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‘Sensational’ taste of Japanese Thigh-slapping rock with a German accent

By Helen Musa

INARI, in exciting Tiger Lane, is sensational. It’s one of the 12 food and bar outlets – including hatted restaurants, hawker-style eateries, and communal bar areas – that will form Canberra’s newest dining precinct.

When all open, these dining spaces promise to take Canberrans on culinary journeys across Japan, South Korea, southern China, northern China and south-east Asia.

Inari is named after the Japanese Rice God. This is the upmarket, signature restaurant of Tiger Lane’s executive chef Shaun Presland, widely respected for his abilities with, and influence on, Japanese cuisine.

One of Shaun’s claims to fame is his masterful flair in melding traditional Japanese flavours in contemporary dishes featuring high-quality, fresh Australian produce. Also on the team is head chef Maria Sheslow, who hails from Sydney’s Bay Nine Omakase.

The decor at Inari is intriguing, mysterious and unique. Each dish is artfully plated and well-considered. We indulged in many and loved every bite.

With the crisp, fresh 2021 Golden Child Fume Blanc (Adelaide Hills, $62/bottle) we tantalised our tastebuds with steamed soybeans ($7). The warm edamame was tossed with lovely, flavoured salts.

The sashimi tacos were perky and fun (two pieces for $12), and the carefully diced tuna and salmon sashimi testament to the high-quality and the chilled tomato and jalapeno salsa danced. Meticulously presented ceviche arrived next. The snapper and kingfish were dressed in a wonderful combination of citrus and chilli.

Thin slices of jalapeno were placed on top and a mound of fresh herb was in the centre ($25). A feast for the eyes and a memorable dish.

The lightly fried salt and pepper sansho squid ($18) sang with flavours – chilli, garlic, spring onion and lemon. The squid was super tender.

Absolutely divine were the coveted pan-seared Hokkaido scallops with miso cream ($28). These Japanese scallops are up there with the best. Perfect round parcels with amazing flavour and gorgeous texture. Six formed a circle in the dish, sitting proudly in the magical cream reduction. Seasonal veggies topped with fresh coriander were placed in the centre.

Inari’s enticing menu also features Maki rolls. A range of these traditional sushi rolls is on offer, but Inari takes each to another level.

We’ll be back for the Omakase menu (minimum two people, $85 per person). Omakase roughly means “trust the chef” to select a variety of quality dishes that work perfectly together. We’ll also be soon heading to Taki, also open at Tiger Lane. Taki specialises in the fascinating world of Japanese hot pots (shabu-shabu) and Japanese barbecue (yakiniku).

MENSCH, Monique! from Germany play an amalgam of Berlin indie folk with funk, jazz and blues alongside German-Australian duo The Beez playing a yodelling, thigh-slapping mix of Germafied Oz Rock classics. The Artists Shed, Fyshwick, February 18.

SPECTACULAR Russian violinist Ilya Gringolts returns to the Australian Chamber Orchestra to direct a program featuring Bruch’s “Violin Concerto” and the world premiere of Harry Sdraulig’s “Slanted”, Llewellyn Hall, February 15.

CHAMBER Philharmonia Cologne will perform Vivaldi, Mozart and Paganini in St Christopher’s Cathedral, Forrest, February 14.

THE Australian Haydn Ensemble performs string quartets by Haydn, Bach and Mendelssohn, performed on instruments of the period. Wesley Music Centre, Forrest, February 16.

ORIGINATING from a collaboration at the 2022 National Folk Festival, the Phoenix Collective Quartet teams up with Tibetan singer and multiinstrumentalist Tenzin Choegyal for a program that takes the audience on a journey through Tibet. Wesley Uniting Church, Forrest, 2pm, February 18.

ACT Hub, Kingston, is branching out with a series of forums. First up is a one-hour theatre critics’ forum where panellists articulate their philosophy of theatre criticism, followed by a Q&A, 6.30 pm, February 15.

WITH no rehearsals, no director, a different actor each night, and a script waiting in a sealed envelope on stage, “White Rabbit Red Rabbit” by Iranian writer Nassim Soleimanpour will be staged at The Mill Theatre, Fyshwick, on February 15, 16, 18, 23 and 24.

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