Undergraduate Architecture Portfolio - 2020 by Collin Kroll

COLLIN KROLL UNDERGRADUATE ARCHITECTURAL PORFOLIO 2018-2020

PROJECTS House for a Painter 04-11 Interior and Exterior: Spatial Design Basics Spring 2018

Overloaded Spaces 12-17 Materials and Fabrication & Personal Projects Fall 2018

Furniture 18-29 Collaboration + Furniture & Furniture Design Fall 2019

By the Stream 30-41 Undergraduate Thesis Fall 2020 - Spring 2020

Professional Work 42-47 Atelier NY Architectural Internship Summer 2021

HOUSE, FOR A PAINTER Course: Interior and Exterior: Spatial Design Basics Instructor: Davin Hong Project type: Residential Location: NA Year: 2018 This project was my first architectural building project. It showcases my model making, Illustration, and spatial design skills. During the project, I learn how important it is to work through iterative design techniques and to incorporate the analog.

FINDING THE FORM During the first weeks of class, our professor wanted us to understand spatial design. To do this, he assigned us to make iterative forms that had to follow simple rules. They couldn’t consist of non linear angles and contain two of the following frameworks: Mass, Skin, Frame, and Plane. With the constraints, I was able to hone in on how to make unique but straightforward forms. For two weeks, I made about fifty of these small formal models, which taught me how to work iteratively and efficiently. These forms directly informed, influenced, and inspired the shape of the building.

FACADE OPENINGS Large openings the SE facade for views and sunlight exposure.

Minimized openings on the NW facade to create intimate captures of Nature.

DESIGN PROCESS AND DRAWINGS In this project, I design a residential home for an artist using spatial design fundamentals, developed through a precedent study and various formal studies. The site I was given was imaginary but gave me some primary natural constraints. In my design, I

wanted a central circulation and an interesting spatial composition. By manipulating the form around the central circulation I envisioned, creating an arrangement where each room has it’s own elevation, activating each unique space.

Extrud Initial Initial Extrud Initial Extrud

2 A

Slice Slice Slice

Insert Insert Insert

Addition Addition Addition

4 B

GFloor ROUND FLOOR FirstFirst Floor First Floor 1. 2. 3. 4.

Master Bedroom Bathroom Storage/Laundr y Room Guest Bedroom

Final Final Final

2 NFloor D F LFloor OOR/ENTRANCE Scale:Scale: 1/8"=1'-0" 1/8"=1'-0" Second Scale: 1/8"=1'-0"Second Second Floor 1. 2. 3. 4.

Kitchen Balcony Bathroom Living Room

3 R DThird FFloor L O OFloor R Third Third Floor 1. S t u d i o S p a c e 2. Balcony 3. Storage

OVERLOADED SPACES, EXPERIMENTAL DRAWINGS Course: Personal Studies Instructor: NA Project type: Exploration Location: NA Year: 2018 This project was a personal exploration of forms and their space. I wanted to understand the limits of a structure and the space it occupied, which made me realize that this limit is subjective. Using grasshopper and analog methods (printmaking and drawing), I was able to explore these limits in the following pieces of work.

Compacted #1 Overloaded Spaces Linolium block print on printmaking paper

Compacted #2 Overloaded Spaces Linolium block print on printmaking paper

Overwhelmed Overloaded Spaces Gouache and Pen on Paper

Generative Claustrophobia Overloaded Spaces Grasshopper and Rhino, Digital Drawing

SHINTOOL, Furniture Course: Furniture Design Instructor: Mike Project type: Industrial/Product Design Location: Baltimore Year: 2019 During my time at MICA, I took a furniture design class to enhance my technical design skills. This project showcases my analog and fabrication skills. During this project, I learned what it takes to visualize a project and then build it—something you don’t often see in architectural school.

INITIAL DESIGN CONCEPTS AND SKETCHES In the first stage of the design process, our professor wanted us to explore and sketch designs that we would be interested in making without thinking of how it could be fabricated or constructed. After that, we were advised to incorporate all three models into one while also incorporating the EMECO style. This page showcases that process and how I transitioned into the fabrication methods utilized in making my stool. The primary material that we were instructed to use was Recycled Aluminum since it was the staple of all EMECO chairs.

