SYNOPSIS
This is the story of a Wolf, a Grandma, and a girl. A girl who likes to be known as Red.
Red loves to read books about superheroes, adventures and, most of all, Christmas! But in the town where she lives, Christmas has been banned.
Tired of following the rules, Red embarks on a mission to bring back Christmas, defeat the big bad Wolf and save Grandma from the deep dark forest. But are things all as they seem?
CAST
CINDY AWOR – RED
Cindy trained at Edinburgh Napier University and is one of this year's Citizens Theatre Graduate Actors. Prior to this, she trained at Glasgow Clyde College (Langside) and was part of the Scottish Drama Training Network Graduate Scheme. Recent credits include: The Comedy of Errors (Citizens Theatre); Dog Squad (CBeebies); VS09 (New Celts Productions); Candy (Blazing Griffin).
MAUREEN CARR – GRANDMA
Maureen appeared in the 1986 Citizens Theatre production of Red Riding Hood where she played Anna (Red). She is delighted to return 36 years later to play Grandma! She has been a professional actor since 1979 and has performed all over the UK and beyond. Her most recent theatre credits include the touring production of Rose by Lorna Martin (Witsherface Theatre) which she also directed. Maureen also directed Rose for A Play, A Pie and A Pint which then toured to Theatre Gerolamo (Milan); Holding/Holding On by Nicola McCartney NTS Rehearsed reading (Scottish Parliament); Fibres by Frances Poet (Citizens Theatre tour and film); A Funny Place For a Window by Stuart Hepburn (A Play, A Pie and A Pint & The Traverse Theatre); The Dodo Experiment (WAC Ensemble, Citizens Theatre). Director/collaborator on My Historic Neighbourhood a short film celebrating 100 Years of The Barras (Citizens Theatre and Glasgow Doors Open Days). TV credits include: Angie in First Footing, Made in Scotland (BBC Scotland); Edith in Still Game (Effingee/BBC/BBC Studios); Moira in Molly and Mack (CBBC); Theresa in River City (BBC Scotland/BBC Studios). Maureen is also Artistic Director of Witsherface Theatre Company.
MICHAEL GUEST – KEVIN
Michael trained at the Royal Conservatoire of Scotland. Theatre credits include: The Comedy of Errors, A Christmas Carol (Citizens Theatre); A Midsummer Night’s Dream (Scottish Opera); Joke (A Play, A Pie & A Pint), Bad Roads, The Speculator, Hamlet, Uncle Vanya, Who’s Afraid of Virginia Woolf? (Royal Conservatoire of Scotland). Film/TV credits include: Raven’s Hollow (Canoe Film/SHUDDER); Balance (Half-Bank Productions). Radio credits include: The 5000 (BBC Radio 4).
TROTTERS
Francesca graduated from the Royal Conservatoire of Scotland (RCS) in July. She is one of this year’s Citizens Theatre Graduate Actors. Prior to RCS, Francesca trained at the Inspire Academy Workshop in Nottingham. Theatre credits include: Alföld (Citizens Theatre/A Play, A Pie and A Pint); The Comedy of Errors (Citizens Theatre); Gloria, Thebans, Much Ado About Nothing, August: Osage County and Vassa (Royal Conservatoire of Scotland); Death and Botany (55 Kings); The Astronaut Wives Club (NYT). Film/TV credits include: Four to the Floor (Channel4/Lemonade Money); Some Lines (Sirloin Films); Videohead (JT Media).
EWAN MILLER – HERBERT/WOLF
Ewan is an actor from the Scottish Highlands. He graduated from Royal Conservatoire of Scotland. He is a three-time recipient of the Dewar Arts Award and winner of the Duncan Macrae Competition Prize 2020. Theatre credits include: Much Ado About Nothing (National Theatre); The Comedy of Errors and A Christmas Carol (Citizens Theatre); Joke, Milkshake (Citizens Theatre/A Play, A Pie and A Pint/Traverse Theatre); The Speculator, Hamlet, Uncle Vanya, Who’s Afraid of Virginia Woolf? (Royal Conservatoire of Scotland). Screen credits include: CRIME (ITV/Britbox); One Shot (Incidental Pictures); Close (Gentle Giant Productions); Skin (Brutal Studios).
