BRIDGE

Tectonic Megastructure Private Housing Cross Section - AA

Tectonic Megastructure Private Housing Cross Section - BB

25

Facade Detail


COMMUNAL SPACE


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04 PROFESSIONAL PRACTICE Proposed New Headquarters and Youth Hostel for Hong Kong Girl Guides Association Kowloon Inland Lot No. 11128

Collabrate w/: Shirley Cheung (Associate Director) Fred Chan (Senior Architect)

Student Residence for The University of Hong Kong

Karen Yeung (Architectural Assitant)

10-22 Mui Fong Street, Sai Ying Pun

MASSING DEVELOPMENT

YOUTH HOSTEL LAYOUT

DESIGN PROCESS

Individual Massings cores and living units

Celebration of Hall prominent shape

Collabrate w/:

17 th FLOOR PLAN

Stepped Terrace

Main Facade Rhythm

Feature Rooms

Programme

Composition

connect with adjoining open space

profile to represent image

recreational / communal area

headquarters x youth hostel

stepping massing on top floor

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FACADE DESIGN

DESIGN OF COMMUNAL AREA

ELEVATIONS

EXPLODED AXONOMETRIC

Forum

Platform Lounge Function Room Communal Kitchen Common Area Management Office

Play Room Common Room

Social Hub Auditorium

INTERIOR DESIGN RENDERING & FITTING OUT

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W I L L I A M

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C H U N G

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williamchunghh@gmail.com

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+852 9867 1172

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W I L L I A M CHUNG

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Master of Architecture (MArch) Admissions 2022-23

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