DESIGN BUILD PHASE 01 There were two design-build phases where we would sketch out and model our stool in full size. This practice helped me understand the ergonomics of the seat, the material I was working with, and how I could best utilize it with the resources I had. For the Mockups, I used

found materials and recycled aluminum so that the stool wasn’t creating more waste during the design process. During “DesignBuild phase 01”, I found out that the seat’s stress was too much for the fasteners to handle and bent the aluminum, which resulted in a change in the next iteration.

DESIGN BUILD PHASE 02 During this “Design-Build Phase,” I was more focused on understanding the joinery methods I was going to use and creating a seamless transition between materials to look like they are one of the same. Also, I was trying to understand how I would connect the top seat to the legs. Most of this understanding came through sketching. The biggest struggle I encountered with this stool was having the grain patterns run parallel to the stress so that the pressure from sitting on it wouldn’t snap the wood. The materials I was using were white oak and aluminum. These materials would also transition to the final stool.

FINAL DESIGN SKETCHES AND STOOL DETAILS

FINAL DESIGN DRAWINGS

TOP

This project was an effort to create a stool inspired by traditional joinery methods, Shinto architecture, and the Emeco style. Emeco, a manufacturing company based in Hanover, PA, was the sponsor of the class. Our responsibility was to take their signature square tubing and incorporate it into our design. Shinto architecture is the architecture of Shinto shrines. Shintoism is a religion that originated in Japan and is considered to be

PERSPECTIVE

Japan’s indigenous religion. They base their polytheistic beliefs around the Kami (“gods” or “spirits”), which are supernatural beings that inhabit all things. To adhere to their tradition, I incorporated traditional joinery methods to give the stool structure and keep to the aesthetic I was trying to achieve in the design. The Stool was a culmination of all that I was inspired by during the course.

FRONT

SIDE

BY THE STREAM, SELECTED PAGES Course: Undergraduate Thesis Instructor: Katie O’mera and Tim DeVoe Project type: Thesis Location: Baltimore Year: 2020 This project started as an exploration of forms in nature and evolved due to the COVID-19 Pandemic. After losing most of the resources that MICA offered, my thesis projected turned digital. It morphed into a building project inspired by the time I spent by my grandmother stream in Maryland. This project was a culmination of my interest in sustainability, art, sculpture, parametric design, and nature.

EROSION STUDIES, WATER AND THE DEVICE By the Stream. Statement: Incorporating architecture into the natural environment by creating a design inspired by water and adapted from nature. The building was a reflection of the time I spent by a stream near my grandmother’s home. The stream’s flow not only acted as an inspiration to my design but also as a tool that generated its form. “For a long time we thought we were better than the living world, and now some of us tend to think that we are worse...but neither perspective is healthy. We have to remember how it feels to have equal standing in the world, to be “between the mountain... part and parcel of creation.” -Janine Benyus

The eroded walls’ patterns inspired me to create a device that could capture erosion patterns created from the stream. The picture above is the first material test. After testing Clay and Salt, Salt proved to be the best option for the project. It gave me a consistent size block that I could use to construct rules. The device to the right was created from those rules.

I gave it an adjustable X and Y axis so it could apply to any location on the stream. The device was created to capture the steam’s eroded patterns. This fascination with the streams eroded textures initially captures my interest in doing this project. The picture above is that first material test. Click the photo above and the two images to the right to see the time-lapses.

Z-AXIS

L O C A T I O N 01 _ M O S S Y R O C K S

LO CAT I O N 02_ FA L L E N T R E E

LT K SA OC BL Y-

CREATING THE FORM

THE ROOF Through the use of grasshopper and parametric design technics, I designed a roof structure capable of adapting to different terrain scenarios. I envisioned that the roof would be separate from the building and be able to be utilized on any building typology. The building was a direct interpretation of what I thought could exist for the roof structure, the natural surroundings, and the devices I created to understand the natural environment in which I was engaged in.

R O OF ST R U C T U R E D E TA I L S K E TC H E S

WAT E R CO L L E C T I O N SYST E M D I AG R A M

THE STUDIO SPACE After losing access to all the equipment and supplies that my university provided due to the COVID19 Pandemic, the time I spent by the stream ironically did become my new studio space—resulting in this inspired studio space. This space is an open floor plan that can be opened up to the outside with sliding doors.

The different studio levels are represented as different terrain elevations; this gives a personal and unique experience for each separate studio. Like being “By the Stream,” water runs by your studio, which provides a tranquil experience for the space. The raw wooden beams represent the trees I stood under for protection and shade.

