URBAN MAPPING: IN AND ABOUT COPENHAGEN HARBOUR
URBANISTS: LOCALISING AND CONCEPTUALISING ACTIVISM CONCEPTUALLY INFORMED PRACTICE AND PRACTICALLY INFORMED THEORETICAL DISCOURSE COLLABORATION WITH URBAN DEVELOPERS, PLANNERS, POLITICIANS, GRASSROOTS, RESEARCHERS, ARTISTS ETC
URBANITY: THE POTENTIAL OF THE ‘URBAN’ A FUNDAMENTAL CURIOSITY IN THE POTENTIALS OF A DYNAMIC URBANITY ARTICULATING AN EVERYDAY URBANITY WITH CONCRETE BODIES, ‘LIVED’ CULTURES AND STRUCTURES OF THE CITY
PERSONAL CONTEXT HARBOUR CONTEXT
SUPERTANKER IN THE HARBOUR
PERSONAL CONTEXT
HARBOUR CONTEXT
WEST 8
EGERAAT
SOETERS
KRﾃ郎ERS PLADS
KRØYERS PLADS: FROM A VAGUE TO A POLARISED SPACE IMPOSSIBLE FOR DREAMS, INTERESTS AND NEEDS TO UNFOLD BLACK AND WHITE (LACK OF) DIALOGUE
YELLOW ARROW: VISIBLE IN PUBLIC SPACE AND INTERACTIVE TOO GEEKY AND NON INCLUSIVE
SOUTH HARBOUR
VOICES OF THE SOUTH HARBOUR: MAPPING EMPOWERMENT PUBLIC MEETING UPSIDE DOWN
YELLOW ARROW: SOUTH HARBOUR VOICES CURATED AND MORE INCLUSIVE PLAYFUL AND POLITICAL PROCESS
DREAM PATH
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DREAM PATH: FROM DREAM TO PRODUCT NUMEROUS TYPES OF INPUT - ENGAGED KIDS PROCES WAS TOO LONG AND INVISIBLE (IN THE BEGINNING)
DO IT TOGETHER
DO IT TOGETHER: DESIGNING AND BUILDING IN AND FOR PUBLIC SPACE SPATIALISE THE DISCUSSION ABOUT SPACE
URBAN PROCES DESIGN
URBAN PROCESS DESIGN: SENSING - REFLECTING - ACTING MAPPING AND TAKING THE SPACE
CITYBEE
CITYBEE: STORES IN AND ABOUT THE CITY SPATIALIZING THE DISCUSSION ABOUT SPACE DISCOVERING PATTERNS OF POSSIBILITIES NEW NETWORKS AND INITIATIVES
THE BEST SENSOR
1 : 1 MAP
SIMPLE ORGANISATIONS
MOVING MAPS
SEEING NEW PATTERNS
NEW CONTEXTUALISED: IDEAS AND INITIATIVES
URBAN MAPPING:
1 : 1 MAPS AND SMALL VISIBLE INTERVENTIONS IN PUBLIC SPACE CONSTRUCTIVE DIALOGUE FROM VAGUE SPACES TO POROSITY (AND BACK)
POROSITY AT THE BASE OF THE CLIFF ITSELF, CAVES HAVE BEEN HEWN [...] AS POROUS AS THIS STONE IS THE ARCHITECTURE. BUILDING AND ACTION INTERPENETRATE IN THE COURTYARDS, ARCADES, AND STAIRWAYS. IN EVERYTHING THEY PRESERVE THE SCOPE TO BECOME A THEATRE OF NEW, UNFORESEEN THE STAMP OF DEFINITIVE IS AVOIDED. NO SITUATION APPEARS INTENDED FOREVER, NO FIGURE ASSERTS ITS “THUS AND NOT OTHERWISE”. THIS IS HOW ARCHITECTURE, THE MOST BINDING PART OF THE COMMUNAL RHYTHM, COMES INTO BEING HERE WALTHER BENJAMIN MOST BINDING PART OF THE COMMUNAL RHYTHM, COMES INTO BEING HERE
ARCHITECTURE CAN ‘SPATIALISE’ THE DREAMS, DRIFTS, NEEDS AND INTERESTS THAT FLOWSTHROUGH THE CITY. ARCHITECTURE CAN ACT AS A SPATIALISING MOMENT IN THE COLLECTIVE AND CONTINUOUSLY CHANGING OEUVRE, THE CITY