Magazine Voices of Mexico issue 109

Page 43

Fototeca Nacho López / inpi / Ricardo Moura

C U LT U RE 

Mario Humberto Ruz Sosa*

The Cultural Languages of Nature Other Voices in the Maya World

T

he 30 or so Maya peoples who have survived until

place during the Renaissance, to integrate a complex text

our day occupy a world as vast as it is full of won­

that simultaneously writes in past, present, and future, and

ders.1 Its signs and symbols are very diverse, al-

whose interpretation passes through a culturally deter-

though often quite close in their meanings, since the

mined read.

descriptions and analyses of morphology, habitats, customs,

World-book, universe-text, which from millennia ago

and attributes of real or marvelous animals, minor deities,

has not stopped being written and whose reading is dif-

and other supernatural beings are part of a taxonomy full

ferent every time, since they are singular readings that in­

of literal, allegorical, and moral meanings. Whether con-

­­volve reconfiguring the constellation of the memory, which

vergent or divergent, these signs and symbols are subject-

demands reading it with new eyes, different from what eyes

ed to cultural reads that determine the way of looking at

like our own can attempt, since they often overflow the

the world, domesticating it, and living with it.

con­­­­tainers where the West today deposits the memory,

Other reads, other voices, speak to entities that the

mak­­ing a privilege of writing and dismissing other forms

Maya consider we share natural and supernatural spaces

of registration that may be equally valuable and that, in

with; entities in many cases deeply rooted in Mesoamerica,

fact, have been equally valuable in other eras.2

which sometimes combine with the products of baroque

It is by no means strange that, even in different forms,

curiosity and the “Christianization” of symbols that took

the Maya go through their lives today paying attention to nature’s signs and advisories, bestowing meanings on the

* Director of the unam Institute of Philological Research; mhruzs@gmail.com

elements they are in continual contact with. The slight­est variation, the most insignificant exception in the behav-

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Náhuatl Erotica

19min
pages 98-103

Little Flower” (Pirekua

2min
pages 105-108

In Memoriam

2min
page 104

Poems by

2min
pages 95-97

Roberto López Moreno

2min
page 94

One Huipil a Day

10min
pages 88-93

Oaxaca, Melting Pot of Food Cultures

13min
pages 82-87

The Milpa. Sowing the Future

6min
pages 78-81

Indigenous Peoples in the European Cartographic Imaginary

4min
pages 74-77

Hai quih pti immistaj xah, comcaac coi ziix quih iti cöipactoj xah, ziix quih ocoaaj coi iicp hac

6min
pages 65-66

Music

9min
pages 59-62

Art and Culture

3min
pages 67-73

Reviews

5min
pages 63-64

Poetry and Gender

15min
pages 53-58

Culture

12min
pages 43-46

Testimonies

8min
pages 21-23

Anthropology

14min
pages 29-34

Politics

8min
pages 9-11

Amidst Borders, the Cultural Territory of the Yuman

9min
pages 35-38

Young Mexican Indigenous University Students at Stanford

14min
pages 24-28

Ángela, a First-People’s Struggle

14min
pages 12-16

Our Voice

5min
pages 7-8

A Tribute to the Other Voices

2min
page 6
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