FIRST FLOOR/ ENTRANCE I chose to use rammed earth for the walls because it mimicked the eroded patterns I was interested in and utilized the dirt taken away from the ground that the building was sitting in. The spaces were divided into three sections studio-space, office, and fabrication, but all worked together as a whole. I wanted the area to mimic an oasis amid a desert.

• • • • • • • • •

PUBLIC WORK SPACE/ MEETING ROOMS GREEN SPACE PUBLIC SPACE/ EGRESS FABRICATION SPACE STORAGE D-FAB SPACE/ COMPUTER LAB LOBBY STUDIO SPACE OFFICE SPACE

GROUND FLOOR The waterfall and stream that runs through the space was inspired from the waterfalls I saw by the stream. This water supplies water to the vegetation throughout the space and utilizes the water that was collected from the roof. The ground floor space was designed to be a common area for all the spaces.

• • • • • • •

PUBLIC WORK SPACE/ MEETING ROOMS GREEN SPACE PUBLIC SPACE/ EGRESS PRODUCTION/ UTILITY SPACE STORAGE BATHROOMS KITCHEN

PROFESSIONAL WORK, SUMMER 2021 INTERNSHIP Firm: Atelier NY Architecture Principle: Ken Huges Project type: Residental Appt. & Commercial Location: Queens, NY Year: 2021 During the summer of 2021, I accepted an internship with Atelier NY Architecture. My time at this firm has honed my skills in Demolition and Construction Drafting, 3D modeling, Material board submissions, and dealing with a wide variety of collaborative projects. The selected projects are of demolition/construction documentation and Commercial material board submissions that I have created and work in.

F.E. FIRE ESCAPE

FIRE ESCAPE

APT C4

APT C7

APT C5

Atelier NY architecture

APT C6

F.E.

APT C8

21-34 44th Road Long Island City, NY 11101 www.atelierny.com / 718.707.9550

FIRE ESCAPE

APT C3

APT C1

APT C10

APT C2

APT C9

FIRE ESCAPE

F.E. WINDOW TO PROVIDE VENTILATION

EXIST. WALL TO REMAIN EXIST. CONST. TO BE DEMOLISHED NEW WALL. 58" GYPSUM ON METAL STUDS NEW 1-HR FIRE RATED WALL NEW 2-HR FIRE RATED WALL

KEY PLAN - FLOOR 3

F.E.

SMOKE/CO DETECTOR

S/C

NTS

WINDOW TO PROVIDE VENTILATION

LINDEN STREET

MECHANICAL VENT DUPLEX RECEPTACLE

GFI GFI RECEPTACLE

10'-9"

7'-6"

12'-7"

7'-3"

13'-9"

QUAD RECEPTACLE

8'-9"

BEDROOM

GAS METER

ELECTRIC PANEL

LIVING ROOM

INTERCOM

4'-1"

2'-3" CL

7'-8" SEAL

4'-9"

10'-6" 5'-5"

2'-11"

3'-2"

BEDROOM

15'-1"

KITTE 15'-1"

KITCHEN 13'-1"

BATH

13'-1"

7'-9"

TELEPHONE RECEPTACLE

BATH

APT 3C

WINDOW TO PROVIDE VENTILATION

36 LINDEN STREET BROOKLYN, NY 11221

544 SF CEILING:

FLOOR#

9'-3"

APARTMENT C3&C4 FLOOR 3 ISSUES AND REVISIONS

ORIG.

APT 4C 622 SF CEILING:

FLOOR#

9'-3"

03 DATE:

SCALE

1/4" = 1'-0"

13'-11"

FIRE ESCAPE

BEDROOM

11'-11"

SCALE:

DEMOLITION PLAN

XX.XX.XXXX

DRAWN BY: CHECKED BY:

xx.xx.xxxx 3/16" - 1'-0" CK AP

DEMOLITION PLAN

A-001.00

c COPYRIGHT ATELIER NEW YORK ARCHITECTURE PC

DOB

A10517

X of X

JOB NUMBER: 123456789 PLUMBING JOB NUMBER : 123456789 MECH. JOB NUMBER : 123456789

CONSTRUCTION DOCUMENTATION

EAST 80TH ST

DOB CAD filings for small scaled appts. in New york NY. Created using AutoCAD. Template and Project from Atelier NY Architecture. APT 1A

