Seeing Throught the Layers by Clarity Artists

The Alchemical Rede Magazine

Seeing Through the Layers

By Clarity 1

2024 January 21 Issue Seeing Through the Layers Introduction: Visit yourself in a new reality, and look through a spacialized vision of awareness.

Seeing Through the Layers Waking up to yourself provides such a renewal of energy, that when you realize that the incoming positive energy is for you, then your relaxed body can carry you through the day with much more ease.

How do we nd the ease, how do we nd the positivity, how do we wake up to ourselves? All great questions with answers spilling over the threshold and onto the oor. Pick up what interests you the most, and you’ll be headed in the right direction.

There are so many layers to living, that when you are young, you don’t get to hear about much of it, like there are many chapters to a life, and the more you are willing to grow, the more you grow.

Seeing through layers, a mysterious act of its very own, allows you to stay connected with what is right in front of you, that you might not otherwise see, but with a little assistance, comes into view. 5

Fey, the Fey are excellent at helping you nd your way through the forest of Trees. What you rst believed, you still believe, it’s just that so much of it has been knocked/ locked out of you, that its not easy to nd.

When there are reasons to believe again, believe in something more than less, then you have a chance at coming into your own true self again. What was allowed, then no longer allowed, you can allow for yourself again.

It’s a matter of seeing through the layers. Childhood is never evaporated from within you, but it can be severely diminished, and in order to retrieve it, you must retrieve yourself.

The Red Thread of Pulse and the Mother Tongue are the imagined course of action. Your Papered Awareness sees through all the folds, bends, creases, and the curves and turns that are available as you travel. 7

Make peace with the t you are having inside for not being allowed to fully feed the child self. Make way for the passage from adulthood to Child Selfdom, the realm and kingdom of Sovereignty.

Counting the layers can take too long, which is why the Fey are there to assist. So, you’ve gotten up, you’ve paid attention to the Sun, the light in your room, the temperature of the air, and you’ve decided to make a day for yourself.

No longer wanting the creative nature, that is so natural within you to languish, you make a space, mark a spot, claim a corner and start.

It doesn’t get any better than that, to start has all the earmarkings of cabbages and kings, pirates and musicians, artists and writers. You simply turn yourself to the right, it’s the second star(t).

The geomatric lineage will guide you, like an invisible hand, and as the layers move, you will soon see the parting of veils and the opening of heart motivated language, letter and number.

Speak the breath of what you hear, speak the language that goes beyond what you knew, to what you know. Count the available as ally, and seek the encountered, so that what you nd is what you were hoping in all your need, want, and desire.

Mounting the horse of your own power, you can jump the obstacles and astound even yourself. Your Child Self is ready and so are you, watch as you merge yourselves into the whole person you have always been growing into.

We map the course and navigate the ease, by dissolving the contractive nature of limit and duality. The trinary evolvement allows for what is larger than you to become companion and ally to your own adventures. 11

To circumnavigate yourself is to get a much broader view of the radius travel. The Wedded Circumference is so realtionshipial to the center, that the dot, the photon, the zero point, that when you travel inward, you bring yourself into compliance with the area needed to chart course.

The numbers, letters, shapes, and sounds all converge to make way for the imaginal realm to emit light and penetrate consciousness. 12

We are the ease of this occurrence, and the reach of light that tips the scale and rings the bell, and keeps the motion in constancy.

What Magic we bring, was with us all along, and now that the Door is opened again, there is no bottling the cork, so it’s time to unpack the paints and brushes, get out the pencils and crayons, the cray-paz and water colors. 13

Create, create, create, a mantra for this time, as the axis rotates towards the dissolving of duality and the uni cation of the creative arts, born through the Red Thread and the Language of the Mother Tongue.

No other sound will reach as far, or as deep, and with these two, the Pulse will run true. As you allow the Child Self to believe in the Fey, they will make ready the foot that you own, to step easily through the Door.

Funneling through the spaciousness of a moment you begin to see the ferociousness of time. All that there is, all that has been, is just the beginning, and Time sees it as only a second.

The most spontaneous is the quickest beat, it does not have to channel through doubts, hesitations, and the wrong of every direction. 15

It gives most over before it even starts. The more awareness one has, of the ferocious layers within one moment, one becomes aware of the layer of potential that waits to awaken impossibility.

The colored movements, of the essence of motionary vividness, is brought forward to the mind. When the accountment is made available to the precious of invitation, there is a door that opens, and this door is layered with the potency of walk through. 16

The more layered the potency of walk through is, the greater the invitation. What comes to the door, and what walks through the door are two di erent vibrations.

The most culinary can be assimilated, the most written can be worded and documented, the most felt can be emotional into life.

As the momentum of speed becomes the very layers of one’s own potency you begin to realize that nothing is just is. The velocity of weight is the current mattered into thin layers of social dynamics that enter and relate life as paper thin expression.

While the most of fact is considered one thing stacking soundly on another, and we occupy our time with this mediocre division, and we miss the curve. 18

The curve, where the stack reaches out to the empty and wraps around it. The other meets the other, and there is another that watches.