SAMUEL PASHBY – ACTOR MUSICIAN
Samuel is an Actor and Musician. He holds an MA from the Royal Conservatoire of Scotland and a BA (Hons) in Drama from the University of Winchester. Samuel performs and produces music as 'Mistral'. Recent theatre credits include: James IV: Queen of the Fight (Raw Material/ National Theatre of Scotland); The Comedy of Errors, A Christmas Carol and Cinderella (Citizens Theatre); Cyrano de Bergerac (Citizens Theatre/ National Theatre of Scotland/Royal Lyceum Theatre Edinburgh); Celestial Body (A Play, A Pie and A Pint); A Christmas Carol (Pitlochry Festival Theatre); Sleeping Beauty (Byre Theatre, St Andrew’s); Macbeth (Shakespeare Festival, Stafford); Hamlet (Royal Conservatoire of Scotland/Bard in the Botanics); Brother, How to Stage a Drowning (On The Verge); Coriolanus (Bard in the Botanics); As You Like It (Shakespeare’s Globe Education).
CREATIVE TEAM
DOMINIC HILL – DIRECTOR
Dominic joined the Citizens Theatre as Artistic Director in 2011. His productions for the Citizens have included The Comedy of Errors, Krapp’s Last Tape/Go On, Cyrano de Bergerac, A Christmas Carol, Oresteia: This Restless House (winner of Best Director, 2016 CATS Awards), Hamlet, Crime and Punishment (winner of Best Director and Best Production, 2014 CATS Awards), King Lear and Betrayal (winner of Best Director, 2012 CATS Awards). Before joining the Citizens, he was Artistic Director of the Traverse Theatre in Edinburgh and Joint Artistic Director of Dundee Rep. Other credits include: Falstaff and Macbeth (Scottish Opera), The City Madam (Royal Shakespeare Company) and A Midsummer Night’s Dream (Regent’s Park Open Air Theatre and Scottish Opera).
LEWIS HETHERINGTON – WRITER
Lewis is a playwright and performance maker whose work is rooted in collaboration and story. He is an Associate of The PappyShow and has worked on shows including BOYS, What Do You See? and Thanks For Nothing (for Wonderfools as part of Positive Stories for Negative Times). He is one of the founders of fieldwork performance and with them curated QWERK: a festival of international Queer writing, and more recently led Dear Green Place, a programme of performance, workshops and events which took place across North East Glasgow exploring hope, fear, and action, in response to the Climate Crisis. He regularly collaborates with Designer Ailie Cohen and their work together includes Cloud Man, Secret Life of Suitcases (co-produced with Unicorn Theatre) and Rocket Post! (co-produced with the National Theatre of Scotland). Other projects include leading The Coming Back Out Ball, a two-year co production between National Theatre of Scotland and All The Queens Men, celebrating the lives of LGBTQIA Elders. Leaving Planet Earth (Grid Iron/EIF), Mile End, Beachy Head, 2401 Objects, Stowaway (Analogue), Friends Electric (Visible Fictions), Instructions for Butterly Collectors, A Perfect Child, Sea Change (A Play, A Pie and A Pint).
Michael John McCarthy is a musician, sound designer and composer for stage and screen. His band Album Club released their debut LP on Last Night From Glasgow in May 2022. It reached number six in the UK Vinyl Albums chart, and number two in the Scottish Albums chart, spending six weeks in the Top 100. He has worked on over 80 theatrical productions, including ten Scotsman Edinburgh Fringe First award winners, most recently The Last Return by Druid Theatre Company. He is also the musical supervisor and co-sound designer on Pride and Prejudice* (*sort of), winner of the 2022 Olivier Award for Best Entertainment or Comedy Play. Previous Citizens Theatre credits include: Nora: A Doll’s House, Whatever Happened to the Jaggy Nettles?, The Gorbals Vampire, Trainspotting, Rapunzel, Into That Darkness, Fever Dream: Southside and Sports Day.