APT 1B BACKYARD

APT 1C

APT 1D

KEY PLAN - FLOOR 1

Atelier NY architecture 21-34 44th Road Long Island City, NY 11101 www.atelierny.com / 718.707.9550

EXIST. WALL TO REMAIN EXIST. CONST. TO BE DEMOLISHED NEW WALL. 58" GYPSUM ON METAL STUDS NEW 1-HR FIRE RATED WALL NEW 2-HR FIRE RATED WALL

NOT TO SCALE

SMOKE/CO DETECTOR

S/C

MECHANICAL VENT DUPLEX RECEPTACLE

GFI GFI RECEPTACLE

APT 1C

QUAD RECEPTACLE

307 SF

4'-7" CL

15'-4"

CEILING:

FLOOR#

8'-8"

TELEPHONE RECEPTACLE

GAS METER

ELECTRIC PANEL

WINDOW TO PROVIDE VENTILATION

INTERCOM

21'-10"

BATH 2'-10"

2'-7" CL

6'-5"

4'-10"

KITTE

5'-5"

3'-2"

LIVING ROOM

80TH STREET

BACKYARD

11'-5"

5'-5"

SEAL

APARTMENT 1C FLOOR 1

427 EAST 88TH STREET NEW YORK, NY 10075 ISSUES AND REVISIONS

ORIG.

DATE: SCALE: DRAWN BY: CHECKED BY:

04.01.2021

04.01.2021 1/4" - 1'-0" CK AP

DEMOLITION PLAN

A-001.00

DEMOLITION PLAN SCALE

1/4" = 1'-0"

c COPYRIGHT ATELIER NEW YORK ARCHITECTURE PC

DOB

A10517

X of X

JOB NUMBER: 123456789 PLUMBING JOB NUMBER : 123456789

APT 1A

BACKYARD

UP UP

APT 1C

APT 1D

KEY PLAN - FLOOR 1

EAST 80TH ST

APT 1B

Atelier NY architecture 21-34 44th Road Long Island City, NY 11101 www.atelierny.com / 718.707.9550

EXIST. WALL TO REMAIN EXIST. CONST. TO BE DEMOLISHED NEW WALL. 58" GYPSUM ON METAL STUDS NEW 1-HR FIRE RATED WALL NEW 2-HR FIRE RATED WALL

NOT TO SCALE

SMOKE/CO DETECTOR

S/C

MECHANICAL VENT DUPLEX RECEPTACLE

GFI GFI RECEPTACLE

ELECTRIC CONDENSING DRYER

APT 1C 307 SF CEILING:

FLOOR#

8'-8"

1'-2"

2' 65 SF

2'-6" CL

19'

NON-COMBUSTIBLE 12" DROP

UPPER CABINET w/ MICROWAVE OVER RANGE

5'-9"

GAS METER

ELECTRIC PANEL INTERCOM

1'-2"

BATH

4'-10"

KITCHEN

3'-9"

202 SF

WINDOW TO PROVIDE VENTILATION

2'-6" 4'

11'-5"

2'-2"

SILL HT: 4' WIN. HT: 3'-7" TYP: DH WIN. AREA: 4.2 SF

LIVING ROOM

2'-2"

TELEPHONE RECEPTACLE

DW UNDER SINK

6'-5"

EXISTING DOOR FRAME TO REMAIN INSTALL ELECTRIC STOVE

80TH STREET

BACKYARD

SILL HT: 2'-5" WIN. HT: 6'-1" TYP: DH WIN. AREA: 13.2 SF (x2)

15'-4"

4'-7" CL

QUAD RECEPTACLE

SEAL

APARTMENT 1C FLOOR 1

427 EAST 80TH STREET NEW YORK, NY 10075 ISSUES AND REVISIONS

ORIG.

