feyza çınar
p o r t f o l i o | 2019
hello!
I am Feyza ÇINAR, an architect and designer who graduated from Gazi University, Ankara. This porfolio contains various works I have done during my education, including other workshops, competitions and other experiences.
FEYZA ÇINAR|architect 23|01|1995
PERSONAL SKILLS interests
cinarr.feyza references:
Bayrampaşa | İSTANBUL
with bitükler nature group
trekking
mother tongue
turkish
especially comic
freehand drawing
B2 level
english
digital collage art
A1 level
german
photography
A1 level
croatian
Hasan ÖZBAY
co-founder at TH&İDİL ARCH.
cinarr.feyza@gmail.com
+90 532 446 50 87
Kıvılcım DORUK lecturer at gazi university
+90(545) 862 59 62
+90 533 412 90 77
COMPETITIONS
EDUCATION Gazi University
bachelor degree
2013-2018
Ayancık Atatürk Anadolu Lisesi
high school
2009-2013
Organizing events and social workshops for local kids, teenegers and elderly people. Creating video works and posters
Th & Idil architects
mersin tevfik sırrı gür stadium and camlıbel seaport urban design competition (managing a competition team, 3D model, 2D dawing, layout design) astana urban design competition (helped 2D drawings, graphic design) van ptt and headquarters building | 12791 m2 (completed construction project as a project manager architect, organization of engineering works and other technical aspects of the project, conducting Interviews with employers and other technicians + interior design of post office area)
zagreb | croatia
volunteer
ankara | turkey
architect
26|09|2019 26|12|2019 19|01|2018 23|08|2018
Öncel İnşaat
sinop | turkey
architectural design and presentation (architectural model & render & drawing )
architect
Th & Idil architects
ankara | turkey
intern architect
YDA | Mamak Urban Transformation Project
ankara | turkey
intern architect
AUTODESK
ADOBE
auto cad revit
03|09|2018 15|10|2019 08|08|2016 06|09|2016 15|06|2015 13|07|2018
MICROSOFT OFFICE
OTHER
photoshop
word
lumion
premiere
powerpoint
sketch up
indesign
excel
rhinoceros
illustrator
grasshopper
mersin | turkey
participant
professional category
mersin tevfik sırrı gür stadium and camlıbel seaport urban design competition
collabration with : th & idil architecture
2018
2017 2017
+helped other projects at office
SOFTWARE SKILLS
2018
2018
WORK EXPERIENCES Syncro-Croatia | erasmus+
languages
astana | kazakhistan
professional category | invited competition
participant
astana urben design competition
ankara | turkey
mudo consept international live design live furniture design contest
participant madrid | spain
second prize madrid | spain
finalist
collabration with : th & idil architecture student category
collabration with : rabia hant (interior architect) student category
izocam architecture student contest
collabration with : sıdıka önder (mechanical engineer) student category
isover international mch student contest
collabration with : sıdıka önder (mechanical engineer)
COMMUNICATION SKILLS (SOCIAL MOTIVATION) mardin | turkey
umob18 national architecture student assembly’18
adana | turkey
2018
tutor
umob17.5 national architecture student assembly’17.5
2017
manisa|turkey
yırca soaphouse design workshop
2017
manisa|turkey
2018
2017 2017
panelist
designer builder
istanbul|turkey
participant ankara|turkey
participant adana|turkey
2016
participant
collabration with HIM (Architecture for All Association)
yırca soaphouse construction workshop
collabration with HIM (Architecture for All Association) architecture design summit
haliç’e dokun
tutor: epigram
bakma geçme durağı
international workshop
tutors: murat sönmez, nur çağlar, aktan acar, tolga hazan, ali khaibian,günsu merin abbas 15th betonart summer school
no form no script
curator: nilüfer kozikoğlu, coordinator: ferhan yalçın, moderators: avşar gürpınar, coşkun çağlar armağan, ecem sarıçayır, ozan avcı
DEPO’16 | media and archive studio
collabration with: elif sidar ökdemir, sinem görücü
BTF’16|bademlik design festival
geçici göçmen studio
istanbul | turkey
2016
eskişehir | turkey
2016
tutor
participant
CONTENT academic works | GU future visions/urban design/experimental architecture
tutors:bihter çelik, elif tan
2018 umob15.5 national architecture students assembly’15.5 farazi studio tutors:berna itah, yiğit yavuzer
gaziantep | turkey
participant
kentin içinden (from inside of the city) forum |peyderpey forum 1
collabration with SOL-FA- SOL gazetesi
kendi kentimize kendi kendimize exhibition collabration with ASİ KEÇİ
antipanopticon
studio vııı (graduation project) ,atölyeZ | thema: a good neighbor lecturers: adnan aksu, irem yılmaz library design/urban design/critical architecture
2017
ulus
ankara | turkey
urban parasite
studio vı| thema: architectural program as a critical level lecturers: zeynep uludağ, kıvılcım doruk, gülşah güleç lakeport and cafe design
ankara | turkey
co-organizer TEDU
ankara | turkey
co-organizer kentsel mücadele forum peyderpey forum 2
istanbul | turkey
2016
ORGANIZATIONAL SKILLS umob16.5 | ankara national architecture student assembly’16.5