JESSICA WORRALL – DESIGNER
Theatre designs include: The Comedy of Errors (Citizens Theatre); Henry IV parts 1 & 2, Henry V, Two Noble Kinsmen (Shakespeare’s Globe); After Edward, Edward II, The Treason Trial of Walter Raleigh, The Captive Queen, (Sam Wanamaker Playhouse); Educating Rita (Dukes Theatre); Quality Street, When We Are Married, She Stoops to Conquer, Love’s Labour’s Lost, We Are Three Sisters, Wars of the Roses, School for Scandal, Macbeth, A Midsummer Night’s Dream (Northern Broadsides); Rites (National Theatre Scotland), Grit (costume only: Tramway, Glasgow); Alice Through the Looking Glass (Egg Theatre, Bath); Huxley’s Lab (Grid Iron, Edinburgh); The Last Straw, Ghost Sonata, The Obituary Show, A Song without Sound? (People Show). Film design: The Last Day, The Jossers (dir. Gareth Brierley); Death of a Double Act (dir. Christine Entwisle); The Loss of Sexual Innocence (dir. Mike Figgis). Jessica also works as a digital collage artist. You can follow her work on Instagram: @jessicaworralldigitalcollage
LIZZIE POWELL – LIGHTING
Previous lighting designs include: The Comedy of Errors, Pinocchio, A Christmas Carol, Cinderella, Hansel & Gretel, Endgame, The Choir, The Libertine, Krapp's Last Tape (Citizens Theatre); Mrs Warren’s Profession (Bath Theatre Royal); James IV: Queen of the Fight (Raw Material); Orphans, Red Dust Road, Adam, Knives in Hens, Glasgow Girls, My Shrinking Life (National Theatre of Scotland); The Da Vinci Code, Dial M for Murder (Simon Friend Productions, UK tour); Falstaff (Scottish Opera & Santa Fe Opera); A Midsummer Night’s Dream (Scottish Opera); The Mountaintop, Mother Courage (Royal Exchange, Manchester); Our Ladies of Perpetual Succour (West End/National Theatre Scotland); King John, Macbeth (RSC); Avalanche: A Love Story (Barbican/Sydney Theatre Company); Victory Condition, B, Human Animals, Violence and Son (Royal Court Theatre); Romeo & Juliet (Crucible Theatre, Sheffield); Cyrano De Bergerac (Citizens Theatre/NTS/Lyceum Theatre); The Bookies, Wings Around Dundee, Smile, Death Trap (Dundee Rep); What Girls are Made Of (Traverse Theatre/Raw Material). Lighting design in film and television: Rapunzel (National Theatre of Scotland); Adam (Hopscotch Films/National Theatre of Scotland).
CHRIS STUART WILSON – CHOREOGRAPHER/ MOVEMENT DIRECTOR
Chris has created a portfolio career within the arts, curating a path using multiple disciplines. As a choreographer he has worked for many theatre companies and institutions including National Theatre of Scotland and Royal Conservatoire of Scotland. He was the resident choreographer at Pitlochry Festival Theatre from 2010-2018 working on over 30 productions such as the boxoffice smash Chicago, Singin’ in the Rain and the award-winning White Christmas. In addition to choreography and performing, his entrepreneurial portfolio includes directing, teaching, events curating and hosting. He has extensive experience facilitating artistic practice for vulnerable people and in 2017/2018, the BBC produced a feature of his work exploring the therapeutic effects of dance for people living with dementia, that gained massive global media attention. Chris also performs as his international award-nominated alterego, Jesus L’Oreal, portraying Jesus as a fitness and lifestyle guru of the ‘influencer’ age.
ELEANOR FELTON – ASSISTANT DIRECTOR
Eleanor is a director, choreographer, dancer, actor and producer. Previous credits include: [title of show] (Moors Bar); Hysteria, Inside Voices (Vancouver Fringe Festival); The Comedy of Errors (Cambridge Shakespeare Festival); Riot to Heaven (Wandsworth Arts Fringe); Slow Dating, Xsposed (Southwark Playhouse); Still the Kettle Sings (Pacific Theatre).