DATE: SCALE: DRAWN BY: CHECKED BY:

04.01.2021

04.01.2021 1/4" - 1'-0" CK AP

CONSTRUCTION PLAN

A-101.00

CONSTRUCTION PLAN SCALE

1/4" = 1'-0"

c COPYRIGHT ATELIER NEW YORK ARCHITECTURE PC

DOB

A10517

X of X

JOB NUMBER: 123456789 PLUMBING JOB NUMBER : 123456789

MATERIAL BOARDS Newark Liberty Internation Airport Consessionair Designs: “Kitchen Step, Carlito’s Barbecue Taqueria, and Ess-A-Bagel. Collaborative Project, Renderings shown here were not created by me. Sheet

ORIGINAL SIGNED BY CHIEF

FIRE RETARDANT TREE BY NATURE MAKER (CASK & LARDER ORLANDO AIRPORT LOCATION SHOWN)

INITIAL DESIGN RENDERING (SHOWN FOR REFERENCE)

BLACK PENDANT LIGHT FIXTURE CB2 VEGA LIGHT, 33" X 12.5"

Tenant: Carlos Aguilera Master ConcessionAir 1200 NW 78th Avenue, Suite 400 Doral, FL 33126 T 305.871.0559 F 305.871.9323 www.mca-airports.com Owner Representative: Keean Bafekr, AIA KMBA www.kmbarchitects.com

Architect: Kenneth Hudes, Principal Atelier New York Architecture 21-34 44th Road Long Island City, NY 11101 T 718.707.9550

MEPF Engineer: John Guth, Principal Guth DeConzo Consulting Engineers, PC 242 West 30th Street, 3rd Floor New York NY 10001 T 212.967.4306 x20

CASCADE, FABRICOIL 1 (ALUMABRITE 4 " 19 GA SILVER TIN-PLATED STEEL FINISH SHOWN MESH, 71.9% OPEN FOR REFERENCE)

QUARTZ COUNTERTOP SILESTONE, WHITE STORM 14

COUNTERTOP BUTCHER BLOCK W/ POURED CLEAR EPOXY BAR FINISH

PAINTED GRAPHICS ON BRICK TILE TO MATCH PATTERN IN INITIAL DESIGN CONCEPT (IRA KHRONIUK)

KITCHEN STEP LOGO

TRANSPARENT GLAZING, VARIA ECORESIN W/ BEAR GRASS & ANTIQUE FLEUR INTERLAYER (50% FADE)

Kitchen Planner: John Requard Director of Food Service Design Singer Ashland T 443.833.3840 F 410.273.1859

1 No.

7/21/21 30% Submission Date Revision

Approved Approved

NEWARK LIBERTY INTERNATIONAL AIRPORT

PATINA STEEL FINISH WESTERN STATES METAL ROOFING, ANTIQUE RUSTIC SMP AT ROUND TUBES, FLAT SHEET (KITCHEN HOOD), & TUBE FRAME TRELLIS

SEAL

WOOD LAMINATE WILSONART, TAN ECHO PREMIUM LINEARITY FINISH, AEON SCRATCH RESISTANT

FAUX LEATHER UPHOLSTERY, APPLE ANTIMICROBIAL STAIN AND INK RESISTANT

ARCHITECTURAL

TITLE

EWR - MCA TERMINAL ONE KITCHEN STEP SPACE # 02.0350

WHITE BRICK WALL TILE 2"X 8", (MATTE IN EARLY GRAY)" (BEDROSIANS AVONDALE)

MATERIAL BOARD

AIRPORT TERRAZZO FLOOR SHOWN FOR REFERENCE TERRAZZO AGGREGATE: -RECYCLED EMERALD GREEN GLASS (50%) -RECYCLED CLEAR GLASS (30%) -MOTHER OF PEARL (20%) -RECYCLED COBALT BLUE GLASS (CUSTOM AGGREGATE FADE AT EXISTING AIRPORT TERRAZZO) -ALL AGGREGATE SIZE TO MATCH EXISTING AIRPORT TERRAZZO

POURED EPOXY FLOOR W/ 6" HIGH COVE BASE (38" RADIUS), LIGHT GRAY

WOOD-LOOK 41" PORCELAIN FLOOR TILE, 6" X 36" HERRINGBONE PATTERN, FLORIM, SELECTION OAK, AMBER OAK, MATTE

This drawing subject to conditions in contract. All inventions, ideas, designs and methods herein are reserved to Port Authority and may not be used without its written consent. All recipients of Contract documents, including bidders and those who do not bid and their prospective subcontractors and suppliers who may receive all or a part of the Contact documents or copies thereof, shall make every effort to ensure the secure and appropriate disposal of the contract documents to prevent further disclosure of the information contained in the documents. Secure and appropriate disposal includes methods of document destruction such as shredding or arrangements with refuse handlers that ensure that third persons will not have access to the documents' contents either before, during, or after disposal. Documents may also be returned for disposal purposes to the Contract Desk: 2 Montgomery Street - 1st Floor, Jersey City, NJ 07302 or the office of the Chief Procurement Officer, 4 World Trade Center, 21st Floor, New York, NY 10007. It is a violation of law for any person to alter a document in any way, unless acting under the direction of a licensed professional engineer or registered architect. If this document bearing the seal of an engineer/architect is altered, the altering engineer/architect shall affix to the document their seal and the notation "altered by" followed by their signature and the date of such alteration, and a specific description of the alteration.