ulucanlar prison museum
saz-lık
2016
gölbaşı
2015
ankara|turkey
2016
installation design&construction
chaos
tsmd
mimder 1927
ankara | turkey
2016
ankara | turkey
2016
co-organizer
co-organizer
2017
ankara|turkey
studio vıı atölyeZ | thema: game and architecture lecturers: adnan aksu, irem yılmaz , serkan çetin, ezgi başar, seda temizer yöntem collabration with: berkay demir, ece ayaş, evrim bek, fulya akın, tuğçe bakırel, ümit kandemir
competıtıons 2017
madrid|spain
second prize
ESSAY bir anadolu mirasına hayat vermek- ayancık kereste fabrikası arkitera magazine (about closing and establishing process of the Ayancık Kereste Fabrikası (factory) that was one of the first industrial examples of Turkey and Atılım University-Faculity of Architecture, spring term architectural design 4 lesson)
studioııı lecturers: hasan özbay (my team lecturer), esin boyacığlu, servet gümüş, hayri anamurluoğlu, hatice özer, gönül tavman
student category
izocam architecture student contest isover international mch student contest
collabration with : sıdıka önder (mechanical engineer)
24|01|2015 02|02|2015
2018
professional category
mersin|turkey
participant
mersin tevfik sırrı gür stadium and camlıbel seaport urban design competition
collabration with : th & idil architecture
2018
astana|kazakhistan
participant
professional category | invited competition
astana urben design competition
collabration with : th & idil architecture
workshops 2017
manisa|turkey
construction workshop
yırca soaphouse
callabration with HiM (Architecture for All Association)
2016
adana|turkey
15th betonart summer school
no-form no-script
curator: nilüfer kozikoğlu, coordinator: ferhan yalçın, moderators: avşar gürpınar, coşkun çağlar armağan, ecem sarıçayır, ozan avcı
dıgıtal collages & drawıngs
graduation project | project VIII | atolyezero | GU adnan aksu, irem yilmaz |tutors
type: urban design, futuristic design
ANTIPANOPTICON In these days, neighborliness relationships After people were organized on Twitter, they met don’t be with only people who are geograph- in real and rebelled in public areas. As a result ically close to ourselves. There is a thriving of Gezi, many people were killed by the polices. technology so relationships are undergoing a Besides urban spaces were also affected by radical change. The life, our behaviors and these actions. Nuriye and Semih arrested for a our relationships with spaces and each other tweet. That’s mean that any behavior, any act in constantly refreshing. As a result of this, the virtual space (twitter, facebook, Instagram) may architectural world is inevitable to undergo a cause any result in real life and the urban design radical change. is effected to these things. And these situations Today, when an architectural scenario is deprove to us that virtual life and real life interact signed, to creative useful public spaces is joint with each other. precision all of us. In an architectural scenario, It is so hard of course explaining all these asCorbusier’s laws, streets, passages, yards, sessments with the architectural design. So this and squares are the most important pieces project is an approach beyond building producof stuff for every architect. But the concept of tion. The targetted is to ask the right questions social media developing through technology about the system and create a strong discussion gives a new perspective to public scenarios. environment. For example, in hashtag space on Twitter Ulucanlar Prison Museum was selected as an exprovides new social areas that wider public perimental project site to observe the mentioned space than the squares, streets, and passages.behavioral and urban changes. Ulucanlar Prison Millions of people can interact with each other is a prison where countless executions took place with hashtags on Twitter. Growing populafrom 1925 to 2006. In 2006, it was transformed tion, changing climate conditions, changing into a shame museum. And now it is a museum geographic conditions and socio-economic open to public use. situation effects to typologies also. And now, if you visit the Ulucanlar Prison MuWell, one day in any city, if the virtual spaces seum, you can see the people who take many are used instead of squares, streets, passages, selfies with Deniz Gezmiş’s (he was an important etc what does happen in life? How can be convict in Turkey) gallows. History of space defined the new neighborliness relationships? tortures in there, etc. all of them are transformed The presence of virtual spaces has already a consumption object by the “museum concept”. started to affect real spaces. For examples In just a few years, all of the negative actions Gezi Park rebellion and Nuriye-Semih ‘s hunger there had already been forgotten. In this point, strike in Turkey. Both of these actions people the project tries to criticize this radical changing were informed about each other thanks to in people behavior and this evolution in the spirit twitter and facebook. of space by a rational architecture.