The fold and the thin account for this cubical familiar. When we are marked more by decision, that is spontaneity, we are familiar with the whole stacking and its resonant curve.

Within the written equation of what is, what was, and what will be, we are more inside the equation of the motionary reach.

What is found in this kind of time is more space, and the space gives you another full potentiality of leverage. The making of part is all within the layers of stacking potency, and all the potentialities can slide through. 20

When we lean into the substantial of our being, we can build in a whole di erent way, we can mark in a whole di erent way, we can resonate in a whole di erent way, and from this the future is built more substantially from the spontaneous initiative.

The square of every square is cornered with respect, and the binding ways of past are loosened, so that a world can be substantially made lighter with levitation, in its motionary being.

To make what is heavy and dense, lighter and more seen through, creates a world that allows the vision to potentize its meaning. 22

The fully ceremony, within the ritual of Sacred, is part of now, the deciding factor. All is All and the part to whole is salvaged in many more ways.

As the folding happens, the measuring speeds up without judgment, and is spontaneously put into place, as part of the motionary volume, instead of the hindering factor. 23

One equal deposit replaces the missing factor, and the whole is coupled with itself. Reach to the reach, and feel reached, touch into the touch, and feel touched, pour into the poured, and feel poured, resonate into the resonated, and feel resonant.

We are the reacher that missed itself, and felt without, we are the potent that potentized itself and felt ready, we are the speaker that spoke into itself and felt initiated, we are the initiator that initiated into itself, and felt full wide, and felt circumference. 24

As the curve curves, and we regain our perspective, and square the root to the Tree of Life, we are able to proceed without cause, without encumbrance. The ease initiates the passage itself, and we are lead through by our own curiosity.

Gathering up the layers that made up our childhood, and relegating the present to the past, we are able to leap into the future and see how its done. We are not done here, we are only just now really beginning. 25

What was taught of time, was conjecture, what was given of time, by Charles Lutwidge Dodgson (Lewis Carroll), was very close to the actual starting spot of imagination’s relativity to reality.

Making the marks count, and the numbers add up, and the letters make sense, is reason enough to continue on this trail of tidbits, crumbs in the forest that lead you out, birds willing. 26

What goes for there, nally there, is many times just here, and here is usually here and now, and now can be rather ckle, especially when trappings of just right are hanging all over it.

Sit on your own nest, counts as Home, and if you have a greater sense of Home than what you earlier had, then count yourself lucky.

Layer by layer, we succumb to the ease, we relax into the unfolding factors that make up the rising sun, as it plants itself in our face, and we ourselves rise to make our way forward.

Our foot steps intuits (into its) own space and nds not only itself there in the here and now, but also in the between of night and day, where past and future make a vortexual abyss that we step over or into.

The stories and the equations all come out of the Rooted Mycelial Network beNeith your feet. How you got here is the magic that you never forgot, and the layers you fell through.

From one Rabbit to another, each rst day, of the last day, of the month before, is just another layer to the month, that next takes place, and the counting of seconds, minutes, hours, and the like, where even days are counted in, manage to tell all the stories you’ve ever heard that start with Once Upon A Time.

Grandfather clocks stood near the door in the entryway, while Grandmother clock sat on the mantle in the parlor. Grandfather clock told about the time of out there, where nobody really listened and were always too busy, while grandmother clocks told the stories of how and why and when and what, they had all the real news to tell.

What and how, and where and when, you listen to time, makes all the di erence in the world. And to learn to tell time by someone who has been down a rabbit whole, is to, well, be inside time itself, and ready to jump, and leap, and hop, wherever is most needed to keep up.

Equationally it is called for, that you suspend yourself, the one you hold in just a certain way, and go gather up the things you dropped along the way, only the things that make you more, leave the things that make you less.

And occasionally you nd that what you thought you were, you were being because, and though because can sometimes be a great way of knowing some things, because is not always the way to know everything.

Let’s review, when you were rst rst, you became only you, until another showed up and you became more than just you, you became two. You were never numbered, numbers are themselves, and you were never lettered, letters are themselves. You are now beginning to get the picture.

We are invited into this layer by layer, in the center of what is felt as things, is really a moving glossary of a new way of thought, that opens up doors to drawers to causes, to rooms.

The most whispered points of reference are kept secreted away, so that the nuances held with the layer of light are triggered less by complicated folds. The frailties of space are ministered to by the most rare of decisions, that come from the forest places of the unknown.

These are like diamonds in the rough and we carry them into faceted layers of sight. What is life is much more fasted than we realize and the more spontaneous we are the more layers we see and the quicker they facilitate the beauty of our imagination.

The particularization of realization opens to the query, and new sight levels create a new visionaization of distance, and can renew and create a new dimensional wealth of manifestation that is more spontaneous and inside the ow of a new reality. 34

Closure: Up and over the walls of no sight, into a place that sees everything in a moment of spontaneity.

Publishers: Su.Sane & Robert Hake, Clarity