POURED EPOXY TERRAZZO FLOOR W/ COVE BASE (SHOWN FOR REFERENCE, SEE AGGREGATE %)

7/21/21

TAA Number

NR-4199

Drawing Number

MATERIALS

Sheet

CARLITO'S BBQ TAQUERIA LOGO Tenant: Carlos Aguilera Master ConcessionAir 1200 NW 78th Avenue, Suite 400 Doral, FL 33126 T 305.871.0559 F 305.871.9323 www.mca-airports.com Owner Representative: Keean Bafekr, AIA KMBA www.kmbarchitects.com

ESS-A-BAGEL LOGO Architect: Kenneth Hudes, Principal Atelier New York Architecture 21-34 44th Road Long Island City, NY 11101 T 718.707.9550

W3 CARLITO'S ART AT GARDEN STATE PLAZA (SHOWN FOR REFERENCE)

GLULAM, FIRE TREATED 3 81" X 8 41" SUSPENDED FRAME

FIRE RETARDANT, ARTIFICIAL IVY HANGING FROM SUSPENDED FRAME

MEPF Engineer: John Guth, Principal Guth DeConzo Consulting Engineers, PC 242 West 30th Street, 3rd Floor New York NY 10001 T 212.967.4306 x20

LIGHT WOOD ROLLING PINS HANGING FROM SUSPENDED FRAME

CARLITO'S MURAL AT GARDEN STATE PLAZA (SHOWN FOR REFERENCE)

Kitchen Planner: John Requard Director of Food Service Design Singer Ashland T 443.833.3840 F 410.273.1859

1 No.

7/29/21 30% Submission Date Revision

Approved

NEWARK LIBERTY INTERNATIONAL AIRPORT

CARLITO'S RECLAIMED BUTCHER BLOCK COUNTER TOP

CARLITO'S DINING CHAIR & CAFE STOOL BLU DOT, HOT MESH, YELLOW (SHOWN FOR REFERENCE)

ESS-A-BAGEL DINING CHAIR & CAFE STOOL BLU DOT, HOT MESH, WHITE (SHOWN FOR REFERENCE) SEAL

ESS-A-BAGEL COUNTERTOP BLANCO ORION, SILESTONE

ESS-A-BAGEL GREEN SUBWAY TILE WESTERN STATES METAL ROOFING, ANTIQUE RUSTIC SMP AT ROUND

ARCHITECTURAL

TITLE EWR - MCA TERMINAL ONE ESS-A-BAGEL / CARLITO'S TACOS SPACE # 02.0360

MATERIAL BOARD

CARLITO'S CORRUGATED STEEL SEALED, LIGHT SEMI-RUSTED

BOH POURED EPOXY FLOOR W/ 6" HIGH COVE BASE (38" RADIUS), LIGHT GRAY

CARLITO'S RECLAIMED WOOD CLADDING 1" x 8" x 16' SHIPLAP BARNWOOD, RUSTIC BROWN FIRE TREATED

CARLITO'S EPOXY TERRAZZO TILE TECTURA, SST14 SOLE, 3.5" BY 8" TILE (CEMENT. TERRAZZO SHOWN FOR REFERENCE)

ESS-A-BAGEL WHITE EPOXY TERRAZZO TILE TECTURA, KRG703, 3.5" BY 8" TILE

Date

ESS-A-BAGEL WHITE SUBWAY TILE WESTERN STATES METAL ROOFING, ANTIQUE RUSTIC SMP AT ROUND

7/22/21

TAA Number

NR-4220

Drawing Number

MATERIALS

THANK YOU. Collin Kroll ckroll@mica.edu 5616030624

Undergraduate Architecture Portfolio - 2020

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Undergraduate Architecture Portfolio - 2020