When we open the prison conceptually to a discussion, the material that separates it from the city and the city life is its architecture. Thanks to the wall on its boundary, it wins an isolated urban identity. When the relationships between the prison and the city are looked at, we can see the prison behaving like a different city in the city. It is similar to the relationship of our own real life with virtual life. Both are intertwined. This is one of the reasons why the prison was used as a metaphor in the project. Since the prison was used as a metaphor in the project, it was inevitable to enter into Foucault and panopticon interrogations. Panopticon, architectural form for a prison, the drawings for which were published by Jeremy Bentham in 1791. It consisted of a circular, glass-roofed, tanklike structure with cells along the external wall facing toward a central rotunda; guards stationed in the rotunda could keep all the inmates in the surrounding cells under constant surveillance. Then panopticon plan schema was used by political forces for other typologies like hospitals, schools, etc. The project defends that the city where we live in transforms a digital panopticon because of social media. We all constantly control each other like political forces. So it asks this question: if the city transforms panopticon, what happens to real panopticons? And space at the threshold is designed according to this question. This space is maybe a new prison architecture, or it is a freedom space where gives back to the city transforms a digital panopticon.
ulucanlar prison museum|ankara|turkey
2018
graduation project | project VIII | atolyezero | GU adnan aksu, irem yilmaz |tutors
type: urban design, futuristic design
ulucanlar prison museum|ankara|turkey
2018
graduation project | project VIII | atolyezero | GU adnan aksu, irem yilmaz |tutors
type: urban design, futuristic design
ulucanlar prison museum|ankara|turkey
2018
graduation project | project VIII | atolyezero | GU adnan aksu, irem yilmaz |tutors
type: urban design, futuristic design
ulucanlar prison museum|ankara|turkey
2018
graduation project | project VIII | atolyezero | GU adnan aksu, irem yilmaz |tutors
type: urban design, futuristic design
ulucanlar prison museum|ankara|turkey
2018
urban parasite studio vı| thema: architectural program as a critical level | lecturers: zeynep uludağ, kıvılcım doruk, gülşah güleç
type:
library design/urban design/critical architecture
URBAN PARASITE A non-designed area where is in the 2 parcels between to Anafartalar Road and Hisarpark road was selected for the project area. Libraries were formerly used to access to information. But now, information- knowledge is everywhere. To access information easier thanks to technology. So when the project was taking over, without the internet and books, ways to access information with only space.
Ulus is a district with a lot of information from the city of Ankara. Also, the project area has many historical pieces of information. The proposal will be added as a city layer and will provide new information combinations. So no existing buildings have been demolished and the streets were preserved. The current layers, information, knowledge in the city were regarded and protected.
The useless and undesigned area in 2 parcels where has Cantacilar Street, Karakus Street, and Firuzaga Street has transformed a library. As a result of this decision, an experimental knowledge space which is an urban parasite was produced.n.
ulus|ankara|turkey
2017
urban parasite studio vı| thema: architectural program as a critical level | lecturers: zeynep uludağ, kıvılcım doruk, gülşah güleç
type:
library design/urban design/critical architecture
ulus|ankara|turkey
2017
urban parasite studio vı| thema: architectural program as a critical level | lecturers: zeynep uludağ, kıvılcım doruk, gülşah güleç
type:
library design/urban design/critical architecture
ulus|ankara|turkey
2017
project V||| | GU lecturers: hasan ozbay, esin boyacıoglu, gonul tavman, hayri anamurluoglu, servet gumus
type:
cafe design
gölbaşı|ankara|turkey
2015
project V||| | GU hasan ozbay, esin boyacıoglu, gonul tavman, hayri anamurluoglu, servet gumus
type:
cafe design
gölbaşı|ankara|turkey
2015
studio vıı , thema: game and architecture lecturers: adnan aksu, irem yılmaz , serkan çetin, ezgi başar, seda temizer yöntem
type:
installation design & construction & exhibition
collabration with: berkay demir, ece ayaş, evrim bek, fulya akın, tuğçe bakırel, ümit kandemir
CHAOS
The first concepts that come to mind when chaos is called are complicationconfusion and disorder. When we go to the root of chaos, it is an order in irregularity.