Anna Athanasiadi
Lighting Operator
Cindy Awor Graduate Actor
Esther Batterham Marketing & Communications Officer
Omar Bhatia Carpenter
Catherine Bird
Payroll Officer
Ashleigh Blair Head Scenic Artist
Alex Brady Box Office Supervisor / IT
Suzanne Brady Box Office / Drama Leader
Jessica Brettle
Wolf Costume Prop Maker
Katrina Caldwell Drama Leader
Michelle Chambers Wig Stylist
Peter Clerke Drama Leader
Natalia Cortes
Company Stage Manager
Elaine G Coyle Head of Wardrobe
Denise Differ Box Office Manager
Louise Dingwall
Karen Dunbar
Press and Marketing Officer
Creative Learning Tutor
Lisa Dundas Box Office
Catrin Evans
Head of Creative Learning
Barry Forde Assistant Stage Manager
Elly Goodman
Community Drama Artist
Nichol Gray Development Manager
David Harrop
Carpenter / Driver
Jamie Hayes Stage Supervisor
Francesca Hess Graduate Actor
Dominic Hill
Artistic Director
Neil Hobbs Deputy Head of Lighting & Sound
Euan Jenkins Stage Door Administrator
Stuart Jenkins
Head of Lighting & Sound
Amber Keating Digital Officer
Jenny Knotts Box Office
Carol Laula
Creative Learning Tutor
Alison Lewis Marketing & Communications Manager
Zephyr Liddell Gorbals Schools Resident Artist
Gillian MacDonald
Alison MacKinnon
Carly McCaig
Niamh McCarron
Wardrobe Assistant
Head of Marketing & Communications
Community Drama Worker
Creative Learning Intern
Morna McGeoch Drama Leader
Alex McGowan
Lawrie McInally
Jessica McKay
Claire McNeil
Executive Director
Stage Door Administrator
Deputy Stage Manager
Finance Manager
Genny Metcalfe Scenic Artist
Rachel Mimiec
Creative Learning Tutor
Jacqueline Muir Production Administrator
Jack Mullen Box Office
Ailsa Munro
Creative Learning Tutor
Denis Murphy Head of Workshop
Allan Othieno
Neil Packham
Drama Assistant
Community Drama Director
Frances Poet Literary Associate
Gail Power
Creative Learning Tutor
Richard Price Sound Supervisor
Valerie Rickis
Mairi Rosko-Mathisen
Assistant Stage Manager
Director of Development
Dylan Ross Scenic Artist
Molly Ross
Individual Giving & Events Officer
Claire Sharp Wardrobe Assistant
Saffron Shearer
Wardrobe Assistant / Dresser
Mags Smillie Head of Finance
Laura Smith Deputy Head of Production
Rachael Sneddon Sound Number 2 / Swing Technician
Colin Sutherland Stage Technician
Graham Sutherland Head of Production
Martin Travers
Producer (Citizens Learning) David Young Facilities Supervisor
The Citizens Theatre Graduate Actor scheme is supported by The Garrick Charitable Trust and The Ernst Maas Educational Trust.
The Citizens Theatre Creative Learning Intern position is supported by the CMS Charitable Trust.
Board: April Chamberlain (Chair), Alex Reedijk (Vice Chair), Councillor Susan Aitken, Gemma Bodinetz, Stephen Dunn, Laurence Fraser, Dominic Hill, Jackie Kay, John McElwee, Irene Tweedie and Louise Welsh.
ACKNOWLEDGEMENTS
All scenery, costumes and props made by the Citizens Theatre workshop.
Special thanks to: AJ Aerials; Catering & Facilities Management, Glasgow City Council; Colin Sutherland; Manuel Cortes; Michael McArdie; National Theatre of Scotland; Royal Lyceum Theatre, Edinburgh; Tron Theatre, Glasgow; Waste Policy and Compliance, Glasgow City Council.