While describing architectural projects, a 3D object is transferred to 2D. The grids, form a wholein the view pla, when viewed in perspective, become 3 dimensional irregularity. So, the important factor is the position. Therefore, every person experiences the installation will perceive the space differently. The mirrors located at different points strengthen the different perception. Reflections that the mirrors create play with the individual’s perception of reality.
While creating the installation, a search for an element with 2 dimensional and 3 dimentional intersection has been made. Because of its linear and volumetric, the installation pipe was used. The installation that curtain surrounding the outside and light from the inside point are enhancing the 3 dimentional perception by the shadow of the linear elements and the participants on curtain. An outside observer will follow the shadow of the interior experience. When this observer begins to experience, it will be a part of the chaos of different perceptions.
tsmd|ankara|turkey
2017
2nd prize | izocam national architectural students contest participant |isover international mch student contest
type:
renovation and new public proposals
THE NATURE CORRIDOR
Gran San Blas is a suburban area, first built One of the other priorties in this design process on late authoritarian regime for the industrial is continuty of the life of residents while buildings are being renovated. So the residents can stay development with a modern architectural approach, on the north-east skirts of Madrid. their homes during process was regarded and Now we see that modern monotype living does destrucion in buildings such as replacing walls not meet our necessities for living and needs a wasn’t made. change of physical conditions and perception. Firstly, spaceless buildings was critised and new spaces at stairways section and apartment because these buildings were built with the entrance were created. Then adding new socialmodern perspective of their periods can’t provide comfortable and sufficiently social life ization areas where provide new perspective to anymore. integration of the olds and the teenagers was So urban access, the integration, physical con- thought. ditions of the buildings were given as design And these main ideas were reflected in design as a corridor. Stairways and elevators were redeproblems to competitors. signed with this corridor. Then some terracess The project was started to design with the sustainability questioning. Sustainability starts were added to the corridor and the corridor was with the individually and wins self-qualification equipped by various plants.So the venue became with the individual behavior in the city. In order a rich corridor of nature. to be able to talk about a sustainable city, it is The nature corridor is both a vertical street that necessary to be able to talk about a social en- links the buildings each other and it is a place vironment in there. Therefore we paid attention that people can encounter here both visual and physical. to the creation of public spaces.
This corridor connects two buildings each other.It allows public use in the courtyard with its stain on the site plan. And these public spaces relate to the proposed recreational areas on the ground floor. Ground floor was redesigned as a recreation area. Kitchen workshop, bookstore, game club, kid club, barber, studioand cafe were added to ground floor for the new recreational area. By this way we created new scenerio that can come together the elderly and teenagers. We ensured coalescence of the people there by enlarging park area.We thought that since sunlight does not come from the north front, it does not overshadow any space on this front. Then we removed the corridor from the facade at maximum distance.
gran san blas|madrid|spain
2017
2nd prize | izocam national architectural students contest participant |isover international mch student contest
type:
renovation and new public proposals
gran san blas|madrid|spain
2017
2nd prize | izocam national architectural students contest participant |isover international mch student contest
type:
renovation and new public proposals
gran san blas|madrid|spain
2017
participant | mersin tevfik sırrı gur stadium and camlıbel seaport and urban design competition collabration with th& idil architecture
type:
MERSIN TEVFIK SIRRI GUR STADIUM AND CAMLIBEL SEAPORT & URBAN DESIGN COMPETITION
urban design
mersin|turkey
2018
participant | mersin tevfik sÄąrrÄą gur stadium and camlÄąbel seaport and urban design competition collabration with th& idil architecture
type:
urban design
mersin|turkey
2018
participant | mersin tevfik sÄąrrÄą gur stadium and camlÄąbel seaport and urban design competition collabration with th& idil architecture
type:
urban design
mersin|turkey
2018
participant astana urban design competition collabration with: th&idil architecture
type:
AYNIYET OBA
urban design
astana|kazakhistan
2018
participant astana urban design competition collabration with: th&idil architecture
type:
urban design
astana|kazakhistan
2018
designer & builder
team: Ahmet Minez, Anıl Tuhanioğlu, Ecem Tüfekçi, Emre Gündoğdu, Feyza cinar, Fırat Altundağ, Furkan Demirtaş, Gökçe Er, Hatice Kübra Öztürk, İdil Bayar, Kenan Kahya, Melek Aydoğan, Melih Yavuz, Merve Gül Özokcu, Mesut Adanır, Mina Öner, Yağmur Kutlar, Yırca Hanımeli and villagers, Yuvacan Atmaca, Zehra Ersoy
type:
renovation
2017
yırca|manisa|turkey
YIRCA SOAPHOUSE Between July 2017 and March 2018 we made Yırca Soaphouse Project with Yırca Hanımeli Handmade and Homemade products (Yırca Village Association, Yırca Hanımeli Commercial Enterprise) in Soma, Manisa. The project is about transform to a 100 years old stone house and it’s garden for soap and food production and renew the grocery shop which is next to the house as a cafe for women. The house was bought by Yırca Hanımeli Association, which tries create alternatives against ruinous effects of the coal economy on nature and people and aims to attach the women into economic life in a sharing way. The story of Yırca begins with cutting 13 trees for the 3rd thermic central in Soma in September 2014. People of Yırca started a resistence against to 3rd central with participation of ngos, who were on the field after the Soma mine diseaster in May 2014. Yırca is the closest village to Soma and a critical part of its land on previous 2 central projects. The resistance that remembered by cutting 6600 olive trees in one night by dozers, gained victory by court decision at the same day of cuttings and even more olive trees are planted afterwards.
At about the same time Tider (Necessary Needs Association) was looking for a village to do more than just help, make women let take part in economy and become business owners. Olive resistance leaded the way to bring Tider and women from Yırca together and to establish Yırca Hanımeli. Tider were started to the process by giving making perfumed soap lecturers to 34 women and gaved sertificate to women. Women of Yırca worked incorporate with Tider between December 2014 and January 2016. In this period they produced for companies and bulk orders. In March 2015, Yırca Hanımeli made its first crowd funding campaign and shared the idea of producing olive soap with the slogan “The dirt of coal the clean of soap!” In January 2016, Tider pulled-out from the project and Kenan Kahya, who came into village voluntarily during resistance period and worked in this project for Tider, decided to quit his job and move into village permanent and help women to improve soap production.
After this decison and the meetings with women and mukhtar, Yırca Hanımeli was founded as a Commercial Enterprise of Yırca Village Association and they intended to work in a different structure then former period, based on togetherness, commons and horizontal hierarchy. 25 women signed a “goodwill agreement” and began to work in 5 departments; under production supply, production planning and under derivation social media promotion, sell/order. All these departments works and economical management began to make by women in periodically shifts. This structure, in which also systems to share the earnings in the most fair way are tested, continues today. Beside productions for bulk orders, they are accepting indivisual orders on Good4trust website.
2017
designer & builder
team: Ahmet Minez, Anıl Tuhanioğlu, Ecem Tüfekçi, Emre Gündoğdu, Feyza cinar, Fırat Altundağ, Furkan Demirtaş, Gökçe Er, Hatice Kübra Öztürk, İdil Bayar, Kenan Kahya, Melek Aydoğan, Melih Yavuz, Merve Gül Özokcu, Mesut Adanır, Mina Öner, Yağmur Kutlar, Yırca Hanımeli and villagers, Yuvacan Atmaca, Zehra Ersoy
type:
renovation
yırca|manisa|turkey
2017
type: kurator: nilufer kozikoglu | coordinator:ferhan yalcin | moderators: avsar gurpınar, coskun caglar armagan, ecem sarıcayır, ozan avcı | participants: barış terzi, irem baş, feyza çınar, seçil mungan | organizer: betonart
NO FORM NO SCRIPT
BETONART 15TH SUMMER SCHOOL
design with concrete
adana|turkey
2016
type: kurator: nilufer kozikoglu | coordinator:ferhan yalcin | moderators: avsar gurpınar, coskun caglar armagan, ecem sarıcayır, ozan avcı | participants: barış terzi, irem baş, feyza çınar, seçil mungan | organizer: betonart
design with concrete
adana|turkey
2016
cinarr.feyza@gmail.com